Submit your work, meet writers and drop the ads. Become a member
Mateuš Conrad Jul 2016
i only noticed it today - from the wide opening spaces,
the scarce forests and horses grazing -
where everyone around here looks very much feral -
and even behaves feral - it's sometimes eye-opening
seeing the big city - the rat channels - the avoidance
of staring each other in the eyes -
the number of mobile phones in almost constant use -
a grant antopia that London and other cities have
become - behemoths in their own right -
but what's most eye-opening is the perfect skin
of the populace - i can almost claim a Joseph Merrick
appearance - relativity has nothing to do with it -
the 21st century and the Victorian era are completely
two different swarms of fish - Londoners' perfect skin,
with mine like fields of Ypres during world war two -
or quiet simply: mine the moon-face - littered with
tiny bullet incisions - even if i wanted, on this
basis i wouldn't land an executive job - an office job -
these people look for pampered - so docile even -
busy docile, but so docile - and once in a while you
see a glimmer of what it's all about - a public show
of affection - a couple lost in a moment between one
underground train and the next on the tube platform -
it's mesmerising seeing such moments, such is
their rarity - for you know judging by the overall
consensus - that so too is rare an old couple - as also
a family outing - the consensus speaks a different urbanity -
not such Edenic delights in the firestorm of concrete
and sweat and fast-food outlets, overpriced beer and overpriced
coffee - priced according to the postcode and the view.

but enough of that... the ballet! the first time i went
to a ballet it was to see *swan lake
-
i was put off - a sour taste on my tongue, i thought
i'd give all future ballets a pass -
then Bolshoi came along out of the blue -
i had someone else's ticket, so i went for free -
i could be all hot-air ponce puffing that it's Bolshoi -
and as if by miracle... i fell in love -
the main reason? when i went to see the swan lake
it was like watching an enlarged centipede
stomping on the stage - it was staged in the Royal
Albert Hall... they also play tennis in the Royal Albert...
the ground is too hard... when the swan lake
ballerinas pranced en pointe the centipede was out...
it even managed to overpower the orchestra -
the great en pointe centipede of royal albert hall -
the difference! the difference! when ballet becomes
silent - effortless - as it was today at the royal opera
house with a softer stage - given the play, i was
expecting the ballet dancers to imitate a bull's hoof
hitting the ground before charging - that came,
since we had matadors on stage - Don Quixote was
there too (obviously), but more in a comic role
as sheer presence - if the character danced, the whole
adaptation would have been a complete failure -
ballet and romance - who would Don Quixote dance
with, a ******* windmill? he's cameo compared
to the dancers - and all the more effective, since the
opening scene is wholly dedicated to him,
when he decides to go on his quest - Sancho runs into
his house with stolen meat, three women are after him,
so Sancho decides to hide under Don Quixoté's table  
(yes, they pronounced it with an acute e, otherwise
tongue-waggling business-as-usual); but to be honest
act i through to half of act ii doesn't feel like ballet at
all - not like swan lake felt like by comparison,
there are accents of ballet - accents as in that soloists
performing with what would otherwise be a bubonic
plague of other ballerinas missing - not to mention
that some of the soloist feats are done with the legs
being kept a secret / i.e. hidden - we get flamenco
dancers, not ballerinas - i came here to see Bolshoi
flamenco? well that's the good part - then all the
Spanish allure vanishes - phoom! puff! it's gone -
Don Quixote is taken ill and collapses in a forest -
loses consciousness and wakes into a dream -
boom! 30 odd ballerinas on stage dressed in tutus
of light azure - out of nowhere in the middle of act ii
and all the way through to the end of act iii we have
pure ballet - all the techniques, from
a (pirouette) à la second - a brisé - a fouetté -
a male grand jeté - everything you can imagine basically.
thank god Don Quixote doesn't dance but is the cameo
vehicle moving things along - fighting with windmills
or dancing ballet with windmills? i'm not too sure now,
it's more fun i suppose having actually read the book -
in the ballet the windmills' debacle comes much later
than in the book - it's like this two part story -
just before Don Quixote collapses in the forest and
the ballet begins - we have three giants swirling on stage.
on a less gratifying note though - so many Russians
in the house - i guess paying to see Bolshoi in Moscow
must be expensive, cheaper to fly to London and
see it here - but then again... why am i surprised or remotely
bothered? i could have been as level headed in my
analysis as Kierkegaard at the theatre - but i can't -
the music is too intoxicating, the body language too
architecturally sound and impenetrable -
all i can say with an honest heart:
DON'T GO TO SEE BALLET AT THE ROYAL ALBERT HALL
(you'll be watching a centipede dance),
SEE IT AT THE ROYAL OPERA HOUSE -
can't get a better summary than that.
The clouds are blushing
Tonight, a great weary eye
Bloodshot, it weeps above
The unfinished conquering
Of the used, tired, blue earth
And all the sky is pointed tonight,
A bullseye omen bleeds earthwards,
Matadors have red caped the world.
there was a little bull his color it was white
he was very clever and very very bright
he took a trip to Spain to a bullfight show
hoping when he got there he could have ago
there were lots of matadors in fancy hats and suits
with a big red cape and wearing fancy boots
bull he couldnt wait till they called his name
and be the bravest bull in the hall of fame
they called for him to fight in the bullfight ring
ready for his charge the bravest little thing
running round and round chasing at the cape
the crowds they were  amazed and they began to gape
bull he was the bravest that they ever saw
everybody clapped and called out for more
when the fight was over they called out his name
now the little bull is in the hall of fame
there was little bull a friendly little thing
he would dream off bull fights and being in the ring
he pictured all the matadors  that he had to fight
waving there red capes in there suits so bright
he dreamt he run around as the crowd did roar
from ths little bull the crowd they wanted more
he would tease the matador as he waved cape
straight in to his eyes the little bull would gape
he was only dreaming of what he'd like to do
maybe when he;s older his dream just may come true.
Manila    is  fray

