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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Cody Edwards Feb 2010
Cold.
Run a ***** finger
along my cheek.
Sap my attention like temperature
And my thoughts stray to the occupants
of the wind out of boredom.
What horrible faces
they must have.
Faces lifted simply, effortlessly,
from the drowned
and flicked casually for
Wear by the zephyr and the breeze.
And they push push push us all
Away from ourselves,
indwelling ball bearings
Being rolled about in our plastic box.
A paper reality
that seeks no more of truth.

Simply push push again
at the catch and break off the lid.
To polarize and shatter the
Egg shells of ignorance
And walk on them,
Floating clamshell gods,
to break the clouds.
© Cody Edwards 2010
kb Feb 2017
my hands are a clamshell
open little

beneath the blue around me
I await the red to come
to smother
fill me
Full

because in this world where blues are cold
our bodies are red
and mine's waiting for you
Let me paint you a picture of this girl.

Imagine a witches cauldron
Heavy, haunting, metal.
Make it as big as a hot tub
As big as three hot tubs.
Fill it with a bright bubbling yellow cream.
picture yourself standing in it.
thick stringy mucus elastics from your wrists.
As you cook.
She is singing.
You are quicksand bound to this 90 degree boiling snot bucket
And she's singing.

Brown purple and green
Dancing in dreadlocks
Sprinkling a little clamshell of mermaid.
Cod peice of Prince
Naked now.
Starring at you.
Almost asking.
Mostly stirring in her own devices.

The cauldron smells less like boiling flesh then you expected.
It's more like a sweet hazey butter scent.
Like autumn squash.

This whole time you couldn't move, but now you don't want to.
She's so beautiful, dancing
Her small perky chest and curved swinging hips.
A tattoo, or a birthmark just above right where you want to kiss.

She traces your chin to tell you something.
You try so hard to listen over the crackling and popping of the thick yellow cream surrounding you.
With a soft whimper,
Biting your lip
Pulling your hair
Straight down back
Into the scalding liquid
goodbye into the melting ***.
Your eyes glaze over
Breath hot Thick Mucus into your throat.
Choke on the yellow soup.

And when you wake up.
your memory is of singing.
The brown green purple notes.
Her Perky chest, curved hips
Dancing.
A tattoo, or a birthmark,
Fuzzy, like you forgot some of the details.
You wish you could see her again.
Maybe it will help you remember.
Brother Jimmy Feb 2015
I am a fixer; I want to repair,

I want to remedy your woes,

And take you up to highest heights,

The place where my heart goes



Each time I hear your voice,

In the timbre that matches your playful eyes,

Dulcet lovely tones, so choice,

It expands my mind, you must realize,



Ah, but instead I damage more,

The very muse I hold so dear,

So uncomfortable I become,

At the sound of the tiniest tear,



And yet, I love you, Muse,

An oafish child, though I am still…

You inspire the best of me,

You’re my Venus in the clamshell!



I want to frame your face,

When your smile allays my pain,

And gentle words drip from your lips,

Like drops from leaves after the rain,



You quicken my belief,

And make me want to try,

To be the best that I can be,

To make you glad, and keep you nigh.
Valentine's 2015
dandelionfine Dec 2018
i liken myself to a clamshell:
i cannot be opened when you inevitably find me buried in the sand
you may pry
i may even want you to; i do--
i would love nothing more than for you to
scoop me outside of myself so i can see daylight
because i want to show you everything
i am small and calloused, battered about by the waves that brought me to your doorstep
but i hope you'll stay, perhaps i seem promising
and i'd be happy as a clam if you did
S Smoothie Jan 2017
Hauled over the back end of the bed
spread eagled and faced down,
plunging your **** deep inside
***** deep is when you decided to say I love you,
but you couldnt say it when I said it looking into your eyes
at my birthday dinner and June was there watching.

----------------

i flicked the toast over
buttered side to buttered side
just the way you liked it
it was a small thing
I didn't do anymore
you never said a word,
but you knew not to complain
It was the apartment in Brussels when I surprised you
I noticed the toast
and smell of her *** on your fingers.

-----------

She he pushed her stiletto heel into his **** as he both begged her not to and calling her god. She knew he liked it but it kind of left her feeling disappointed. She was rather hoping she was enough.

------------

******* are funny things
I usually forget all about them
excpt when you walk in the room
they just want to leap out and attach themselves to your mouth
clamouring for the privilege of being first.

