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Nat Lipstadt Jul 2013
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,^
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,^^
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}


Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he is lost it all,
But you would be incorrect for sure.

He found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
^ "People, Stop Rhyming..."


^^The Rubiyat is not where I'm at,
The Acrostic, amusing, but let it be
Someone else's cross to bear.
That the Cinquain rhymes with pain,
No accident, and Tritina is but half of a Sestina,
But twice as hard, you could look it up.
The Quatorzain another French device inane.
Shakespeare's sonnets, nonpareil,
But, refrained, quatrained, by Iambic pentameter.
Ok! Maybe the meter makes the poem lilt sweeter!

This poem Lilt of Life, I commenced, on June 10th,  when  K Balachandran, Poet Extraordinaire
Wrote me about another poem: Three poems were walking down the street."

"I dig the title, not only the lilt, it sounds esoteric..something more hidden in it,unintentionally!"

I put the word Lilt in a Poem title file, wrote a line or two, then it aged till July 11th, when it just wrote itself. So today Bala corresponded as follows:
"creative instinct, particularly poetic surge has roots in imbalance (though i really don't believe) of the mind. Yes, during the moments poetic urge becomes a sort of agitation,
this may seem true, how can one deny it.."
This agitatation of which he writes, we are all familiar with, I am sure. We emote, we wrote.  Guilty as anyone.  But it took a month of silent, back room, hidden from me,
cogitation,
to complete the poem, when it emerged from gestation period in a few minutes.  I share this with you as a public reminder/chastisement to myself that writing is both push and pull, agitation and reflection, a process,. By way of humor, I wrote Po-hymn, in 20 minutes, threw it out here instantaneously, and then did minor tinkering.  Why? I wrote it with tears in my eyes, agitated, and the only way to stop the emotive upheaval, was share it with the people here ASAP!  So it goes both ways, but net net, write it, then let it age a day or mores, then let it go, give it up, after some:
cogitation
— noun
concerted thought or reflection; meditation; contemplation: After hours of cogitation he came up with a new proposal.

Rambling the point of which is to properly thank him in view of all for reminding me
all poems, must possess some kind of lilt and being the inspiration for this baby.




7/11/2013
Mikitara Aug 2013
a boy once told me he could feel my energies
and i asked him how that worked
and he said it was impossible to explain

since then I've been thinking of things that are impossible or impossible to explain

like the way teenage girls obsess over trying to get boys to fall in love with them or even just short bursts of favoritism from them rather than trying to find their way around the forest of little Yggdrasils that make up their own dispairing minds

or the way that stars and angels fall from their perches in the heavens (on accident (or on purpose)) and not many are able to see them for what they are (it's nigh inhuman to see someone for what they are) and how those same people who can peer into their heart of hearts seem to still fall in love with them (those dying stars, fallen angels, risen demons, broken supernaturalities) and their obvious failure at being what they were born to be (yes, there is such thing as failing at being what you are, many fail at being human (truly or at least believe they have) everyday, and as one of the the lowest on the echelon the only place we have left to turn to is death)

a boy once told me he could feel my energies
and i wont ask him how that could be true anymore
because i know it's impossible to explain but not impossible to do

because now i think of things that are thought of as impossible by all (by the majority of the sentient beings in this realm)

and i realize that there are many girls who have already conquered their mind forests but have determined that they are not brave enough to venture any further into the darker places so they turn to building gates of lust and ultimately building a castle of love to take refuge in and also that there is only this brief period of time between childhood and adulthood that the darkness pulls many in and forces them to explore and many are lucky to escape and only some fall fate to their more eldritch thoughts and decide to explore and few truly embrace it

and i realize that some people fall into broken, brittle love with a fallen angel or any exiled supernatural despite the fact that they have failed in everything that they were born to do and forced to live in this new reality, this ugly humanity. these people who are burdened with realizing that their new love will be unrequited and that their new love is not as new as they want to believe. it's as old as spacetime itself- lowly creatures falling for higher creatures that are just as low.

just like the boy who once told me that he could feel my energies
(and his fallen angel and his giving up of his soulheart to be hers if only for the while that it takes her to regrow her wings (i realized he wasn't focused on building castles of anything, but maybe a tower for her to lift off from, even if it meant she left him, she would be free (and he would follow her to freedom, i believe)))
just like how I'm trapped in the dead middle of my own mind trying to figure out whether i want to escape inward into the beautiful crumbling dark that awaits me or back out into the world where nobody will care that i returned from my own internality (because so did many of them (none of us are as special as we want to believe we are))

impossibility is impossible.
for Quis; idk; tentative title
Nat Lipstadt Jul 2014
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.

for Bala, who inspired it many months ago., and first posted a tear ago today.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}

Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he, me, has lost it all,
But you would be incorrect, for sure.

