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Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Will J Jan 2013
And so as a man, a job,
a cactus wearing a business suit sharing relations with the hydrant down the street.

A ***** strapped to a baby carriage with plastic baggie cellphones
yelling "run away now"
to the grass at his feet.
A man devoid of water, rather.

These are the times

A well, emptied.

Rather death
find waves of spilled milk and
all the fat people, skinny.

A dry mouth desert, kneeling
In either breath of a living feeling
or the one that talks of so much
for only the wealth of his screaming.

Some tiny furniture talked all night about running through wheat,
ebbing and flowing against the end tables,
then falling short as crumbling tree leaves.
An ottoman as recycle bin holding stem
from stem of watermelon children
and vine-ripened acetaminophen.

Some odd truth told the blowing wind that
God does cartwheels with Lucifer at random.
It then billowed out about
his ***** underwear and holy fodder for memorandum.  

I would say a man, a vision,
A little girl using a GPS to calculate the distance from the rest her teething.
Instead, she found a funny barbeque ***** playing hog-tied pharmaceutical reps into neoprene
mud-flapping pigeons.

I would say the sinking plastic six-pack islands revealing trash limbs,
sunken,
honest,
grim.

Life, itself, must move in tandem to only fleeting geese.
Though in plan, the artisan-picking fruit of word must be depicted.
Live in sin and ignorance much like the
breaking news walking on broken record.
And so as a man; a fear.
He looked down, staring at no one
with bare feet and shaken, coconut flavored palm trees.
S Fletcher Feb 2015
In the city of hustle and horn, they gather under.
They are the students and the teachers, the movers
and the moved. They are the mothers, the marrow of
this reef concrete. They sustain. On track, on train, kneel
before their black-clad unseen brilliance, cloistered in this tedium,
zipped and snapped up in fleece-lined neoprene like it’s the end.
They alone can stretch and see how it almost always is.
Only those with breath pressed up to the raucous edge
can see the darkness depart for sunrise.
kara lynn bird Feb 2013
THIS is where Thoreau sat
after he awoke from a night of dreaming,
His smart phone screaming in his ear-
WAKE UP! WAKE UP!
He sat right here after putting on his neoprene boots,
Poring his hot cup of coffee and allowing the dog to do its duty.
He sat right here after listening to the news,
gathering bits of worry and panic-
Thank God he didn't like to work
Or he might be late in traffic.
He sat right here
reading on his half charged nook
hoping that the batteries didn't run out
before he had a chance to get to the good part,
Realizing the irony of electronic books is that even they,
Are putting you on a time limit.
This very spot is where he stood,
Wearing his tee shirt with a large moustache printed across the front,
Replaying songs from his iPOD
"Call me maybe..."
I'm sure the beauty of Walden captured him,
so in effort to share he'd snap pictures for Instagram and hope that enough people "liked" it to send his photo viral, like the howl of the midnight owl who hangs out in his yard.
This is where he sat
after taking his ****** and securing his door from his neighbor
This is where he sat
when he returned home
from a job he didn't even want
This is where he sat
soaking up the heat flashes and solar flares
Watching comets pass by like a common sight
I'm sure that this,
Is where he'd sit-
And this,
Would be his reason to go to the woods.
I wrote this sitting at walden pond today...
Bruised Orange Jan 2014
Plastic,
plastic covers my natural voice.

I am neoprene, with gasoline undertones.
So peel the layers, find my truth.

You never were one to find
beauty in modern art,

Acrylic man.
Edward Coles Sep 2016
The line of freedom was drawn,
fortunate passports found
amongst the rubble of Ground Zero.

The future was not a boot,
more, groping hands through
intimate pockets
and blue light that decimates
the privacy of dreams.

No concentration camps,
Bernays fuelled the fire­
in a wolf's disguise
until the crowd would herd itself.

No Aryan prophecy-
hatred more efficient
when its hands are untied.
Small disparities linger
the stem of deception:

the bottom-feeders are sterilised,
benefits withdrawn, foundations exposed
as ******* palms gather the loot
they lifted through the ceiling.

Sensory comfort provides
the leisure of a clouded mind,
a blood sugar spike,
the Soma of our time.
Under halogen lights
they make love in the high-rise

then labour in sleep
for what love cannot afford.

Continents divide.
Africa: the cold shoulder.
Asia: the factory line.

Oceans swell in neoprene heat
as sling-shots are drawn
beneath a dying star.
Old skull of Palestine,
cross-hairs on the White House
and a contusion in Pakistan.

