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eileen mcgreevy Apr 2010
My very best friend died today,
Just this morning, he passed away.
He was as loyal as can be,
And was always there for the family.
So, *****, my friend, i will miss you,
And so will all those who knew you.
Of you, god will surely take care,
Running with the angels up there.
So be free *****, and run with grace,
For you my friend, we can never ever replace.....
This piece was written by Christopher Glynn John Smith, for me and my dog, who sadly died this morning 30 April 2010 in his sleep at the age of 15. Thankyou Chris. I love you
poetryaccident May 2017
We spoke with the aid of *****
about science and the alternatives
lifestyles outside the common path
while sipping juice with a punch of ***

an igloo water cooler was the source
I dropped my drink just not once
when my hands move to speak
in a rush to share my life

how’d they get in my way?
perhaps the handsomeness in the face
with a mind oh so keen
presented while the music played

conversation was the bridge
between two people disconnect
by their stations and their age
linked by the greater underneath

since that time there’s been no *****
I know what I heard that night
my admiration has not quit
for the science and the rest

© 2017. Sean Green. All Rights Reserved. 20170508.
I went to a party and had a great time connecting with the people there, and one person in specific.  The poem “Aid of *****” is about that experience.
phil roberts Jan 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Lilith Meredith Apr 2013
Over the clamor of the generators
The incessant roar like a hungry crowd
Your voice is lost
Dying over the sands
Wavering, beaten by Atlantic waves.
I can't hear your whisper
Over the din of foreign motors
Over the persistent pounding of
Pratt & Whitneys.
Your hellos are lost to me,
You have to scream
Over the home-bound rotator wailing
I can't hear you in the cabin
The distance is so great between
Your side of the bed
And mine
Raise your voice over the void
I've been calling to you for years
But the continued return of echos
Seem like your distant shadow
Is a mirage
You have to scream
Marshal Gebbie Oct 2009
The stink of fish on earthen streets
A hot wind blows from ochre hills
Black faces shine with brilliant teeth
Street market ***** doth cure all ills.
Redness in her plaited hair
Rhythm in her steady tread
A harmony of balance, she carries
Water jars on her head.
A market girl is singing
As she sits among bananas
The drama in her music
Is as dusty as the street,
It fills the air with magic
As it lilts above street chatter
In the atmosphere of Africa
Where new and ancient meet.


The goat boy herds his docile flock
Through camel trains and bales
The steamer tethered at the dock
Announces that she sails
With billowed steam and mournful wail
It echoes through the town
And the planter and his agent
Bargain with a harried frown.
The bleating of the goat herd
And the stench of fish and dung
Is as ordinary as Africa
In the searing mid day sun.


Zanzibar is spices, Zanzibar is Stone.
Club Zanzibar is whiskey on the rocks
Consumed alone
Or shared upon the balcony
In the shadow of a palm
With the turquoise Indian ocean
Reaching out beyond the arm.
Do you see the dhows are sailing?
Do you see the fishing nets?
Do you hear the oarsmen chanting?
Did you see black muscle flex?
Have you watched the dripping sweat
Cascade on alabaster brow?
Have you inhaled the scent of Africa
And allowed it to allow?



Colobus monkeys in the treetops
Narrow lanes in the bazaar
Dull white walls adorn stone buildings
And the rupee is by far
The favorite tenure of the Island
Since the days when slaves were sold
By Arab camel caravaners
Who traded coin for young black gold.
East and west collide in concert
Africa and Asia blend
The Sultan's mix of race and spice
In Zanzibar, beyond lands end.


Marshalg
Mangere Bridge
3rd June 2008
- From Watching the Ripples Radiate
phil roberts Feb 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
not new but apt
phil roberts Nov 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Actually, I'm only half gypsy.....just the restless half :)
phil roberts Jun 2017
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Mary Gay Kearns Feb 2018
Lady you stand at the end
Where entrance meets daylight
Under the red brick archway
Between the buildings,
A white cap hides your hair
And the Dutch costume
Is of yesterday.
Silhouetted in geometry
Your profile senses thought
Far out in the distance
Where hopes and dreams reside.
You are as ancient as humanity
Womenkind contemplating
Their singularity,
Waiting for time
To eclipse this solitude.

