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The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.

Then crossways down his sides
Tiger-stripes and wasp-bands.

Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.

Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.

It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.

The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.

Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.

Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.

The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.

So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.

The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvedness of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
Nat Lipstadt Aug 2016
quite recently, I received an extraordinary complimentary message to one of my poems, from a comrade in arms, dare I call him friend, that cored, scored me.  I post it below.  Not from braggadocio, or vanity, venal poetry sins.  But, it could not stand orphaned,
unrequited and unreciprocated,
for that would be a sin of even greater magnitude,

ingratitude

<>

this poem begins unique,
am struggling with a problem previously
unknown, never before even
close encountered

how do I commence?

poet wonders repeatedly,
a tune on the not-so-natty brain,
set on the machine's "repeat"setting,
this problematical for de minimus - 25 hour day,
this scribbler, this constant nibbler
on the Graham crackers life bestows,
befuddled muddled
for

this is never an issue,
it's the windup, the shutdown,
knowing when enough is enough,
that is the sorest point of his
elongated, can't shut up skill set

it cannot stand, it cannot just hang,
it needs a rabbinical wise,
responsible responsum,
a simple
thank you
holy, holy, holy
insufficient

these words, an almost wet smackdown,
catch me exposed, crossing Sixth Avenue,
against oncoming traffic (naturally),
while on cell phone bad boy,
doing his three R's,#
reading, writing & errrrr, deleting,
(yeah, yeah, I know, I know)
amidst my multiplicity of incoming artillery shells of
automobiles and messages,
this one,
seizing me up, me like a screeching,
near dying engine, broke from being oil-less,
nearly dropping my two large
20 oz. McDonald's coffees which easy
could flood this four lane
thoroughfare

you want to write like this,
are you mad, man?

all I ever es-say is what I see,
throwing in a rhyme or two,
a pinch of a fancy word to impress the
hoi polloi, and plenty salty sweet
to provocate a sensory ah ha
confusion

sir, why write like me,
when you pen this?

"yet all of this could
just as easily be,
the sum of two,
grateful hearts in equal parts,
the beat of two in rhythm thrum,
march in time upon one drum"
^

which pretty much says
what needs saying
all in one perfect stanza humming

but this note, is so far,
way deficient,
a mockery of what the situation requires and is deserving,
so multiple lovely muses redirect me
back to my email,
where I find this waiting,
in repose, this prose,
perfect

A compliment is a complement—
this I know, just as the clock
will always strike midnight
and history repeats. This is how
I can wake up the next morning
and love the world again.
^^

blossoming notion, this is but a complement,
where the line dotted allows free passage
from reader to poet, from poet to poet,
permitting the peaking reciprocity of completion,
and this complement
I accept, unashamedly, profoundly
for this is my 1/1,
for to make a whole, we still require
numerator, denominator,
of equal value

on this basis,
and this basis alone,
I accept your words

when prowling scowling late at night,
or early sun rising, old bones enthroned
in my Adirondack dis-comforter,
will come a-sneaking, a-peaking,
nobody-around-real quiet like,
for another look-see at this kookery,
in my solitary poet's by-the-bay nookery,

the thought comes,
maybe it's time to lay that pen down,
the Israelites have crossed that Red Sea,
dry and on their way to a land of promises,
when sure enough my coffee mug
spills onto an ant hill hard by the beach,
and oops, soiling the soil,
the Lesser Antillean inhabitants making an unholy ruckus,
and oops, ther goes another rubber plant, high hopes, poem aborning,^^^

but sir, be advised,
your excess foolishness is warming,
but we cannot without each other,
march to one drum,
our steps surely mismatched,
it is the reciprocity of
complementary numerical worthies that unites the fractions of us
into a singletary winter pea,
a whole of us,
in order to
"let us love the world again"
yes, a true 'story'
<>
#reading, writing and 'rithmetic
-----------
"some time back
this notion became clear to me.
have wanted to say it since;
this, your words, the perfect segue.

i have come to love
the style of your writing,
so much so as to adopt it,
as my own, though perhaps
in my own tone, voice, and
life experience.

much of how i write today,
I attribute to your influence...
no kidding, no hyperbole,
no gush, no mush, just truth.

