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"qua" poems
Quack! Quack! Quack! Ok, where’s everybody? I’ve been gliding round in this pond the last half hour singing my Duck-thoven tunes: Quack! Quack! Quack Quack!Quack! Quack! And so why’s everyone avoiding me like I don’t know how to make conversation? Quack? Quack? The other day the duckling glided near and asked if I’d share bits of the bread thrown to me by these pesky humans who can’t read the Don’t-feed-the-ducks signs and I swallowed the bread bits whole and said: Quack! Quack! Quack! And the silly duckling ran away crying! – Hey how can I answer with food in my mouth? Quack! Quack! Quack! Your mum taught you to speak with food in your mouth? Quack! Quack! Quack! Have you got any brains in that quacking head of yours, duckling? Really, no reason to avoid me… I mean the other day they asked me what I think about the environment and I said: Quack! Quack! Quack! and they all looked astonished at the wisdom of my words. So why avoid me now? This cute **** duck glided quite close to me and asked me what I thought about pre-marital *** and I said: Quack! Quack! Quack! and I flapped my wings and walked on water and held my head high with the sweetest: Quack! Quack! Quack! and that silly female duck jumped to the overhanging branches and refused to come down for all my quacking: Quack! Quack! Quack! Seriously, what’s this all about? – You excite a ****** duck and then hide in the branches? What’s this pond coming to! The other day a silly fish swam close to me and asked for directions round the pond and I said: Quack! Quack! Quack! And the fish said: Hey! I don’t understand Duck language. Don’t you speak Finglish? What the Duck! I said. Why don’t you learn Quacklish! Quack!Quack!Quack! So where’s everybody? And really I don’t understand why everyone’s avoiding me. I mean really I can qua-ttle off the Entire History of the Pond and the Holy Texts Revealed by Duck God to the Duck Prophets and I can quack about anything and I can quack about all the wines and grog and I can teach the creatures how to change pond water into wine; and I can quack about all the delicacies in the pond and I can sing too, listen: Quack! Quack! Quack! And such a delightful voice and such original tunes too! A graduate of Duck-kovsky Underwater Academy. And so – hey! – where’s everybody? Why do they avoid me like I’ve got the Swine Flu or something? Hey, I’m just a pond duck who likes to Quack! Quack! Quack! You got a problem with that, you quacks!
0
Oct 2, 2010
Oct 2, 2010 at 10:40 AM UTC
lonely duck in the pond quacks to itself...
Quack! Quack! Quack! Ok, where’s everybody? I’ve been gliding round in this pond the last half hour singing my Duck-thoven tunes: Quack! Quack! Quack Quack!Quack! Quack! And so why’s everyone avoiding me like I don’t know how to make conversation? Quack? Quack? The other day the duckling glided near and asked if I’d share bits of the bread thrown to me by these pesky humans who can’t read the Don’t-feed-the-ducks signs and I swallowed the bread bits whole and said: Quack! Quack! Quack! And the silly duckling ran away crying! – Hey how can I answer with food in my mouth? Quack! Quack! Quack! Your mum taught you to speak with food in your mouth? Quack! Quack! Quack! Have you got any brains in that quacking head of yours, duckling? Really, no reason to avoid me… I mean the other day they asked me what I think about the environment and I said: Quack! Quack! Quack! and they all looked astonished at the wisdom of my words. So why avoid me now? This cute **** duck glided quite close to me and asked me what I thought about pre-marital *** and I said: Quack! Quack! Quack! and I flapped my wings and walked on water and held my head high with the sweetest: Quack! Quack! Quack! and that silly female duck jumped to the overhanging branches and refused to come down for all my quacking: Quack! Quack! Quack! Seriously, what’s this all about? – You excite a ****** duck and then hide in the branches? What’s this pond coming to! The other day a silly fish swam close to me and asked for directions round the pond and I said: Quack! Quack! Quack! And the fish said: Hey! I don’t understand Duck language. Don’t you speak Finglish? What the Duck! I said. Why don’t you learn Quacklish! Quack!Quack!Quack! So where’s everybody? And really I don’t understand why everyone’s avoiding me. I mean really I can qua-ttle off the Entire History of the Pond and the Holy Texts Revealed by Duck God to the Duck Prophets and I can quack about anything and I can quack about all the wines and grog and I can teach the creatures how to change pond water into wine; and I can quack about all the delicacies in the pond and I can sing too, listen: Quack! Quack! Quack! And such a delightful voice and such original tunes too! A graduate of Duck-kovsky Underwater Academy. And so – hey! – where’s everybody? Why do they avoid me like I’ve got the Swine Flu or something? Hey, I’m just a pond duck who likes to Quack! Quack! Quack! You got a problem with that, you quacks!
