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Mateuš Conrad Mar 2018
/the bore of moral relativism stemming from the eden metaphor:

i am sure, a satanic lie, but perhaps
a godly one too...
    type on the problem of the three
doherty brothers,
   with the husband having committed
suicide...
  the remaining brothers,
   with the remains of natalia doherty
in one of the remaining alive brothers...
the "disappearence" of
    natalia doherty from luton,
later found in the garden of one of the brothers...
drunk, she started shouting abuse
at the future suicide...
                clearly the story:
           the man who committed suicide
did the ******,
           the brothers stepped in
                  and covered up the burial...
i'm working from first impressions...
                   the husband killed, but could not
stomach the deed, so he took his own life,
his brothers stepped in
                          and took care of the ***** work
of making a crass burial...
                     justice is but water
       between the blood of familial ties...
as it were, brothers in arms...
                  but justice was served,
somehow, perhaps not the burial rites,
   but the fact that a suicide took place...
a g. madonim painting replaces my
aztec calendar, now hanging on my wall...
             and he lay with her for several days,
the brothers did the ***** work,
disposed of the body...
                           in that, they buried her
face down...
                       as if to imitate:
                        the shut mouth that once
took to drunk obscenity...
                    always the most mundane face
behind the most belitteling deeds...
     even if 12 years later...
                   and they say:
actions speak louder than words,
    sometimes words have unparalleled
consequence to be mismatched by deed...
                    guilty?
  who is guilty in this matter,
          if the actual murderer committed suicide?
too much of a brotherly love
        to leave the matter blatantly staring
in the face...
                       and what of the woman
without a grave?
        how much longer does the memory
of a person remain intact without
a "proper" western burial?
                             coffin unto slugs,
rot of wood,
                         or the immediate enegry
release from the Ganges?
                                       an abandoned grave
or no grave at all?
             justice would have been
served, if the murderer was still alive...
              then, of course,
            the remaining doherty brothers
would be guilty...
           but what if the same doherty brothers
didn't whisper a noose on the man
who strangled his wife?
              as they might have added:
    you did the ugly bit, we did you a favour
doing the ***** bit...
                   what respect for the dead
is there in rearranging the body, face up?
               a second dagger, a certainty,
and the two old brothers, with one playing
deaf, the other playing liar...
                      apparently in a fit of rage:
hell knows no fury like a woman scorned,
     but what is that of man?
                 heaven knows not of a man
castrated by a woman's words?
                  in the immediate sense -
                    oh gerald gerald...
said the two elder brothers...
                                if gerald was still alive...
you could judge the elder brothers
as accomplinces...
                                 at first i thought: b'ah!
but at least she wasn't buried as gerald would
have intended: chopped up and disposed
in dustbins...
                      she remained intact in
the ground...
                          since the undertaker walked
scot free...
                  3 months for the liar, aged 73.
judy smith Nov 2016
The 34-year-old Russian model has admitted she applies beauty products to enhance her cheekbones and jaw line when she has to attend a formal discussion to make her look "older" and "more mature".

Speaking to Elle.com about her beauty regime, the blonde beauty - who has starred in fashion campaigns for luxury designer brands including Givenchy, Prada and Calvin Klein - said: "There's no particular routine. I keep my skin clean and moisturized. A product I swear by is [Guerlain] Super Aqua Serum, so maybe this is my secret.

"It's also genetics and a healthy lifestyle. I think it's really about using the right products and looking after your skin. And putting on makeup that doesn't make your skin look like it's caked on. My two favorite products are Lingerie De Peau BB Cream, and in the winter I use Météorites Baby Glowfoundation. It smells so good. The pearl powder is what gives it this really incredible glow. The secret to applying my makeup is that I just put it where it's needed.

"Sometimes I wear just a little pencil and a bit of mascara to make my eyes stand out a little more. And maybe a bit of color on my cheeks. If I'm going to a meeting, I will contour my face to make myself look a little older. I have to look more mature."

And Natalia - who has sons Lucas, 14, Viktor, nine, Maxim, two, four-month-old Roman and 10-year-old daughter Neva with her husband Antoine Arnault - has admitted motherhood impacts on her daily routine.

The Gorky-born star explained: "Keeping up with everything I do requires some sacrifices, but once and a while I need to take some time to myself."Read more at:http://www.marieaustralia.com/princess-formal-dresses | www.marieaustralia.com/****-formal-dresses
C A Jul 2012
She has a big heart
And when she smiles I know
All the reasons that I'm alive
Without her I'd never grow
Without her I feel lost,
and sometimes I'm afraid
I need to see her darling face
Just to make my day
She sparkles when she dances
Her eyes light up a room
Her kisses make my heart melt
And I live for her "I love yous"
She has the key to my heart
When there's nothing more to give
I just want to see her happy
She's the reason that I live
Happy 5th birthday baby girl! Mommy loves you so much
Paulamae Jul 2010
you help me through problems,
through things good and bad
you kept me smiling
when i was sad


as the years past
we may grow apart
but no place is too far
we wont forget about each other
where ever we are