Tough enough to die,
    Brave enough to see ****** against
        the billboards

   ***** on the marketplace
   ***** men haggling for prices
   the corners are squalid -- rats with ambitions   of men take  their places    in
    the esteros

   a car-horn blares, wanes old moon music.
      I sing songs of malversation. Trains all graffiti.

     My heart like a jailbird freed somewhere
         in the big sur; love assuages nothing,
    comes with a cheap price
          a freak December night in Roxas blvd.
     i sit on marble benches and dream
        of artilleries, garlands on *****-nosed
            barrels, nuns   grieving  dust
     in    the ground.    communal bathrooms
         drunk in foolish caricatures,
   the tabloids     displaying  flowerheads --
        the democracy in the streets a ****
    for      kings,  no    love to   lull
        me    to infantile    sleep

         tortured are   the   bulls 
   matadors    hiding  behind    faces red   like
       faces    of    statesmen   flushed with
          the   spirit   of   bourbon
   whereas we are    here   river-facing
       northern tip of its  undying source
  like    wives    on  balustrades   waiting
      to catch   the fragrance   of   inamoratas,
   light  reenters
          interstice   of   chary webs of  dull heads   hemmed in like   canopies   in the throat      of     overthrown ponds,   scraps
     of metal    sold    for a  night's  worth
        of    gin   and   Sinatra,

  Deep within   the   grave, the dead   laughing
       at the dead living. Atop   waters,
   yachts peering   into   drowning  fish,
       in   the middle, a   jam   of buses
         belching    lassitudes that    strangle
    the console,    the man    in all  of us
       the same,   cursing behind   the wheel
   and everybody    else    different
              dancing    at   the   top   of our   heads.
Hell.
my timid tournefortia,
whose peripatetic scent matadors
the mad men.
whose laughter veers away the impossible,
of whose flame will gander
like flotsam in a sea of aloneness,
you are a danseuse in the
misty moonlight.

     perpetual in the night illume,
    perched in the deepness of
      sad walls calling out the
   azure. my little tournefortia,
      it was such joy to have lived
   when you have blossomed.

--- as all flowers go, you too, have gone - flagrant grows regard, like a prancing flame
    of blue my eyes are frantic and
    anew --- i seek new flowers.
jason galt Dec 2015
A nominal amount of pain
when the lights go on.
You roll lines around in your head
and realize you remember none.
There’s only the dull stink of cigarette smoke
and day old donuts in your mouth.
Your mind seizes and your heart seethes.
What the **** am I doing here?
Nothing more than a back alley bard.
A barbarian without grace
with a penchant for writing inane ramblings
on cocktail napkins.

A bald man bellows in the back of the room.
An emo princess giggles at her date’s joke.
Drinks sloshed, cigars inhaled.
All awaiting the crash and burn,
or the entertainment they came to see.
They want a rock star.
They want a sideshow freak.
They will boo, they will howl,
They may even clap if the timings right.