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65
there's ethical idealism: where ethics is discussed... there's ethical relativism: where ethics is practised... there's ethical realism... where ethics is quantified as an improbability; and then there's ethical absolutism, where we supposedly "progress" - in this scenario are the laws of physics actually suspended: whereby oculus qua oculus is replaced - a loss of an eye is "relative" to 10 years in a cage... really?! ethics is ideal, realistic, absolute or relative... we're encouraged to live in "realistic relativism"... never in an absolute realism, since realistic relativism only compares itself to ideal absolutism... and nothing more... ever watched that film secrets in their eyes? you ever wonder what ethical idealism is to the ethnical consequence that can absorb a realistic libra? i can only believe in ethical absolutism, ethical relativism is horrid to me... relativism adorns idealism, absolutism adorns realism... a life sentence is worse than a death sentence, whether justified or not, prison is sadism, but at least ****** is simply ****** a space-time intact, a ****** penalty is not inhumane, nor a ouija board... it's time for time, space for space, the actual punishment comes with the missing adrenaline rush of the unexpected reception of the wielded weapon... either send these jealous plonkers to siberia, or sentence them to death, for you are no more than they are, nay, you are more... you're akin to cats toying, playing a sadistic games with half-mutilated mice... this is why i abhor ethical relativism of the crucifix... hence my belief in ethical absolutism in the paragraph of realism, which is perfected, by being exacted, and never, ever, being leisurely discussed, on a farcical palette with a grimace to boot: ******* a lemon; compensating the horrors within minutes, is never compensated with ordeals that last years... which is why i find the death penalty an act of authentic humanity, and not this quasi-humanitarian act of pardon, ******* hypocrites - i abhor the caged rat more than the rat gladly nibbling on a dead corpse... at least there was passion in the ****** waiting for death penalty is like killing a vermin with poison, disposing them with nonchalantly... the wise maxim states: ledo ferrum sicut id est calidi - strike the iron while it's hot... death is the dawn-broker - a new tomorrow promise - left intact, the fermenting process of ethical dynamism takes over... then again, the supposedly "evolved" preferred moral relativism to moral absolutism, because there was no moral realism to speak of, since morality could only be talked about in ideal terms of the supposedly so, supposedly fashioned via: it ought to never happen to me... and then it might, and then: oops... argument sinks like a wet fatty **** into shambles of keeping up with the presupposed pillar of argument being "impenetrable"; hey, genius, back to the blackboard!
0
Nov 11, 2017
Nov 11, 2017 at 8:50 PM UTC
4 tiers of ethics / oculus qua oculus
there's ethical idealism: where ethics is discussed... there's ethical relativism: where ethics is practised... there's ethical realism... where ethics is quantified as an improbability; and then there's ethical absolutism, where we supposedly "progress" - in this scenario are the laws of physics actually suspended: whereby oculus qua oculus is replaced - a loss of an eye is "relative" to 10 years in a cage... really?! ethics is ideal, realistic, absolute or relative... we're encouraged to live in "realistic relativism"... never in an absolute realism, since realistic relativism only compares itself to ideal absolutism... and nothing more... ever watched that film secrets in their eyes? you ever wonder what ethical idealism is to the ethnical consequence that can absorb a realistic libra? i can only believe in ethical absolutism, ethical relativism is horrid to me... relativism adorns idealism, absolutism adorns realism... a life sentence is worse than a death sentence, whether justified or not, prison is sadism, but at least ****** is simply ****** a space-time intact, a ****** penalty is not inhumane, nor a ouija board... it's time for time, space for space, the actual punishment comes with the missing adrenaline rush of the unexpected reception of the wielded weapon... either send these jealous plonkers to siberia, or sentence them to death, for you are no more than they are, nay, you are more... you're akin to cats toying, playing a sadistic games with half-mutilated mice... this is why i abhor ethical relativism of the crucifix... hence my belief in ethical absolutism in the paragraph of realism, which is perfected, by being exacted, and never, ever, being leisurely discussed, on a farcical palette with a grimace to boot: ******* a lemon; compensating the horrors within minutes, is never compensated with ordeals that last years... which is why i find the death penalty an act of authentic humanity, and not this quasi-humanitarian act of pardon, ******* hypocrites - i abhor the caged rat more than the rat gladly nibbling on a dead corpse... at least there was passion in the ****** waiting for death penalty is like killing a vermin with poison, disposing them with nonchalantly... the wise maxim states: ledo ferrum sicut id est calidi - strike the iron while it's hot... death is the dawn-broker - a new tomorrow promise - left intact, the fermenting process of ethical dynamism takes over... then again, the supposedly "evolved" preferred moral relativism to moral absolutism, because there was no moral realism to speak of, since morality could only be talked about in ideal terms of the supposedly so, supposedly fashioned via: it ought to never happen to me... and then it might, and then: oops... argument sinks like a wet fatty **** into shambles of keeping up with the presupposed pillar of argument being "impenetrable"; hey, genius, back to the blackboard!