you're a wonderful person
with a good heart to lend
and i want you to know
you'll always be my bestfriend.
Fitz
Fritz
Fido
Sandy
Spencer
Chaplain
Bernard
Jesse
Snoopy
Charlie
Charles
Fred
Freddy
Bones
Remmy
Ren­a
Reno
Tony
Julian
Julie
Frisco
Meghan
Addison
Robby
Buddy
Rudy
F­riedrich
Fredrick
Bernie
Rudolph
Adolf
Ferdinand
Rose
Cassie
Cassidy
Lee
Balto
Little *****
Allen
Alvin
Jake
Demi
Randy
Alex
Richard
Alexis
Kenneth
Ken­ny
Chris
Jose
Josey
Rodger
Moe
Joe
Emilio
Walt
Emily
Emma
Maddie
­Anna
Jafar
Aladin
Jasmine
Genie
******
Amber
Gracie
Ramen
Gordy
G­ordon
Jordie
James
Bucky
Huff
Manny
Sam
Samantha
Mary
Marie
Tila
­Rita
Cathy
Tammy
Mickey
Cam
Amelia
Rene
Jeb
Dan
Bagel
Tommy
Donut­
Bubbles
Blossom
Buttercup
Mark
Cody
Andy
Cristo
Andrea
Whiskers
­Mike
Bill
Billy
George
Geo
Joy
Mitch
Trigger
Tigger
Stephen
Archi­medes
Anya
Duncan
Nitro
Crash
Bub
Crystal
Egor
Bernadette
Cammy
T­immy
Antonio
Natasha
Natalia
Ivan
Abbey
Abdul
Carly
Aaron
Omega
F­inn
Nina
Debby
Tomato
Tabby
Artie
Archie
Noah
Kyle
Alfie
Alfred
Conrad
Conner
******
G­unner
Fry
Fries
*******
Constance
Connie
Frank
Fran
Candice
D­andy
Lucy
Lou
Louis
Quincy
Doogle
Dubie
Dakota
Ace
Casey
Barry
Te­rry
Trenton
Gabe
Laurie
Cornelius
Kabob
Sky
Skylar
Rufus
Louie
Ba­rton
Kimmy
Angel
Capri
Basil
Cy
Ruby
Emerald
Eleanea
Elenor
Barth­olomew
Jazz
Dreamer
Thunder
Topaz
Amethyst
Salsa
Meril
Dodo
Toto
­Eric
Barbera
Hannah
Katie
Zoey
Ben
Pinto
Squanto
Columbus
Columbo
Porgy
Bess
Clark
Savannah
Ken­dra
Marco
Leise
Toby
Trevor
Tresten
Treven
Adrienne
Caleb
Carlyn
­Ricky
Gibby
Donny
Han
Solo
Hans
Gabby
Dirk
Spot
Sebastian
Dee
Sco­oby Doo
Shaggy
Polly
Reginald
Burger
Steak Sauce
Ethan
Bradberry
Lucky
Fergie
Cheese
Boxer
Napoleon
Snowball­
Gerald
Jeremy
Benji
Gemma
Pal
Mal
Preston
Jack
Jackson
Molly
Mac­kenzie
Alexie
Alicia
Dora
Olivia
Salvador
Beast
Beauty
Oliver
Dal­e
Rim
Marley
Diego
*****
Bobby
Ralston
Zeke
Rooney
Plato
Cole
Nep­tune
Sailor
Frida
Rico
Dali
Veronica
Victor
Copeland
Swift
Riley
­Tubs
Lassie
Yo-yo
Harvey
Lemonade
Coke
Pepsi
Tanya
Camille
Token
­Laser
Beam
Seamus
Dorthy
Ian
Moby
Natalia mushara Aug 2015
Ma daddy always tolde me
Natalia" daddy always rite
Truste me girl
Daddy always rite,
Don go jus finding any ******
Kus cretins like ants
Dey always builde nest round yuo
And swarm yuo
Like da ants dey are
And ya daddy was rite
I do got lot of ants
Trying to swarm me
I just swat the bugs awaye
Dey pesty.
Pea Jul 2014
Jesus, I be lifted higher
Higher, higher
Be lifted higher
Even though we are not the same
Different ways
And we walk on different path
Different road
I just copied that from somewhere
But it matches
With the notes
And be as one
Holding each other's hand in gratitude
Jesus, my arm is not that long
My mind is not that strong
I still have a picture of you on my phone
At night I delete it
The morning after I find you again
It is the lost children's song, it has no end
I can't hear you when I practice on bath
I can't feel you when the water fills me up
Magdalene would not come
It is Natalia
It is Natalia
Now you know who you are
Pictures of daisies on the front page
The blond, long hair
Ensnare my neck, my legs, even the chest
Heart not beating, it is quiet
Is it a candle or a sun? It just burns
The dark is casted away
But you say, dim the light because it helps
How could I not be your migraine?
Different gem pierced on your heart forever
Not really forever, just feels like it
The wounds never be healed
Seven lied that I would make a good healer
These hands are full of barb wire
Colored red of the blood or is it just corroded-
I dare not touch, I dare not move
It would hurt,
it would hurt not you, don't you think I care
Like the sword it is two edged
I need to sharpen my teeth for
the most I could do is biting my thigh
I am a baby trapped in the physique of an adolescent
I don't know I must praise you
And that it's you who is being lifted higher
My ****** friend says
There are a dozen or
two; At two I remember you
Still waiting at that cafe?
It is not me whom you are waiting for
I shouldn't have waited for seventeen years to come
It could have been a coincidence
It could have been real
It could
Not
Be possible and cannot ever be
We do not have the bridge
Ran out of concrete
It reminds me of Tanabata
The kind of one sided Tanabata
Today when I see the stars
I would cry
Natalia mushara Jul 2015
Dis fo all yuo. Sick aseholes on here na I don wan no **** pics from yuo I may be single chicka now but na don want idiot peeple writing me bout *** so forth
Chicka Natalia
Thanks
Natalia Rivera Nov 2014
Exijo que alguien me diga en donde está escrito que una mujer solo puede tener **** con una persona y si pasa de ese número automáticamente es puta. Si, este pensamiento es algo machista pero lo peor de todo es que es utilizado más en las mujeres que en los mismos hombres, me explico.

