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Marissa Calderon Apr 2019
"Is there something wrong with you?
A loose ***** or two that ruined your ability to function?
Why are you always so tired?
Your life is uninspired and small;
all you do is sprawl on the couch with outstretched limbs like a sloth in slow-motion.
Where is your devotion to succeed, Maia?
Did it drift out your window with the smoke from your ****?
Do I have to force feed you discipline ‘til you finally concede?
I cook and I clean and I don't stop ‘til the soles of my feet bleed.
But I'm fine.
I'm perfect.
Be perfect, Maia.
Be perfect like me.

Stop wearing those god awful ripped pants
and that lipstick like a ***** with double-d implants.
You only get one chance.
Stop acting like a cat with nine lives left.
Stop committing yourself to songs and stories and spoken slam ******* in a world where degrees and PhD's impede the need for poetry.
And stop chewing on your nails.
No wonder you've never attracted any males.
Why do you do that?
Do you like the taste?
Are they sweet?
You can't eat sweets, Maia.
You're ruining your teeth like you're ruining your life.
My teeth are perfect.
Clean and pristine.
They gleam like the golden halo above my perfectly conditioned head.
I don't need sugar, Maia.
I am above sugar.

Why are you down here, Maia?
Why are you down here when you need to be up here?
Up here with the ones who have a promising career
Who listen when information goes in one ear
and doesn't come out the other.
You'll never be up here, Maia.
You act as if the act of listening is a crime
or you would have heard me the six hundred and sixty-sixth time
I told you to STOP CHEWING ON YOUR NAILS.
Stop chewing on your nails like a ******* piece of trash.
You can't be trash, Maia.
You have to be perfect.
Be perfect like me.

I get up at 5 in the morning, every day.
I start my day the same way, worried that I'll collapse
as my bones start to decay from cleaning up your scraps.
Why is your room such a mess?
The clothes go in the hamper, Maia.
Not displayed on your bed like your lack of morals.
Not littered on the floor collecting more dust than my withered expectations.
You disregard my rules with stubborn contempt
in a substandard attempt at teenage rebellion.
But you can't be a rebel, Maia.
You're not interesting enough.
You need to obey, and say 'yes' and 'okay'
You need to do it with a smile on your less than average face.
You need to try harder, Maia.
Make it wider, Maia.
Why don't you know how to smile?

You disappoint me, Maia.
You never appreciate what I do for you.
You never try to be a winner.
And you never eat your dinner.
You never eat the dinner I consistently provide for you
as I constantly remind you of the life I set aside for you.
That meal doesn't pay for itself.
I don't care if it's ideal, stop telling me how you feel.
You need to eat it.
Eat it all.
Eat it at a reasonable time with a glass of milk.
You need milk, Maia.
You need calcium like you need a catalyst for growth.
You'll never grow to be tall.
Be tall like me.
I drink my milk, Maia.
Drink your ******* milk.
Be tall.
Be perfect.
Be perfect like me.

You need to pay more attention, Maia.
Stop daydreaming, Maia.
Stop staring at the ceiling as if your one redeeming quality lies hidden in the plaster.
You need to organize your life.
Your life is a disaster.
Just like your room.
Just like your teeth.
Just like your future,
Which will soon come to an end if you don't put down that pen.
You need to stop writing, Maia.
Your life is not a book.
Don't give me that look, Maia.
I'm just trying to help you.
I'm just trying to love you.
I'm just trying to love you.
You have to let me love you
so that you can be perfect.
Be perfect like me."
I just want to put out a disclaimer that this is NOT my poem, and I give all rights to the true author and narrator, Maia Mayor.
IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
Nithin purple Feb 2017
1
O' sprite full Maia, come attire our lands with your boundless prize-
Of joyful swelling by the nature's pleasing bloom,and green surprise,
To sprout a floral bedding,round the yards  and shades for worthy dales;
And birds will spin their adorned bowers over the dewy boughs and vales.

2
Hail! to you goddess, deck the forest’s lingering beauty, thus come:
Let streams to flow across the thick and- bushy meadows over your prime,
For hawthorn white and lilies to bud, and converse fragrance in air,
To wind down our minds with breezes- blow,groovy lifts cool us lighter.

3
Mid mate of months, come and show your
primeval splendor and glee,
While south is praising vintager’s autumn,
North's propitious spring does fly,
And make the country lush with garden- fruits,the sweetest scents they spray,
To fill each rose with flavors long,
for all the ardent grooms they pray!
Come Glitter, glitter ***** rays-,
and sun is warm in moderate mood;
Behold! the coming of her-,
bees gathered among the newly buds

Nithin Purple from 'Halcyon Wings.'

REFERENCE:

Maia— Greek goddess of May month
Hawthorn—A spring-flowering shrub or  small tree of the genus Crataegus.
Vintager—A person who harvests grapes for making wine.
***** rays—Attraction of sunlight towards flowers, showing a dependency.
*Sprite—Middle English: alteration of sprit, a contraction of spirit.
Dedicated one to goddess of may month ‘Maia’ to cuddle the nature, with lush and ripeness to the fruits, month with joy and surprise, the sprouting time and for vintages they welcome her as a fortune which cleaves the fertile paths, the fecund grounds, hills and dales you can see here, attracting me too, And array of forests, and its hill sides. Written with an imaginary wing, ‘May’ goddess can the best surprise towards this and enamored many are lives here. This poem also gives a brief idea of two climates at different regions, South and North.
MOTHER of Hermes! and still youthful Maia!
   May I sing to thee
As thou wast hymned on the shores of Baiae?
   Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
   Leaving great verse unto a little clan?
O give me their old vigour! and unheard
   Save of the quiet primrose, and the span
   Of heaven, and few ears,
Rounded by thee, my song should die away
   Content as theirs,
Rich in the simple worship of a day.
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
XVIII. TO HERMES (12 lines)

(ll. 1-9) I sing of Cyllenian Hermes, the Slayer of Argus, lord
of Cyllene and Arcadia rich in flocks, luck-bringing messenger of
the deathless gods.  He was born of Maia, the daughter of Atlas,
when she had made with Zeus, -- a shy goddess she.  Ever she
avoided the throng of the blessed gods and lived in a shadowy
cave, and there the Son of Cronos used to lie with the rich-
tressed nymph at dead of night, while white-armed Hera lay bound
in sweet sleep: and neither deathless god nor mortal man knew it.