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108
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
0
Apr 20, 2016
Apr 20, 2016 at 9:50 PM UTC
i don't talk
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
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70
Attention apprehensive affliction Becoming begging believing (in) Chaotic collapses creations Demanding demolition degeneration (and) Epic enlightened endings, Fake fantastic flows (and) Greater glamour gore (inside) Hedonistic homemaker hope Indicating irrational inspiration Joyful jittering jugs (but) Knowledge keeping knees Letting lovers lose (still) Meaning maybe more (a) Notice nothing nepotism Opportunity oppression ordered Popular pages prohibited Qua quantum quivers Revolving random rallies Sadly still suffocating Toxic tension talking Until unique universal Virtual vanity villains Wanton winning waves *** Yes! You yield Zap, zing, zoom!
0
Jul 6, 2013
Jul 6, 2013 at 12:50 PM UTC
Absurd Alphabet
Ducks wrestle doubly Wet from rain and river flow; As above…qua-a-ack…so below.
0
May 22, 2022
May 22, 2022 at 4:15 AM UTC
TOP TO BOTTOM
Listen to the soft words Of the a-ga-ta-na-hi a-s-ga-ya Hear his voice, let it carry. Passion much higher than that of the sky. U-da-lv-quo-di you may be; But he is listening, waiting, Tilt your head to the wind, The tsi-s-qua sing aloud, Carrying the hi-lv-hi-yu-i message: "The current runs the river, Not the river runs the current." Bear this to your days and nights. Ponder the truth; For the a-ga-ta-na-hi a-s-ga-ya His words always make right.
0
Nov 14, 2012
Nov 14, 2012 at 7:37 PM UTC
*A-ga-ta-na-hi A-s-ga-ya*
a deck now with Bedouin high there dream her red quotient in Catalonia with Montserrat qua mountain deem hindmost their trials to independence back to innermost Barcelona as watershed lariat begun this year Ole
0
Feb 20, 2018
Feb 20, 2018 at 3:05 PM UTC
Ambassador Gabriel
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
0
Jun 26, 2017
Jun 26, 2017 at 7:25 AM UTC
iberian existentialism contra northern existentialism (¿qua? vs. "qua")
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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65
A drab drop drips Downed casualty Down casually. A sulfuric gust cycles In three fly-by nights. A gust hoping, A breeze yearning to dab a wet tear off a moistened spring cheek. Floating by on a wisp of breath, Breathed once by the blessed. Now irreparably tainted, then incomprehensible anew: Treated by the respirations of the perspiring, expending breath on czarist ears, aspiring; Cured by the tongues of the insatiably dying And by those primary soothe-ers, invisibly crying. Alveoli gripping that sine qua non of civilization Until they must release the once-oxygen into the hills of Kyivan Rus. A first breath and second As much as a penultimate and final. And witness to the chronology that led to such a Bloodbath-blessed blast As this.
