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My kinderjare was
Soetsappige drome
En ek het weggesluimer
Agter suiwer onskuld,
Met ń krag van geloof
Wat my oortuig het dat
My God ook jou God is...

Dat elke pad ń onnodige
Veiligheidsgordel verg
Dat elke beursie ń oneindigheid van R20
Note besit het en dat
Elke graf leeg was na die derde dag

Dit was deur die verskillende stadia van bogenoemde
Uiltjies knip wat my
Tot die meerderheids
Besef van addolosensie gebring het.
Selfs al het ek teen ń
Eksponensiële spoed
Ń volwasse begrip ontwikkel
,Was my redenasie oor die
Hiernamaals nog vaag
Met slaap in die oog

Eers toe daar een
langs my Val
En tien aan my sy
Het die drakoniese deun
Van die doodswek my
Uit my snoesige slaap geruk.

Met elke groef wat nuwe
Paaie teer vir my trane,
Elke silwer randjie wat
Lostrek van die donker wolke
En op my hoof kom rus
Soos die koue staal
Van ń koningin se swaard
Wat my inlyf in die
Sidderende realiteit van grootword en lewe

Nou is die droom verby
Nou staan ek op
En vrees om plat te val...
Ek oes en saai
Met ń bekommernis of my ploeg iets sal maai...
Nou word paaie ń lang gebed
Ter beskerming van my hart
Wat ek so maklik uitdeel
En beursies ń kommoditeit
Wat skree van die honger
Soos die mense van ń land
Wat al sy geloof verloor het...

Nou brand die sand my voete
En die seesout droog my vel...
Nou word wraak ń amp
En liefde ń kombinasie
Van gifte en giwwe
, maar ek sal nooit weet
Wanneer is dit wat nie...

Nou word lewe ń gebed.
Ek het ophou my
Kinder rympies sê,
Nou bid ek pynlik swaar
En hoop dat God
Nog genade vir my en
vir jou Sal hê

Amen
Lawrence Hall Oct 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                   Beowulf and the Danish Passport Officer

                     From a recently discovered manuscript

The clapped-out Boeing         wheezed to the gate
The ground crew jumped                 name-tags rattling
And swiftly moored                 the shining ocean-bird

Behind his plastic shield                 a Danish official watched
The travelers approach         their passports raised
He stood peeking down         at the naughty selfie
His girlfriend sent         to his bold smart-phone
Shaking his rubber stamp                 he spoke:

“What is                 the purpose of your visit?
Business, or pleasure?                 Hwaet! I’ve stood
At this same gate                 longer than you know
Keeping our gift shops free         from British footer hooligans
No commoner carries                 such fine matching luggage
Unless his Rolex                 and his boyish good looks
Are lies                         You! Tell me your name
And your home address         and your email!
The quicker the better                 I’m off-duty in ten minutes.”

Beowulf answered him          Unlocking his smart-phone:

“We are the Geats           the mighty, mighty Geats!
Men who follow Malmo FF           Malmo FF the great!
And we have come seeking           Parken Stadium
Greatest of all stadia                   Its shining seats polished
By cheering generations                   of fat-full footer fans
We have come to cheer           Malmo FF
While they whup up on           Dansk Boldspil Union
Instruct us, watchman                   Where is the stadium
But first, where is the beer?”

                          The worthy officer
Answered him boldly:

                          “A true fan knows
The difference between           fighting on the field
And puking in the stands                   and keeps that knowledge clear
In his beery brain                   I believe your babbling
Go forward, credit cards and all           on into Denmark
Spend your money!                   Our exchange rate is generous!
And then go home bearing our love           while we bear your money.”

(Stamp, stamp, stamp)          “Tram stop to the left
Taxis to the right”

(Scholars everywhere will regret that here the burnt and torn manuscript breaks off.)
As written the caesura are physically divided in each line; electronic transmission might scramble them.
Johnny Noiπ Jan 2019
Odysseus and Calypso in the caves of Ogygia.
Painting by Jan Brueghel the Elder 1568–1625
Ogygia /oʊˈdʒɪdʒiə/; Ancient Greek: Ὠγυγίη
Ōgygíē [ɔːɡyɡíɛː], or Ὠγυγία Ōgygia [ɔːɡyɡíaː]
is an island mentioned in Homer's Odyssey,
Book V, as the home of the nymph Calypso,
the daughter of the Titan Atlas, also known
as Atlantis Ατλαντίς in ancient Greek.