He, me, found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
Nat Lipstadt Jan 2023
Her hands lay gently joined,
her breathing breaching the fortress of a bedroom’s silence

clasped as one, in the very early morn,
her fingers move in motion, wavering, *******
recalling a violin instrument, an unseen youthful memory,
her internality rumbles with a quiet litany,
an indecipherable host of jumbled mumbles,
a cacophony accompaniment to her quietude of steady breathing

I,
study her, as I have done so many mornings prior,
once more, capriciously slipping back inside/beside our bed,
to restart My Sunday morning quiet-like, for as is my wont,
have awoken with the morning dark, treading room to room,
filling my Winslow Homer’s Macintosh mug, with 19.7 fluid oz. of Jamaican beans freshly ground, an instigating odor, a fragrancy
most contradictory, soothing, nonetheless, a steadying, yet a
blaring wake-up call

She, clad my in-her new festive plaid pajama top,
a creamy fabric that begs for my I-dare-not stroke,
is easy prone and that,
pleases me, for I wish to bed beside her, letting her rest
till her mind texts her body, no more! or the mumbles grow
grow nagging onerous and stirring and when her disposition is
well-disposed,  she stirs too,
after her fashion

with a dancer’s grace, her arm slowly rises, resting airborne,
fingers arrayed, splayed and Balanchine arranged, (1)
pointing upwards,
lingering until
the arm falls impromptu, sudden,
as a crescendo striking an apex,
her risen hip-mound,
imitating a bell’s clapper woke reverb,
and she sleeps no more…

<>

Sun Jan 15 2022
in the wee daylight  hours
a true

https://sab.org/scenes/suki-says-part-1-balanchine-hands/
1st Movement:

When I hear the knocks at my door I’m filled with hope. Hope that it’s my good old friend coming to see me again and fill me with his familiar presence. By equal measures, though, I feel fear. Fear that it’s my good old friend back again to fill me with that all too familiar darkness. They’re gentle knocks, sinister but as grating and aggressive as a great dog’s bark. The sound turns the air to a particular darkness which fills my lungs and heart. Fear interspersed with curiosity compels me to answer the door with haste and resignation to his behest, if only to refine this binary mixture of emotions to one or the other. Both are equally awful as each other, for this old friend is not the kind of friend one would willingly welcome. He’s the sort of friend who, when he wants to come in, he will, and I’ve learned over the years that it’s easier to let him. Let him in to wreak his worst on me and let him go again until his return. He always returns.

This ‘good old friend’ I speak of is the crafty external force which deceives me with my heart’s treachery to believe his bogus internality. He deceives me and he deceives my heart, my mind, my soul; my whole being, the whole world. The sooner I let him in and the more open and receptive I am to his abuse, the sooner he will leave. Leave me for a moment’s respite from his damning indictment which screams of anger at his own futility.

The figurative door barks only in my brain, but the definite door knocks gently, devoid of any disturbance. As I open the door the darkness dissipates making way to a bright clarity. My fallible heart was presuming the worst, yet not knowing it. Standing before me is my friend, my brother securely holding in his hands the words written that everything will be alright. Not now, and we know not when, but everything was, and will be again.