0
Jul 31, 2014
Jul 31, 2014 at 11:44 PM UTC
A windless night in Amsterdam
La donzelletta vien dalla campagna, In sul calar del sole, Col suo fascio dell'erba; e reca in mano Un mazzolin di rose e di viole, Onde, siccome suole, Ornare ella si appresta Dimani, al dì di festa, il petto e il crine. Siede con le vicine Su la scala a filar la vecchierella, Incontro là dove si perde il giorno; E novellando vien del suo buon tempo, Quando ai dì della festa ella si ornava, Ed ancor sana e snella Solea danzar la sera intra di quei Ch'ebbe compagni dell'età più bella. Già tutta l'aria imbruna, Torna azzurro il sereno, e tornan l'ombre Giù dà colli e dà tetti, Al biancheggiar della recente luna. Or la squilla dà segno Della festa che viene; Ed a quel suon diresti Che il cor si riconforta. I fanciulli gridando Su la piazzuola in frotta, E qua e là saltando, Fanno un lieto romore: E intanto riede alla sua parca mensa, Fischiando, il zappatore, E seco pensa al dì del suo riposo. Poi quando intorno è spenta ogni altra face, E tutto l'altro tace, Odi il martel picchiare, odi la sega Del legnaiuol, che veglia Nella chiusa bottega alla lucerna, E s'affretta, e s'adopra Di fornir l'opra anzi il chiarir dell'alba. Questo di sette è il più gradito giorno, Pien di speme e di gioia: Diman tristezza e noia Recheran l'ore, ed al travaglio usato Ciascuno in suo pensier farà ritorno. Garzoncello scherzoso, Cotesta età fiorita È come un giorno d'allegrezza pieno, Giorno chiaro, sereno, Che precorre alla festa di tua vita. Godi, fanciullo mio; stato soave, Stagion lieta è cotesta. Altro dirti non vò; ma la tua festa Ch'anco tardi a venir non ti sia grave.
0
2.1k
Il sabato del villaggio
La donzelletta vien dalla campagna, In sul calar del sole, Col suo fascio dell'erba; e reca in mano Un mazzolin di rose e di viole, Onde, siccome suole, Ornare ella si appresta Dimani, al dì di festa, il petto e il crine. Siede con le vicine Su la scala a filar la vecchierella, Incontro là dove si perde il giorno; E novellando vien del suo buon tempo, Quando ai dì della festa ella si ornava, Ed ancor sana e snella Solea danzar la sera intra di quei Ch'ebbe compagni dell'età più bella. Già tutta l'aria imbruna, Torna azzurro il sereno, e tornan l'ombre Giù dà colli e dà tetti, Al biancheggiar della recente luna. Or la squilla dà segno Della festa che viene; Ed a quel suon diresti Che il cor si riconforta. I fanciulli gridando Su la piazzuola in frotta, E qua e là saltando, Fanno un lieto romore: E intanto riede alla sua parca mensa, Fischiando, il zappatore, E seco pensa al dì del suo riposo. Poi quando intorno è spenta ogni altra face, E tutto l'altro tace, Odi il martel picchiare, odi la sega Del legnaiuol, che veglia Nella chiusa bottega alla lucerna, E s'affretta, e s'adopra Di fornir l'opra anzi il chiarir dell'alba. Questo di sette è il più gradito giorno, Pien di speme e di gioia: Diman tristezza e noia Recheran l'ore, ed al travaglio usato Ciascuno in suo pensier farà ritorno. Garzoncello scherzoso, Cotesta età fiorita È come un giorno d'allegrezza pieno, Giorno chiaro, sereno, Che precorre alla festa di tua vita. Godi, fanciullo mio; stato soave, Stagion lieta è cotesta. Altro dirti non vò; ma la tua festa Ch'anco tardi a venir non ti sia grave.
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51
and the myth goes along the lines - had i but the eyes to spot a silver spoon - there chimed a magpie in the the night, a cackle compared with the rhapsodic crow call to wake up Barbarossa... the cackle and the literary laugh... there she was, with the Kraken - she was there bewildered to sing a song, sroka among the magpie calls to tell tales of silenced lightning without thunder..... shamanic in the extreme: what a strange nationalism being born with extracts of a former colonialism in Ukraine - lost, forgotten, and a brief testament to Israel - do i feel any pride? perhaps i should... i better myself in the word spoken: sroka is above magpie - the serenity of the sharpened consonants, the flight to become werewolf legend - sroka, or magpie - as a language there are some offences - which cannot translate, but merely tarnish... s and r are two consonants that out-perform stress / authenticity when m and g are used... the tongue is more important than the breath, counter the metaphysical greek breath that's known as psyche: i.e. γλωßα - to treat the tongue akin to the mind, and soul as the authenticity of the verb thought: when all organs automate, akin to the kidneys dialysis. yes, sroka / magpie... crow / kruk / crux or the shadow of Golgotha... toward us: the darkened hour... to gloss over - to speak a phrase in demand - sire *** qua non byzantine sprechen.