Damon Malio goes up before me.
That ******* is as smooth as silk
and as suave as the day’s first rays.
Hell, I even want to run up there
and kiss the *******.
He has a rapacious tongue,
stealing every good word in the English language.
Banging away with syllables and gestures,
the room is vibing to his beat.

Knots in my stomach
and an ache in my brain.
A dull thump followed by
the whisper of “Fraud.”
                          “Failure.”
It’s that little boy voice
that used to get tormented in grade school.
The urge hits to wither away.

The only escape route is blocked by bouncers
at the back door.
I’m trapped here with the prison guards.
No semblance of thought,
just a rattle, panic and hate.
I’m a predator in a room full of rodents,
ready to eat me alive.

There are no outs,
only the get up there
and get out the vivid images
alive inside of me.
Right before I go up on stage
I touch the brick wall.
Tangible, tactile, rough and cool.
I laugh under my breath.
That’s the way people describe me.

If you ever wanted to hear a pin drop,
now would be a good time.
Staring back are a room full of strangers,
Murmuring, waiting for the show to begin.
I see a table full of beautiful women,
the tattooed, artsy types
I get weak in the knees for.
An older gentleman looking impatient for me to speak.
Clearly a professor of some sort.

I clear my throat.
Startling myself
at the loudness of it.
Loud…voice…speak…speak…speak.

“I’m a salty *******.
I could have been a Sabine
if I hadn’t been born in the wrong time,
to the wrong class of people
and a deformity looming larger than life.
That literary je ne sais quoi that working men
and the saviors of syphilis have.
The questionable knowledge that the
seafaring folk were instrumental
in my christening.

I’ll bring God’s ministry to Hades
and two tons of luck to riverboat gamblers
with fortuitous use of four aces.
I’ll bless the maître d’s war against the moguls
and the matadors quest for the upper hand
in the war of the forlorn.

I’m just kidding ladies and gentleman,
that’s all horseshit”

The crowd looks perplexed.
They aren’t quite there yet,
but we’re getting somewhere.

“We’re actually gathered here today to see the holy matrimony
of poetry and pestilence, art and arrogance.
I’ll be your priest, your prophet along the way.
We’ll channel them into
a seven year split and fifteen days of rage.
We’ll curse the gods of conformity and the spirits of suburban sprawl.
Set fire to the system that binds your mind.
The fallacies told to control you.

I never knew the error of my ways until
I touched God on Tuesday.
She was dead ringer for Greta Garbo,
gracious as a host and divine in her dealings with me.
I saw the white hot heat of Stockholm syndrome
and knew I was in the presence of the pantheon.
Felt swelter and fear,
but she kissed my forehead and whispered that it was all a lie.
The power others presume to hold over me.
The judges, the juries, the couponing maidens, the schoolmarms,
the cops and fathers and armies and vicious tax agents.
The Machiavellian telethon charities
and the undressed hookers pretending to be my saving grace.
The drugs, the music, the books, the *******, the fury of 40 years gone too long and not enough wisdom to die too soon.

I wept when she spoke to me.

Guns will **** you but love will **** you quicker she opined.
Obfuscated words from the otherworldly.
She sent me on a mission to find the words of Sinatra,
the Rat Pack’s subliminal subversion of all that power players hold dear.
The fear the unwashed masses will come.
The provincial mindset that they can procreate proletariats
to be the permanent protectors of their gilded ******* towers.
As I seethed she kissed and soothed me.
She whispered her love and asked me to lie with her.
I thought copulating with God was a heresy.
She told me to lay back and everything would be alright.”

I looked in the eyes of a tattooed temptress
and saw ravenousness for more words.
At least I knew I was getting laid tonight.

There was a new footing.
This vulnerability, baring my *** for all to see.
But there were no boos,
just the synergy of poetry conveyed through me.

“As we lay in the afterglow
I rolled over on one side and asked
how do I rid myself of the devils that plague us?
The bleeding, the burdens of humanity enslaving me?
She smiled playfully and ran her fingers through my hair,
telling me there there, don’t worry your pretty little head.
They can take from you. They can beat you.
They can **** you.
And oh my how they will try.
Governments and men with guns.
A society of rats crushing you with social mores,
moving to tell you what to do and how to live.
They will give speeches of how to behave on AM radio.
Buckle your belt, conserve the earth and be a good dad.
Foster those brats and bleat like sheep
to the tune of an Orwellian world.
I shook as she maddened my mind,
but her touch ran over me with ecstasy.