Love Mary

From Pieter De ***** The Courtyard Painting
National Gallery London.
16 lines
Stopped into a back roads diner
Somewhere just off Carolina
Highway thirty three
Sign said "open", I went in
Pushed the RC handle made of tin
Not a soul around that I could see

Waitress came out from the back
Name plate said her name was "Jack"
I'm glad I came in
Ordered up some milk and pie
This waitress sure did catch my eye
Pushing that RC ad made of tin

Told her that I was passing through
Not staying long, had things to do
Smiling, she  said "You'll stay"
I said I'' need a place to rest
She named one place...the best
Out by the bay

There's not much to do round here
We only serve three kinds of beer
and the Carolina Zoom Zoom
we make in the back room
It goes down as smooth as ever
Turn your insides straight to leather
That Carolina Zoom Zoom
we make in the back room


"Jack" sat down and asked my story
told her, "lots of pressure, lots of worry"
Don't worry ***, it'll go
I asked her how she could just say that
Took off my coat and then my ball hat
Just how was she to know

She said "I read people when they're here"
Some folks stay, some disappear
You'll be here a while
She said "you're driving time is over"
"I think you'll end up, as the new owner"
"Of this place"...with a smile

I said "there's no people here to sell to"
"What the heck would I do"
owning this with no one here at all
She laughed and said "I am agreeing"
But you are looking but not seeing
Money's made behind the yonder wall

There's not much to do round here
We only serve three kinds of beer
and the Carolina Zoom Zoom
we make in the back room
It goes down as smooth as ever
Turn your insides straight to leather
That Carolina Zoom Zoom
we make in the back room

She said it was a truck stop diner
That sold the best ***** in all Carolina
Carolina zoom zoom in the back
Recipe's been here for ages
Brewed real slow, distilled in stages
Always forty jugs out on the rack

We've sold to Robert Johnson and Bocephus
You may choose to not believe this
I wouldn't lie about that fact
The diner never makes much money
But, the back room, there's the honey
sure as i know I'm called Jack

She said she lived in an old trailer
That she traded with a sailor
For a case five   years ago
Moved it back on up the hill
There she could watch on the still
If I bought, she'd have to go

I thought a while, made two offers
Money to fill up her coffers
And she had to stay
She smiled, asked me if I'm certain
Did I mean it, or was I just flirtin'
I told her I was set to pay

There's not much to do round here
We only serve three kinds of beer
and the Carolina Zoom Zoom
we make in the back room
It goes down as smooth as ever
Turn your insides straight to leather
That Carolina Zoom Zoom
we make in the back room

I've been the owner fifteen years
I changed my life, by changing gears
Jack is still with me
Thank god I stopped in to this diner
Back in the back roads off Carolina
Highway thiry three
phil roberts Apr 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Stephen E Yocum Nov 2013
From afar I knew her at school,
We talked once or twice,
She was a beauty you see.
Having a boyfriend elsewhere.

Came our Senior All Night Party,
Planned out all very cool.
After an afternoon Graduation,
Our entire class of several hundred
Embarked on a private train,
Eight passenger cars,
An Engine and caboose.
All Just for our use.

As a class officer I was in the entry car,
Handing out handshakes to the guys,
And goodbye kisses to the girls,
(One last chance to flirt.)

Until she, the leggy blond came along.
That kiss was not fleeting, not congratulatory,
If was mutually passionate and assuredly sincere.
It took my breath away, she tasted of lipstick
And honey, sweet as can be.

Minutes later we found ourselves
In a compartment, mostly alone,  
Stayed there though out the,
90 mile train excursion,
Discovering each other as
Young Lovers should.
Nothing seedy,
Nothing inappropriate,
Just kissing until our lips hurt,
And I felt like I might explode.
This beautiful long legged girl,
And I, fogging the windows up,
All Fireworks and night flares,
Like a steamy magic act on the rails.
Other people came and went,
But we hardly took notice of them.
Lost in a little world of our own.

We reached Oakland,
Departed the train,
Went aboard a three level,
Red Line Cruse Boat
And sailed away.
Two bands, music,
And just a little *****,
High on kisses, Royal Crown,
Jack Denials’ Black Label.              
All night on the Bay water,
A little dancing too, as I recall.

Then back at the Pier by six.
Breakfast and return train trip.
Somewhere along the way,
We lost track of each other,
Too many people,
All moving and shoving,
Friends pulling us in different direction,
Too tired to protest I guess.
I found a place to fall asleep and did.
And just like that it was over.