0
Oct 16, 2016
Oct 16, 2016 at 7:28 PM UTC
chime sroka (magpie)
Godi se il vento ch'entra nel pomario vi rimena l'ondata della vita: qui dove affonda un morto viluppo di memorie, orto non era, ma reliquario. Il frullo che tu senti non è un volo, ma il commuoversi dell'eterno grembo; vedi che si trasforma questo lembo di terra solitario in un crogiuolo. Un rovello è di qua dall'erto muro. Se procedi t'imbatti tu forse nel fantasma che ti salva: si compongono qui le storie, gli atti scancellati pel giuoco del futuro. Cerca una maglia rotta nella rete che ci stringe, tu balza fuori, fuggi! Va, per te l'ho pregato, - ora la sete mi sarà lieve, meno acre la ruggine...
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1.8k
In limine
Ci sarai per sempre un pezzo nel mio cuore, Non sono mai sentita un così bello fiore, Vorrei sapere se, un giorno rincontremo, Perchè non posso pensare di un mondo dove non ci saremo, Tu hai già cambiato tutta la mia vita, Tu sei la mia unica, la mia bella vera città, Non voglio dire mai delle cose che ci viene, Solo qua sembra che tutto potrebbessere va bene.
0
Sep 3, 2012
Sep 3, 2012 at 3:11 PM UTC
Mio Cuore
Once Upon I, the warrior skeletal the eternal darkness descended with cracked laughter echoing serendipity exploding and unfolding  erase(s) the expanse of nightfall, those connected before redemption, rustic austerity peace for she dreaming forlorn liberated by the sword sine qua non
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Jan 9, 2016
Jan 9, 2016 at 10:36 PM UTC
one word community add to poem!!
Fiume che là specchiasti un casolare cò suoi rossi garofani, qua mura d'erme castella, e tremula verzura; eccoti giunto al fragoroso mare: ed ecco i flutti verso te balzare su dall'interminabile pianura, in larghe file; e nella riva oscura questa si frange, e quella in alto appare; tituba e croscia. E là, donde tu lieto, di sasso in sasso, al piè d'una betulla, sgorghi sonoro tra le brevi sponde; a un po' d'auretta scricchiola il canneto, fruscia il castagno, e forse una fanciulla sogna a quell'ombre, al mormorìo dell'onde.
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1.5k
Il fiume
who's afraid of someone who downed 140cl of whiskey going blind blah duck blah qua qua quack for each and every dwarf like ***** wonka tasting cyanide saying: it's syrian blue cheese, or else middle eastern schnapps! refreeze! refreeze the snowman! we got a bucket-load of adverts in nappies for charity companies; every parishioner on the ready... gluttony regurgitated go! blow inserted into the word blah, akin to bloat but with blah the cursor.
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Feb 28, 2016
Feb 28, 2016 at 10:59 PM UTC
140cl of whiskey
the   view                             stands beneath the carousel efforts to blast through impregnancy aBLOOM!!!! (w)ith feral legacies aligned intimately ornately      posthumous adulterer awakens    in               need        of ****** corrective agency towards Fenitbow            and Glightrovee  ab-surd as qua as qua asqua aqua qua a^s is trite melody infer[no] t a x i     yellowing  each pavement by truth in yo ' fa ' ' lo ((lo))     i by horns and turns in plyable waves arrest what justice      juices       freel_y                           obligatory                                       antecedent quai noyh thlume                             ye            HEaVY
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Sep 26, 2020
Sep 26, 2020 at 6:17 AM UTC
qua
Skip a beat It may do you some good To stray from the all too familiar DUBDUB                   DUBDUB                                     DUBDUB And pursue a different rhythm Maybe something like XEE         QUA                   SINXX We are not who we say we are Merely reflections of what we try to Leave behind And to spread goodwill Without finding it first Is to blanket the world With chaos And turmoil And love F  O  R  G  E  T love it remains in the corner, utterly P            T         S   O     N    L    S        I             E And destructive.