You will go forth my prophet, my prince,
and spread the word of free men with free minds,
not bound by internet ******* parties,
the latest legal trouble for B-listers
and all the trivialities of brainwashing.
The baubles betrothed to those without
imagination or the ***** to seek the truth.”
Got Guanxi Jan 2016
The snowball effect,
Connects four snowflakes,
A ballerinas tiptoes evades footsteps
On the game board,
A perfect pirouette.
The overtures prologue,
Mother tongues twisted in specific syllables,
To emphasise the divide in culture,
the closeness of nature.
The bubble in a spirit level bursts
And disrupts the axis of the world as we know it.
An Easter egg made of woven hope.
Sweet and septic,
A dangerous connection.
There's electricity in the thunder clouds,
A storms reform,
No prisoners in the matterhorns scorn.
But we must climb to reach the pinnacle of desire,
and grab the bull by its horns.
Torn between the torqiunet,
That restricts our true colours,
The blood seeps through like the Matadors tools.
Only fools would make light of those we share the earth with,
Ma whirlwind changes the landscape,
It can never be the same.
Underneath the terrain,
A lesson remains,
Statuesque,
In the mystery of history's gifts.
Ari Mar 2018
This pumice really rubs me the wrong way.
Matadors moisturize with oil of ole.  
Heidegger has moves like Jagger.
Any critic - Jaeger; Typhoid Mary - plaguer.

Who's the top chef that goes derpa derp derp?
Wyatt Earp.
I'll drain the swamp like Dagobah's.
A Clovis Person.  Legolas.

The ******'s best on chicken breast.
Pin that on your Pinterest.  To show all the dispossesed.
Witness Godwin's Law at work:
******, you're a ****.

Pick up the phone and call Cthulu.
Get hung up on by Shaka Zulu.
Chalupa mis huevos, says the chihuahua.
Hey Tarzan. Ungawa.

Jesus walked across Titicaca.
Crane thinks the Bridge is over.
Biddy bah bah.
John Reilly Nov 2016
Avoidance
And complacency
led you
To this place
Static
Built
this arena
The Matadors
gaze
Fierce
Angry
Scornful
Challenging and
Antagonizing you
Charge
Or have you
Confused
A white flag
For red
Again
tonights the night ,that we run free
and sail across the skies
set fire to the fields of grass
and in the flames we lie.

we lie not only in the flames
but in the star crossed waters
breaking down the barriers
we oh-so-often encounter

tonights the night we pour our lives
into a cup of bree
start fights against a desperate system
a witness to the scene.

a witness to the civalized ,
crazy, ******* men
who dictate ways to justify
a spoiled genertion

tonights the night we find the face
of all and knowing truths
we'll find the land eldorado
and hang it by a noose.

destroying all the poverty
and judgment of the lives
of those who may live differently
a world of lows and highs.

tonights the night we paint the town
in cycadelic tones
groups of faceless matadors
in mass, we stand alone.

confused, we find an intrest
in paranormal things
searching for another way
to earn those angels wings.

tonights the night we stand our ground
not jump, but break the fence
embark along our epic journey
a life that could make sence

no longer will we live in fear
of all we do not know
prove, the myths are logical
across the universe we'll go.

tonights the night we sing a tune
that test the strands of our existance
and tell of all the lies
that float above our empty heads.
the drones will come alive
there was little bull a friendly little thing
he would dream off bull fights and being in the ring
he pictured all the matadors  that he had to fight
waving there red capes in there suits so bright
he dreamed he run around and the crowd did roar
from this little bull the crowd they wanted more
he would tease the matador as he waved his cape
straight in to his eyes the little bull would gape
he was only dreaming of what he'd like to do
maybe when he;s older his dream just may come true.
Carl D'Souza Jul 2019
An uncompassionate crowd of 20,000
are tensely sitting in a stadium
bloodthirstily waiting for a cruel spectacle
they call a ‘bulllfight’
which is actually a ‘bull-harass-and-****’.
This brutal bloodsport
is celebrated as a national artform
in Spain
so the matadors (bullfighters) strut around proudly
in their suits of golden thread
to loud cheers and excited applause.

The bull, frightened suffering,
is harassed and killed in three stages:

The first stage is called ‘tercio de varas’
‘the lancing third’
when armoured-horse mounted lancers
use a long sharp lance
to spear the bull behind his shoulder muscles
to weaken the bull’s neck muscles
and begin the bull’s loss of blood;

The second stage is called ‘tercio de banderillas’
‘the third of banderillas’
when the matador attacks the bleeding-weakening bull
with banderillas (sharp barbed sticks)
stabbing the banderillas above the shoulder blades of the bull
to anger and agitate
the frightened bull fighting for his life.

