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Still Crazy Jun 2014
On my First Son
By Ben Jonson



Farewell, thou child of my right hand, and joy;
My sin was too much hope of thee, lov'd boy.
Seven years tho' wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now! For why
Will man lament the state he should envy?
To have so soon 'scap'd world's and flesh's rage,
And if no other misery, yet age?
Rest in soft peace, and, ask'd, say, "Here doth lie
Ben Jonson his best piece of poetry."
For whose sake henceforth all his vows be such,
As what he loves may never like too much.
’Tis true, dear Ben, thy just chastising hand
Hath fix’d upon the sotted age a brand
To their swoll’n pride and empty scribbling due;
It can nor judge, nor write, and yet ’tis true
Thy comic muse, from the exalted line
Touch’d by thy Alchemist, doth since decline
From that her zenith, and foretells a red
And blushing evening, when she goes to bed;
Yet such as shall outshine the glimmering light
With which all stars shall gild the following night.
Nor think it much, since all thy eaglets may
Endure the sunny trial, if we say
This hath the stronger wing, or that doth shine
Trick’d up in fairer plumes, since all are thine.
Who hath his flock of cackling geese compar’d
With thy tun’d choir of swans? or else who dar’d
To call thy births deform’d? But if thou bind
By city-custom, or by gavelkind,
In equal shares thy love on all thy race,
We may distinguish of their ***, and place;
Though one hand form them, and though one brain strike
Souls into all, they are not all alike.
Why should the follies then of this dull age
Draw from thy pen such an immodest rage
As seems to blast thy else-immortal bays,
When thine own tongue proclaims thy itch of praise?
Such thirst will argue drouth. No, let be hurl’d
Upon thy works by the detracting world
What malice can suggest; let the rout say,
The running sands, that, ere thou make a play,
Count the slow minutes, might a Goodwin frame
To swallow, when th’ hast done, thy shipwreck’d name;
Let them the dear expense of oil upbraid,
****’d by thy watchful lamp, that hath betray’d
To theft the blood of martyr’d authors, spilt
Into thy ink, whilst thou growest pale with guilt.
Repine not at the taper’s thrifty waste,
That sleeks thy terser poems; nor is haste
Praise, but excuse; and if thou overcome
A knotty writer, bring the ***** home;
Nor think it theft if the rich spoils so torn
From conquer’d authors be as trophies worn.
Let others glut on the extorted praise
Of ****** breath, trust thou to after-days;
Thy labour’d works shall live when time devours
Th’ abortive offspring of their hasty hours.
Thou are not of their rank, the quarrel lies
Within thine own verge; then let this suffice,
The wiser world doth greater thee confess
Than all men else, than thyself only less.
Laurent Oct 2015
I now think Love is rather deaf than blind,
    For else it could not be
               That she,
    Whom I adore so much, should so slight me
And cast my love behind.
I'm sure my language to her was as sweet,
       And every close did meet
       In sentence of as subtle feet,
       As hath the youngest He
That sits in shadow of Apollo's tree.

       O, but my conscious fears,
               That fly my thoughts between,
               Tell me that she hath seen
       My hundred of gray hairs,
       Told seven and forty years
    Read so much waste, as she cannot embrace
    My mountain belly and my rocky face;
And all these through her eyes have stopp'd her ears.
Benjamin Jonson (c. 11 June 1572 – 6 August 1637) was an English playwright, poet, actor, and literary critic of the seventeenth century, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Foxe (1605), The Alchemist (1610), and Bartholomew Fayre: A Comedy (1614), and for his lyric poetry; he is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I.
Read Shakespeare and Milton and all of the rest
Keats, Coleridge and Wordsworth are some of the best
Read Ted Hughes and Sylvia, Motion, Duffy
They say what I want to say better than me

Read Homer and Ovid, Basho and Su ****
Chaucer and Boccaccio they've stood the test
Read Donne, Spenser, Marlowe, Jonson and Raleigh
Read Shakespeare and Milton and all of the rest

Read Swift, Pope, Blake, Tennyson, and Rossetti
The two Barrett Brownings are of interest
For feelings romantic as true as can be
Keats, Coleridge and Wordsworth are some of the best

Read Larkin and Betjeman if you're depressed
Read Wendy Cope to enjoy all of life's zest
Yes please don't think I despise modernity
Read Ted Hughes and Sylvia, Motion, Duffy

