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"paan" poems
Tujhe chhoone par hai lagta Tu jalti jwala re! Tujhe niharne par lagta Tu chaand ka tukda re! Aisa Kya jadoo Kiya Aisa Kya jadoo Kiya Ore Priya re! Tere sang Tere sang ishq hua re! Bana Dene jaisa lagti ** tum Ek chitra! Are munh tumhara ek Paan ka patta Bana Dee gayi lagti ** tum Ek moorti! Sach jaisi Konark ki kala kirti Tujhe padhne se lagti hai tu Sach mein  ek kahani re Tujhe gaane see lagta Tu ek geet re! Aisa Kya jadoo Kiya tune Aisa Kya jadoo Kiya toone Ore Priya re! **** bhar Teri Rajnigandha ki khushboo Teri chaal mein Raj hansini ka chhand! Barasne jaisa pyar tumhara Madhu ki varsha! Sabhi or hoti hai Bas teri hi charcha Tujhe tolne par Tu lagti Ek phool re! Tujhe dhaalne par lagti Tu kuchh rang re! Aisa Kya jadoo Kiya Aisa Kya jadoo Kiya toone Ore Priya re! Tere sang Tere sang ishq hua re!
0
Jan 27, 2018
Jan 27, 2018 at 11:16 PM UTC
Tere sang ishq hua re!
Flavored hukkas are passed around, Alcohol and paan bring the mehfil alive, The Ustad ji sits down and flexes his fingers, He knows he’ll be working all night. Dha dhin dhin dha, dha dhin dhin dha Na tin tin ta Ta dhin dhin dha, Move the Ustad ji’s fingers on the tabla. While with a veil on her face, And feet dipped in and henna-colored, Lips in cheap red lipstick covered, She unfalteringly, gracefully enters. Her steps are matched by the chhan chhan of the ghungroos tied around her ankles so slender. Eyes set on her, feast on her youth, Just right for the taste of all her customers. Bejeweled hands placed on waist, She stands at the centre of attention, She lifts a foot, readies to dance, And begins the nightly convention. Skillfully, perfectly, sensuously move Feet well-trained since childhood days, Harmonizing with the timbre That the Ustad ji creates. Tin tin na dhin na dhin na On the tabla, experienced fingers beat. Chhan chhan chhan chhan, She dances, repeating the rhythm with her feet. Metal bells strike against one another And chhan chhan chhan-a chhan she goes, Making breaths prance and jump, As she strikes on the ground her heels and toes. Then suddenly she stops and gasps, Over disgruntled, impatient groans she tries to hear the sound that flows in, only to her ears. Several rooms away, a baby cries. Naach! A voice booms, Arey naach! More join in. A glass of wine is shattered by an irritated one. But she stands still, clutching her chest, frozen. One sways up to where she stands, For the veil covering her face, his hands dive. He uncovers her, but is blinded by the sight of her beauty And her tears that fill her kajal-smeared eyes. She’s shaken back to reality as she looks all around. Her sparkling pall is off her face. She sees all those drunk men who’ve paid to watch her dance. She knows she has to make the sound of the cries fade away. So she stomps her feet on the ground till it hurts. Hair flying out of braid, bangles clanging, Anguish replaces her innocent loveliness, The music in the air is now shrill,  jarring. Her steps match with the tabla’s rhythm no more. But she dances, planting her feet so hard they weep. She silences every sound with the noise of her ghungroos, Praying that the night will lull her wailing son to sleep.
0
Jun 22, 2012
Jun 22, 2012 at 1:11 PM UTC
The Noise of Music
Flavored hukkas are passed around, Alcohol and paan bring the mehfil alive, The Ustad ji sits down and flexes his fingers, He knows he’ll be working all night. Dha dhin dhin dha, dha dhin dhin dha Na tin tin ta Ta dhin dhin dha, Move the Ustad ji’s fingers on the tabla. While with a veil on her face, And feet dipped in and henna-colored, Lips in cheap red lipstick covered, She unfalteringly, gracefully enters. Her steps are matched by the chhan chhan of the ghungroos tied around her ankles so slender. Eyes set on her, feast on her youth, Just right for the taste of all her customers. Bejeweled hands placed on waist, She stands at the centre of attention, She lifts a foot, readies to dance, And begins the nightly convention. Skillfully, perfectly, sensuously move Feet well-trained since childhood days, Harmonizing with the timbre That the Ustad ji creates. Tin tin na dhin na dhin na On the tabla, experienced fingers beat. Chhan chhan chhan chhan, She dances, repeating the rhythm with her feet. Metal bells strike against one another And chhan chhan chhan-a chhan she goes, Making breaths prance and jump, As she strikes on the ground her heels and toes. Then suddenly she stops and gasps, Over disgruntled, impatient groans she tries to hear the sound that flows in, only to her ears. Several rooms away, a baby cries. Naach! A voice booms, Arey naach! More join in. A glass of wine is shattered by an irritated one. But she stands still, clutching her chest, frozen. One sways up to where she stands, For the veil covering her face, his hands dive. He uncovers her, but is blinded by the sight of her beauty And her tears that fill her kajal-smeared eyes. She’s shaken back to reality as she looks all around. Her sparkling pall is off her face. She sees all those drunk men who’ve paid to watch her dance. She knows she has to make the sound of the cries fade away. So she stomps her feet on the ground till it hurts. Hair flying out of braid, bangles clanging, Anguish replaces her innocent loveliness, The music in the air is now shrill,  jarring. Her steps match with the tabla’s rhythm no more. But she dances, planting her feet so hard they weep. She silences every sound with the noise of her ghungroos, Praying that the night will lull her wailing son to sleep.