The next day and for years,
It all seemed like a dream.
How does that happen?
What had we both been feeling
For those four school years,
But had never expressed,
To ourselves or each other,
That put us together on that journey,
Of Steel Tracks and Water Adrift?

During those years,
What passions had we stifled,
All for lack of opportunity?
Both dating other people,
Busy moving blindly through adolescents,
As kids will do, with no real clue.   

After the train ride,
That ship on the Bay,
It was off to college,
And new friends with which to play,
Events and time took over, and
We both went our own ways.

For the first time, since that night,
I saw her some weeks ago.
And she still looks the same.
It’s been many years,
But she has not changed.
Lovely as ever and still my friend.
Both of us laughed as we talked,
Fondly recalled that night on the train.
She now a widow and me on my own.

Living 600 miles apart,
We email back and forth,
Pen Pals we tell ourselves,
And each other.

What was I thinking?
Back in those days.
How did I let her get away?
I suppose “Stuff” and something,
Called Life merely got in the way.

Now every day,
The first thing I do,
After I let out the dogs,
And brew a cup of Joe,
Is open my Email files,
To see if she is there.
So pleased when she is,
A little sad when she’s not.
For CJ my friend.
phil roberts Nov 2017
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
phil roberts Jul 2015
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
CK Baker Jul 2019
there’s a semblance
of order
in the pink eye
of the street man
(that messianic soul
caught deep
in the binary)
glancing on
with rose colored glasses
and magical spoons

skimming whimsically
(and cocksure)
dancing on the
crab grass
with his
home grown *****
and cheroot
lost in a dialogue
(complete with
wink and jest)
embracing
the day with
spontaneity and cheer

grinning profoundly
(an incomprehensible grin!)
covering a nicked
and scarred
ear to ear
summer drought
or winter rain
are indifferent
in this mind
(culling on his own terms
with a honed discretion)

pundits would say
that he spoke
in a broken crow
or nigerian slang
(but only he knows
that eloquence)

cloaked, and head steady
behind whispers
of tavener
(he had always
said they were enough)
he gets on
with the rosary
to find
comfort lost
Ronald P Chavez Oct 2010
An old cowboy who was ruggedly cute
Was bedding down his best friend’s wife
Having the time of his life
Drowned in rot gut *****

Mistakenly thought his wrangler buddy didn’t give a hoot
Until the sudden moment his ex-best friend began to shoot
But he was in luck with uncommon fate
When St. Peter let him in the gate

Knowing he was just a crazy old cowboy coot
Drinking heavenly whisky straight out of his boot
First published in Time of Triumph.  www.timeoftriumph.net
JK Cabresos Feb 2015
he loves to drink,
he loves his liquor
so dearly,
but my nights
are nightmares

i'm in ruins,
mama and papa
are already dead,
they left me
in my uncle's cage

pain seems forever,
tears in every
silent scream,
i can't run,
my days are fallen

he loves his liquor,
and one night
when he slept
in the couch,
i got the chance!

a long match and
a flammable *****
in my hands,
the house burns
with him, and i smile
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.

When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-*****, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.

There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head -- and there watching him was the lady that's known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands -- my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could HEAR;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? --
Then you've a haunch what the music meant . . . hunger and night and the stars.

And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love --
A woman dearer than all the world, and true as Heaven is true --
(God! how ghastly she looks through her rouge, -- the lady that's known as Lou.)

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through --
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.

The music almost died away . . . then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to ****, to **** . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;

In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a ****;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell . . . and that one is Dan McGrew."

Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "*****", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two --
The woman that kissed him and -- pinched his poke -- was the lady that's known as Lou.
phil roberts Oct 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
r Oct 2014
Under the I-20 bridge
over the Chatta-
'hoochee suits me
fine as fishin' line

- I've been retried
and found
I ain't wanted

nothing but a winter coat -
my sweet mutt Woof
- an old six string Martin
and a 'frigerator carton

for sleeping in the winter wind
when the sun don't shine -

I don't have a bone to pick
- my fingers ain't quiet as quick
and nimble on a riff - my back is stiff
- but my voice is still whiskey

smooth and my words turn
water into thunderbird - wine

retried suits me just fine
- jailhouse jeans
and salvation army boots -
refried beans and cheap cheroots
- sitting on an old truck tire
around an open fire

I've been  retried and trued
but I ain't yet retired -

somebody's got
to feed my dog -
sing some songs
- catch these fish
and start the fire -
drink a little *****