Las mujeres ven una mujer la cual se viste mostrando lo que le da la gana y rápido piensan en la palabra puta, cuando ven a otra mujer besándose con uno hoy y otro mañana piensan en que es una puta sin valores, cuando otra mujer tiene **** con más de 5 personas en dos meses lo que piensan es una puta que no se respeta. ¿Acaso creen que esta no es una actitud machista?
Mujeres que exigen igualdad entre hombres y mujeres pero critican a mujeres que se atreven a ser quienes son mientras que ellas están sentadas soplándose el culo y criticando. ¿Este pensamiento es tan poco prudente y es tan común hoy día, cual es el problema con que una persona, sea mujer u hombre, se sienta bien consigo mismo y decida tener una vida ****** plena? Son libres de hacer lo que quieran. Ellos escogen: con quien, con cuantos y en que lapso de tiempo lo hacen.

Pero como esta acusación estúpida radica más en las mujeres quiero concluir con esto. Mujer que me lees:
Si deseas vestirte con un traje corto y un escote en las tetas hazlo.
Si te gustan tres personas y tienes la oportunidad de besarlos a los tres hazlo.
Si quieres tener **** hoy con uno y mañana con tres hazlo.
Hazlo, olvídate del que dirán las personas porque seas casta, virgen y pura o puta, atrevida y coqueta hablaran de ti.

Natalia Rivera.
Chandamazii Mar 2012
One day a girl was walking down the road. She had her music turned up loud and couldn’t hear a thing. Suddenly without realising, she was in front of a small narrow trail, she followed it and it brought her to the shore. When she got there she was lost and didn’t know what to do. She decided to continue.

After an hour, she began crying and screaming, she was lost and wanted to go back home. She dropped to her feet and broke down. Next thing you know she saw a pair of feet. She looked up and saw a man, all dressed in white. He told her to get up, what she did. He gently pulled her beautiful black hair out of her gorgeous pale face.

She kept crying and asked him if he knew a way to go back home. The man responded: this is home. The girl couldn’t understand. The man told her: this is where all the waves crash, where the sand is the most soft and warm, where the wind will make your hair dance, and where it’s mostly sunny.

The girl told the man: No it isn’t like that. All I see is a big, black angry ocean and the sand is pulling me deeper into the ground. The wind is blowing in every direction like it is lost and the big grey clouds are hiding the sun. So this is not home. This is scary. It is nothing like you said.

Then the man replied: no. It is all an illusion. To you, the ocean is big and dark because it is like your heart at this moment, Panicking. The sand is only pulling you in because you are letting it. The wind is only blowing because of your mind. It’s lost. And the sun is only hidden because your sight is the same. You cannot see what has truly happened.

After the man said these words, the ocean calmed down and became turquoise. The sand became soft and warm to her bare feet. The wind became a gentle breeze and was making her beautiful hair dance in the wind. And the sun came out of the clouds. For a minute she thought the sun was so big that he would swallow her.

What was truly happening, she was opening up to the truth. While the girl was crossing the road, a drunk driver hit the beautiful 15 year old. He never got caught. She was now in heaven. The reason why she saw heaven the way she did at first, was because she didn’t want to accept where she was. She was confused, and slipping in her own illusions.

The girl turned around to the man, all dressed in white, with long brown hair. He reached out for her to take his hand and said:” let’s go Natalia. Let’s go meet my father.” “What’s his name?” and the man replied: “God.”