(ll. 10-11) And so hail to you, Son of Zeus and Maia; with you I
have begun: now I will turn to another song!

(l. 12) Hail, Hermes, giver of grace, guide, and giver of good
things! (31)
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
eileen mcgreevy Feb 2010
It was just like any other night,First night of the weekend, the city buzzing with young hot bodies,preparing for the evenings festivities.
But something, someone was watching, in the shadows.Gut wrenching pain in its guts, desperate for a fix.
Maia had just stepped out of the shower, she shivvered slightly as her wet body responded to the air from the window.As her dripping hair fell on her back,she began to dry herself and caught sight of herself in the mirror.
She lay on her bed and relaxed while breathing slowly, becoming aroused with the silken touch of her hands on her skin.As Maia moved to the rhythm of her own body, she became aware of something else in the room.
She opened her eyes to see a huge dark figure looming over her, and before she could respond, he was on top of her.Strangely, she wasn't afraid, in fact she found herself becoming more aroused by his hard, hot member entering her wet void.
Suddenly, her body rose up in ecstacy as he slid down her body and bit into her groin.No pain was felt as she slipped into a trance like state of pure eroticism, groaning beneath him,their bodies moving faster and faster.
Suddenly, he stopped. He stopped and she fell onto the bed, confused and spent.Maia wanted to give more, but instead, he slit his throat and offered his life blood to her.She accepted gladly, soon they were feeding and ******* at the same time.
Maia awoke from what seemed like a coma, to be greeted by the blazing sun through the window, and found herself thirsty, thirsty for blood....
Universal Thrum Sep 2013
Hey Delilah, whatchu doin tonight
I'm comin right over, we gotta get over our lives..our lives

Hey Delilah, take my hand it is strong
Its gonna get over, we gotta get over your howl..
the sound..of fear

Heed the call now
It's waves resonate in you
shredding the soul
many steps we walk through..to the tune

Circular Paths, streets are callin wild
Resides in our heart
Our vibrational soul
in the while, for awhile, all our days

It would be a sin against my God to live in ignorance of your touch
Feel the Divinity of your womanly warmth, of your warmth
To Explore your innermost fathoms
and the Reflection of Desire in your eye
Found in the sensual meditation of your gaze,
in the night

Our Bodies belong together
The story of their union was told
Long before our birth on this earth, in the old, it was told

Like David on the roof top
For you a man would die in war
So meet me by the hillside
We'll grow old, in the shadow of the wood

Away from tired world notion
of what is right or good
Lay with me next to gurgling streams
Adorned with Gold
Whose gaiety of movement
it will match our own
Finding ******* freedom in the forest
The air both sweet and pure

WE CAN BE TOGETHER
THERE LOST IN TIME
HEED MY CALL IT IS WILD AND WARM IN YOUR EYE,
IN YOUR EYE THROUGH THE NIGHT

HEYAHA!

What I am I don't Know!
I run along Rivers and stand naked in snow
Climb Waterfalls, Smile in Trees, and Howl at the Moon
Surf on the Dunes
Swim in the Sea
Lie on the shore in the breeze
If you should ask me I don't know ask me again
I'll never know my friend

You want something from me
a guarantee
Not mine to give
Falling right over, we gotta get over the fear
of the fear

Feel these arms, they can take you down
fold you right up in the valley of womanly streams
Lost in the waters, Life is a dream

There is nooo goin back....From whence we came
Time is like a river wild, untamed, untamed
Endlessly moving forward
into stratums unknown
Make the most of this moment or ever, forever, feel the pains of cowardice alone

The past is like a window
Burns HOT like the sun
Everyone makes choices and hopes they're not wrong

Life is like a river with so many streams
We all go into the ocean drowning with dreams
With dreams left unsaid

It's been awhile, we're gonna find it again
A human connection, Life is dominated by sin
The material
The desire for more, are we here to acquire a Mate?
A family, a woman, a house?
A couple share their drink


Listen to the river of sand
The torrent of Maia
The reign of illusion, found in your hand
Desire
Are we man enough to face it?
To seize our fates?

We live, as cowards, surviving in shadow
What is our personality, Id or the Ego
Liar...Livin in Time

Standing in the Present Moment
Ignoring my Father again
all things come to an end my friend, your lonely soul therein

Deadened tissue of the heart
nothingness invading
wink of the light
rapturous smile, earthly delight, breeds tomorrow's sorrow

Livin' on the last straw
cresting a turquoise wave
Risking the razor's edge of our fall
Dying with a Song on stage
Sensual desire,
wrapped in the spirit,
touched by the Dark, touched by the Light
Hundred million reasons to fight

Rain Wash this age away
Leave me naked in the wind as I came, as I came
Spread cushioned by the bedding of green moss
Birthed in a forest, sonic cataclysmic sound
Consequence, all our dreamin and dreamin and dreamin around

The cog revolves around the wheel
Fire dancer breathing still
In the harmonium of the heart
Into the night we fly to survive
https://soundcloud.com/universalthrum/heed-the-call-pt-1
https://soundcloud.com/universalthrum/heed-the-call-pt-2
Chorus.

Come we shepherds who have seen
Day’s king deposed by Night’s queen.
Come lift we up our lofty song,
To wake the Sun that sleeps too long.

He in this our general joy,
  Slept, and dreamt of no such thing
While we found out the fair-ey’d boy,
  And kissed the cradle of our king;
Tell him he rises now too late,
To show us aught worth looking at.

Tell him we now can show him more
  Than he e’er show’d to mortal sight,
Than he himself e’er saw before,
  Which to be seen needs not his light:
Tell him Tityrus where th’ hast been,
Tell him Thyrsis what th’ hast seen.

Tityrus.