- 'neath the I-20 bridge
over the Chattahoochee

rivaaa····

r ~ 10/16/14
\¥/\
  |     Chattahoochee River
/ \
phil roberts Feb 2017
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Formerly "Gypsy Heritage"
two wars, two wounds
four deployments in ten years
the trauma, the scars
the waste, the tears

a soldier driven to madness
numb warriors driven to drink
a lost decade of blood-lust
gives a nation pause to think

how virtue becomes nightmare
how ideals implode and die
how the paradox of intention
is undermined with hidden lies

fighting wars to **** terrorists
on obscure Afghan plains
generations of young ones
sentenced to death and pain

the ***** of bloodied footprints
march strait to a profiteer’s bank
depositing lucrative spoils of war
fill contracts to build more tanks

woe to the battlefield heroes
who answered a country’s call
decorated with broken families
and home mortgage defaults

a minds discombobulation
nurses a spiritual malaise
fuels emotional breakdowns
kindles smoldering rage

kneeling to medieval potentates
to win hearts of corrupt Afghans
guard Loya Jirgas of narco kingpins
spill blood to defend tribal lands

the call of deranged duty
maniacal as a video game
lines of the real and phantasmagoric
firm only in minds of the insane

the Skype connection broken
won’t see the kids face tonight
a land mine took a buddy’s leg
some ***** will set things right

the brain starts quickly buzzin
a zillion scenes flash in the head
better paint blood on the door jams
the grim reaper gonna thresh the dead

don a suit of Kevlar armor
the invincible angel stalks
to avenge blatant inequities
he suffered here and in Iraq

a land washed by ****** oceans
scarlet splashed on every door
death prowls along dark roads
a passover finds no safe abode

the screaming eyes of the angel
inflamed with red spikes of hate
seeks to still the heaving roil
his raging heart could not abate

he murdered a sleeping family
and found another to share its fate
a desperate act to cleanse himself
to find a profane state of grace

this pilgrim of death was not finished
cool retribution must square accounts
a burnt offering to the Lords of War
speak the deeds sermon on the mount

dragging live and dead bodies
stacking unholy pyres in the hall
no angel to stop this Abraham's hand
this grotesque executioners pall

Staff Sargent Bales was arrested
He now sits in the prison of his thoughts
does his trembling mind have knowledge
of what his awful hands have wrought?

or does a trembling nation
so much in love with war
understand its complicity
with what it should abhor?

the blood of innocents drip
from every American sill
as the passover approaches
the stain invites an angel’s ill will

Music Selection:
Charles Gounod,
Funeral March of a Marionette

Oakland
3/19/12
jbm
phil roberts Jun 2016
We come as we please
And we leave on the breeze
Away........

Distance
As an image of warm blue air
The ***** man denies seditious writhings
Coming in proud bursts of creation
Irrespective of soil or culture
Bursting thirsting creation
Heathen fertility
Haphazard geography
Lust of life beyond life

Screaming gadgetry can cowards make
Tight cages can our spirits break
But love is broad and clean
Fickle and immortal
The soil from whence we came
Without permit or permission
With honour and with relish
The ***** man denies nothing
Not one word at all

And on and on
The fairground moves on
Away

                    By Phil Roberts
Previously known as Heritage of the Gypsy
Jane dale Apr 2014
I have this dog, a huge great pooch,
Just like the one, on Turner and *****,
He really is a big orange lump,
Dare I say how much he dumps,
He shreds and ruins my favourite stuff,
Covering the floor, in loads of fluff,
TV remotes, he's chewed them up,
He costs a bomb, my naughty pup,
His snoring rattles the gates of hell,
And when he farts, my gawd, the smell!,
Don't let's forget, he loves his food,
Face in your cup, slurp slurp, how rude,
What's yours is his, he takes the ****,
I dare you say the word, "biscuit"
He slobbers shoestrings, from his chops,
Each room has a rag, for him to mop,
But that aside, he has my heart,
His crinkly face, and stinky farts,
Rolling in fox mess on his daily stroll,
Sniffing crotches, of those who call,
I kiss his face off every day,
I could never love a man this way,
He has a face you want to snog,
I really, really love this dog :)
A thousand night trains rattling through a wrestling match of junctions and burnt out- razed to the ash and soil as a field of maize in the dry season. Chaos. The lipstick from corner to corner were meticulously painted, a new hardware store in town. She reminded me of an article I read in the Baltimore sun about a woman who kidnapped herself to steady her supply of whiskey and cigarettes because her husband caught on to her taking money from his cash register at Rich’s Shoe Horn, a leather boot specialist in town right on the corner of Second and Hickory. I couldn’t trust her. Her chaos. I ran into two guys not from around here, wherever that is, with some fine lookin’ pinstripe suits and I automatically new they weren’t looking for grub or a shot of *****. Sometimes a guy won’t put his fingers on a cold bottle of beer, and that’s when you know fingerprints could become an issue later. I’ve seen it. Chaos. I’ve two-stepped chaos across the planks with the chairs up many a time. Shut off the neon, it’s time to nibble on the muzzle of a 38 until these guys dry you out like a broke *** ***. I just think of Bukowski every time they drain me for all my cash. I know it’s only going towards coke or some **** I’m not too fond of (due to past experiences). I’ve done it all. Chaos. Well, you don’t go into the pool hall business with dancing shoes and a three piece suit. Roll up them sleeves boy. It’s dirt. It’s grime. It’s…