The light can only shine in the presence of darkness. The heat can only warm you up in presence of the cold. God is always there to help you in times of sadness. He is always there.
more of a story thaqn a poem but WTV i still ike it :)
The voice Nov 2012
La vida es un viaje. Nunca me esperaba una caída en el amor conmigo, y yo con usted. Fue tan inesperado y tan salvaje, pero estábamos amor. Fuimos luz, fuimos a través, pero estábamos juntos. Una parte pero nunca sperated. Éramos jóvenes, infantil, absurdo. Hemos sobrevivido unos a otros, se puede sobrevivir a cualquier cosa y cualquier persona. Nos conocimos a cabo coinciden, y lo puso juntos. La vida es un viaje. Para el fuego sigue ardiendo brillante, y se ilumina los caminos seprate que están destinados a viajar. Pero ese fuego, que quema, que el calor .... siempre voluntad y un día, quemadura por nuestro amor. Al igual que el sol. Este es mi viaje. ¿Cuál es el tuyo?

~ Estrella Luciano and Natalia Torres (my spanish family)
From my friend Jerel Ballard
Chapter XVI
Vernarth Third Finale Fragment, Apud tertium final


Vernarth, runs ripped from himself, after himself, to try to stay in this Parapsychological Regression. His bewilderment was imminent. He was seen in this regression on Nevski Avenue, Saint Petersburg, and in the province of Yekaterinburg, looking for vestiges of the Tungus tribe.
Peter I Alekséievich or Pedro I of Russia, nicknamed Peter the Great Moscow, May 30 / June 9, 1672- Saint Petersburg, January 28 / February 8, 1725.) 1 son of Tsar Alexius I and his second wife Natalia Narýshkina and successor of her half brother Teodoro III (Fiódor Alekséievich), was one of the most outstanding rulers in the history of Russia, belonging to the Románov Dynasty.
He ruled Russia from May 7 (April 27 C.J.), 1682, until his death, and before 1696 he did so along with his weak and sickly brother, Ivan V of Russia. It carried out a process of modernization through westernization and expansion that transformed Moscow Russia into one of the main European powers. He married Eudoxi Lopujiná, with whom he had a son and, in second nuptials, with his servant, who would take the title of Catherine I when he succeeded Pedro after his death occurred in Saint Petersburg on February 8, 1725 as a result of an infection in the bladder.


"... It was reading Vernarth in a tourist magazine when I was on a visit to the region, previously I was in Moscow and its surroundings ..." The parapsychological regression trip, followed and resumed another course with Destination to the Iberian Peninsula, on the Jacobean Route Through Santiago de Compostela and Vigo, in the latter, place passes to see the remains of the crypt of a friend killed in a Crusade. Here the remains rest in the Pereira mausoleum .Continuing his tour in Portugal, Lisbon. In Lisbon, old and melodic Afro Fado, on the sheets hanging from the illustrious houses, saw his escapades continue, rummaging bookstores and offices to get to the rooms of Amalia Rodrígues and the bohemian Lisbonense, who asked for more of his presence than the bartender himself placing port wine on the tables that cover their cork oak tables.


Does your regressive session continue, and was the doctor in charge asking if it was within your will to wake up and end the session? .Vernarth ...; He says with a gesture of his right hand, clutching his left wrist, that he wanted to continue and did not know if he would come back from himself. Which caused the doctor a strange and worried sensation, so he asked for a break before this unusual and abrupt situation. The windows of the room vibrated remarkably low, as if the thick strings of a cello intended to leave everyone diminished, to feel nothing more than himself, the very experience of a simultaneous True Warrior in mere compartments of a life that has currently disturbed him live without being part of any!


The session continues:
"... On a ridge in the middle of combat, Vernarth crosses for more below the positions of the Persians, on him and some like Mardiath, leader of his squad in Tire. Accompanying him, they could feel the thousands of sound frequencies crossing each other. Metals whistling with bowed, high and mid-frequency waves crisscrossing with spears as they skidded off the muffled wheels with their burnt axles.  The herds of fortified elephants, huge towers of ivories slicing bellies and cutting the flag,cloths next to their embalmed suns. Mardiath protects him from the rear, to evict him from the hundreds of boisterous spears, which were intended to target their commander. The Xifos sheared the chins of the almost annihilated Persians. Some of the Greek mercenaries shone with great pride the totemic animals of war to tune the Hellenic ones who cut off everything that was put before them. ”
They continue chasing the peal of spears that no longer spaced more than the shadow of their companions. The ringing of the voices that cut the metal rattle winds continues, diverting the coral trotting of the Macedonians with those of the cavalry, which faster than the others echoed the soon to take of causing always close wounds, where nothing was already with their defense weapons.

Vernarth says: With me there will be nothing ... anything more than how much will be counted, nothing more than being eternally brandishing our Xiphs. Medea ... full sorceress, tell me that I have to bet more than multiply my forces, without being able to unite with your potions of my right breastplate yet?

Medea replies: It must be applied with the woodcutter's hatchet ax. She hardens the edges of the banner, flaming, and the feather that moves the plumes that will be reserved in the squares of your energetic blasphemies. It has already welded your breastplate more than a feeling of longing. She was watered by the sacred steam of the Bumodos and its waters. I am here in full dispute; you can now anoint your throne with squares for more centuries by commenting to the right of the regular rules.