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56
The remover of all obstacles, O' Vighnaharta I fold my hands and bow my head, In prayer You've always been my key pilot O' Vinayaka I come to you with all my heart O' Lord of Lords My knowledge comes from thee In abundance, you've shed your blessings Upon me I offer my soul, my lifes all deeds To thy feet Hail O' Datta I welcome you in my life everyday At this Ganesh Utsav I request you to visit me today With your favorite dessert and flavouries I've decorated a plate, Sweet ladoos, modak, paan and durva With this red velvet hibiscus garland and flowers I am standing here waiting at the gate In the temple, inside my soul Where blossoms the energy to carryout my role Dear Father, You never disappoint your devotees In this aeon of cycle, on this earth and beyond You'll always be my protector Coz my soul shares a devotional infinite bond With you, Ganpati Bappa Morya... ©sim
0
Aug 24, 2017
Aug 24, 2017 at 9:55 PM UTC
Vanquisher Of Obstacles
Lost in the desert at night, a maze of stairs reveals the myth. Neon sign, beside a paan-red smile, pairs—revealing the myth. Clotho has ringlets, Lachesis slanted eyes, Aisa laugh lines, Weaving tapestry of rapturous affairs, reveal the myth. Who plays the distant sārangī? Who pours the quenching nectar? Falling into stride behind Inanna's heirs reveals the myth. Those intimate moments trace the tangible warmth on her skin. In proud destitution, a desire she wears: reveals the myth. Sand trickles through his anxious fingers, the mirage disappears. At dawn fugitive memories Tashir bears. The revealed myth.
0
Dec 6, 2016
Dec 6, 2016 at 2:58 AM UTC
The Revealed Myth
Kina kuj chal reha Kina kuj hor chlna he Eh dila di gal c Mukadra di ban ke reh *** Kujteri galti c Kuj meri galti he Baki rola sab jaata paata da Jo ishq na pura ** sakde Kuj tu dari c Kuj me darda c Kuj darde c sade maape Me kiwe samjawa Ki beet rahi mere naal Nitt marda ha teri ik jhalak paan de lai
0
Apr 6, 2018
Apr 6, 2018 at 11:26 PM UTC
Untitled
*** yir ******* skids outta m'ah 'uckin feece! god i love that place, glasgow is like birmingham of the north...   a rotten scow to nowhere, unless it be a place that spoke: deep-fried mars bar for breakfast - you scurvy worth of the tangled sailor! **** gods took to the twallop, and i takes me to the rool ups!        got a bargain with a shrimp you belfast *****            my **** you 'av! next time they sing: sweet dover, i'll have you marrying the ***** cult of: shard!    ye storm ah heed! **** me an' timber twice: V fooking eye of ye, hire-crane! ******** twice,    three times removed the drunk... huh?!    it's all plus minus with me by now...          ha ha! had a cousin, didn't say why, cursed & numbed the cuss words like a nun ought to know why...   so i says me:      lingua the leash - earn the ir - softspot for the tucker-jacks and the irish lepers: shauns they called them...          he he... look at me:   all smug and waiting for brussel sprouts out the paan tree... what's with these wallaby terms?     panchree? panna quinoa, panna cotta? ******* as clingy as those pepsoowongs, or wangs or pepsoos. as the english queers say    F F Θ, but then pull out a churchill - and vey v girman vey such & such... they and way become indistinguishable - churchie and the welsh abbey become one and the same with either V as "peace", or the V and the welsh longbowmen **** you...        v'eh point... wayward: too soon...    vuck!     wook?        wookie?       va va voom!            woonder-brum, brimming, bra bra bra... ha ha ha...     dried it all off with the giggles... then it became apparent: the man settled for the dozen, whether it was a dozen of ostriches, hyenas,    bunches of lychee,        leaks,                bulgarian strippers - or worse...    a dozen of english rhetoricians, notably gay;                      **** what a gamble.