And how about all those I haven't addressed
Yeats, Auden, Joyce, Longfellow, Poe and Shelley
And all of the others I'm bound to have missed
They say what I want to say better than me

But what of the poet, with poets obessed?
In prose I am prolix, in speech stuttery:
So where will you find my emotions expressed?
On MySpace, on Twitter, read my poetry
It says what I want to say
SHAKESPEARE'S MIND AND ART

In the memorable words of Ben Jonson,
Shakespeare, the great Bard of Avon,
"Is not of an age,
But for all time."
Endowed with a brilliant mind,
Worldwide knowledge and intuition,
He comprehends the changing trends
And creates enthralling situations.
With his amazing knowledge of man's nature,
Creates admirable, everlasting characters
Like Hamlet, Macbeth, Caesar and King Lear,
Rosalind, Miranda, Shylock and Portia.
Skilful blend of wit, irony and humour,
Youthful merriment, song and dance
As well as poignant scenes of sorrow and remorse.
Dialogues lively, powerful and spontaneous
Enrich all his comic and tragic scenes.
In his inimitable way, he describes -
How "..the poet's eye in a fine frenzy rolling
Doth glance from heaven to earth, from earth to heaven
And as imagination bodiesforth
The forms of things unknown,
The poet's pen turns to shape
And gives to airy nothing,
A local habitation and a name."
The world cherishes his poems and plays -
A perennial source of delight and solace.
                  
*   M. G.Narasimha Murthy
Hyderabad, India.
(Copyright: MGN)
Shakespeare passed away on 23 April 1616. This year marks the
400th anniversary of his death. This is a small tribute to the world's
greatest literary genius. M.G.N.Murthy
Debra in Silence Aug 2019
"not of an age, but for all time"
SteffyWeffy Aug 2016
Hey, I thought I would write something for all my followers.
I would like to start off by thanking Word Freak.
Word Freak was my first ever follower, he is the one who told me about this site.
Thank you to cgembry, the first person to like my work.
Thank you, Teresa Alaska the first person to comment on my work.
Thank you, Anna-Maria Rose Newell, you have given me a lot of inspiration.
Thank you, Walter W. H., David Hewitt, and Enslaved King you also have given me inspiration.
Thank you, Joellei for always being here when I need someone to talk to!
Thank you, Flames for a martyr, Toxic moon and Vicki.
Thank you, Woody, Stephen, and Keith Wilson.
Thank you, Bleeding Diamonds you make me smile and laugh.
Thank you, Jennifer DeAngelo for writing a poem about me.
Thank you, Eebi Jonson the first person I collaborated with.
Thank you, Kristy Renae Dalton.
Thank you,  John Stevens for raising your two beautiful grandchildren, I can tell they really love you.
Thank you, so much John Stevens for reading my work and giving me endless amounts of support.
Thank you to John Stevens wife also.
Thank you to all my followers each and every one of you are special to me.
Michael R Burch May 2020
NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.

This is my translation of a Latin epigram by the English poet Thomas Campion. In Campion’s era some English poets continued to write poems in Latin and/or Greek. For instance, John Milton and Andrew Marvell wrote poems in Latin, while Shakespeare was criticized by Ben Jonson, if I remember things correctly, for having “little” Greek and Latin.

Not being “versed” in the senior languages was seen as a deficiency in literary circles back then. Shakespeare was called an “upstart crow” for daring to write “litter-chure” without a proper university degree. How could he properly quote the ancients if he couldn’t read them in their original languages? The Bard of Avon was doomed to failure and obscurity … or perhaps not, since the English language was finally in vogue in England (where for centuries English kings had been unable to read, write or even speak the mother tongue, preferring French, Latin and Greek).

My title is a bit of a pun, because novels were new to the world when they first arrived, and were thus considered by the literary elites to be “novelties” not on par with more serious verse plays. Some of the more popular early novels were “subversive” (pardon the pun) explorations of ****** naughtiness, through characters like Tom Jones, Moll Flanders, et al.

Campion probably didn’t have such campy (enough with the puns, already!) novels in mind when he wrote his epigram, since the more titillating (cease! desist!) ones had yet to arrive. But perhaps he would prove to be a “profit” (I’m udderly hopeless!).