Gloomy night embrac’d the place
  Where the noble infant lay:
The babe looked up, and show’d his face,
  In spite of darkness it was day.
It was thy day, Sweet, and did rise,
Not from the east, but from thy eyes.

Thyrsis.

Winter chid the world, and sent
  The angry North to wage his wars:
The North forgot his fierce intent,
  And left perfumes, instead of scars:
By those sweet eyes’ persuasive powers,
Where he meant frosts, he scattered flowers.

Both.

We saw thee in thy balmy nest,
  Bright dawn of our eternal day;
We saw thine eyes break from the east,
  And chase the trembling shades away:
We saw thee (and we blest the sight)
We saw thee by thine own sweet light.


Tityrus.

I saw the curl’d drops, soft and slow
  Come hovering o’er the place’s head,
Offring their whitest sheets of snow,
  To furnish the fair infant’s bed.
Forbear (said I) be not too bold,
Your fleect is white, but ’tis too cold.

Thyrsis.

I saw th’officious angels bring,
  The down that their soft ******* did strow,
For well they now can spare their wings,
  When Heaven itself lies here below.
Fair youth (said I) be not too rough,
Thy down though soft’s not soft enough.

Tityrus.

The babe no sooner ‘gan to seek
  Where to lay his lovely head,
But straight his eyes advis’d his cheek,
  ‘Twixt mother’s ******* to go to bed.
Sweet choice (said I) no way but so,
Not to lie cold, yet sleep in snow.

Chorus.

Welcome to our wond’ring sight
  Eternity shut in a span!
Summer in winter! Day in night!
  Heaven in Earth! and God in Man!
Great little one, whose glorious birth,
Lifts Earth to Heaven, stoops heaven to earth.

Welcome, though not to gold, nor silk,
  To more than Cæsar’s birthright is,
Two sister-seas of ******’s milk,
  WIth many a rarely-temper’d kiss,
That breathes at once both maid and mother,
Warms in the one, cools in the other.

She sings thy tears asleep, and dips
  Her kisses in thy weeping eye,
She spreads the red leaves of thy lips,
  That in their buds yet blushing lie.
She ‘gainst those mother diamonds tries
The points of her young eagle’s eyes.

Welcome, (though not to those gay flies
  Guilded i’th’ beams of earthly kings
Slippery souls in smiling eyes)
  But to poor Shepherds, simple things,
That use no varnish, no oil’d arts,
But lift clean hands full of clear hearts.

Yet when young April’s husband showers
  Shall bless the fruitful Maia’s bed,
We’ll bring the first-born of her flowers,
  To kiss thy feet, and crown thy head.
To thee (dread lamb) whose love must keep
The shepherds, while they feed their sheep.

To seek Majesty, soft king
  Of simple graces, and sweet loves,
Each of us his lamb will bring,
Each his pair of silver doves.
At last, in fire of thy fair eyes,
We’ll burn, our own best sacrifice.
XXIX. TO HESTIA (13 lines)

(ll. 1-6) Hestia, in the high dwellings of all, both deathless
gods and men who walk on earth, you have gained an everlasting
abode and highest honour: glorious is your portion and your
right.  For without you mortals hold no banquet, -- where one
does not duly pour sweet wine in offering to Hestia both first
and last.

(ll. 7-10) (33) And you, slayer of Argus, Son of Zeus and Maia,
messenger of the blessed gods, bearer of the golden rod, giver of
good, be favourable and help us, you and Hestia, the worshipful
and dear.  Come and dwell in this glorious house in friendship
together; for you two, well knowing the noble actions of men, aid
on their wisdom and their strength.

(ll. 12-13) Hail, Daughter of Cronos, and you also, Hermes,
bearer of the golden rod!  Now I will remember you and another
song also.
Come we shepherds, whose blest sight
Hath met love’s noon in nature’s night;
   Come lift up our loftier song
And wake the sun that lies too long.

To all the world of well-stol’n joy
   He slept; and dreamt of no such thing.
While we found out Heaven’s fairer eye
   And kissed the cradle of our King.
Tell him he rises now, too late
To show us aught worth looking at.

Tell him we now can show him more
   Than he e’er showed to mortal sight;
Than he himself e’er saw before;
   Which to be seen needs not his light.
Tell him, Tityrus, where thou hast been,
Tell him, Tityrus, what thou hast seen.

Gloomy night embraced the place
   Where the noble Infant lay.
The Babe looked up and showed His face;
   In spite of darkness, it was day.
It was Thy day, Sweet! and did rise
Not from the East, but from Thine eyes.

It was Thy day, Sweet! and did rise
Not from the East, but from Thine eyes.

Winter chid aloud; and sent
   The angry North to wage his wars.
The North forgot his fierce intent,
   And left perfumes instead of scars.
By those sweet eyes’ persuasive powers,
Where he meant frost, he scattered flowers.

By those sweet eyes’ persuasive powers,
Where he meant frost, he scattered flowers.

We saw Thee in Thy balmy nest,
   Young Dawn of our eternal day!
We saw Thine eyes break from Their East
   And chase the trembling shades away.
We saw Thee; and we blessed the sight,
We saw Thee by Thine own sweet light.

Poor world (said I), what wilt thou do
   To entertain this starry Stranger?
Is this the best thou canst bestow?
   A cold, and not too cleanly, manger?
Contend, ye powers of heaven and earth
To fit a bed for this huge birth.

Contend, ye powers of heaven and earth
To fit a bed for this huge birth.

Proud world, said I; cease your contest
   And let the mighty Babe alone.
The phoenix builds the phoenix’ nest,
   Love’s architecture is his own.
The Babe whose birth embraves this morn,
Made His own bed ere He was born.

The Babe whose birth embraves this morn,
Made His own bed ere He was born.

I saw the curled drops, soft and slow,
   Come hovering o’er the place’s head;
Offering their whitest sheets of snow
   To furnish the fair Infant’s bed:
Forbear, said I; be not too bold:
Your fleece is white, but ’tis too cold.

Forbear, said we; be not too bold:
Your fleece is white, but ’tis too cold.