whomever taught or influenced you
is to be admired most,
for in the style
i see most encapsulated by yours
is a conveyance that goes
well beyond words,
well beyond mere ideas...
it incorporates heart and emotion,
and more so,
the heart behind the heart,
in a way rather uncommon
to most poetry."^

S. Reimer
"After-math"
<>
^^ "On Being Told I Look Like FLOTUS, New Year’s Eve Party 2014"
by January Gill O’Neil

<>

^^^ https://www.youtube.com/watch?v=S94Bh3Qez9o
Bek Blanchard Nov 2015
My mind transfixed on this perplexing enigma
Left, right, up, down,down
Six colors spinning around
Yesterday i almost had it solved
But the ******* green square just wouldn't line up
I almost surrendered; frustrated by the puzzle
Which has always given me so much trouble
But for some reason i can't put it aside
Addicted to getting all the colors in line
I know there's an algorithm, but my mind's not mathematical
Day by day becoming exceedingly problematical
I won't give up...
Nat Lipstadt Oct 2013
My poems, where are they from?

Westerner.

An appellation, of the 'hood of my nation,
Customary identity association,
But not one that springs to mind,
When they inquire, as they do,
Hey man, tell us about your "self."

But there is no deniability,
At least three hundred years,
That my father was aware,
Europe to America,
Westward **, the seeds sown.

From the banks of the Lippe,
Ocean crossing to NYC,
From the Krakow Ghetto
To the shores of the
Manhattan Indian Reservation,
By the banks of the grandest river Hudson,
They journeyed, they sojourned,
Staying for awhile, scattering across the Midwest,
"Coming to America."

Yet out West,
I am an Easterner,
My hometown teams,
In the East Division,
And this schizophrenia
Is non-problematical.

But where are my poems from?

I have studied the time zones,.
The AM's and the PM's.
I know when I deliver this to you,
If the sun is rising or setting,
Whether to greet you with
नमस्कार or magandang umaga,
Greet you with a "Good Sabbath!"
Or an Insh'Allah...

But where are my poems from?

Bog of technical definitions,
Matters not, my poems have no
Passport to be stamped,
The Customs lines they cross are the
Customs of mine and yours.

The are both immigrant and emigre,
Experienced, well travelled, they familiar
With the right satellites to
Grace thy welcoming space.

Tap dance, recitations of evasions,
Answer the question man,
But where are my poems from?
You tell the when, the how but not the
Where.

We can't wait much longer,
The inbox heavy with homework,
Your poems to love, like and take.

Don't you see?
They, born in the West,
For lack of a better answer,
Clock and setting sun racers,
Surfing the Atlantic, Indian,
Circumnavigating the Pacific Isles,
Is just the course they take
When out my window sent.

But is that your answer,
Their path, to the single quest,
From the West, is that the best
Answer you can equivocate,
Where do they come from?

**No.
Obviously,
They come from you...
Created Oct. 24~25th, 2013
Watching Wallace Shawn expound, him, driving me crazy,
So on the streets of this my isle,
Look away, look to you,
Thinking about where
The poems I send,
Come from...

Original title was born in the West, they rise in the East.

But that was wrong.
They love the names of your towns and nations,
Where they go,
But there is no country where they
Come from.
Ian Beckett Jan 2012
I am now less than the sum of all my parts – in pieces

Like bits fell off something stopped working - strange

It’s like I am coming apart at the seams - breaking up

All those parallel things I do every day - disconnected

Hotel was booked for the week before I travel - dumb

One thousand euro lost due to card cloning - careless

Plans change I end up in the wrong place - drowning

People run away and ignore my requests - abandoned

Projects symphony becomes a cacophony - confusing

I feel like Alice going down the rabbit hole - dissociated

Normality is absent now as I spin around - breakdown?

