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harlon rivers May 2018
(a travelogue)

He stared down through
the unbroken silence
lapping the shoreline
Water skippers dart around
the rocks and windfall driftwood
settled juxtaposed in cattail reeds
and emerging broadleaf sprouts

A petrified heartwood timber
lie fallow waiting bare barked,
hushed like a pining lover’s
     timeworn love seat,
     rubbed smooth as
     the crystalline waters
     of  half-moon lake

Lingering for a while  ―  
like a hidden stalker,
a perched wildcat waiting
for the full moon’s  
swooning spell to saturate
the thickening dusk quietude;
     arousing the urgent
     call of the wild —
exhaled from the held breath
of the wilderness nocturne
    on half-moon lake

The stillness was scattered
with the soft downy hairs
of the sleeping cattails,  and
the newly shed catkins
a spring gust bestrewed
from a tall resin birch tree
nigh the Sitka willows

     He  sat  quietly ...
     time out of mind ―

tossing his eyes up into the sky;
taking the time to read the stars ―
catching  them  each  again
as they fell into his gentle hands,
to show him who he was

Seeing their sparkly tracers  
trail-out above the cattails,
     from a distance
they resembled falling stars
unable to perceive their own renaissance ―
plashing lightly upon the still-water
     on half-moon lake

A lone shadow glides stealthily
near mid-tarn,.. swimming  
enchantingly with the grace
     of a blackswan
Appearing to glance shoreward
at the glowing low stars
rise and fall, as his eyes
twinkled skyward over
     the moonlit lagoon ―
heavenward of its moonlit ballet;
the lone sleek dark shadow
     slipping through
     a faint circular ripple
stirring the smooth as glass waters ―  
disappearing like a fleeting moment
     waning deep aneath
     a subtle silent wake.

When all the clear lines blurred,
he knew it had been so long ...

     but hearken !
… an interceding
     long drawn out wail  
     echoed  a feral ache
     across the stillness,
     breaking the silence ―

as the shadow reappeared;
     his tears surrendered
to the undulating call of the wild;
he felt the spirit of the sole Loon,
     as black and white
     as the moonlit night,
stir deeply in his wanting heart ―
     lay bare the silence
in lengthy yodeled psalms
to the god of the moon

Diving down deep yet again,
keeping the light he’d been given,
vanishing into the lifespring
sanctuary of half-moon lake


harlon rivers ... May 2018
travelogue: 4 of some more
Notes: i'm certainly aware i've not been here as often and active as i once was. **** happens and so does life, and it will ... so much so, the travelogue chronicles felt worthwhile for a moment, the first 4 were from the 1st 3000 mile leg of a 6000 mile and 6 month round trip road-trip journey ―

All apologies to those that found the length of my work tedious.   When i've tried to make the ink go other than where and how long it flows naturally ― i fail and stifle, paused in my own sown silence.   Too predictable to continue to ignore ― peace
The Lotos-Eaters

by Alfred, Lord Tennyson

"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.

A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.

The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.

Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.

They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."

   Choric Song

        I

There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.

        II

Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?

        III

Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.

        IV

Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.

        V

How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!

        VI

Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.

        VII

But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.

        VIII

The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little ***** behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.

Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.

Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me.  He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas.  The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky *******
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
Robert Clapham Oct 2009
True tangled Gordian thoughts entwine
Amid labyrinthine paths that wind
Sliding sledding serpentine
To assay value and extent
Braid a mind a shoreward end
Seeking weeping thrashing send
Infused with knowledge deep and sound
A consciousness cogitabund
Within the portals self confined
Disconnected judgements breed
Diffuse journeys often made
To darkened places
Where no light
Of vision lucid sparkling bright
Will penetrate and seem so safe
Writhing heavy leaden womb
Elusive dissolute abound
Reclusive and so moribund
But in the darkened space there seems
A distant tendril sparkling white
A reaching focal point to strive
To make that leap
Great grasping bound
Wrapping arms so safe around
Clasping forgone lines abandoned
Sublimating impasse upward
Strength of purpose
Welling forward
Great eruption spewing outwards
Lava flowed eureka moment
Spreading outwards
Flowing downwards
Cogent sentient live born
Brewed in darkness
Drinks the bright
With clarity and strength unite
Dazzling brilliant shining moment
Cleft asunder glorious light  ....!
©2010 Robert Clapham
Adam Mott Nov 2014
What is it that drives us forward
Shoreward
As we settle in our new home
Sea foam
Do you enjoy the vast white snow?
No
England is your residence now
Take a bow
Culture shock still rocks you now
Ow
You miss the warmth that now flows down the drain
Rain
I’d decided that I’d drown myself
And waded from the shore,
If I had to live without you
I would want to live no more,
For you’d shouted that you’d done with me,
There was no second chance,
Though I’d loved and thought you needed me
You ended our romance.