I put on a mask of happiness to fool my brother to altruistically manipulate his altruism toward me, but to my own detriment. My own success backfires. My brother, fooled in my eyes, serves the manipulation straight back to me. Facile happiness abounds us both driving enthusiasm with which to examine the words he holds, and to diligently extrapolate the truth from the book he bears quenching our thirst driven by our mutual love for truth.  As his eyes close to another world, another dimension, mine too close seeing only the questions asked in my imagination. What does he under his eye lids see? Where are his words going, and to whom other than me? These are the questions he is here to answer, unbeknownst to me. The questions I’ve been silently asking ever since I learned to question. The same questions every single person in existence, excluding none, asks all the time. Some ask with hope of an answer. Others, enveloped with contentiousness, ask to prove a nonexistent point and perpetually fail to succeed, mocking only themselves. But do they know they mock? The self ridicule is cloaked in self righteousness woven by this world with its daily, bite size propaganda fed through speakers and screens right into the deepest recesses of the mind. The dangling carrot promising satisfaction. Playing on our inherent knowledge that there is something better, something more resemblant of that originally intended perfection for which we all strive in our divinely uneducated way. There is something better than the devastation we witness encompassing our souls and poisoning our hearts, making us sick. A sickness self inflicted from the view of the original intender. A donkey won’t chase the dangling carrot without the hunger. The screens drip feed us hunger and, offering the unattainable antidote, it keeps us chasing.

My brother has come to help me use my mental tools to instil the abiding antidote from these words. Words with which to gradually alter my outlook on their beauty. My previous reverence for poetry changing like the tides, flowing and ebbing over and again, gently moulding the lands into more beauteous forms making known nature’s true name.

יהוה; quintessence of the words,
Of beauty to our ears.
Not love of mind nor fanciful sight,
Nor tenacity of breath of those who might,
Speak provocation of effusive tears.

Diversification of those whose diction,
Expansion was sought imploringly,
Displayed meek thirst,
For knowledge first;
They’ll be blessedly beset linguistically.

Longing rills of liquefied utterance,
Reverberating waves aplenty,
Bellowing whispers loud,
Heard from within a shroud,
Giving rise to a barrel never empty.

Roaring murmurs of ripples in thousands
Cascading to oceans below,
A fast falling downward demise,
Sounding white truth and that of black lies,
Of onomatopoeic H2O.

Not stringent is the string of letters,
Lax are the words to be strung.
Not sequentially,
But dulcetly,
Outward beauty will be rung.

With a patterned strike using one’s cerebella Mallet
On the gong of one’s cerebral stock,
Eloquence imbues,
The mind your ears use,
Curtailing the perpetual tick tock – tick tock.

Facile masks circle that face,
Consuming as they revolve.
Filched is elation,
Taken is creation.
Yet knowing the inevitable resolve.


We know now, consciously or not, with whom we originate. What stops us from connecting the dots. A dot-to-dot; something so easy to do, but where those dots continue to move, we fail to place the blame succeeding to rue. Frustration turns to anger, anger leads to hate, hate leads to he; The dot mover, the obstructer, the distractor, the decoy from truth, from love, justice, from every good thing. We know whose power the world lies within, yet choose ignorance over the truth which we already know in our hearts.

These realisations are made like Wordsworth’s frost at midnight. They perform their secret ministry through the air, over my body and penetrating my mind and heart, upheld by any wind from my or my brothers mouth. Each and every utterance supports any later rumination on the truth, the lie, and anything in between these extreme poles of all that’s known and that which is unknown, seen and unseen, loved and hated.

These reciprocal uplifting and upbuilding exchanges, each a divine gift, a string of gems to have and hold for time indefinite, aid an understanding of the one responsible for such. So little time we have left, yet such extravagant lengths of this most precious dimension is wasted arguing for and against, but never asking who or why? Surely only a fool argues a case about that which is unknown. The facts form irrefutability, yet the propensity to form too fast with a one sided judgement still wins while we dote on our own supposed intelligence.

Acknowledging the light seeping through the cracks in the still darkness, he rages with a concentrated anger at his self generated, perpetual, vindictive blindness. He is that getter in the way of things, the shadow caster, the adversary, שָׂטָן.

He is the darkness licking round the door frame, to my mind with all his might and yet crafty restraint. Not one of us can escape this darkness, not on our own. We can, though, shed light on it. Light will always win where both are present. Darkness may be the fundamental state, but where light is allowed, darkness is always destroyed.

But then it comes over me like a tidal wave. A darkness rushes at me like a sledgehammer for making this realisation. Past the point of no return do I give in. I give up. It’s too much. Only so much ducking and weaving can one man’s energy let him do till there is none left, and now it’s gone. I’ve run dry to doom, run into the ground. I’m broken.