I saw the obsequious seraphims
   Their rosy fleece of fire bestow.
For well they now can spare their wings,
   Since heaven itself lies here below.
Well done, said I: but are you sure
Your down, so warm, will pass for pure?

Well done, said we: but are you sure
Your down, so warm, will pass for pure?

No, no, your King’s not yet to seek
   Where to repose His royal head.
See, see, how soon His bloomed cheek
   Twixt ’s mother’s ******* is gone to bed.
Sweet choice, said I! no way but so:
Not to lie cold, yet sleep in snow.

Sweet choice, said we! no way but so:
Not to lie cold, yet sleep in snow.

We saw Thee in Thy balmy nest,
   Young Dawn of our eternal day!
We saw Thine eyes break from Their East
   And chase the trembling shades away.
We saw Thee; and we blessed the sight,
We saw Thee by Thine own sweet light.

We saw Thee; and we blessed the sight,
We saw Thee by Thine own sweet light.

Welcome, all Wonders in one sight!
   Eternity shut in a span.
Summer to winter, day in night,
   Heaven in earth, and God in man.
Great little One! Whose all-embracing birth
Lifts earth to heaven, stoops heaven to earth.

Welcome, though nor to gold nor silk,
   To more than Caesar’s birthright is;
Twin sister-seas of ******-milk,
   With many rarely-tempered kiss
That breathes at once both maid and mother,
Warms in the one, cools in the other.

Welcome, though not to those gay flies,
   Gilded in the beams of earthly kings,
Slippery souls in smiling eyes;
   But to poor shepherds, home-spun things,
Whose wealth’s their flock, whose wit, to be
Well read in their simplicity.

Yet when April’s husband showers
   Shall bless the fruitful Maia’s bed,
We’ll bring the first-born of her flowers
   To kiss Thy feet and crown Thy head.
To Thee, dread Lamb! whose love must keep
The shepherds, more than they their sheep.

To Thee, meek Majesty! soft King
   Of simple graces and sweet loves.
Each of us his lamb will bring,
   Each his pair of silver doves;
Till burnt at last in fire of Thy fair eyes,
Ourselves become our own best sacrifice.
Rachel Armstrong Oct 2022
We exist to have one speck of stardust in a universe which we call our own

Merely one tiny point in a cosmos that can't care even if compelled or forced.

no heaven.
no hell.

We are here by fate unknown to us ******.

We may be here by our sins or by the fate of our dice.

We are not even the end result so desired,

We see ourselves too highly.

We try so hard to make our little speck brighter

We hurt ourselves trying to brighten our piece.

Yet, in these infinite cosmos,
We, our specks, mean nothing.

Still, we struggle, why?

We are without a doubt the most important specks in the cosmos
Every one of those little specks,
no matter how bright
no matter how small,

Without them all, we would have nothing

The ones that shine brighter and attract others to rightful causes
Cause entropy to reverse and for disorder to become order.

As Joni Mitchell once said,
"We are stardust, we are golden, we are all the same,"

When we are not together,
we skip lonely through the void,
awaiting what we know we will never find.

Apart, we are merely dust, drifting silently searching for love.

When we give up that hopeless dream,
then finally, by becoming one,

We can create stars.
i love you, maia.
Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o’er all the land from far away
The breath and bloom of the Hesperides,
My birthplace.  I am Maia.  I am May.
We saw Thee in Thy balmy nest,
  Young dawn of our eternal day;
We saw Thine eyes break from the East,
  And chase the trembling shades away:
We saw Thee, and we blest the sight,
We saw Thee by Thine own sweet light.

Poor world, said I, what wilt thou do
  To entertain this starry stranger?
Is this the best thou canst bestow—
  A cold and not too cleanly manger?
Contend, the powers of heaven and earth,
To fit a bed for this huge birth.

Proud world, said I, cease your contest,
  And let the mighty babe alone;
The phoenix builds the phoenix’ nest,
  Love’s architecture is His own.
The babe, whose birth embraves this morn,
Made His own bed ere He was born.

I saw the curl’d drops, soft and slow,
  Come hovering o’er the place’s head,
Off’ring their whitest sheets of snow,
  To furnish the fair infant’s bed.
Forbear, said I, be not too bold;
Your fleece is white, but ’tis too cold.

I saw th’ obsequious seraphim
  Their rosy fleece of fire bestow,
For well they now can spare their wings,
  Since Heaven itself lies here below.
Well done, said I; but are you sure
Your down, so warm, will pass for pure?

No, no, your King ’s not yet to seek
  Where to repose His royal head;
See, see how soon His new-bloom’d cheek
  ‘Twixt mother’s ******* is gone to bed!
Sweet choice, said we; no way but so,
Not to lie cold, you sleep in snow!

She sings Thy tears asleep, and dips
  Her kisses in Thy weeping eye;
She spreads the red leaves of Thy lips,
  That in their buds yet blushing lie.
She ‘gainst those mother diamonds tries
The points of her young eagle’s eyes.

Welcome—tho’ not to those gay flies,
  Gilded i’ th’ beams of earthly kings,
Slippery souls in smiling eyes—
  But to poor shepherds, homespun things,
Whose wealth ’s their flocks, whose wit ’s to be
Well read in their simplicity.

Yet, when young April’s husband show’rs
  Shall bless the fruitful Maia’s bed,
We’ll bring the first-born of her flowers,
  To kiss Thy feet and crown Thy head.
To Thee, dread Lamb! whose love must keep
The shepherds while they feed their sheep.