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Mar 7, 2011
Mar 7, 2011 at 12:46 PM UTC
Contraction
*Parody of "l(a" by e. e. cummings e(               j(               a( me             de             pr di               ad             op af               bla            ert air              ck             yd ne              bo            am ss)             ys)           age) qua            ust           tten lity              ice           tion
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Apr 6, 2016
Apr 6, 2016 at 11:58 PM UTC
"e("
Sometimes I type and late at night I cannot feel my fingers But there they are, words on the screen Filling pages as my body lingers My ceiling parts and I depart As I gaze into space But the stars are far too dull to see So all I see are your eyes I think my brain's running away Hand in hand with my trailing heart And ****** footprints float from empty caverns Flowing into my art And I find the ground long since gone I am lost and at a loss My memories no longer mine Only picture books filled with you So I sink deeper in the drink So I float further than intended Searching the ether for "je ne c'est qua" Heart and mind long gone, soul unattended I still can't feel my keyboard Only the memory of the feel of your skin My words reflecting all that compose me And they all fall back to you
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Mar 8, 2018
Mar 8, 2018 at 10:12 AM UTC
Je ne c'est qua
Cara beltà che amore Lunge m'inspiri o nascondendo il viso, Fuor se nel sonno il core Ombra diva mi scuoti, O nè campi ove splenda Più vago il giorno e di natura il riso; Forse tu l'innocente Secol beasti che dall'oro ha nome, Or leve intra la gente Anima voli? O te la sorte avara Ch'a noi t'asconde, agli avvenir prepara? Viva mirarti omai Nulla spene m'avanza; S'allor non fosse, allor che ignudo e solo Per novo calle a peregrina stanza Verrà lo spirto mio. Già sul novello Aprir di mia giornata incerta e bruna, Te viatrice in questo arido suolo Io mi pensai. Ma non è cosa in terra Che ti somigli; e s'anco pari alcuna Ti fosse al volto, agli atti, alla favella, Saria, così conforme, assai men bella. Fra cotanto dolore Quanto all'umana età propose il fato, Se vera e quale il mio pensier ti pinge, Alcun t'amasse in terra, a lui pur fora Questo viver beato: E ben chiaro vegg'io siccome ancora Seguir loda e virtù qual nè prim'anni L'amor tuo mi farebbe. Or non aggiunse Il ciel nullo conforto ai nostri affanni; E teco la mortal vita saria Simile a quella che nel cielo india. Per le valli, ove suona Del faticoso agricoltore il canto, Ed io seggo e mi lagno Del giovanile error che m'abbandona; E per li poggi, ov'io rimembro e piagno I perduti desiri, e la perduta Speme dè giorni miei; di te pensando, A palpitar mi sveglio. E potess'io, Nel secol tetro e in questo aer nefando, L'alta specie serbar; che dell'imago, Poi che del ver m'è tolto, assai m'appago. Se dell'eterne idee L'una sei tu, cui di sensibil forma Sdegni l'eterno senno esser vestita, E fra caduche spoglie Provar gli affanni di funerea vita; O s'altra terra nè superni giri Frà mondi innumerabili t'accoglie, E più vaga del Sol prossima stella T'irraggia, e più benigno etere spiri; Di qua dove son gli anni infausti e brevi, Questo d'ignoto amante inno ricevi.