Brisehal in Advance

“They were all in full swing of the latest outbursts of onslaught from both sides. Vernarth gallops across the right side over the spearmen and archers, when suddenly everyone is paralyzed at the sight of a giant shadow of an oversized dog appearing to them from the rear. Some dropped their weapons; others restrained themselves and did not know what to do ... it was even notable that they did not hear the voices of their Persian commanders.


In the immensity of their over proportions, the fusion of reality appears in that of an almost unreal animal that stood between them to intercede and protect Vernarth. Was "Brisehal", which was suspended with its quadruple legs over an area of more than two square kilometers?

It came from Dasht-e-Lut. After Brisehal bellowed and the troops of their self-contemplation were depopulated, they were emerging from the empty Wagnerian Gaugamela. Brisehal with her Anubis-headed mountain, began to move it and shake the space between earth and sky, like the hope of some parishioners to enter the garden-kingdom of Heaven. Before the day trembled with the movement of her trembling footsteps, Brisehal shuddered on both sides and stepped in front of Vernarth to preserve her. When her entire body shuddered, she eliminated the remains of parasites that fell on the insistent achemenids, on their smallest heaps that were seen to be liquidated with the greatest effect of their rotating forces.

They were immense thunderclaps that even scrubbed up to the spheroid clouds reddened by their rising. He turned from left to right as if wanting to exile them to the Desert of Lut, as if to tube his pro generation by the bundles of optical rope or high-density fiber, which could cohabit with Vernarth in his odyssey of the Horcondising (Vernarth lineage paradise to Gaugamela).

From Horcondising; Sudpichi, on the streams channeled like proliferated mirrors, illuminated the sky of his region like haloes of light showing each outcome of the Intervention of this enormous Dasht-e-Lut dog on a huge colorful screen by the celestial air of the nearby clouds.

A guard says: Our Lord Vernarth, is under the protection of Brisehal, just as we with his memory are his succession, we owe him great respect for his bravery and repercussion of his ancestry. I continue from here of the Tower seeing his operations of greater spirit, for the protection of his great heroic sign!

Brisehal, is introduced on the cavalries of thousands of horsemen of the Persians, on hundreds of groups of mounts that flew over their heads the cataphractic armor, also elephants that did not give truce but, the most devastated were the failed cars, which were totally annulled by the bellowing and fierce contortions that Brisehal gave angrily without stopping. From this moment on, Vernarth, who already had contracted wounds, was amazed by this mass of fright in the eyes of the Falangists and the movement of strategies already aimed at deserved success, ******* the huge hordes remained, prey to their fear and undeniable defeat. early.

Alejandro Magnus says: “This Victory has no concordance with others that I have overcome. I must imagine myself supported by the support of my land and my collaborators. Undoubtedly, the tendency of those who have left their sparse sweat on this plain tend to exaggerate, it gives room to further commend the victory of my commander Vernarth and his supporters. The only thing that we can affirm for sure is that our adversaries grasped at the expense of their resources, is that even though they are tremendously superior in quantity to those of the Macedonian army, they were disintegrated at this moment by our overwhelming powers.

Ellipsis Darius III in Arbela

“… In July 331 BC, the army of Alexander the Great would cross the Euphrates River, entering fully into Mesopotamia. At that time, instead of marching south on the river to reach Babylon, where Darius III was supposed to have fled, he chose to head north, crossing the entire Mesopotamian territory until he reached the Tigris River in the second half of September. At the same time, Darius III had marched north to Arbela, just over 100 kilometers from the vast Gaugamela plain. Unlike what happened in the battle of Gránico and the battle of Issos, there he could deploy the full potential of his troops to envelop Alexander's and annihilate him… ”.

Darius III says: Being in Arbela, I should never have disobeyed The Astros. When they moved and I couldn't look at them because of their immigration, I never believed that the nebulae that would cross in front of my eyes would be the chivalry commanded by Alexander Magnus, and the infantry by Vernarth joined Etréstles. Now I see him with his glasses in his hands drinking Nepente in the twilight with his comrades surrounded by Zeus. I meanwhile ..., I still think that I should never have abstracted myself from the last portion of Betelgeuse's movement when he circulated around the border of the emblem of his seduction to the adorned orion belt.

At the time of knowing the movements and tactics of the battle of Gaugamela we find the same problem as always, the veracity of the sources of knowledge, whose account is very similar to that of the battle of Issos. According to this account, Alexander and the cavalry galloped diagonally and to the right, to avoid the caltrops and the failed cars and avoid being flanked by the Persians. Consequently, the Persian cavalry on the left wing moved in pursuit, aiming to overtake the Macedonians and envelop them. However, the Achaemenid horsemen did not realize that in doing so they had separated from the center, where a hole had been opened that allowed them to reach Darius III.

Vernarth says: in the hour that I ate of the black roses and their petals, I must savor the conversation that I had to have with the nature of our military training. Our strategy has oppressed the erratic tactics of the adversaries; the pressure of our Macedonian lancers disrupts the formation of the troops of the satrap Bessos, who end up losing the initiative and fleeing. In the center, the phalanx Me, Mardiath and Etréstles, together with the hipaspistas we will advance slowly but surely, gradually pushing back the Persian units. Brisehal has stood out above the outstanding lightness of the harassed Commander Satrap Maceo, annihilating all attempts to completely discredit him, of which his figure of high countenance was thus tainted. With the sweaty blizzard of the afternoon back then the fully grained shadow of Brisehal migrated to his Dasht-e-Lut desert from where he was confined by command of his allegiance to Vernarth forever and ever where both will always be seen at dawn play and jump.