Chaos.
David W Jones Oct 2013
The plot thickens; he played the game
so timid, so close to victory,
tasting a hint of defeat.
The game of his life,
trashed and trodden
beneath unexpected cowardice.
Jack Daniels slowly evaporating
within the cool glass; nerves
growing numb to personal sentiments
listening to insensitivity plea for attention.
Clinging to that moment,
promising something different;
feeling the heat of amber ***** eating away
the remains of expectations.
Surviving beneath bypass
Cardboard ripping, some spyglass
Thin covering, protection
Sharpening knife, perfection

Past life professional man
Bad karma, God, dealt sad hand
Panhandling corner right here
Homemade sign makes purpose clear

People ignoring, glower
Certainly love hot shower
Having nothing accept rags
Don't own anything, no bags

Eating something, drugging, *****
What's needed most cannot choose
Spent long hot days begging cash
Got *****, finished dining trash

Trodded back to cardboard home
Peeking out feeling all alone
Richard Riddle Jun 2015
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.

When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-*****, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.

There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;

With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head — and there watching him was the lady that's known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool, so the stranger stumbles across the room, and flops down there like a fool.

In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands —
my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;

While high overhead, green, yellow and red, the North Lights swept in bars?  
Then you've a hunch what the music meant. . . hunger and night and the stars.
And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;

For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love —
A woman dearer than all the world, and true as Heaven is true —
(God! how ghastly she looks through her rouge, — the lady that's known as Lou.)

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.

'Twas the crowning cry of a heart's despair, and it thrilled you through and through —
"I guess I'll make it a spread misere", said Dangerous Dan McGrew.
The music almost died away ... then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.

The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to ****, to **** ... then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;

Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a ****;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell. . .and that one is Dan McGrew."

Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "*****," and I'm not denying it's so.

I'm not so wise as the lawyer guys, but strictly between us two —
The woman that kissed him and — pinched his poke — was the lady that's known as Lou.
Perhaps Robert W. Service's most popular and well-known works.
Thanks, dear readers, for reading, and hopefully enjoying, these last
few posts.
Marisa Bordeaux Jan 2015
My blood is not red anymore
It is not even rufous
It is achromatic
I’ve seen it go to a watery grave
with moonshine

It drowned
for a foolish fluid  
one so dimwitted
it forgot the word “No”
could be spoken
to bring their negligent ears
into *******

(And not me)

My blood rushed out
In it’s gloom
I wanted to emulate it
and exit my body
just as they entered

What a theft
What a “five-finger discount”
Literally

It was a perfect portrait
A gun kissing the crown of my head
and my indifference
towards the money in the cash register
that I called my soul-case
If I’d even had any left

My lips moldered shut
They don’t like parting anymore
Two buds charred sorely
as a pen
that speaks only in black ink


I searched every crevice of that washroom
for a noose
I found my reflection
and thought that close enough

So there I hovered
hung up on my mirror image
suspended by two claws
honed with dejection

My eyes slammed taut  
My pulse ******* bones in my face
and gnawing itself
with prowling fluorescents

I grazed the scuffs on my thighs
I hadn’t put there
for once

Then I remembered the nausea  
snarled up in their cheeks
Their words like spiders
I don’t know where they’ve gone
and I don’t want to