Time rolls on filled with a single solid nothing. The weeks pass. The days, the hours go by sniggering and sneering. The clock’s face look down his nose and finds me. To us, time seems the highest of all dimensions, but as obscure as it is, by what does it run? A question we have not enough time to fully answer scientifically. Science by it’s very nature is the perpetuation of posing question after question until the answer lies beyond comprehension. Posing question after question to answer with evidence is categorically finite. Uncertainty is an underlying rule pervading science itself, though faith follows beyond the apparent end. One will never know just how much of a threat obtaining this faith can be to he, the adversary.

Life’s doorman presenting my open garment inviting me into the warm wrappings of my winter coat to deceptively soften the mourning of the summer we lost. That paradise on which we passed. Beaconing me into the warm wrapping only to send me astray, away, adrift from the truth to eternal ruth and regret of one day.

At this my brother departs for his own trials in his own house, thus leaving me to petition and plead for a helping hand out of the ill-lighted and lurid cavernous fog I find myself in. There’s a relentless pain pervading my whole soul, but the pane in the wall frames nature’s beauty which taunts me so. A picture plane presenting a small glimmer of the bliss meant to be. A hope of spiritual prosperity, assurance for which we have been given, though the reminders are not easy. The doorman’s world drives his crafty vehicle of dangling carrots with such ferocity to blind us. The speed blinds the minds of those who stopping, would realise there’s string and a stick. It’s a trick. A trick which has seen us plough through a vast array of food, a banquet, chasing the ever out of reach embellished single grain, though always the closest.

Try as he might to perpetuate this fight, us, his captives, continue to fight longer and harder with a never ending and unlimited supply of the best weapon known to man. Love. From where does it flow? To where does it go? First we have to know, and once harboured, we must direct its flow.

Five years have passed. Five summers with the length of five long winters, and again I hear these waters rolling from their mountain springs with soft in-land murmur.
(William Wordsworth - Lines Written at Tintern Abbey)

The mountain spring is where. A monumental spring of an historic scale from mount zion producing a never ending murmur of love to cascade over the ocean of a people lowering themselves to the strongest and most sturdy section of the mountain.

As the result of a string of mutations, always mutating and never improving, is always the same, such a long string will never become rope. An infinite number of monkeys given an infinite number of typewriters and infinity itself will rewrite the entire works of Shakespear. Those who read a Shakespear and surmise the existence of a lot of literate monkeys, are vacuous victims of international mind-numbing, but wilfully so.

Saturated with such a concentrated concoction of diverse threads erratically woven into a veil, a cloak of lies behind which their lack of faith is hiding, a falsity for their fallacy; the world frantically searches for truths using tools honed only by the world, on which the adversary hones his trident. Needles in haystacks the truths may be, but once found they’re overt, obviously. They are the flames that burn the darkness, a holocaust of murk, the Wally amongst the distracting cacophonous din of hustle-bustle of faceless herds trudging in binary directions to their fraudulent feed of false food disguised as noble inflections.

The casting of light in our eyes, as pennies of an historic value drop, irradiates the notion that our eyeballs have been boring into truths and truth has been peering back for all time past. Have we not seen because the want to see was lacking, or did we not see because our ability was cracking? Were the lights on with nobody home, or were they residing in darkness? The utterance of my brother came inspired, “If we focus on misfortune, we will reap what we sow. Focus on the truth and let everyone know”.

Asking is merely making known one’s requirement for information. Prior to this we must attest the intent of receiving such. Though, the truth has been granted devoid of request, negate it has not our silent behest. Do we need to know the truths we now see in plain sight, to live our lives in harmony?

In a world without compassion, where the hungry are starved, the thirsty desiccated, the poor deprived, and the weak expended; does the supposed prime driver really give two hoots about the starving, desiccated, deprived and expendable; me, you, us? Ostensibly not.

Surely a world of war where we’re sick and we suffer will have been founded by not one whit related to love, but a halfwit wilfully innate and cognate to hate. Paying heed to words written with the elusive love we seek, I see the distinction from consent and cause. Trudging through Satan’s cesspit with consent from whom we cannot blame for causing the sewage in which we wade.