At one point, after long resisting the burden of the Macedonian sovereign, Darius III makes his worst mistake. As happened in Issos, he gives up the battle when he was not yet decided for either side and flees, progressively dragging with him the rest of the nearby troops. In the face of this movement, Alexander immediately pursued him, and for a moment it seemed that the life of the King of Kings was coming to an end. However, the desperate call of Parmenion, who can no longer resist the fight against the Persian horsemen, makes Alexander desist from his persecution and allows Darius III to escape. When they were abandoned by their king, the Persian army became demoralized and ended up fleeing or surrendering, thus confirming the disintegration of the Persian Empire and the coronation of Alexander the Great as lord of Asia.

The end begins in a new beginning, Vernarth limps along the external bank of the Bumodos with his pectoral reopened and his back with purple colored diaphragms bellowing his resistance. He was accompanied by Kanti and, Etrestles and Mardiath who helped him endure it. They take their steps and approach the store where Valekiria was waiting for them; his consort to apply the sedative ****** essence with waters of the Bumodos to calm his pain, and later return from this great epic of his "Parapsychological Regression" that was soon to culminate.
THIRD  ENDING FRAGMENT
Natalia Rivera Nov 2014
Estoy perdida en este mundo.
He perdido mi paz, mi alma, mi ser.
Ya el cantar de mi madre no me levanta en las mañanas.
El llamado de las ninfas no recorre mi piel.
Mi alrededor es un augurio el cual me tiene desorientada, atrapada.
Prisionera de cuatro paredes donde el ruido me vuelve pequeña
Aún sigo aquí, muy dentro de mi; pero estoy a la deriva en esta barcaza , que poco a poco va llegando a la orilla.
El camino se hace largo y mis ganas por reencontrarme fieles. He perdido la noción del tiempo y de paso se ha jodido mi compostura.
No puedo mas, quiero volver a ser yo.
Y en el más profundo de los sentido, esta tormenta que sacude mi alma, lentamente grita "libérame".

Natalia Rivera.
Mi niña Alejandra me ha ayudado con una de las estrofas así que quiero darle las gracias.
I’ve been struck by an arrow, an arrow of Cupid
Why else would I act so stupid?
And allow my world to be shaken
By a girl who is taken

My heart chose hers without consent
Yet I felt my entire soul relent
But Now I must sit abide
As my chest throbs inside

For too long my emotions stressed
Hoping each day proved my earnestness
But odds of being together have become too narrow
Curse you Cupid and your arrow

This Valentine’s Day you will find
That you’re the only one on my mind
Natalia, wonderful and fine
I wish I could be your valentine
judy smith Oct 2016
Christophe Lemaire is a no frills, no fuss designer. After working as the artistic director of Lacoste and Hermès, Lemaire decided to give his full attention to his independent fashion brand, Lemaire, with partner Sarah-Linh Tran. The brand, which focuses on elevated pieces for everyday life, completed two very successfulcapsule collections with Uniqlo (both of which were called Uniqlo x Lemaire). When the time came for a third collection, however, Lemaire wanted to take his role at Uniqlo one step further, even if it meant personally devoting less time to his growing independent brand. "[It was] a little bit agitating, because I had just decided to focus on my own brand," Lemaire explains. "I didn't want to go back to more discussion, but I felt it was really something interesting to do, and I always dreamt of working for Uniqlo."

This summer, Lemaire was appointed as artistic director of the new Uniqlo Paris R&D; Centre, where he leads research and development for the LifeWear brand, and has designed a new Uniqlo line, Uniqlo U. The line takes clothing basics to a new level, focusing on quality and luxury to redefine Uniqlo's familiar essentials such as t-shirts and down jackets. The result is what Lemaire has strived to do with his own brand—everyday clothing for everyday life—for a wider audience. "It's a little bit of a humble approach, putting the same level of heart and passion that you can have in high fashion, but into an industrial product," says Lemaire.

NATALIA BARR: You said that you left your role at Hermès to focus on your own brand. Is your own brand still such a big priority for you?

CHRISTOPHE LEMAIRE: That's why I hesitated. I really thought about it a lot. I just wanted to make sure I would be able to set the right team, because I very much believe in the collective work and the team dynamic. With the right team, you can really save so much time and energy. Whereas if you don't have the right environment and the right support from the company, or the right team, it can be extremely tiring and frustrating. Today, I can say I have this great team at Uniqlo and of course at Lemaire. Also, at Lemaire, there is Sarah-Lin [Tran], my partner. We decided to not work together on this new Uniqlo project, so she would focus more on Lemaire, and I spend my time between Uniqlo and Lemaire. With great teams on both sides, it works—it's exciting and inspiring.

