A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n

With tears they buried you to-day,
But well I knew no turf could hold
Your gladness long beneath the mould,
Or cramp your laughter in the clay;
I smiled while others wept for you
Because I knew.

And now you sit with me to-night
Here in our old, accustomed place;
Tender and mirthful is your face,
Your eyes with starry joy are bright­
Oh, you are merry as a song
For love is strong!

They think of you as lying there
Down in the churchyard grim and old;
They think of you as mute and cold,
A wan, white thing that once was fair,
With dim, sealed eyes that never may
Look on the day.

But love cannot be coffined so
In clod and darkness; it must rise
And seek its own in radiant guise,
With immortality aglow,
Making of death's triumphant sting
A little thing.

Ay, we shall laugh at those who deem
Our hearts are sundered! Listen, sweet,
The tripping of the wind's swift feet
Along the by-ways of our dream,
And hark the whisper of the rose
Wilding that blows.

Oh, still you love those simple things,
And still you love them more with me;
The grave has won no victory;
It could not clasp your shining wings,
It could not keep you from my side,
Dear and my bride!

Sunday - the weekend's tombstone,
burying the worst of last week.
The silent ringing of church bells,
best suit coffined in my wardrobe.

I see proud parents pushing prams,
grandads toddling after toddlers,
but no young couples promenade,
as we did when teenagers.

Some sought their compensation
in sensational Sunday press.
It's surely generational.
We were schooled for Sunday rest.

Now a flowing air wise signs on waters streaming,
pouring forth from the pitcher of wisdom anew,
ever full undrunk,instinctive of human absolutes all.
Gods,men,minds all uranian battling calm,now futile,
But knowing,caring, grasping,fathoming, conquering
tidings evil of powered souls unholy,uncaring deliberate.
Searing lightning flashes of intellects just,truly intuitive
burning stiff coffined conventions,dry dead rules of yore
melting old cold solid knowledge cruel of Draco obsolete
to humane rivers gently righteous, of merciful hearts
ripping away ways human sordid and corroded deep
repaving with light golden love those roads to hearts.
is it enough I wonder, have we become naturalized?

They become names
Like the rims of baked-bean tins
That have to be handled with care

They are a bunch of flowers
Tied to a lamppost
Or a bench with words carved in

They are a Wikipedia page
Or a library shelf
Or a nothing
A nobody

They swell into memories
Wilted and swimming like wax
They seem to be stood there
When the sunlight blusters
Over dust
Because dust is just dead cells
That we all inhale
Exhale
Like we’ll choke them back into existence

They reside in half-empty
Boxes of tissues
Cigarette packets
The bubbles in lemonade

They become a mantelpiece of photographs
And sympathy cards
Broken toys
Empty T-shirts that you’ll try to turn into puppets
Sat in their wardrobe

They fall into certain songs
Certain car journeys
Occasionally they borrow your tongue
To continue voicing certain phrases
Certain people
Certain places
Certain rooms
Certain tastes
Certain seasons
Certain sunsets

Or maybe they just toss and turn
Beneath the church built of handkerchiefs
Like commuters coffined into underground trains
Wondering whether they can still believe
In tunnels
And golden lights.

The seas wore
an executioner's robe
whose waves sung
the pathos of my bid
I followed the ripples
that lured me toward
the door that showed me
the depth to my end

It burst to reveal
a last wish
I enclaved within
the bubble kissed
by the breath that left
none to follow
to the waves that read
my words of sorrow

The last wish
that solemnly said
as the sun sinks
for darkness to rise
as a leaf falls
for autumn to rise
I shed my life
for the rise of me
behold my soul
as a seed to sprout
a blissful rebirth
from my blemished past  

Days flew by
the sun reborn
from the womb of darkness
for whom he sank
seasons flew by
the leaves reborn
from the womb of autumn
for whom he fell
but the sea which once
coffined a corpse
failed to leave
an infant reborn
from the waves that struck
the desolate shores
but abandoned a shell
which enclosed within,
the soul of a being
who perished his life
to fulfill a wish
forgotten with time

her bones
like splintered stone
scatter the blood of a darker self

                              "a high note at a low point"
                

eyes flicker red flames
nightmare's wine
beats the soul to the ground
in secret's place
where bodies are poems

                            "bodies of a puzzled lust"

Venus in furs
fractures chime and broken bell

                            "tell me how she hooked your mind"

staccato aphasia
trembles disrupted linearities
in a coffined mouth
as visions brim
by a mindless god's
elective horrors
in balconies of eternity

                                  "let your hands be her hands"

vertigo falls through windows
black hole air

                                    *"the coat that covers paradise uncovers hell"

Still born babe coffined.
Mother broken heart and head,
her first baby dead.