To Thee, meek Majesty, soft King
  Of simple graces and sweet loves!
Each of us his lamb will bring,
  Each his pair of silver doves!
At last, in fire of Thy fair eyes,
Ourselves become our own best sacrifice!
Mateuš Conrad Jan 2016
i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

     *hoc erat in votis: modus agri non ita magnus,
     hortus ubi et tecto vicinus iugis aquae fons
     et paulum silvae super his foret. auctius atque
     di melius fecere. bene est. nil amplius oro,
     maia nate, nisi ut propria haec mihi munera faxis.


     it was the aim of my wishes: a snippet of arable land,
     a garden, in the vicinity of my house a source of
     fresh water and a grove upon a ***** of a hilly eminence.
     the gods beyond their intentions bestowed upon me
     the loot of my thus lived fate. i have enough!
     i do not implore for more either in this heart of mine
     or among incense or blood of sacrificed bulls at the altar
     where worship is prescribed unto them, but only give me,
     son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.
(February 23, 1821)

At midnight when the moonlit cypress trees
Have woven round his grave a magic shade,
Still weeping the unfinished hymn he made,
There moves fresh Maia like a morning breeze
Blown over jonquil beds when warm rains cease.
And stooping where her poet’s head is laid,
Selene weeps while all the tides are stayed
And swaying seas are darkened into peace.
But they who wake the meadows and the tides
Have hearts too kind to bid him wake from sleep
Who murmurs sometimes when his dreams are deep,
Startling the Quiet Land where he abides,
And charming still, sad-eyed Persephone
With visions of the sunny earth and sea.
Mateuš Conrad Dec 2019
.the better part of a Friday night

grim.. times... what better way to pass a drinking session than to translate some Horace... i see no other worthy time-consuming scoop of any events to follow, this:

humano capiti cervicem pictor equinam iungere si velit et varitas
inducere plumas undique conlatis membris, ut turpiter atrum
desinat in piscem mulier formosa superne,
spectatum admissi risum teneatis, amici?
credite, Pisones, isti tabulae fore librum persimilem,
cuius, velut aegri somnia, vanae fingentur species,
ut nec pes nec caput uni reddatur formae.
scimus, et hanc veniam
petimusque damusque vicissim;
sed non ut placidis coeant inmitia, non ut serpentes
avibus geminentur, tigribus agni.

some first reading... sounds like chasing a chimera...

with a human head on a horses' neck: should a painter
tie the two together on a whim, and other limbs
collected from everywhere: puff up duck feathers into
a pillow or a bed cover - from "nothing"... hey presto!
that a beautiful woman from the torso up with a
fish's black tail below to boot...
on exhibition: would you, friends,
not burst burst out with laughter? believe: Paisans!
similar to this image will be the book:
in which as in an ill man's dream, in delirium,
the head and the feet belong to different
forms
i use this law and i recommend others to use it too,
but not to equate gentleness with a wildness:
with a bird a serpent, a lamb with a tiger...

angels and mermaids... what is no less or... no more:
improbable? perhaps neither...
but in the guise of monotheism... everything is still
somehow sensible...
where there was: half and half...
what angel of monotheism is a half and half
when contending for existence among unicorns...
mermaids or centaurs?
a chimera and a cyclops... **** with a minotaur...
but... such events of monotheistic grandeour are...
supposedly the better respected...
for all the respect i gave unto Knausgård -
because it comes from monotheism:
an angel is to be seen as more than a mermaid...
perhaps... if the angel is of my form...
has the wings... but for its mouth?
a pecker mask... a 50:50 share ratio of...
what a racial "mongrel" would otherwise burden his
shadows with...
a pecker mask akin to those masks
worn at the Venice carnival:
doctor doctor black plague masks...
with a muffed-up speech... as if shouting into
cotton puffed up...
esp. cotton candy...

and this is a sort of friday where i'd much prefer
translating latin... god... where did all these modern
prepositions and conjunctions from from:
into the fore?! there's only one song of worthy summary...
the specials - ghost town.

- Autorank Total 10 ( higher is reduced to 10 ), professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

poetry and order... yes...
yes... very much akin to rhymes...
and very formal language...
but this is hardly a "micro-aggression",
on my part...

it's funny that i never paid any attention to this detail...

hoc erat in votis

i was never into brian jonestown massacre, more of a dandy warhols' fan, but then brian jonestown released the album aufheben and pawns of the palette started picking up not only seminal citric acids and kashmir's spices, but sharp grooves of some distant geography, which of course, all in all: to my liking.

there's nothing like listening to the opening
track of the aufheben album (panic
in babylon, instrumental) and reciting a
bit of horace; should i be accused of sounding
pompous, here's horace himself

    hoc erat in votis: modus agri non ita magnus,
    hortus ubi et tecto vicinus iugis aquae fons
    et paulum silvae super his foret. auctius atque
    di melius fecere. bene est. nil amplius oro,
    maia nate, nisi ut propria haec mihi munera faxis.

    it was the aim of my wishes: a snippet of arable land,
    a garden, in the vicinity of my house a source of
    fresh water and a grove upon a ***** of a hilly eminence.
    the gods beyond their intentions bestowed upon me
    the loot of my thus lived fate. i have enough!
    i do not implore for more either in this heart of mine
    or among incense or blood of sacrificed bulls at the altar
    where worship is prescribed unto them, but only give me,
    son of May, the chance to use these bestowals.

(translated from polish, and, as would be expected of me,
involved in translation, adding something of my own,
as you can see, the latin prepositions and conjunctions
are reflective of the number apparent in the english language,
but it's hardly a concern with other words,
awaiting a unanimous - not necessarily an N between
two vowels, or because of H, as is exampled by
a great alphabetical distancing of the vowels,
or simply because of the latin tongue-twisters of
the grapheme æ and œ - awaiting a unanimous
decision of the compound words stalled by the hyphen
form, e.g. light-bulb / lightbulb (underlined as a spelling
mistake) by the oxford dictionary committee...
but let's not get as crazy as german spelling
glue... it would make james joyce pale even by finnegans
wake standards of the 100 letter word... i know... english
is a language spelled like shotgun shrapnel, and german is spelled
like a wedding cake or scottish fudge, thick and bulging;
what was i going to say? i took a step into the heraclitean
river and the river took me elsewhere, the ice cubes
in my whiskey citric barley are melting, and i dream
of venice being the modern atlantis along with the maldives).

elsewhere in a grammar lesson:

people think the pinnacle of poetry is coupling
adjectives with nouns, but of course,
given adjective & verb coupling is commonplace:
and when they say poetic v. practical,
they then say the hidden practicality of poetry
via, e.g. 'nicely said;' but of course!
we need a sombre musicality of the tongue
with so much dead machinery around us!
the elders complain about headphone "zombies,"
marching like urban myth lemmings on zebras
toward death... but have you actually listened
to those mechanical sounds on concrete?
horrid! when was the last time you heard an owl's
call in the dead of night in a forest? me!
about a year ago: three by my count.