BARR: How did your past roles at other brands prepare you for this role you have now?

LEMAIRE: Being a head designer or art director or just even a designer, you need a certain level of experience and maturity. It's true that I've made mistakes, but I know I shouldn't do them again. [There are] so many things I've learned, and I'm still learning, actually. At Lacoste, I learned how to drive in a very conservative environment. I had to learn how to do politics, how to talk, how to explain, and how to communicate a vision, and the necessary link between marketing and creative teams. Also, very important, the shop experience, which was actually very frustrating at Lacoste. At Hermès it's different. I learned, maybe more than anywhere else, how to work around a legacy, and how to integrate a strong brand culture into my work. Also, to work with a completely different projection system and craftsmanship. Every company, of course, teaches you so much humanly and professionally [about] yourself and your creative process.

BARR: What is it about Uniqlo that made you dream of working there?

LEMAIRE: If I really think about what drove me from the beginning to become a designer, it is really the idea of trying to make everyday life a little bit better—to make it more functional, more desirable, to improve quality of life somehow. Through designing clothes, I try to bring solutions to people, and I'm interested in the everyday relationship we have to clothes. I'm not a designer who is very interested in baroque or in fantasy or in the fantastic side of fashion. This exists and this is important, but I'm interested in the very real dimensions. I'm interested in the poetry of reality. I try to bring as much taste, smartness, quality, functionality, and aesthetic qualities to everyday clothes. I'm interested in the intimate relationships we can have with those good clothes that we may have in our closets. I think we all have those particular pieces of clothes that we really like, because it ages well, because it fits you well, because you feel comfortable, and you feel confident in those clothes. All those aspects of good design are what I'm interested in. I'm trying just to do good clothes, clothes that you need as much as you want. For me, Uniqlo is an amazing environment. They have an amazing production system, and they have this capacity of bringing the best quality at the best price. There is something very democratic about it, which I really appreciate.

BARR: What was the inspiration for the Uniqlo U collection?

LEMAIRE: When we met with my team to start the very first collection, I told them, "Let's forget about themes and mood boards. Let's start from a different point of view. You have to leave for two months all of a sudden. What would you put in your suitcase? What are the twenty essential pieces that you will need and how would you design it to be cool, and you'll want to wear it?" That's just a different approach. It's about trying to propose, every season, the perfect wardrobe of elevated basics.

BARR: How is this collection different from your past collaborations with Uniqlo?

LEMAIRE: The past collaboration was very much a collaboration between Lemaire and Uniqlo. It was very much Sarah-Lin and I bringing a Lemaire twist to a Uniqlo environment. This one was different, because we really are extremely faithful to the DNA. I had to convince Uniqlo about that because at first, they wanted us to do a new collaboration. Then we said, "No, we have to focus on our brand." Then they said, "Why don't we put your name on the label, and it's Christophe Lemaire for Uniqlo?" And I said, "No. Fashion people will care, but I don't think Uniqlo consumers will. Let's try to bring more style into basics, and let's touch real people all around the world, people who don't really care who Christophe Lemaire is." It's not a short designer collaboration. The idea is to bring another layer of constant product that is Uniqlo, and complementary to the main line.

BARR: How do you approach designing a collection that is meant to carry basics in a fresh and artistic way?

LEMAIRE: This is what I've always been interested in, trying to make timeless, functional, real clothes. Everywhere I've been working, I always had in mind the final destination of the clothes, which is the consumer. For me, the fashion show, the image, the shooting, is just a step. It's just a moment, but it's not the final destination. There are so many things to do within that concept of basic with a twist. It's very subtle. It's a thin line between becoming too fashionable or becoming boring. You have to find this balance to create something that is obvious, but at the same time exciting. I don't know if we achieved that, but this is what we had in mind. How we get to that, it's difficult to explain. It depends, but it might be the color, the details, or the choice in the material. I'm proud of what we came up with in terms of product. I don't think a fast fashion brand can really say the same about the quality of the product. We come up with products that are of good qualities in terms of lasting and the way it ages. If not, it's a failure for us.

BARR: Do you have a favorite piece or part of the collection?

LEMAIRE: That's a tricky one. The sweaters are amazing. The knitwear is very good quality. My personal favorite is a simple crewneck sweatshirt for men that I wear every day, just because of the quality of it. It's a French terry. It's quite heavy and round. We were actually surprised to be able to do that for Uniqlo, because even in the good sportswear, streetwear brands, you can't find that quality. Simple things like that, that make my life easier.Read more at:http://www.marieaustralia.com/mermaid-trumpet-formal-dresses | www.marieaustralia.com/blue-formal-dresses
The Trumpoet Jul 2017
Don Junior had a meeting with
Natalia Veselnitskaya
and he did not disclose this fact
or say what did transpire.

Paul and Jared were there too
but "nothing was discussed".
Don said the meeting ended
and turned out to be a bust.

The New York Times found out
and asked why Don did not report.
"But nothing happened" Junior claimed
when making his retort.

Then under pressure from the press
some emails he set free,
confirming Russian interest in
a Trump presidency.