The third stage is called ‘tercio de muerte’
‘the third of death’
when the matador baits the bull
with a red cape
then stabs the bull with a steel sword
aiming for his heart
but often missing
leaving the bull suffering multiple stab-wounds
bleeding, slowly miserably dying.

I wonder
when will this barbaric bull-harass-and-****
be banned in all nations?
In this house
Of toys
Built by Penn,
The gable never peaks

Higher, higher...

It soars from sand through air
And surging storm
Defying the weeping rain
And her ominous refrain

Pitter, patter...

The owls knew
But their sage counsel
Fizzled in the wind

Hoo, hoo...

Bulls bred on steroids
From Farm Fed
Rang the bell

Moo, moo...

Goring without prejudice
Matadors who didn't see red
Until their dreams bled
On the front lawn
Like lambs of lore

Maaa, maaa...

And the house
Of toys
Built by Penn
Crumbled in the sand
Levered string severed
By the red marching band

~ P
(#HouseOfToys)
1/4/2015
Got Guanxi Aug 2015
Velvet touch through crimson gloves,
Jim beam and laserbeams,
ice cubes and dissolving scenes.
revolving dreams, and closing doors.
metaphors,
have we met before?
Familiar face, ghost tinged skin.
I see through you with x ray vision.
Doormats and matadors,
The house of cards all over the floor.
Card tricks and loose lips.
Lipstick and misfits in each and every district.
Misguided violence, breaking the silence.
The pin drops but bursts the earth,
the secrets rise but remain unheard.


The bubble pops,

the penny drops.
Adrenaline of ten men combined,
demonic trance and piercing eyes.
Lie to me freely,
freaks speak with free speech,
and never reach potential.
A sentinels honour,
but a peasants workrate,
role reversal curdles and the hurdles change landscapes.

Constant contours,
a colourful conscience,
that constantly wants more,
o
ominous nonsense.
Breaking bread on the deathbed.
Let them rise phoenix,
the ashes have done there rounds,
compressed underground,
look what they found.
charcoal, oil and natural gas.
Running your mouth,
then running out fast.
not sure what this is. it just is.
Lydia B Jan 2011
do not spoon sweet between her lips;
only string her from barbs left behind
by the trawl of tongues
in her throat, yours
And yours too.
tuck her in and leave her marred,
metal-mouthed
and dreaming of matadors
1 + 2.
trf Oct 2017
It’s an egregious gulp to swallow, to grasp the fact that it is indeed yourself, who has caused all this chaos.

My failings are veiling my perception of success. I am frozen and time does not wander, it does not ponder circumstances and it surely doesn’t care.

These matadors have intricately pierced my body with a barrage of blades and the last one was a bullseye; direct hit to the spine. This was no ambush. Fight or flight ceases and gravity fulfills its physical purpose while I drain.

There is no rock or hard place, just a diluted me, invisible to resilience and allergic to air.

I’m sorry to worry you. I’m sorry to have caused you trouble or harm. This was me.
Ralph Akintan Dec 2018
In a day like this
At a time like this
On an occasion like this
When the hunter returns
From hunting expeditions
With an empty porch.


Where is the hope?
For the hunted
Where lies the matadors,
When the hunter returns
With baggage of nothingness?

Where is our hope?
When the rays of politics
Mitigate not our hardship
Sending a recourse to an ending hope

Call back our progenitors
Let the beats resonate again
To rechange this change
Their change and our hope
Where is our tomorrow?
there was little bull a friendly little thing
he would dream off bull fights and being in the ring
he pictured all the matadors  that he had to fight
waving there red capes in there suits so bright

he dreamed he run around as the crowd did roar
from ths little bull the crowd they wanted more
he would tease the matador as he waved cape
straight in to his eyes the little bull would gape

he was only dreaming of what he would like to do
maybe when he gets older.  his dreams they might come true
I stand on the dirt arena, the matadors are my thoughts and bulls are feelings. Both strong and assertive. I watch them and breathe.
there was little bull a friendly little thing
he would dream off bull fights and being in the ring
he pictured all the matadors  that he had to fight
waving there red capes in there suits so bright

he dreamt he run around as the crowd did roar
from this little bull the crowd they wanted more
he would tease the matador as he waved cape
straight in to his eyes the little bull would gape

he was only dreaming of what he'd like to do
maybe when he;s older his dream just may come true.

— The End —