In Homer's Odyssey, Calypso detained Odysseus
on Ogygia for seven years and kept him
from returning to his home of Ithaca,
wanting to marry him. Athena complained
about Calypso's actions to Zeus, who sent
the messenger Hermes to Ogygia to order
Calypso to release Odysseus. Hermes
is Odysseus's great grandfather on his mother's
side, through Autolycos. Calypso finally,
though reluctantly, instructed Odysseus
to build a small raft, gave him food and wine,
and let him depart the island. The Odyssey
describes Ogygia as follows: ...and he Hermes
found her within. A great fire was burning
in the hearth, and from afar over the isle there
was a fragrance of cleft cedar and juniper
as they burned. But she within was singing
with a sweet voice as she went to and fro
before the loom, weaving with a golden shuttle.
Round about the cave grew a luxuriant wood,
alder and poplar and sweet-smelling cypress,
wherein birds long of wing were wont to nest,
owls and falcons and sea-crows with chattering
tongues, who ply their business on the sea.

And right there about the hollow cave ran
trailing a garden vine, in pride of its prime,
richly laden with clusters. And fountains four
in a row were flowing with bright water hard
by one another, turned one this way, one that.
And round about soft meadows of violets
and parsley were blooming... Calypso's Cave
in Xagħra, Gozo. According to Maltese tradition
this was the cave of Calypso and Odysseus.
Ogygia or Phaeacia have been associated
with the putative sunken Atlantis. A long-standing
tradition begun by Euhemerus in the late 4th
century BC and supported by Callimachus,
endorsed by modern Maltese tradition, identifies
Ogygia with the island of Gozo, the second
largest island in the Maltese archipelago.
Aeschylus calls the Nile Ogygian, and Eustathius
the Byzantine grammarian said that Ogygia
was the earliest name for Egypt, while other
locations for Ogygia include the Ionian Sea.
Many modern scholars are reluctant to place
Ogygia or indeed any of the locations Homer
describes in any existing geography,
and the literary tale is acknowledged
as a work of fictional mythical intent.

                   Geographical account by Strabo,
Approximately seven centuries after Homer,
the Alexandrian geographer Strabo criticized
Polybius on the geography of the Odyssey.
Strabo proposed that Scheria and Ogygia
were located in the middle of the Atlantic Ocean.
At another instance he Polybius suppresses
statements. For Homer says also, 'Now after
the ship had left the river-stream of Oceanus',
and, 'In the island of Ogygia, where is the navel
of the sea', where the daughter of Atlas lives;
and again, regarding the Phaiakians, 'Far apart
we live in the wash of the waves, the farthermost
of men, and no other mortals are conversant
with us.'All these clearly suggest that he composed
them to take place in the Atlantic Ocean."

Geographical accounts by Plutarch also give
an account of the location of Ogygia: First I
will tell you the author of the piece, if there
is no objection, who begins after Homer’s
fashion with an isle Ogygian lying far out at sea,
distant five days’ sail from Britain, going
westwards, and three others equally distant
from it, and from each other, are more
opposite to the summer visits of the sun;
in one of which is the barbarians' fable that
Cronus is imprisoned by Zeus, whilst his
son lies by his side, as though keeping
guard over those islands and the sea,
which they call ‘the Sea of Cronus.’

The great continent by which the great
sea is surrounded on all sides, they say,
lies less distant from the others, but
about five thousand stadia from Ogygia,
for one sailing in a rowing-galley;
for the sea is difficult of passage
and muddy through the great number
of currents, and these currents issue
out of the great land, and shoals are
formed by them, and the sea becomes
clogged and full of earth, by which it
has the appearance of being solid.
The passage of Plutarch has created
some controversy. W. Hamilton indicated
the similarities of Plutarch's account
on "the great continent" and Plato's
location of Atlantis in Timaeus 24E – 25A.

Kepler in his Kepleri Astronomi Opera
Omnia estimated that “the great continent”
was America and attempted to locate Ogygia
and the surrounding islands. Ruaidhrí Ó
Flaithbheartaigh used Ogygia as a synonym
for Ireland in the title of his Irish history,
Ogygia: Seu Rerum Hibernicarum Chronologia
"Ogygia: Or a Chronological Account of Irish Events"
Ogygia is associated with the Ogygian deluge and with the mythological figure Ogyges, in the sense that the word Ogygian means "primeval", "primal", and "at earliest dawn", which would suggest that Homer's Ogygia was a primeval island. However, Ogyges as a primeval, aboriginal ruler was usually sited in Boeotia, where he founded Thebes there, naming it Ogygia at the time. In another account of Ogyges, he brought his people to the area first known as Acte. That land was subsequently called Ogygia in his honor but ultimately known as Attica.
EWERE ASAKA Oct 2015
More grease to your elbows
We say, I hear
Why not? Why not?
More paraffin to your elbows