I know there is to do, but what to do, how to do, where to do and when. Knowing why is too little to do by. Answers are only information and information is worthless until actions are born. A gift unappreciated lies stagnant and not used. A gift gratefully received produces infectious joy.
2nd Movement to be posted upon completion.
I S A A C Jun 2023
not as comforted by the absence of shore
as i was before, when i prayed for the shell to close
now i stare into the sun waiting for doors to show
i cradle all my blemishes, the flower, grip the thorns
rabbits are telling me its time to go yet my internality remains reposed
comforted by the thought of piercing arrows
comforted by the sweet monsters voice
haven’t felt in so long, a zoo animals futile joy
Reaper Apr 2015
my soul yearns for you to fuse us one ultimate force of darkness,
my heart craves for you
to crush and to break me
over and over again
I truly crave pain and misery
I don't ever wanna shed an tear only wanna shed blood
so come to me and let's begin our twisted and wicked love that no one else will ever understand we are two demonic souls that has crossed paths and now we shall be as one for all internality and that makes me an bit happy.
William Woods Apr 2019
Anx
My lips sink into their tubular cavern
crunch, crunch
Two bites... I take
I scan the concurrent matter that surrounds me, feverishly.
I begin to feel it set in
The drag
The pull
bump, bump
He goes...
"No, no, no" I hear my psyche mutter... I resist.
But my internal efforts, are fruitless.
The externality begins to disentegrate.
The internality crashes, wailing, screaming into oneself.
The futile attempts force me to face the inward infinite.
It rips me apart
Shredding every fiber of my being, until I am absolutely nothing.
All that's left, is simple consciousness, floating through the abyss.
Nothing, but my internal hiss, is noted.

I'm alone
I'll always be alone
In this eternal internal "playground"
It's what they reserved
It's what I deserve.
Commuter Poet May 2016
I hunger
For your body
Your external incarnation
Your entity
Yet I know
That beneath your skin
Flows the river
Of all of your
Hopes
Dreams
Disappointments
Experiences
Victories
Heartbreaks
D­esires
And
Sufferings

I thirst for your physicality
But I cannot fathom
Your internality
And the alchemistry
That we will forge
If our beings
Ignite
And our souls
Elide
30th May 2016
The Duoverse being thrown from its entrails from Vernarth's mouth, an objectual free fall is noticed after disengaging from the quantum Universe, rather than an illusive cacophony that unfolds separated from their bodies in all dimensions, except Verthian time, alluding to to stone him to ignore himself in agony and return to look for him to revive him as a Light-Space, in the presence of matter reflected from itself, which will unfold throughout the Hellenic chapels, from Kímolos to Tsambika, to make the curves the direct passage that it bends time again toward a divided dimensionality. Barefoot was the apostle next to Vernarth in the three quarters of axioms and mathematics, where the conceptuality would overcome the low calculation of what already ministered by them. Creating space for lapses in the dreamlike staircases, with Topaz steps, in this particular case of Saint John the Apostle, "seeing open heavens and angels of God going up and down on the son of man." Here are illuminated some sidereal Solar glitters that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds of Ein Karem, but of the compact sweet of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as his Abrahamic patriarchate nexus. Endowing him with celestial dreams on stones that inherit west and east and noon to the north, in a space of dreams of Jacob's subconscious, which would make him materialize descendants but when he returned to the spaces of Yahweh again, but as a reflection and space, dominating the essence and leitmotif of Etréstles in the Cisterns fleeing from the Praetorians, but at the same time from the Hexagonal Primogeniture very close to them, perhaps in the fourth mounted giga camel ..., in another instance, returning to the site of the successive Yaveh, to anoint oil on the small stones that slept in his primitive remote consciousness, in whose hippocampus stones were propelled between Bethelem and Ein Karem for the office of residence of lineage and Hebrew-Aramaic, still in property of luminance of ascending and ascending transit stairs. descending lineage, in spaces that were born from others but from flat structured ideals, but with cubic tendencies towards a quantum linear metamorphism, in phases of alignment and synchronicity of existences and pastoral dreams, embodied in the paternal visceral of the evolutionary field of the Zigzag Universe, relating the chronology of Etréstles in the bell tower of the baptistery with his poisonous incompassionate dream that upsets the period of chemical nightmare and hallucinatory Jacobin fantasy, rather than rudiment of his nature ..., poured out to his Brother Esau of internal lineage and of curved change of psychic permutation.

