Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.

"eat the sunrise" he said in early mornings
when the sky looks like eggshells until i close my eyes
kiss my blue lips, play music for me, read me fairy tales
don't ever tell me, how you feel; in cold october nights
after making love, i'll just walk away with thirsty eyes and
pastel palms. after walking 2 kilometers, i wont even be able
to remember the proportions of you face or even your name
i'm born without a heart, but at least i can see the world further
than the horizon - at least i can drink seven strawberry daiquiris
without feeling anything

my dear dear  d e a r  boy.... .. . ..

her eyes are pretty
her smile is wide -- & white,
just like yours
she's tall, she's slim, and
she takes good photos of you on her instagram
her small brunette bun is annoying....................ly cute
her little legs & little arms too
i'm sure it looks like something out of a magazine
when they are wrapped around you...

another hip kid from some northeast city
little Connecticutie~
did she know about me?
does she know that you live right down the street?

she hid behind your shoulder
that's how i knew
that she is in love with you, too
& it feels like someone shoved a grenade down my esophagus
and i'm just  w a i t i n g  for it to ******* in a billion bits
so i can just get over this

and then all the dads will bring their little girlies
and all the ladies will raise their strawberry daiquiris
eyeing the loose shards of my dignity
hoping that they could somehow help with their jaded seniority
going,                                  "lesson number one:
                                     love is never  always fun."

we lay on our backs smoking cigarettes
the summer sky full of stars right above us
and i wanted to kiss her *****-tainted lips
and trace the curves of her face
of her collarbones
to lie between her hips
and taste her
i reached for her hand
fingertips away from hers
and she held it
and it was enough.

we sat on my bed
her head in my lap
and i braided her hair
her warm laughter spilling out
her budding lips, rolling off
her sweet tongue
and she played with the hem
of my skirt
i wanted to lean down
and press my mouth to hers
and make her mine
i pressed my lips
to her forehead
she beamed
and i thought
it might be enough.

we sat on the swings in the park
the wind played with her hair
her tiny feet in mary janes
scraped the dirt
and her arms wrapped around
the chain of the swing
i wanted to grab her face
to bruise her
to kiss her hard and
angry
to leave her
breathless
i pushed the swing
she squealed and my name
was on her lips
and it was
quite enough.

she cried in my bath
her cheeks mascara stained
her hair sticking to her face
wet
her words slurred
mouth delirious
she shrieked and sobbed
and i held her body
close to mine
pressed my lips
to the top of her head
as she screamed
and it would
never be enough.

we danced in my backyard
barefoot on the grass
her sundress swirled around
her knees
her sunburnt skin hot
and rough and
salty
we drank strawberry daiquiris
she said, "tell me what heartbreak tastes like"
i told her
i loved her
i told her
i wanted to make her mine
i wanted to show her the stars
i wanted
to be enough
i wasn't enough
she kissed my cheek and left
heartbreak tastes like her.

That magic summer where we first met and wooed
fades further from us with each passing year.
The words we spoke are gone; the words' tune lingers on.

We'd tasted love--
sweet, imbalanced, temporary--
now longed for the same only more complete,
more complementary.

Intimacy comes easily to some.
Others store their feelings up:
treasure for those who can rightly claim it.

We met at a party for new students,
drinking strawberry daiquiris.
For me, the attraction was immediate;
a bit slower for you, you say.

We were wary; our trust grew quickly.
And we, in the confines of this serious trust,
at last could be
our own childish, playful selves.

We went to movies, plays, folk-dancing;
walked in Crystal Lake Park;
ate; watched your soap opera;
touched each other constantly;
fought; made up elegantly.

And then, as we sat on a warm stone bench
on top of that underground library,
eating lunch,
--heart in throat--I said:

"The pleasure I have known in being with you
for these six weeks is something quite unusual.
And if the same is true for you,
if this's a love which could lead to marriage,
then I will try to find a job nearby,
where I can see you frequently.
But if your love is of a lesser sort, then I
will cast my net this great world o'er
and go where Fortune takes me."

                                   Then you,
not hesitating a single moment,
flooding my eyes with your radiant smile,
replied, "It could! Oh yes, indeed, it could!"

Much has happened since,
but I say it was then, that summer, that moment,
love reached the final, high plane
where we, though hardly conscious of it now, still dwell.

if I seem desperate, it's because i am.
i don't care about dignity.
i care about you.

how many nights in a row can I drink white russian daiquiris
and smack ink onto a blank sheet before I realize
that I haven't pressed the "J" key even once
in hopes that my brain won't jumble the letters
and create word searches with only your name in the word bank.
i'm not dyslexic but I do love puzzles.
crosswords, jigsaws, multi-colored cubes,
cryptograms, mazes, tetris, Sudoku...
the only one I can't seem to solve is you.