Keywords/Tags: Campion, Latin, translation, epigram, novels, novelties, booksellers, publishers, authors, pimps, ******, prostitutes, prostitution, exotic, positions
have we strayed far from art?
Oh, Marvell?
Oh, Donne?
Oh, Jonson? And
sometime Wyatt?

forgive these modern
fornicating gluttonous
whirl of words.

pastoral shepherds are dead,
old friends

sultry sweet snatches
to sing of and dampen your quill,
mossy memories

those pining poets deflowering tulips
with their multi-lingual similes,
have been shot for their vague
caresses

mowers now grip their
flaccid scythes,
loitering near the iron
gates of life

forgotten and rotten are
their hot July desires

no.

no need to complain in
metered rhyme, just
give it to me straight
and hard

i'll take it all the same
an edited version of an older poem of mine
Mateuš Conrad Oct 2017
there's nothing quite like being rudely woken
by a cat - that sort of shadow you wish you
had to steer off the incubus...
     only the ugliest of the norse founded
kiev...
      i wonder, as i manage to peck a spider
off the corner of my room, drink,
then eat it, and subsequently imitate
regurgitation, upon having eaten body,
and then finding the legs,
these twisting, coiling artefacts of some
sort of disembodiment...
  i really was planning to drink this whiskey
in the afternoon, then the rudeness of the cat
waking me,
              then the rage against the machine
and the idea of a buddhist,
and then the voice, that would never
amount to the said theatric of burn ******
burn...
         i can't compete being drunk and
it only being nearing 7 a.m.,
       i can only cite:
  paper boy took the day off.
                        and i lost count to
every counted sunday,
thinking it a monday;
and that's a half of a hey-yah! thong
    bridget huan jonson jerking off
the next nesting jose johnson,
calling him enrique joe.
                     or: amazon god king
conquistador it's sunrise you *******...
people have to "work",
yeah, they "work", they're
rhetoricians!
             they're the embodiment of
what's spectacular about
western society...
          high brow romancing of
      the averted moral spectrum,
like i really did begin to start ******* cockroaches...
and these women were my sunrise...
    keep the gangrenes,
the *******, the abbies...  
i love that term,
it's like reviving: greengrocer...
        like calling a pet donkey a
chihuahua and then for asking oral ***...
calling it a sloppy-jappy...
      as if it was aimed as sushi shooting
the raw argument.
hence the love of h'america...
no, i never admire or fashion
the idea of americans waking up
i the globalist part of new york,
that's gobalist, and the 24h oops...
oh wait, you didn't realise we were insomniac?!
fucl me... afternoon for them
is like pretending breakfast for the rest
of us...
        i think the dieticians call
it fibre, or something twice as hard to digest,
twice as hard to constipate out on,
and thrice the name of a wife.
i really love they didn't
catch up on the insult:
it's a bit like eating humus,
or catching the sunset.
John F McCullagh May 2018
Saint Hilary's day, the coldest of our year,
when snow and ice enshrouded London town,
was the day the Prince of Poets died.

His home in Ireland had been pillaged and torched.
His wife and young son murdered that same day.
The Irish were hot for English blood;
some said the O'Neil accepted Spanish pay.

He was not young, yet not particularly old,
when death arrived to place him under arrest.
His hostess found him lying on the ground.
His body cold; no sign of pulse nor breath.

His friend, the Earl of Essex, had decreed
The Prince of Poets be mourned by all his kind.
Edmund Spencer beside Chaucer would lie down.
and be eulogized by poets of renown.


Ben Jonson came ; the young John Donne as well.
Beaumont and Fletcher, Chapman and sweet Will,
followed his hearse, then bore him to his tomb.

There in the nave, the poets did him homage.
Reciting there their hastily written lines.
Each man than dropped his poem into the grave
Each poet's pen dropped in the grave besides.
Edmund Spenser, author of"The Faerie Queen" and other works, was found dead on 01/13/1599. He had been driven out of Ireland by the Irish Rebellion, his home torched and his family murdered three weeks before he himself died.; Legend has it he was honored by his fellow writers&;but when the grave was opened much later there was no trace of either poems or pens.
Lawrence Hall May 11
Lawrence Hall, HSG
Mhall46184@aol.com

                             Earth, Water, Fire, Air, and You

                                  Cf. Shakespeare, Sonnet 45

Fire and air sound like a poetic cliché
A pastiche from half-remembered Elizabethans
Cut from Jonson or Marlowe, or Will himself
And pasted to a puerile plaint of love

But there is a reality in fantasy
And you are the fantasy in reality
There are swift messengers of fire and air
And you are sender, signal, and recipient

Fire and air only sound like a cliché
For you are truth, truth clothed in splendid array
Meme-ing from Shakespeare's Sonnet 45

— The End —