They had said it was more pleasant than
A gunshot to the chest,
That you’d slowly drift away, and
Wouldn’t leave quite such a mess,
And I didn’t fancy dying from
A bullet in the head,
It would spoil the later viewing
Even though I would be dead.

I could always cut my throat, I thought,
To make you scream and shout,
For my blood would stain your carpet
You would never get it out,
But I thought it might be painful for
That thirty second bleed,
And at best, I’m quite the coward,
It was pain I didn’t need.

So I came in my depression to
The shingle on the shore,
And I watched the massive breakers
As the tide came in once more,
Then it struck me, it was easy
All I had to do was wade,
Way on out to deeper water where
My body could be laid.

I’d be caught by undercurrents,
Taken right out by the rip,
Would be ****** right down and drowned on this
My final deadly trip,
So I pushed on out and waded there,
And pushed against the tide,
Though I wouldn’t be quite honest if
I didn’t say I cried.

Every time I made a hundred yards
The breakers took me in,
As if the white capped rollers wouldn’t
Help me in my sin,
They were thrusting me back shoreward
Every time I tried to turn,
Until I was exhausted
And I found I couldn’t drown.

Then I staggered from the water and
I fell upon my face,
And I thought your voice was calling
Till I looked and saw you, Grace,
You were holding out a towel while
You stood and caught your breath,
Then you said, ‘Get dry, and come back home,
It’s cold, you’ll catch your death.’

David Lewis Paget
Andrew Crawford Dec 2016
Diaphragm expanded
like the cigarette burns on the empty wood floor
from when I left the mattress there and didnt care anymore,
started laying down beside the beaten, weathered boards;
these decades in the grains of timber grew towards-
I lie inert, my bones the weeping willow's withered roots now stretched forward
to sunlight creeping in the windows through daybreak's drunken disorder.
Dehydrated, tormented, and long tortured;
regurgitations reemerged, restless, pushed shoreward-
dysphoric dreams; no rest beneath intoxicated border.
Alex McQuate Mar 2018
Elton John is charging forward,
At the rate of 152 bmp,
Like a boat racing shoreward,
A boat who's crew is due for some leave.

Chargin like an angry rhino,
John is jumping about,
Tearing through the room with abandon,
Just begging for a scrap.

Feeling invincible in the moment,
Where everything is going JUST right,
Where your spoiling for a rumble,
To tumble for tumblin' sake.

To break free from the usual,
For a breath for fresh air,
For a breath of something REAL!

Chain smoking like a man on death row,
Cold beer in one's hand,
Getting well and truly ripped,
Pleased at where the night is going.

All tasks accomplished,
All challengers laid low,
Sporting a bruised and bloodied brow,
But a victorious smile showing all the same.

Wind blowing through hair,
Legs churning asphalt like it's no one's  business,
Feet barely touching the ground,
Onto the next scrap,
The next in a long and wonderful night.
Saturday Nights Alright- Elton john
David R Apr 2021
everyone has devils
some hide them better
it's our job to channel evils
'n thereby make them lesser

think not to restrain that urge
to bind with shackle and fetter,
don't expect to purge
the malevolent abetter

show him a way forward
lift your sights higher
together swim shoreward
toward that spiritual fire

you want to die?
don't ask yourself why,
ask how to use the feeling
to give yourself a high

seek out that inner aspiration
find the glint in mud,
award yourself gratulation
for all your sweat and blood

as you work on what matters
focuse on the prize
and if your spirit shatters
from thence shall you rise

for from dark earth emerges seedling
from black coal the brightest diamond
decay 'n rot shall be your healing
in your swim to distant island
BLT's Merriam-Webster Word of The Day Challenge
#fetter
Alex McQuate May 2018
Riding alone along that famous desert road,
Heading west for a new page,
To reap what could be sowed,
A opportunity rare in this day and age.

Eyes growing weary,
And like a mirage it does appear,
A place to make the head unbleary,
Where one can cast aside one's doubts and fears.

So alone in the journey it makes knees nearly buckle,
A sirens call is heeded,
Tempting with sultry eyes and unspoken promises.

In a haze stumbling forward,
Not aware of the dangers present,
That the boat was being lead shoreward,
To be dashed upon a jagged outcropping's crescent.

It is here one gets ******,
Like a fish when it realized it's been hooked,
That the risks are everywhere,
Like stumbling into a minefield,
Not recognizing the risks until halfway across.

It's enough to bring the brakes to a screeching halt,
The sudden sound warbling through the empty desert air,
Kicking up clouds of sandand salt,
Seeing to one's horror that there is nothing really there.

It's enough to ***** off even the most steady,
To be tricked by the wraiths of the land,
One had to speed across these parts ever at the ready,
Otherwise they invite disaster and ruin,
As they oft walk hand-in-hand.

So tear through these deadlands,
Never look back,
And don't need the sirens call,
None of it is real.

So tear through these deadlands,
Never try to get to the shack,
It doesn't contain what you think you lack,
Just the fires and poisons of your enemies,
Those enemies of your past.
The Eagles

— The End —