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1.4k
Alla sua donna
Cara beltà che amore Lunge m'inspiri o nascondendo il viso, Fuor se nel sonno il core Ombra diva mi scuoti, O nè campi ove splenda Più vago il giorno e di natura il riso; Forse tu l'innocente Secol beasti che dall'oro ha nome, Or leve intra la gente Anima voli? O te la sorte avara Ch'a noi t'asconde, agli avvenir prepara? Viva mirarti omai Nulla spene m'avanza; S'allor non fosse, allor che ignudo e solo Per novo calle a peregrina stanza Verrà lo spirto mio. Già sul novello Aprir di mia giornata incerta e bruna, Te viatrice in questo arido suolo Io mi pensai. Ma non è cosa in terra Che ti somigli; e s'anco pari alcuna Ti fosse al volto, agli atti, alla favella, Saria, così conforme, assai men bella. Fra cotanto dolore Quanto all'umana età propose il fato, Se vera e quale il mio pensier ti pinge, Alcun t'amasse in terra, a lui pur fora Questo viver beato: E ben chiaro vegg'io siccome ancora Seguir loda e virtù qual nè prim'anni L'amor tuo mi farebbe. Or non aggiunse Il ciel nullo conforto ai nostri affanni; E teco la mortal vita saria Simile a quella che nel cielo india. Per le valli, ove suona Del faticoso agricoltore il canto, Ed io seggo e mi lagno Del giovanile error che m'abbandona; E per li poggi, ov'io rimembro e piagno I perduti desiri, e la perduta Speme dè giorni miei; di te pensando, A palpitar mi sveglio. E potess'io, Nel secol tetro e in questo aer nefando, L'alta specie serbar; che dell'imago, Poi che del ver m'è tolto, assai m'appago. Se dell'eterne idee L'una sei tu, cui di sensibil forma Sdegni l'eterno senno esser vestita, E fra caduche spoglie Provar gli affanni di funerea vita; O s'altra terra nè superni giri Frà mondi innumerabili t'accoglie, E più vaga del Sol prossima stella T'irraggia, e più benigno etere spiri; Di qua dove son gli anni infausti e brevi, Questo d'ignoto amante inno ricevi.
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cogito qua sum because i thought the original cartesian model was too stuffy, had too many scientific models and was riddled with moths, plus it sounds better: thought in the capacity of being - plus there is absolutely no sequencing, no sequencing of events and then doubting that they happened, or denying they happened... (in relation to thinking about them) with the above stated you can have spatial awareness... for example? someone hammering nails has only a certain capacity for thinking certain things... someone watching the television has only a certain capacity for thinking certain things... as contradictory in strict cartesian terms as daydreaming: like sitting in a classroom learning about english grammar and thinking / imagining (the same thing, both cognitive faculties) you're on a beach in the maldives sipping a mojito or that you're riding a roller coaster: ergo et cetera... id est, multi vacuum prefix absens locus in metaphora... ego noto ******
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Nov 5, 2015
Nov 5, 2015 at 8:26 AM UTC
cogito qua sum
Dov'era l'ombra, or sè la quercia spande morta, né più coi turbini tenzona. La gente dice: Or vedo: era pur grande! Pendono qua e là dalla corona i nidietti della primavera. Dice la gente: Or vedo: era pur buona! Ognuno loda, ognuno taglia. A sera ognuno col suo grave fascio va. Nell'aria, un pianto... d'una capinera che cerca il nido che non troverà.
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960
La quercia caduta
Domenica! Il dì che a mattina sorride e sospira al tramonto!... Che ha quella teglia in cucina? Che brontola brontola brontola... È fuori un frastuono di giuoco, per casa è un sentore di spigo... Che ha quella pentola al fuoco? Che sfrigola sfrigola sfrigola... E già la massaia ritorna da messa; così come trovasi adorna, s'appressa: la brage qua copre, là desta, passando, frr, come in un volo, spargendo un odore di festa, di nuovo, di tela e giaggiolo. La macchina è in punto; l'agnello nel lungo schidione è già pronto; la teglia è sul chiuso fornello, che brontola brontola brontola... Ed ecco la macchina parte da sé, col suo trepido intrigo: la pentola nera è da parte, che sfrigola sfrigola sfrigola... Ed ecco che scende, che sale, che frulla, che va con un dondolo eguale di culla. La legna scoppietta; ed un fioco fragore all'orecchio risuona di qualche invitato, che un poco s'è fermo su l'uscio, e ragiona. È l'ora, in cucina, che troppi due sono, ed un solo non basta: si cuoce, tra murmuri e scoppi, la bionda matassa di pasta. Qua, nella cucina, lo svolo di piccole grida d'impero; là, in sala, il ronzare, ormai solo, d'un ospite molto ciarliero. Avanti i suoi ciocchi, senz'ira né pena, la docile macchina gira serena, qual docile servo, una volta ch'ha inteso, né altro bisogna: lavora nel mentre che ascolta, lavora nel mentre che sogna. Va sempre, s'affretta, ch'è l'ora, con una vertigine molle: con qualche suo fremito incuora la pentola grande che bolle. È l'ora: s'affretta, né tace, ché sgrida, rimprovera, accusa, col suo ticchettìo pertinace, la teglia che brontola chiusa. Campana lontana si sente sonare. Un'altra con onde più lente, più chiare, risponde. Ed il piccolo schiavo già stanco, girando bel bello, già mormora, in tavola! In tavola!, e dondola il suo campanello.