****.
Once again, I'm stuck.

And my boat finally settles

It floats listlessly but without disruption

I lay, eyes closed, sleepless

four daiquiris deep, You call

Four daiquiris deep you disappear

And they return

His name was Adam Chester,
          and I killed him.

He was something early thirties
still built like twenty-two.
His eyes were as green as life
and the corners of his mouth could
shine enough certainly to
photosynthesize.

He was dying.

I was something late twenties,
young enough in Hollywood
to still be exposing my ******* for parts.
My hair still had more red than shame,
and my body still looked like a
parenthetical aside
in all the right places.

I had never felt more dead.


He said he saw me in some room
with some people sometime
and that the spark in my eyes had
restarted his heart,
cause he was surely dead,
just waiting to die.
I said I understood,
and I drank daiquiris.
Later, he would tell me
my skin felt softer than the
Egyptian cotton sarcophagus
entangling our legs,
that my lips tasted like cherry,
my breath like alcohol,
and my skin like so many
     squandered summer nights,
     bikini tops and Tanqueray,
     riding solar flares between friendships
     and not taking no **** from no one.

For weeks and months we were together. He didn't seem to be wasting any way but spiritually, and I didn't seem to be wasting anything but time. He told me that everybody dies alone, and that he would give anything to break the trend. I told him that of course I would help, and that I didn't love him, but I loved the thought of him, and that in me that thought would live forever. I promised I would find a way. He would touch my hair and smile without showing his teeth - either because it seemed too aggressive or too disingenuous. He told me how our lives resembled Moulin Rouge, except that he was the one on the clock, and I just wanted to drink and ****, and that was precisely why he chose me; perhaps if he was never alone, he would never have time to die.


It was the kind of arid night that makes you want to water your plants compulsively.
The air had our lips cracking like sarcastic smiles
and skin too dry like a sense of humor,
unable to turn the pages of our paperbacks.
I asked him to be my chapstick.
He asked me to be his lotion.
I told him that he was gross.
He told me to go to hell.
               I told him...
          He told me...
     I told him...
He told me...
I told...
He...

I woke in the cold embrace of solitude.
She kissed my neck and called me Lover.
I told Solitude to leave me sleep.
She told me she was lonely.
Told me I was breathing, if barely.
More than could be said for some.
She kissed my neck.
My heart stopped.

Time flows not like grains of sand,
but like grains of wood,
back and forth, swaying, dancing,
some ****** understanding within itself
which we have no place in,
no fate with or without.
I saw him laying alone,
saw him stand beside himself.
Saw him wonder
where I had gone.
Saw him go.
Saw him, gone.
When you die alone, you leave even yourself behind.


I went back to bed,
back to my body,

where Solitude could have her way with me.

IT’S COME TO THIS                                                                                              
by Dianne Moritz

Once
she sipped daiquiris
by the pool
high above Hollywood
gazing down at the vista.
Eucalyptus
shade cooled
her soft, tanned skin
as she kissed his lips
under the California sun.
There
he made promises
to love her forever
and ever and ever
until the twelfth of never.
Today
she lives in the east
writing... remembering
dreams of long ago
when now was all
everything she wanted to know.

For as long as I can remember
I’ve wanted to be older
Older than I was
Old, like my friends’ parents
I couldn’t stand being reduced to kids menus
Cold grilled cheeses and apple juice
I wanted to drink wine like a 29 year old that had two jobs,
But not for the money - just to keep herself busy
I wanted to be old enough to be mad at someone and have it matter
Old enough to never have a tantrum again
Or to drive a car with all the windows down on the highway.
To live alone and only be a little scared
“Talk like a kid, eat at the kids table, you can’t give adults money in birthday cards, you’re too young to know”
So many rules from a group of people who didn’t have any
And so I did grow up.
Worked too many hours and stayed up late on the weekdays
Skipped some 8am classes and tattooed a dead bird on my upper thigh and still I’m so young
So much younger than when I was 9 and sure about every fact I made up
More naive than a child that saved all her money and counted it on the living room carpet
Less knowing than someone who would have a bedtime and ****** strawberry daiquiris. Saw her friends often and didn’t relay all my mistakes to anyone I met just to make sure
I’m still good
When I’m too old to be so wise for my age,
or an old soul,
I hope that means I will finally be myself
That me and time will meet in the middle of a familiar place
And continue our conversation like two old friends
And walk without looking behind us.