Doors of perception only open to addiction.
Separate from G-d ,
draw more blood from the ground
like a smoker in the inexhaustible
process of quitting.

A belief in infinity
that will last until the world's end.

The line of freedom was drawn.
Everyone believed that they were on the right side.
C
Robert Breen

The body moves as if Jell-O in our hands.
Intense heat makes it so small.
What was once hair
shrivels tight to the skull.
The char falls, exposes
steamed white flesh and bone.
The sweet pungent odor
stings the nostrils.
You learn fast to mouth-breathe.

We place the fetal corpse
inside the red neoprene bag.
We tighten and buckle the leather straps.
The coroner places the body on the gurney.
The chaplain makes a sign

And what about the match?
The one who sets a fire.
Is commonly called the match. 


At the station,
I hose down the inside of the red burse.
And watch the spirit of a mother’s child,
Hold tight to the bars of the floor.
zebra Jul 2017
there is a place
in fetish land
where breathing idols
live below the belt
their busy mouths unveiled
soiled shimmering lips yielding
warm spit
thick and wet
the crimson flood
is the flood of love

Dark Hazel
plays
legs spread
like a baby in a bathtub
wiggling her toes
and circulating flesh
in vaporous waters
with scarlet rings through her nose
and smarmy Gods command
neoprene priestesses
***** with a switch blade
and an ***** to die for

color me on my knees
grateful
**** lovin derrière kisser
reading comics
from
the book of *****
while she queen's glare
through ***** party masks
jitterbug arcane rituals glitter
hellions in love
you can smell the volcanoes

malleable baby dolls
with tiger skin bindings
evoke eager spires
through tribal unga bunga
shimmy **** and ***
drenched in yearning
night fires and sacrificial rants
*****'s like fat plums weeping pink milk
mouthed terrorized ******* drooling

tarnished yoga's
of dancing feet scorched
inferno's of pleasure
vanquishing the temples of normalcy

the sky is red with rituals
souls set free
in a **** for all
like a cluster of stars spooling a galaxy
Max Alvarez Sep 2015
I met a girl in a neoprene sweater
She told me her favorite word was "never"
So I told her my favorite letter
It's "u"
Because it always has a beautiful view
judy smith Jun 2016
Paul Andrew, Scott Schuman, Anton Magnani, Frank Charriaut
Paul Andrew, creator of his eponymous line; Anton Magnani, chief executive officer of Sutor Mantellassi; The Sartorialist’s Scott Schuman, and Carvil artistic director Frank Charriaut packed into Colette on Saturday afternoon to debut their collections for fall.

“They’re very different,” said Sarah Andelman, creative director and purchasing manager of the Paris concept store. “The only thing they have in common is ‘made in Italy.’ You have the American brand, the Italian brand and the French. We don’t want shoes that are too classic. We’re trying to find our feet.”

Andrew was debuting his first shoe collection for guys during Paris Men’s Fashion Week. “Before I started my own brand four years ago, I designed shoes for 15 years for several other designers. I was doing men’s shoes for [Alexander] McQueen and later for Calvin Klein, so I have experience in men’s shoes and I loved it. I remember that time so fondly,” he said.

Colette stocks 12 men’s styles from his label. “This shoe, which may look like a classic shoe from the bottom, [actually has] four layers of leather to the sole, which makes it more aggressive, but still in a very refined way,” he explained, also pointing to sneakers bonded with neoprene and deer skin, “which is super luxurious leather – very light, but it’s also breathable.”

Following Colette, Andrew’s line will roll out to other stores, including Barneys.

Meanwhile, Magnani and Schuman presented their collab0ration — a chic sneaker style in four color ways.

“I really wanted to have something that would have interesting color combinations because, you know, I wear blue, gray, black, taupe a little bit [when it comes to clothes],” said Schuman. “I don’t wear like crazy colors. But for shoes you can do something a little more interesting.”

“Scott really came up with the good idea of making the stripes without seeing the stitch. You can see it’s all folded,” said Magnan, referring to the sneakers priced at 425 euros, or $471 at current exchange.

The duo just unveiled at Pitti Uomo spring 2017 styles, which are white but with “more summery color combinations,” explained Schuman.

Will the pair doing more collaborative projects? “We’re not just dating, we’re married for a little while. No Brexit between us,” Schuman said.

Charriaut presented his first collection for recently revived Carvil. “Carvil is a Parisian brand that was back in the day very chic and hip, for elegant men,” he explained.

Marc Jacobs, who was at Colette Saturday for the launch of Lorenzo Martone’s new eyewear range, purchased a pair of Carvil boots. Charriaut noted they were the style designed for Bob Dylan.