Shimmering in your tomb dust
Unknown bride
Did you play
This wax and copper harp
Only for these clay attendees?
Did you love?
Does this new bright day offend thee?
Simmering in the old earth
With Regal Demise
Did you dance, once,
Just once?
Perhaps your heart is not jarred and coffined here,
But in the eye of some boy.
Did you love?
Is your antiquity for nothing?
Slumbering in the age of pages lost
To this tired, blind reader,
I wonder...
Were I to kiss your shrunken hand
Would you awaken?
Would you play again
That wax and copper harp?
Would you love?

I am a nudist at heart
Seeking for spiritual freedom -
Masked by social restrictions
Coffined in a jar of expectations
Buried under the dust of norms.

We met for coffee; well,
I had coffee and she had tea.
Her pics didn't do her justice --
Chin prim
Lips cursive
Skin that swam under mine,
Making the porcelain creamer cup blush.

She claimed
she had a quarter million members
That followed her.
it's good money she reasoned,
But not gloating;
More matter-of-factly.
Off the cuff,
I asked for her stage name.
She explained that she blocked NY
For work and family reasons,
Assuming I had asked so to
Watch her perform later
(Which isn't altogether untrue).

She measured every utterance,
Teleprompters behind eyelids
Feeding her perfectly crafted lines.

I use the Golden Ratio when I webcam
She said, as she sipped her tea.
I consider it an art -- or
At least that is what I tell myself.
I asked her to elaborate.
She said she was somewhat conflicted
About whether or not it was immoral.
But she was so even
With her response,
Almost as if it were compelled
By a formality
That was now checked off her list.

Her body language taciturn
Asleep, idle, screen-saved
Waiting waiting

Curve and line
Coffined for now to slake desires anon -
Her numbers in slumber, confined
Waiting to be crunched,
Flatlines Animated by pitchblack revelry
With one click

Turning them.

She said she liked to watch others
ya know, To see how they move.
She would even watch it at work,
Open in one of her browser tabs.
She took notes.

Lines triangulated
Liminal spaces given, hidden.

Digital lipstick smears
Tattooing amygdalas firing --
Allow them to slip in
Only to slip out of them
With an X.

We talked for an hour
And then left the café.
She asked me over.
I said not tonight --
The words coming out
As if willed by something
Outside of myself.

She walked off into the dark
And I kicked myself for saying no.

Her curves beholden to math --
Gyration of hip and waist,
Arms tendrils configuring, cavorting,
Slave to an inner-whorl
twirled and twirling --
One single objective truth, now
A convergence of secreting plurality
Into beauty and beauty and

That night I ****** off thinking of her
And came so hard
I pulled something in my back.

In between sleep and waking life
I transcended
Something.. I felt

Turned.

Bat on window sill
Still as the unflinching
Lidless abyss --
Then a quarter turn of its head --
Its beady eye catching streetlight --
Careening it off into a nonplussed
Night of nights.

Time, on its canvas,
Sketches mortality in dust
Lying, and ego coffined.

Who weep for them, coffined in dust,
waiting for the chanting of our rosary,
a single bead, a peaceful moment.
the breeze passes by their windows,
and the sun shines on their roofs only,
the flying clouds never drop the rain,
and winter brings no chill, no shivering.
who will weep for them who had wept for us?
will they keep sleeping, dumb, deaf and blind
or our tears give them blissful showers?

It was and is
not easy for me
I beg don’t make it harder  

You will not understand
and I can’t make you to feel  
how it feels
when your body can’t hold your heart

How it feels
when you know in your veins
what you feel
but barricade between your body and mind
will not let you
feel your feelings  

How it feels
when the world address you  
Dude
and you afraid
the girl  you are trying hard
to coffined in your heart
will show up  

I wish I could show you
my pain filled abortive trials
to push hard  
even the tiniest bulging meat on my body
deep inside into my skeleton  

I wish I could show you
Pain of pretension
  
Pretension of walking straight
Pretension of speaking loud
Pretension of being brave
at the time of drooping in fear
that you will be identified
and termed as a queer  

I wish I could make you realize
helplessness of being a public secret
anguish of dying out of respect
and living in agony
because your body  
is not answerable to anatomy  

When you all wanna prove your identity
I am begging you
please let mine go

because
my identity
can not be identified
by the tiny part between my legs  
Please tell me  
how long I need to beg  

to find the place
where my body will not be dissected
to discover
my hearts gender
  
Please tell me
how long......?

Coffined in eve's dust,
In the purple foss, lies corpse
Of the golden sun.

Mutually
Assured
Destruction
Climate change
Left (globally)
Ignored
More
Attention
To
Easy money
Coffined Princes
Headily archaic heritage
And a burning at
Notre Dam (had a hunch)
Greedy, whilst
Empty stomachs, remain unfed
Murdered persons, of other cultures, lie dead
Air that we breathe, becomes toxic, as our
Dying ecosystems, untreated, will turn sour
Mutually assured destruction
Ain't necessarily, arising from a nuclear war
Death could just as easily happen when
Mindless world leaders, choose to ignore
Attention, and money, to clean up our mess
Desperately soon, they need to address

by Jemia