- Autorank Total 9.9, professional similarity 10 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.1 (of 1), cliches -2 (of -3) -

the Cyber Pavlov Experiment

and my favorite "poem" in this ranking system,
which, i guess is an a.i. calculator...
i'm most interested in the professional similarity,
i can understand the concrete vs abstract ranking...
but the noun/verb/etc order?
in poetry? again... this is not a "micro-aggression"...

so, i'm on this page, and i meet my ****** pusher,
sure as hell he's pushing ******,
although it's digital, the site / street corner?
allpoetry.com i get to publish 2 poems,
but can't publish more, i have to comment,
and comment positively,
'allo comrade Stalin! then comment on
2 poems, and get this message:
Congratulations, you've achieved level 2,
and are now an "emerald cat"!
To reach the next level you need:
7 x comments, 1 x enter a contest, 1 x favorites,
1 x edit an item. • What are levels?
i am not playing candy-crush saga!
i'm not! i'm not even kidding you,
what is this ****?!
we've been ****** by paedophiles
anonymous?!
                      please get me off
this ****** grid of the Cyber Pavlov Experiment...
likes and comments and saliva and cookies...
    or premeditated minority reports -
  akin to Orwell's thought crime gestapo -
    god it sounds **** when said: g'eh'sh'tap'oh.
                    or how to use the internet
akin to deciphering and censoring established
media outlets...
                              obviously social media
can't replicate socialism, it's a media outlet,
                  but it can for sure ******* with
all the little capitalistic mind games that lead
to nothing but the Pavlov experiment -
            and that was with dogs...
try that with a ******* Gorilla and i'll watch you
cradle prosthetic limbs while
he rips your original limbs off like he's playing
                a harp:
            then you can rhyme: twinkle twinkle little thumb,
    how i wished you were attached to my hand to my arm
to my torso...
                        that's the same story
we had recently concerning a Mr. Kumbuka...
  who escaped enclosure, and proved the a.d.h.d.
        complex correlation with exposure to
sugar... ****** drank 5 litres of concentrated blackcurrant
squash replying: i'm mad at the keepers for keeping
me on a diet! i do king kong and you do the frenzied
blonde maiden.
              it's still a concern for me that they herded the poets
into an area worthy of zoological inspection,
                meaning that they base their worth on
    deplorable points system: like they're immigrants
waiting for visas to Canada -
                          comment, like, blag and blabber your
way into that new country, known to all of us present
              as Si S / Silicon State... by my count that's
the 51st, or the secular version of the Vatican.

- Autorank Total 2.3, professional similarity 1 (of 10), concrete vs abstract 2 (of 2), noun/verb/etc order -0.7 (of 1) -

but now... i'll just post the most "pop" poem from
here-on-in there... for that hard-on autorank...

clues as precursor:
- Strong words: army, audience, beef, box, brick, canvas, cubes, eating, fan, fares, football, lines, match, minced, outside, people, poem, poets, river, scrabble, scroll, short, slab, song, steak, striking, stripes, tartar, tomatoes, wave, writing  
-Weak words: albeit, always, answer, any, bad, be, become, bothered, circa, coherency, could, critic, deliberate, effect, eh, elsewhere, enough, escape, event, form, gather, get, had, happen, hardly, impact, intent, international, invent, long, merely, mind, modest, national, never, nice, nothing, perhaps, personally, presume, question, rarely, reason, recluse, repeating, repetition, somehow, sometimes, started, subconscious, subsequently, succumb, tender, thinking, translation, treat, understand, version, very, want, was, well, what, will, worth, would
- Cliches: to be a, i want

****... too early for an autorank...
so here's a pre-scriptum i wrote for...
what i wanted to feed the autoranking system...

this poem has circa 11 thousand views, "elsewhere"...
and i just... would like... to see the score for it...
the very and repeating: twist on the rotten tomatoes' score
"leverage" between audience and "critic" scores...
i gather that the autorank on this canvas is not...
somehow "deliberate"... i presume i have this slab
of minced beef... and when i put it through...
i'll get... a nice cubism version of a ripe steak: medium rare...

then again: i was always a fan of rare...
mind you... it's never raw, it's not tartar cubes...
it's rare... like the person eating... a rarified recluse example:
like a recluse of a rarified worth of all examples given...
this noun/verb/etc. "coherency" score...
perhaps this a.i. scrutiny hasn't bothered to answer
to no asked question... people can still "un-scramble"
or... un-scrabble bad grammar and understand it...
nothing ever has to be: brick on brick like a long
winding river...
it sometimes can arrive at us...
"lost in translation"... some people speak some
languages with no ill-intent...
they just can't escape the pedagogy rubrics of
subconscious grammar layer upon layer upon layer...
is this... a reason to subsequently rhyme?
personally? i treat rhyme as a phenomenon...
a phenomenon that has to happen rarely...
and when it does: it has to be a striking "pose"...
but enough of the pre-scriptum...
i want to see how this poem fares in the autorank filter...
albeit, this given: this pre-scriptum will have had
an impact on the score...

line repetition, eh? the lines are too long or too short?
what was that poem... when you could somehow
invent: "thinking outside the box" of any form,
or when tender poets started to succumb to the cascade
effect of writing - to merely fill-up scroll speed and space?
it's hardly an event like the mexican wave at
a football match... or how...
the white stripes' song: seven nation army
has become the international... well... that's modest...
the national (english) football clubs' anthem...
when a goal is scored... or whatever you like, otherwise...

or cliches... really?!
how about... oh... i remember this one most fondly...
visual poetry...
fallen... by... jörg piringer...
and unlike any modern painting...
this one really does require a description,
as cited on poetryfoundation.com:

/jörg piringer works in many forms, including visual, digital, and sound poetry, as well as music. In "fallen," piringer combines a visual sensibility with computer programming skills to tumble text from the English translation of The Communist Manifesto into a pile at the bottom of the page. The result is a mass of letters stripped of their original meaning and representing the failure of an idea./ Geof Huth

and no, by no kind reprint...
perhaps modern painting is what it is...
because... there's an alternative, like fallen?
if you can "paint" with words in adverts...
and paint i imply: stress the psychological impact
of coca-cola written in circa: formal scripts -
(why no italics? you can't... just can't,
write a colon and in italics after...
the colon represents emphasis,
as does the italics... tautology or something -esque)
derived from 17th century handwriting...
or... say... volkswagen... written in blackletter &
lombardic scripts... esp. circa 1935...
while all the propaganda posters were on
display...

given all of this? well... do i have to somehow:
bemoan how terrible modern art is?
cubism is not cricitißed - but dada is -
or let's call it... the most bloated
menu of culture citationand)
Barnett Newman painted this masterpiece,
‘Onement VI’, in 1953.
it sold for close to US$44 million...

i can't say such painting is "good" or "bad"...
after a while you just have to call a spoon a spoon...
a knife a knife, a table a table...
onement vi? blue canvas with a straight line
down the middle; form? rectangular...
and that's when thinking can take place...
i gather than modern art is trying to depict:
primodial man acquiring geometry...
after all... only recently i cound the difference
between the western man and slavs...
how the afro-european now lives in germany
and the west... including italy...
and how the indo-european lives east of germany
in some parts of scandinavia and greece...
a totally new discovery...

but... but... i can compensate for modern art...
with what is visual poetry...
if jorgen schmoorgen can do an abstract of a communist
manifesto... here's my take on...
John Constable... because... frankly...
i have yet to properly deal with this particular piece
of writing - as it's fresh... to subsequently aspire
for... a j. m. w. turner... not yet... not yet...
as ascribed to Juba...

the poem itself is... good grief...
always the same with me...
i go to kenya and i'd want to **** all the ivory
beauties...
a mother is in hospital and all the nurses
are black and i'm like...
what a clean and sterile environment this
is... unlike my today which began
finding an acne dot on my little richard...
(i get the joke... spotty ****)...
having to defrost a fridge freezer in
the shed because:
'z przybytku głowa nie boli'
oh yes it does...
not when what someone deems to be
"enough" do you have to count the trivial...
unnecessary things...
which is not a shame regarding my ***
winning a pulitzer price for... never mind...
i claim lack of sun...
black privelege... impeccable skin...
and... ivory beauties...
n'est ce pas?
alternative i have found an outlet to...
it's become brutally boring...
*******...
i found it... in... japanese gravure...
i had to... esp. when 1970s italian *****
classic died... and everyone is doing
this act older than beer and the giza
pyramids... phellatio and you're like:
so when did the ice-cream dream go away...
the peeling the banana...
and all this ******* gagging begin like
there's everyone with their third tonsils
removed... where mouth is no different
from *** or **** to be RAMMED!
lucky for me i still have my third tonsil...
which means i can drink cold beer in winter
and not get a soar throat...
- lucky for me i still have my *******...
god... if i didn't... i don't think i'd have
the "moral compass" to "get away with it"...
unless i was a woman with a web-cam...
in which: it almost becomes akin to reading
a book... it's like: it's there for the sole use of
pleasuring yourself or... as i like to call it on
throne of thrones (the toilet)...
first you do the no. 1, then the no. 2...
then you start doing the no. 3 to see...
whether you've done no. 2 completely...
it sometimes happens that having an *******
dilates the **** to the point where:
there's a shady **** loitering in the "back"
somewhere... which would explain ****-erotica...
in reverse to the act of ****-erotica of being
penetrated... i.e. in this scenario...
finishing doing a no. 2...
after that? downhill a quick side-step for
a no. 4 in the shower - baptism...
but... yeah... the men that shame men with
regards to *******?
they must be circumcised men...
shaming other circumcised men...
i think to think how a circumcised man
could shame an uncircumcised man for this act...
that's like... circumcised women...
shaming uncircumised women...
for jerking off with a web-cam...
uncircumcised women and...
explosive libido... whatever the stereotypes
are... circumcised men...
uncircumcised men...
there has to be a: a priest a rabbi and an imam
walk into a bar joke around here somewhere...
i'm trying to find it...
but i have found that: circumcised men
shame other circumcised men over *******...
while the uncircumcised men are like...
if only i were a woman and had a webcam...
if society had a niche consumer base for that...
"sort of thing"...
i'd be making money from one
genocide of a fraction of myself ever so often...
i.e. it's killing when the ***** is owned
by a woman (sensible... sensible...
i don't mean the former chinese 1 child
state policy of: statistics at all costs...
even at 8 months old)...
but if that's the case...
then a session of hanky-panky...
sterile... washing under the ******* etc.,
i'm practically doing erotica-genocide
slim film no. 3890... ever since it started aged
8... when i discovered Onan...
way before the white nation army came out
from the hades of the *******...
how the ******* of ***** has nothing
to do with the ******...
the muscles and nerves are wired so to the brain...
that i'm pretty sure a castrato feels
the same...
**** chicken shaming...
it must be circumcised men against
circumcised men: ******* missing olympics...
no wonder... you peel a ******* potato...
you have to throw it in some water
to prevent it from darkening...
that's of course: prior to cooking...
so you have to find the ****** cushion
brigade from time to time...
a "sword" without a "sheath"...
rust or egomania or: motivational talk talks...
because Kant was never going to be my:
bachelor of the year for the 215th time in a row...
kierkegaard famously didn't marry...
erectile "dysfunction":
not a real problem in my own company
or in the company of prostitutes...
but a serious ******* problem among
the "free women" of western europe...
it's like one of those vague "superpowers"...
women speak of turn-ons and turn-offs...
yeah: i too have my limp switch too...
somehow... this "thing" is not automated...
it's not like spam-mail... it doesn't always:
"rise to the occassion"...
the mood swings of my *****...
i'm starting to think that perhaps neurology will
explain more about my brain
than my suma summarum will ever tell me
about this excess of the 21st digit (which
of course includes the 10 precursor toes)...