His daddy claimed, "He's a good boy"
"He's new, green and naive".
But Manafort - He should have known
(one would like to believe).

But Junior's new transparency
turned out to be untrue...
It seems that a fifth person was
there in the meeting too!

A former Soviet officer
named Rinat Akhmetshin
was also at the meeting...
so why was he brought in?

And then we soon learned of a sixth...
a seventh... and then eight!
Tied to the oligarchs and
Russian governmental state.

What was the meeting all about?
Perhaps there's nothing to surmise.
The secrecy though, would suggest
it might be otherwise.

Don Junior had a meeting
that nobody disclosed.
Let's hope this helps fulfill the dream...
to see his dad deposed!
You can also see this and my other Trump poems at: www.trumpoet.com
Link to video of this poem: https://youtu.be/ywHuZYOXBCg
Written: July 21, 2017
Brian Payamps May 2015
Sometimes I get lost in transition like Neo I'm the One. Even when my mind is lost. Sometimes I sit and wonder what is left for me to conquer. If my thoughts are the only thing that escape. Sometimes I lose track of time as if it doesn't pass. As if my eyes won't wrinkle and my skin won't shrivel. Sometimes I lose money as if these new generation of rappers and strippers going to pay my benifits. Sometimes I think about time as if I can buy it back. Sometimes I think about love as if I can make it up. Sometimes I think of Melissa. Sometimes I think of Jodieliz. Sometimes I think of Meltin, Amanda, Natalia, Iliana, Jessica in that exact order. Sometimes I look back and say I should not had done that. But life without regrets won't give you lessons. And I live a life with no regrets so never expect a sincere apology text. Sometimes I get lost in transition when I roam through my thoughts. All sixty  thousand and one. Sometimes I get lost. Unplug.
How much I wish I can read this to you.
Every time I pass out into the light going north from the Terrace Tunnel
Gunning the car up to the 100k limit on the motorway
I am haunted by the memory of the death of 18-year old Natalia Austin
Whose body was flung headlong into the opposite lane:

‘What mad pursuit? What struggle to escape?’

Natalia fell in with adults who were drug-addicted and limitlessly irresponsible
And was persuaded to ride pillion on a Harley Davidson
Having been given a brief lesson on leaning with the bike
By Dee McMahon’s girlfriend Monique.

‘For ever wilt thou love, and she be fair!’

McMahon was nearly five times over the legal alcohol limit
The equivalent of having drunk up to 42 standard drinks -
The autopsy also found morphine and tramadol
In what was left of McMahon’s corpse.

‘That leaves a heart high-sorrowful and cloy'd’

Hitting 140k on the bend out of the Tunnel
He smacked the bike several times against the concrete median strip
Shedding metal in showers of sparks
And ripping limbs away in showers of blood.

‘Who are these coming to the sacrifice?’

"We're trying to go forward and cherish the memory of a beautiful girl
Who had a bright future, and who was just too innocent and trusting -
You let your little girl go and you hope she's going to be looked after by adults.
She trusted them, and they've let her down miserably."

‘What little town by river or seashore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?’
Natalia was mean to me,
I was 11,
I was 13,
Teachers said to stop flirting,
I misplaced ideas of what that meant,
I am 32 and Natalia is married with 2 kids,
Is it supposed to mean something,
Aging emo,
Codependency was never cute,
But at least they made some good records,
The records I am making were
Best broken bottles setting scenes at 8 am
Sober and spiritual,
Non chalant locked in battle
With too much chalant,
Writing letters that transform and terrorize,
Just to get the cathartic release,
Putting those letters back in the ether box,
They were never said,
But they were,
With glances and bad motives,
Harping on that embarrassment you felt,
After shouting into that flooded storm,
Yes,
This is loneliness,
This is the late night doom scrolling,
The early morning speed dates of pictures and one word pick-up line,
I should be further,
I shouldn't feel this,
******* crazy,
Misguided meetings,
Modern motivation through justifications,
I'm definitely going for the meditation not the manipulation
I accept my feelings after dizzying candlelights and a shouting mind,
But just because I accept feelings,
Doesn't mean that they don't ****,
"Who knew sobriety would make you so suicidal."
I guess only the ones who made it far enough to feel those unaccepted feelings,
The sun still rises,
Better come up with a better pick-up line.
Dang girl! I'm gonna have to call iTunes customer service because there's an error in their records because you're definitely the hottest single of 2022!
CJ Sutherland Dec 2017
In  medieval England
The name of the feast
Being celebrated was joined
To the word “Mass”
and this became
The name of the day
For example
The feast of
St Michael is called
“Michaelmass”
The feast of the presentation
Because candles were blessed
On that day is called “candlemass”
Thus it is that in English
The feast of
The birth of Christ Is called
“Christmas “
in some other languages
Latin
“Dies Natalia Domini”
The birth of our Lord
German
”Weinacht”
Holy Night
Spanish
“La Navidad”
The Birthday
Polish
“Bose Narodzenie”
God’s Birth
I wonder how many people
Really know what Christmas is
And what it REALLY represents
This history was from Bible study and advent

— The End —