My perception of the world has changed - problematical

I better get someone to glue me back together - quickly

Otherwise I will become invisible and irrelevant – not good

Like a set useless parts with no instructions - disassembled
Mickey Chase Aug 2015
Putting it mildly,
Sleep has discarded me.
My once restless nights have
Turned to now restless days,
And in ways I guess this is the better than sleeping…
In sleep I know I would only find myself
Dreaming about you.
Getting caught up in the fiction
That my mind has so kindly made up for me,
Because in reality,
I know that things wouldn’t be so great.
Things would be problematical,
Complicated,
Intricate.
Sleep is nothing if all I do is dream about you,
Because having you in my dreams isn't good enough for me,
I want to hold you in the embrace that I have mastered in the time that you were gone,
Kiss you in a way that you will remember every time you smell my perfume,
And love you in a way that I know you will never find again…
If left in just my dreams
Soon enough you'll just turn to another
Monster lurking in the corridors of my heart.
Knocking on the doors of our memories,
Unlatching the caged demons in my soul,
Baby things have gone a bit out of control here.
Skies that were once baby blue
Have turned to a new shade of depression,
Oppression,
You held me down.
Scratch that,
We held each other down in power struggle.
While I added bittersweet delirium to your life,
You put faultless certainty into mine.
I found that with you…
Things don’t have to make sense.
They can be messy and
Perplexing
And confusing,
And it will only add to the beauty of the situation.
But I still do not want to dream about you.
I fear what dreadful panorama my mind will paint me every night,
If it will be Romeo & Juliet
Or Harley Quinn and Joker…
The confusion of what will happen
Breaks me apart
Yet I can't help but want to start this all over again.
Go through the motions with you till you
You fracture my heart
Split it in to a new galaxy
Where pieces of my heart become stars.
Where monsters in the hallways won't scare me
And I am still free to be in love with you.
You captivate me like no one ever has,
Inevitably you are my Picasso.
Taking my heart and squeezing the life from it till its dry,
Using my blood as your paint
My heart your new paint brush.
As you create a portrait
Of what Love looks like,
And when you do
All you will paint
Is two people sleeping.
One in his bed peacefully asleep,
And the other,
Restlessly awake,
Afraid to start dreaming again.
Kewayne Wadley Sep 2016
Eyes lift
Controlling the heart's release of breath
The none constricting motion of the lungs
Emotion shown through listening ears
The heart now following what the eyes see
No longer a grunt made by tight motions
Seeing it's belief,
Straining the strange euphoria strung by tendons and muscles
The gift of giving one emotion to another
Nothing is as problematical as we present it
Unclear changes unselfish in the manner given
This sensation made in haste
To whom this particular change
This nursery of voice that calmly lulls the suggestion of peace
The suggestion of need
of consideration
The improvement of self in order to give
In order to love another as you love yourself
The existence of infatuation opinionated.
Still asking the enlightenment of eyes
The foresight of heart to give in the eye of love
The humble abode of running along without restraint
Free as breath
Feeling the state of complete togetherness
Eyes close
In the most relaxed state
Relaxed in the embrace of knowing
Feeling
Believing
Yenson Sep 2020
in the myths of nonsensical
sits a sensical
where nonsensical is nonsensical
that's sense
consciousness and objective perception
these are alien
to nonsensical
for nonsensical is always nonsensical
it's that black
and white
Quacks misapply mathematical strictures to conundrums esoterical,
as syndicated elixirs mask deficitical maladies that're problematical
Travis Green Jun 2020
When you look at me, I pray that you see
more than a black soul strolling across the
streets of society, a beautiful existence filled
with incredible intelligence, intricate equations,
blazing creativity captivating the nation, flawless
fractions so dashing, systematic additions minus
the subtraction, a blasting beat on the boulevard
rocking nonstop.

When you look at me, I pray that you will understand
the history behind my melanin skin, how every day is a
struggle in this heartless world, how so many before me
walked through the fires of hell, living and breathing
the outrage of white racists, unorthodox thoughts,
problematical solutions to complex questions, trigger
racing bullets fired throughout the land, slipping
in quicksand, hung by the throat, burned for sheer sport,
hands tied to a ride, driven full force as their useless
limbs sizzled with the touch of the road, nothing more
but a dead corpse.

When you look at me, I pray that you will allow me
to be a part of your world, to be in harmony and
celebrate humanity, to march together throughout
the streets of persecution, hoping to make a change,
hoping that someday we all can stand together as one
and be a family.

— The End —