0
Sep 21, 2017
Sep 21, 2017 at 10:38 PM UTC
glaswegian dublíneesh
*** yir ******* skids outta m'ah 'uckin feece! god i love that place, glasgow is like birmingham of the north...   a rotten scow to nowhere, unless it be a place that spoke: deep-fried mars bar for breakfast - you scurvy worth of the tangled sailor! **** gods took to the twallop, and i takes me to the rool ups!        got a bargain with a shrimp you belfast *****            my **** you 'av! next time they sing: sweet dover, i'll have you marrying the ***** cult of: shard!    ye storm ah heed! **** me an' timber twice: V fooking eye of ye, hire-crane! ******** twice,    three times removed the drunk... huh?!    it's all plus minus with me by now...          ha ha! had a cousin, didn't say why, cursed & numbed the cuss words like a nun ought to know why...   so i says me:      lingua the leash - earn the ir - softspot for the tucker-jacks and the irish lepers: shauns they called them...          he he... look at me:   all smug and waiting for brussel sprouts out the paan tree... what's with these wallaby terms?     panchree? panna quinoa, panna cotta? ******* as clingy as those pepsoowongs, or wangs or pepsoos. as the english queers say    F F Θ, but then pull out a churchill - and vey v girman vey such & such... they and way become indistinguishable - churchie and the welsh abbey become one and the same with either V as "peace", or the V and the welsh longbowmen **** you...        v'eh point... wayward: too soon...    vuck!     wook?        wookie?       va va voom!            woonder-brum, brimming, bra bra bra... ha ha ha...     dried it all off with the giggles... then it became apparent: the man settled for the dozen, whether it was a dozen of ostriches, hyenas,    bunches of lychee,        leaks,                bulgarian strippers - or worse...    a dozen of english rhetoricians, notably gay;                      **** what a gamble.
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72
A Monginis Cake Shop flex hangs above a hardware and electronics store and a man in front of it speaks loudly into his phone, trying to explain this his location, slapping the other hand on his forehead. Another man, this one on a scooter going slower than a public transport bus has his helmet resting in the front between his feet instead of on his head. (Is this blatant disregard for life or staggering confidence about it?) An old Nauvari-clad woman bearing a big vermillion stain on her forehead innocently spits her paan on a Clean Mumbai, Green Mumbai graffiti. I get up to go stand at the front door and someone else takes my seat. They will see a skinny girl typing furiously into her phone this very poem.
0
Apr 3, 2019
Apr 3, 2019 at 12:50 PM UTC
From the bus door
I speak from the landfills, dumpsters and gutters I speak from the corners you ignore Because you don't want to acknowledge your contributions You know you add to it more Everytime your car passes Your inner voice rants and screams But you look the other way And scrunch your nose up silently No one wants to make a move While we live in our fantasies Away from the rag-pickers and sewage cleaners Who segregate our waste for a mere salary Who clean our **** while we throw some more at them Who are not treated as human We just want to get rid of things so we throw Throw on the road, in the rivers and lakes In the forests, in other peoples' place We urinate and spit red paan on walls We do our business on railway platforms We live in a such a mess We are such a mess Our ideology is as filthy as these places So I'm sorry, for such a disturbing poem But it's time you better be disturbed "Long years ago we made a tryst with destiny..." 70 years ago, these were Nehru's words
0
Aug 16, 2017
Aug 16, 2017 at 11:44 AM UTC
This is not the India they dreamt about
Thanks heena ji Supne de wich aan lai Menu ghut ke haffi paan Lai Menu seene de naal naal Lag ke ron den lai Bahut bahut thanks sapne wich aan lai Sala sakoon ja mil gea hug krke
0
Apr 6, 2018
Apr 6, 2018 at 9:47 PM UTC
Sapna
INDIA is the coolest place Being here is not a disgrace Home of Bollywood Indian version of Hollywood Delicious , mouth watering food Biryani makers my mouth drool And no one should forget Chaat, Paan and sweets It is seriously worth taking a tour home of Taj Mahal and many more it has the best judiciary to make sure no one breaks the rule Apples in Kashmir are the best Once you eat one you won't rest do you know what I am talking about? Yes, it is my country INDIA
0
Mar 23, 2020
Mar 23, 2020 at 9:13 AM UTC
INDIA
Meri koshish hamesha hi Bekar *** he Pehla tenu paan di Te *** Tenu bhulAn di
0
Mar 14, 2018
Mar 14, 2018 at 6:08 PM UTC
Koshish