as i haven't read marquis de sade in a long while...
and i'm not touching any modern erotica,
and ******* bores me
and how japenese gravure is the next best
all-spice of brain fever...
and how: if this little harlot went to sudan
for her nitty-picking a tartan lover,
or if she decided for rwanda...
i have to guess the fiction and fantasy...
for me, at least... has to rely on...
a bull in a porcelain shop...
or as the kama sutra says:
a rabbit **** is hardly going to ****
an elephant ****... lengths and depths...
all round!
which makes you wonder...
genghis khan must have been...
or has to be... the ***** envy shitlord
of a whole lot of people with the surname
Khan in pakistan.
Lyn-Purcell Jul 2020

Shy black-eyed beauty
Star upon the mountain peak
Nurse coming herald


New day, new haiku!
Much like the Muses, now I'm doing the Pleiades, aka the Seven Sisters!
Maia is the eldest of her sisters, she was known for being shy as well as being the mother of Hermes, to which the last line alludes to, haha!
I wanted to play around with these facts in mind as always!
Anyway, thank you all for 373 followers! I'm humbled and grateful for the support 🙏🌹💜
Here's the link for the growing collection:
https://hellopoetry.com/collection/132853/the-women-of-myth/
Be back tomorrow with another one!
Much love,
Lyn 💜
B Jun 2014
"I hate you more when I'm drunk" you said

    Everything about me makes you angry
I still sit on my hands and try not to say anything unless spoken too
"No one else will deal with you, ****, stop crying, I don't want people seeing my woman with tear stains."
    So I wouldn't cry in front of you anymore

     Each night I'd fall asleep helpless to my meal sized portion of pills
Anti-anxiety, antidepressant, sedative, pain killer, sleeping aid
"You're just like your Mother, all messed up"
I'm so ******* tolerant and you're so ******* disturbed
At least my Mother, didn't **** my married Father for his money
Sorry I just told everyone that

"Why can't you be more like...
Claire? Caitlin? Maia? Anna?"
I don't want to be like them
but if I was, you'd probably actually love me or at least stop
smacking me hard enough to make my jaw ache for hours
Three days before you put me in the hospital,
      by the way I tested positive for Rohypnol
You gave me a ring, solid gold and diamonds
that night you weren't worried about my stomach being pumped
but,
     "She better be wearing that ring, better not lose it in the hospital"

I flushed your $15,000 guilt gift down a hospital toilet.
Meggie Gultiano Nov 2019
For the earthquake stricken people in Mindanao
×A collaboration with Maia Padua..another published author and poet..

As the wrath of the earth
Swipes us off-guard
Our own works knelled down
Its debris scattered all around
Roars from beneath unearthed
Deafening the already deaf ones
Once so numb by her cry
and her lullaby

In the midst of rustling winds
and roaring sounds so frightening
Cries of men rippling
Wondering why such wrath
whipped us all
the rage we cannot fathom why
Had led us back to what we are
from nothing...nothing

We light this candle of hope
Praying that your tears will be gone
Your broken heart will be whole
Faith and faith alone withstand
Like a flame of lighted candle
Flew to where the breeze would go
May it bring hope to everyone
Lifting and bring their hearts afire

If only we can sing a song for you
A song to keep you going
A song of hope not fear
A song of faith to bear
Keeping the faith burning..burning

GOD WILL SEE YOU THROUGH.. Agape
TheExpat Jun 2014
A fresh beginning        
Down life's highways new  
Each day joy bringing      
Laughter is their glue        
A bond unites two    

In the park at play
Soft heart waves the wand
Offering a way  
For maia to bond
A mother so strong
Can overcome foes
Healing any wrong
Easing any woes
  
Mother's daily pride
Amazing young child
Ignites love inside
All is well she smiled
Acrostic For a friend
Jonathan Moya May 2019
The Mayas of Colemnar Viejo for the last twilight hours
of early May exist in mature thoughts, statues unable to address
the questions designed to unseat their repose from  
spectators marching  into shadows.  By night they will
know the answers that will secret their lives, grateful for
Ermita de Remedios for the revelation and insight that will
allow them to play until the miracle appears. Their mothers
will bless them, remembering their time when it was their duty
to stay still enough to hear God breathe and acknowledge
the old beehive for pollinating wildflowers for their throne.

The Mayas flower with the secret whispers passed down
from grandmothers to mothers to daughters from before
when Maia echoed to a month, when she was the very flow
of the vegetable world, the monthly blood, Pleiades nights,
the first fingers of cotton lavender, narcissus, spurge,
and hyacinth poking the spring bloom with shy joy, until
adult enough to be a proper escort for  mute child queens.
Her aura surrounds the Mayas, a halo echoing earth, sky
and sun, the unnoticed slow revolve of all repose
only noticed in the dissolve from night to day.

The tapestries are heirlooms: two borrowed from
a photographer’s closet, one unfolded in the attic,
another a dust collector hung to cover a wall crack,
and the last, depicting a  tangle of horsed knights
in a tropical land on a royal leopard and lion hunt,
ancient enough to have kissed the walls of twenty houses
and become familiar with a dozen Last  Suppers.
Every house in Colemnar Viejo blessed with a nina
has a tapestry with a true or mythic history
suitable enough to be a Maya dreamscape.

The Mayas are serenaded by a brass band attired in paunchy black and white
that parades from pose to pose playing canciones praising  their beauty and style.
They wear relics carefully preserved and handed down: white petticoats
and shirts, Manila shawls of celestial yellow, blue heaven, weeping black,
vibrant Spanish carnations, and pure white, eloquently tied in the back.
Clustered around the town’s center the Mayas can see all the others
solemnly carved in silence and slow time, know that the basilica beyond
houses forever the crying ****** and the anguished Christ surrounded
in golden murals and feel the sadness  that in minutes the frozen
can only watch them freely move, dance and play.

— The End —