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1.1k
La canzone del Girarrosto
Domenica! Il dì che a mattina sorride e sospira al tramonto!... Che ha quella teglia in cucina? Che brontola brontola brontola... È fuori un frastuono di giuoco, per casa è un sentore di spigo... Che ha quella pentola al fuoco? Che sfrigola sfrigola sfrigola... E già la massaia ritorna da messa; così come trovasi adorna, s'appressa: la brage qua copre, là desta, passando, frr, come in un volo, spargendo un odore di festa, di nuovo, di tela e giaggiolo. La macchina è in punto; l'agnello nel lungo schidione è già pronto; la teglia è sul chiuso fornello, che brontola brontola brontola... Ed ecco la macchina parte da sé, col suo trepido intrigo: la pentola nera è da parte, che sfrigola sfrigola sfrigola... Ed ecco che scende, che sale, che frulla, che va con un dondolo eguale di culla. La legna scoppietta; ed un fioco fragore all'orecchio risuona di qualche invitato, che un poco s'è fermo su l'uscio, e ragiona. È l'ora, in cucina, che troppi due sono, ed un solo non basta: si cuoce, tra murmuri e scoppi, la bionda matassa di pasta. Qua, nella cucina, lo svolo di piccole grida d'impero; là, in sala, il ronzare, ormai solo, d'un ospite molto ciarliero. Avanti i suoi ciocchi, senz'ira né pena, la docile macchina gira serena, qual docile servo, una volta ch'ha inteso, né altro bisogna: lavora nel mentre che ascolta, lavora nel mentre che sogna. Va sempre, s'affretta, ch'è l'ora, con una vertigine molle: con qualche suo fremito incuora la pentola grande che bolle. È l'ora: s'affretta, né tace, ché sgrida, rimprovera, accusa, col suo ticchettìo pertinace, la teglia che brontola chiusa. Campana lontana si sente sonare. Un'altra con onde più lente, più chiare, risponde. Ed il piccolo schiavo già stanco, girando bel bello, già mormora, in tavola! In tavola!, e dondola il suo campanello.
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64
ale czysto w tej E - U - Ρ - Ω - Π - J - Η. islam leiben historie, nicht Ottoman, Ottoman pseudo Khan, islam leiben historie: eins, zwei, drei und vierte maulkor'bzeugè'naussagé (sausage marathon); they love their history mind you ψι and τρι...  kaganiec u stóp w krok stu odpowiedzi w jedną droge: raz jeszcze, w las i w cienie iglą tej tętnicy wybryk chęć na gre, by zadać zbyteczne  pytanie! na odpowiedź oskarzyć czas z wiedzą zegara, i tą ostateczną, wartą końca, namylsnością... ponownie oskarzyć jako począt narodu - tylko golasa, warte imie kroka ka ka kar Kasymir'ah! wedle Tsara, czołem w tło wymagań na wyryte zapomnieniem lat: oddech'u Uzbeku chafta wspomnień wiatru i chorongiew latawcy jak niby urojen konceptu narodu... ja człek tylko w psiarni! i tak powiem, tak, wiara, panem na zbyt wiele pamięci Janosika i Radio Maria; o tyle czerpie zgon, ponownie, ponownie, by ocalić, niby swiętego, i pogrzebać swój naród... ale wstyd! wstyd! by ocalić jednego niby swiętego, lecz nadać obszar rodem Polak'a ponad Polske i w ramach Irlandie; jaki to wstyd nawet ten mnie wart, co nie nada snu! co za wstyd - nie warto umierać wiele razy, kiedy ten ostatecny oznacza raz jeszcze -                       quo vadis, qua lectio? - ten raz jeszcze, i ten ostatni, o tyle wiele poradni przed wieloma nocami snu.
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Jun 7, 2016
Jun 7, 2016 at 9:54 PM UTC
maulkorb hund (forgotten Europe)