We will go on a honey-moon
We say, I hear
Why not? Why not?
We will go on a sugar-noon

Full-stop
We say, I hear
Why not? Why not
Fool-stop

Slap slapped, sleep slept
We say, I hear
Why not? Why not?
Slap slapped, sleep sleeped
I own ten sheep and fishes
We say, I hear
Why not? Why not?
I own ten sheeps and fishes

He is going to three stadia and banks
We say, I hear
Why not? Why not?
He is going to three stadiums and banks

Tall, taller and handsome, more handsome
We say, I hear
Why not? Why not?
Tall, taller and handsome handsomer

Give him his book, and give her, her book
We say, I hear
Why not? Why not?
Give him, him book, and give her, her book

Shall, should and must, must
We say, I hear
Why not? Why not?
Shall and should and must, mould

This world of nays and yays
We say, I hear
We say, I hear
This world of ups and downs

This crazy world of English
Why not, why not
Why not, why not
Where I am so proud to be an alien.
Olivia Kent Jun 2014
They're sticky you know,
so sticky and hot,
they boot the ball with all they've got,
management in full attendance,
dressed in suits and floppy hats,
the England players,
such poor little fellers,
only used to British weather,
they drip as they stick to the pitch,
playing football in this weather,
hell must be such a *****,
these poor chappies can't wear sun hats,
or lay on mats,
acquiring a tan.

Who do we think will carry the cup?
well probably not us,
the founding nation of the game,
in temperate Britain,
always the same,
In England they may have  stood a chance,
but in subtropical stadia,
it's all a merry dance!
(c) Livvi
Paul Butters Apr 2020
As I walk out of my door
A clichéd cacophony of birdsong
Surrounds me with beauty
And uplifts my soul.

Yet we humans too love to sing
And play those instruments:
Creating lullabies, arias, symphonies,
Serenades and rock and roll shows.
To name but a few.

Angelic choirs in lofty minsters,
Lifting us up to the stars,
Embracing God in Heaven.
Heavy metal bands
Thrashing out thunder
In stadia seething with singing fans.
Brass bands too: trumpeting and rumpeting
In a crescendo of sound.

Hear those trembling triangles and sublime wind chimes.
Feel those bouncing drums.
Twanging, sweeping, swooning
Plucking, soaring, crying
Guitar.
Tinkling pianos and weeping violins.
Whole orchestras of mind-blowing sound,
Welsh rugby crowds
And the Liverpool Kop.

Magical music:
From spiritually haunting
To simply getting laid.
Bringing out the animal in us:
Passion and desire
Raw emotion
Or else the supernatural
Ethereal skyscapes
Sometimes sheer dread
And horror.

Watch any good film:
The musical score is everything:
“Star Wars”, “Gone with the Wind”, “******”
“Battlestar Gallactica”, “Ben Hur”…
Beethoven, Mozart, The Beatles
The Stones, Queen, Genesis…
So much to love
Chuck Berry and Elvis
Rocking and rolling and reeling
And stealing our minds away.

So let’s get singing
And dancing
And banging those drums,
Flexing our plectrums
To make one helluva
Noise.
Let that magical music play
For Ever.

Paul Butters

© PB 10\4\2020.
Let Us Play...
Sudzedrebel Feb 14
"Jesus, son of Stada, is the Jesus, son of Pandira?"

Rav Hisda said, "The husband was Stadia and the lover was Pandora. His name was Spartacus & her name was Pythia."

"But was not the husband Nicodemus, son of Socrates and the mother Juno?"

"No. His mother was Raet-Tawy, who let her hair grow long and was called Maccabees." Maacah says about her: "She was unfaithful to her husband."

"But what of the roots of his tree?"

"The fruit that you see be not enough?"

"What of that which still eludes me?"