“Is it that time of the month?’
said the shorter, more truculent boy
and he sniggered

I stood submerged
in hard edged a laugh
that liked to wrench my ears
and make rounds
on nights hot and heavy
with languor

and perhaps,
had I not been so small
or weak of muscle
had I worn a different dress
or forgotten to coat my lashes
had I sipped on tea
instead of *****
I could’ve flagrantly pushed them away
Darted not with my eyes,
but my legs
I could’ve screamed “Get off me you scumbags!”
until my throat shriveled up
into a dried cranberry

But I didn’t

Instead I’m screaming
on a piece of paper

Because the worst that happens here
is a paper cut.
Let my sweetheart to take me a smooch
To see your graces to play with brooch
Beauty in front of love just seeking mooch
In style and taste she is graced like *****

With beauty what she is and what she is not
Burning like blazon sun in her *****'s knot
Such a wonderful beauty like burning hot
Don't ask about love it is like a beggar's ***

Let burning beauty but spread its real wings
Let beauty dance on soft musical love strings
My sweetheart please don't play with feelings
Your curves and curvatures for me are blessings

Let me teach you love what real love stands for
Through sheer efforts where one has to explore
When nothing is in store then what is to restore
Please be mine in the trial what I have to implore

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
David W Clare Dec 2016
By: David W. Clare

I was hiding away from crooks when I met the only girl I thought I ever liked,
she said her name was Wanda...

A real oriental smasher, smart as a whip!
Easy to be with at the coffee-shop where we met...

Then she acted funny; kinda aloof like a Siamese cat!
She wasn't hungry but she knew I was...

We walked up hill in China town to the Shanghai Tower where they rent rooms by the hour...

I was in the mood for some sweet and sour!

All I got to eat was sour-dough!

We got drunk on cheap *****, then she tossed me to the dogs, I wound up on skid row...

(C) In perpetuity all rights reserved
(P) FilmNoirWorks
Hollywood type 1940s film idea about a tough dame who tossed me out!
           Film Noir is my passion...
The cabin on the river was empty during the week ,-opened like clockwork on Friday at six !..  Continuous card games , five card stud , five card draw , home brewed beer and painters **** , brought in Mason jars and cooled in " the ***** ." Milk jugs reflecting by the light of the moon , trot lines baited with chicken liver , blood bait and all sort of rank concoction ! Breakfast and dinner , placed at the gate on South River Road , delivered by family members , volunteers bringing the feast to the smokey lodge , where Poker never ceased from Dusk till Dawn ! Aroma of Pipe tobacco , cigarettes and cigars . Red man , Levi Garret , Chattanooga Chew , Johnny Walker Red , Jim Beam and Southern Comfort ! Men talked loud with shine running through their veins , laughing all night , I could hear them a half mile away ! Some would get so drunk that they bathed in the river , some would get bored , shoot liquor bottles and beer cans ! I could tell a thousand stories about that cabin , good and bad , some struck it rich , some left empty handed ..Never heard a word about the cabin during the week , men would look puzzled , shrug their shoulders , like it didn't exist !
Copyright October 2 , 2015 by Randolph L Wilson * All Rights Reserved
kahel Jan 2017
she only loves him when she's filled with *****.
leaving him no choice but to wonder,
hoping he can inebriate her not with these pesky liquors;
instead with his pure love.
The bottom land was made
for slide guitar and mason jars
Water from the 'River Jordan' with
blue notes , alms for vagabonds ,
I'm quite familiar with their songs
Nor am I the first untouchable touched by
by the Live Oak riverbanks , I belong
on this bank recalling hardscrabble decades ,
a marriage without love , a thirty- eight token
from a hollow point self medicated Grandfather , Father ,
and two uncle problem solution , I dilute these memories
with Painters **** and the cold April waters of the *****
Within the mud on these two feet rest the others , reduced to
dirt and river water , fed on by trees , dung beetles , tiger mosquitoes , bobcats , snappers and coyotes
Cool topwater holding the Milky Way in her lap ,
air filled in pine sap , 'brackwater' and red mud
My cigarette , my **** , my shotgun* ..
Copyright February 13 , 2017 by Randolph L Wilson * All Rights Reserved

The river stirs imagination and brings out memories ...Painters **** is a slang term for Moonshine which is slang for White Corn Liquor ..***** is the Chattahoochee River .. My playground as a child ...We all know what **** is ..

— The End —