The pointer of an autumn night showed conditions absorbed in the successive bars and bastions, bustling in cylindrical temporalities, with escapes of internality and vertical externality, detailing dynamics of ups and downs, but with empty hands, towards an expected magic that moves the span like a Laser maneuvered from origin to destination, external and internal, absorbed in its entirety by the uncoupled Universe in its entirety, delivering it to the Duoverse in metaphors of lights after others uncontrolled, boasting about Venetian ultraviolet lights over crystalline copper bite waters, and overwritten in the plates diluted from the canvas of graduated pigment, but with drops of sweat of light and white water that were reflected around the perimeter of the monastery, enveloping them in fragments and greenish fountains, to the satisfaction of the luminous pictorial ligament. It is thus detected as a timid but decisive reflection pointer of space and reflection, which includes fragments of spectrum and tonalities of machine unconscious to raise the Duoverse in a depressive day of scathing moment.
Reflection space (Light matter)
Onoma Feb 2021
having seen

what you have

seen is no competition.

internality smiles away.

leaving tracks in a snow

sitting far too pretty for

spring.

sticks can sway in city

spots...opening a forest.

a random observation

is a telescope if I say so.

don't be afraid...die-up.

down is a stranger to it's

own craft.
Nat Lipstadt Jan 2023
Her hands lay gently joined,
her breathing breaches a bedroom’s silence


clasped as one, in the very early morn,
her fingers in motion, wavering, *******
a violin instrument, an unseen youthful memory,
her internality rumbles with a quiet litany,
an indecipherable host of jumbled mumbles,
a cacophony accompaniment to her steady breathing

I, study her, as I have done so many mornings prior,
once more, capriciously slipping back inside/beside our bed,
to restart My Sunday morning quiet-like, for as is my wont,
have awoken with the morning dark, treading room to room,
filling my Winslow Homer’s Macintosh mug, with 19.7 fluid oz. of Jamaican beans freshly ground, an instigating odor, a fragrancy
most contradictory, soothing, nonetheless, a steadying, yet a
blaring wake-up call

She, clad inher new festive plaid pajama top,
a creamy fabric that begs for my I-dare-not stroke,
is easy prone and that,
pleases me, for I wish to bed beside her, letting her rest
till her mind texts her body, no more! or the mumbles
grow nagging onerous and stirring and when the disposition is
well-disposed,
she stirs too, after her fashion

with a dancer’s grace, her arm slowly rises, resting airborne,
fingers arrayed and balletic arranged, pointing upwards,
lingering until
the arm falls impromptu, sudden,
as a crescendo striking
her risen hip-mound, imitating a bell’s clapper,
and sleeps no more…

<>

Sun Jan 15 2022
in the wee daylight  hours
a true
Qualyxian Quest Nov 2020
After so much isolation
And internality ...

the sun!
Qualyxian Quest Nov 2020
The afternoon sun again
The best antidote to all my internality
Ain't talkin', Just walkin'

               Thanks!
when you love,
you’re a country,
pierced by daily border
exchanged crossings,
to your closest neighbor
and though,
one rerun~returns home by night,
to your prior defining borderlines,

somehow
the externals of the container has
had its internality's modified

for the lines that prior defined
have altered
by passing the
point of prior,
now by thousands of
tiny holes breaching the
thickened protective lining,
by love punches ‘n kisses of
pinprick punctures
the resistance,
pulverized
<>
you are changed,
new language combos spoken,
embrace another with a
bilingual tonguing,
a real treat
to entreat each other and
that hyphen,
that little tiny
linear
~
punctuation mark is
reflecting your creativity of a
Singular Duality

it is mark that
speaks to a new
U~no individuality,
blended and connected

somehow a duo of
someone’s pulverized lines
forms a single stronger
chord

first a puncture
then a patching
finally
an adhesion pleasuring
and a new working word:

composite

the opposite
of
opposite
12:39AM
11/14-24

— The End —