Do you still wonder?
Not satisfied enough?
Johnny Noiπ Feb 2019
Periods and orders with their intervals
in modern notation Archimedes called
to the myriad (μυριάς - 10,000), and
by utilizing the word myriad itself,
one can immediately extend to this
naming all number up to a myriad
myriads (108). Archimedes called
the first up to 108 "first order", calling
108 · 108 = 1016. This became
the "having of the third order",
that multiples After having done this,
Archimedes called the orders he had
defined the ordest of the first period ",
and the third order, and so on. Last one,
the "unit of the second period".
He then constructed the orders
Continuing in this way, I eventually
arrived at the orders of the myriad-myriadth
period. The largest number named
by Archimedes was the last number,
which is another way of describing
This number is a one followed by
(short scale) eighty quadrillion (80 · 1015)
zeroes. Archimedes' system is reminiscent
of a positional numeral system
with base 108, which is remarkable
due to the ancient, which employs 27
different letters of the alphabet
for the units 1 through 9, t 10 10 = 10 10 10 = 10,
necessary to manipulate powers
Remember unmoved while the Earth
revolves of the universe of the universe
of the universe of the universe
of the universe of the size of the Sun.
In Archimedes 'own words: His [Aristarchus']
hypotheses are that the Archimedes,
Aristarchus did not state how far the stars
in the Earth. The Universe was spoken
This ratio of the Earth was no bigger
than 300 myriad stadia (5.55 · 105)
Put in a ratio: In With radiance = 0.45 °
with With more than 1014 stadia
(in modern units, With these measurements,
with 2 more light (moon that the angular
diameter of the Sun, as seen from
the Earth, was greater than 1/200
of a right angle years), and With
these more than than 1063 grains of sand
to fill it. each grain of sand in Archimedes.
EssEss May 2020
There is always an unending stream of visitors to Italy's Pompeii,
A standout aspect that can't be missed by the tourist's discerning eye,
You brace yourself for an exciting, informative tour of the site,
Whilst being aware of it's agonizing history, that is so contrite

It is like an open book on Roman civilization in medieval times,
With glimpses of their lifestyle still apparent thro' passage of time,
Tragic that the glorious town was buried by Vesuvius' volcanic ash,
Whose unique non-hard nature left the town almost intact

The sprawling impressive Amphitheater construction is nothing short of grandiose,
Aesthetically and geometrically designed, with considerable poise,
Hosting of circus shows and gladiatorial games was apparently a regular feature,
Adding to entertainment and joy for the town's populace in no small measure

That the Romans had vivid imagination in planning and construction is never a moot point,
The Amphitheater having a velarium provision is proof enough to drive home the point,
Staggered cascaded seating systems showed social classes prevalence even during those times,
While the accessways to the seats are strikingly similar to those in stadia in present times

Paved with marble blocks, the majestic Forum stands out as an architectural marvel,
Once a bustling main square with a multitude of activities for our minds to unravel,
Surrounding buildings, porticos, temples and basilicas indicate an epicenter of activity,
It is as if the pompous thoughtful design of the layout was a lesson to educate posterity

As the town's highest God, the Temple of Jupiter is a towering structure on the north side,
Flanked by the Macellum - the town's large provision market on the east side,
Justice administration and business negotiations took place in the Basilica on the south side,
The magnificent Temple of Venus made of concrete and lava stones, housed the west side

The Temple of Apollo remnants stand out in magnificent splendor,
Reportedly it was considered the town's most religious epicenter,
The fusion of Greek and Italian architecture is a virtual standout,
It's white marble altar with Latin inscriptions are a lot to rave about

The Forum Baths behind the Temple of Jupiter depict meticulous attention to designing,
Luxurious options of cold, hot and tepid baths provide glimpses of detailed planning,
Hot water circulation through imbedded pipes in wall cavities was truly ingenious,
That the Baths also incorporated a toilet, pool and gymnasium; was pure genius

Remnants of houses ranging from modest dwellings to magnificent villas were truly insightful,
The social class divide of houses of simple workmen from the elegant noble was clearly meaningful,
Varied improvements in style and layout as the middle-class evolved, was very discernible,
Thro' additional rooms replete with embellishments and decorations, making it so perceptible

Pompeii's rich pictorial heritage is a classic example of the famous Roman art,
Full of color and life, the paintings were chosen to make the rooms appear less dark,
Incremental stylistic shifts in the paintings ranged from the realistic to inspirational,
Reflecting the prosperity and tastes during those times, in no way considered fictional

Stunning mosaic ornamentation in buildings depicted battle scenes, animals and human faces,
Rich in imagination with a flair for detail in houses and even laundries, to state a few places.
Adorning floors and walls, the mosaics display considerable clarity and a sense of purpose,
As if the artists sought to portray battles and philosophical thoughts with pointed focus

Inscriptions and graffiti that abound the walls of houses are worthy of note,
Seemingly indicating electoral propaganda messages urging citizens to vote,
Graffiti correlated with scrawled caricatures, messages and jokes on disparate subjects,
That also included calculations on buying and selling of merchandise for many projects

A visit to the ruins makes one experience a kaleidoscope of emotions,
You leave with an inescapable mix of feelings of fascination and adoration,
Visitors have the opportunity to see how a medieval town was built and dwelt,
An experience that goes beyond the whole nine yards, to know how it is felt

— The End —