Meanwhile, downstairs at Colette, fans were lining up to get a signed copy of “Undercover Jun Takahashi,” published by Rizzoli. “There’s 25 years of history in it,” explained the designer.

The book, whose release comes following the retrospective dedicated to Takahashi at the Tokyo Opera City Art Gallery last October, is chockablock with his sketches, graphic work, pictures and essays. After a stint at the specialty store, the tome will roll out to bookshops in July. It’s priced at $65.Read more at: www.marieaustralia.com | http://www.marieaustralia.com/formal-dresses
JoJo Nguyen Sep 2016
sand falling through
tightly laced
corset

can only know
neoprene kisses
purple from asphyxiation

my kefir spurts
sour oats
to the dry wind

never finding
spreaded parchment
smiling

never inking
sailor's story come
homely
David Hill Aug 2022
My parents used to fish
On Castle Creek
With canvas vests and wicker creels.
They always caught their limit.
And we had fresh trout for breakfast.
Last year
I drove my father
Up Castle Creek,
Alone and with knees too old
For clambering on wet rocks.
We stopped and talked
To a fisherman
With nylon gear and neoprene boots.
My father told him where the fish were.
Then I drove him home,
Down castle creek,
For the last time.
Robert C Ellis Dec 2016
Hesperian Period(Hesperia Planum):
Where tidal palms carried the sky
Rocks churned dust with anticipation
Of *******, sing Halleluyah

Amber rivers,
a tome of time and grace
The soft intent of neoprene limbs
Stepping in and out of gait

Raindrops sing al-be-do
Criss-cross-ing chords of rage, ‘ate’
Simple cells rotting into culpable hoes
Sorting star dust from anno dominae
NOtes on creation
Rose L Dec 2018
the peach-grey behind the clouds. those opalescent seconds
don't you remember that day
when we held hands and it felt okay
and I cried because it stormed and
Neoprene vastness of vision. I watched you sleep and you didn't feel human
I'm not free this evenin g and I'm sorry
Those hours in the morning where early birds speak and tell me
go to sleep
Hands hot and bristling
And forced to
- 'and she painted throughout her life-'
And we have to talk?
Because I feel like I've lied
but when you're not here I feel
Cold. The Cold that spreads and burns
and tell me h-
"I don’t see how Henry, pried
open for all the world to see, survived."
She sat across from me, on the other side
of the room
A gentle flood of blood that felt to me like drowning
and agreed that I'd reached Inner Peace.
on the way home it stormed, and I cried.
alaric7 Jan 2018
Pine embellished by Cassiopeia arched over prone morning.  Meadowlark laughed, cougars stalked shadows, crow deputies.  Bent creek carried silt of spring, sigh of cedar.  Cold mist, feathered cloak marked him of eagle and raven.  He took part night, river’s depth in bent cedar boxes along grease trails over walls called cordillera.  Distantly ships put into several bays.  Raven gave up tricking salmon people, at Rose Spit called out first, men.  Who had invented dance now demanded war.  What speech there was was lament. Undone morning weeps bloodied.   Anger-melted gold fills insatiable mouths, shames what night cannot hide.  No more hand set to house front, no more ashlar of jasper. Night casts her spears, we have not even time to die.  Flee hands which reach from river, children ghost small starving birds.  Rejoice in crow’s carrion cruelty, Owl devour those we cannot smother in our desperate escape.
                               Look up beaten, complaining, supreme.  Reconstruction begins in this torpor, a boredom purring heart cannot abolish.  Inebriated with the impossible, go past mission outpost’s Gide and a Kempis to the lineage house of men.  Hegel whispers I never did believe.  Attar extend gender-inflected zero.  In the wrong season glisten with sugary neoprene. Belong to at least two countries, Land of Goshen sours.  Break into Quechua, haunt cruel Saturdays, look for amigo.  Wheat field marries into lion’s eye.  Ayacucho fanfares enclose the wind.  White-breasted, black-winged, displace requiem.  Recover lost chives, cottonwood’s inerrant perfume, shooting stars on the other side of the river. When mountain burns, Eyes-Are-In-Festival yields turquoise.  Let him palmer drink iris dry.  Sky falls, camas blooms, then this morning white tail flicker in low aspen, chickadee dee dee dee, chickadee dee dee dee.
She threaded her way into my smoke rings and
spoke signals which hung in the air,
in her neoprene tights she flexed through the nights, but
when I looked there was nobody there.
or something like that,

— The End —