--------------


your words are sharp and cruel
the sudsy sink hides the long blade clutched
slowly prying opening up a clamshell
your body is rude, imposing,
poking and prodding.
still I can't help but gasp as fingertips nuzzle into my crotch
anticipation of the violence used to free the tight hollow
but this time is different, somehow wary
gently tugged to the side, thumb caressing lips
Puckered crevices fill as soft nudges burn with warmth
gently deeper,
the handle clutched tighter trying to grasp on to anything solid
The veil now lifted you sink ******* leaving me with authority
i sudden shock wet lips on wet lips pulses of pleasure ripple
suddenly Im moving into you begging for more
smooth skin glides up my calf and inner thigh the knife released
to Shepard you in you resist mesmerized that the tables have turned so easily,
Finally with all the confidence of a tyrant you begin unleash yourself only you froze, pulled out and walked away.
For ***** sake! and I swore to my self I would drive that god ****** knife into your heart today. You *******! And just like that. The game just changed.

-------------------

Coffee for one again
usually there's two
so you must be ******
was it when I mentioned that name
yu know, when we were both writhing naked on the floor?
It was a simple comparison.
Why so sensitive?
It only happened once.

----------------

the jam sat on the table next to the tea and scones
eyes over easy we looked at each other as she pottered around looking for the cucumber for her sandwiches, she found it in an odd place
and served them as if she had served the queen. We ate them of course most satisfyingly as she harped on about what you did and didn't like
we both agreed we especially liked our cucumber sandwiches,
all the while with your hand in my thighs.
S Smoothie Jan 2017
Hauled over the back end of the bed
spread eagled and faced down,
plunging your **** deep inside
***** deep is when you decided to say I love you,
but you couldnt say it when I said it looking into your eyes
at my birthday dinner and June was there watching.

----------------

i flicked the toast over
buttered side to buttered side
just the way you liked it
it was a small thing
I didn't do anymore
you never said a word,
but you knew not to complain
It was the apartment in Brussels when I surprised you
I noticed the toast
and smell of her *** on your fingers.

-----------

She he pushed her stiletto heel into his **** as he both begged her not to and calling her god. She knew he liked it but it kind of left her feeling disappointed. She was rather hoping she was enough.

------------

******* are funny things
I usually forget all about them
excpt when you walk in the room
they just want to leap out and attach themselves to your mouth
clamouring for the privilege of being first.

--------------


your words are sharp and cruel
the sudsy sink hides the long blade clutched
slowly prying opening up a clamshell
your body is rude, imposing,
poking and prodding.
still I can't help but gasp as fingertips nuzzle into my crotch
anticipation of the violence used to free the tight hollow
but this time is different, somehow wary
gently tugged to the side, thumb caressing lips
Puckered crevices fill as soft nudges burn with warmth
gently deeper,
the handle clutched tighter trying to grasp on to anything solid
The veil now lifted you sink below me leaving me with authority
i sudden shock wet lips on wet lips pulses of pleasure ripple
suddenly Im moving into you begging for more
smooth skin glides up my calf and inner thigh the knife released
to Shepard you in you resist mesmerized that the tables have turned so easily,
Finally with all the confidence of a tyrant you begin unleash yourself only you froze, pulled out and walked away.
For ***** sake! and I swore to my self I would drive that god ****** knife into your heart today. You *******! And just like that. The game just changed.

-------------------

Coffee for one again
usually there's two
so you must be ******
was it when I mentioned that name
yu know, when we were both writhing naked on the floor?
It was a simple comparison.
Why so sensitive?
It only happened once.

----------------

the jam sat on the table next to the tea and scones
eyes over easy we looked at each other as she pottered around looking for the cucumber for her sandwiches, she found it in an odd place
and served them as if she had served the queen. We ate them of course most satisfyingly as she harped on about what you did and didn't like
we both agreed we especially liked our cucumber sandwiches,
all the while with your hand in my thighs.
Irate Watcher Jun 2017
A mask of vulnerability,
I scheme to pry your heart open like a clamshell.
I think I know you.
My pearl lying sweetly upon the pillow of my heart,
A gift for you.
Cultivated carefully.
Roll and polish it daily
between your fingers.

It's bedtime.
Time to tell secrets in the dark.
I figure you are aware of my exposed chest,
and will notice the pearl,
even though it is difficult to see.
Water stories of lack and lore,
reflect peace.
I listen to your ocean,
help you navigate the wharf,
but when I tell you of mine,
you cut the conversation short,  
grab my neck,
and rub salt into my throat, and my heart.
The pearl breaks like
fine China fragments in slow motion,
an unwanted gift broken before
you noticed the wrapping: Fragile.
I try to smile, blinking salt from my eyes,
I'm fine.
My heart shudders, and shuts down.
I don't even know why I'm crying.
I weep over the fragments of the broken pearl you cannot see...

I turn away as if to go to sleep.
Will I ever find someone worthy
enough to cultivate another pearl.
My eyes flood with water,
you ask what's wrong --
You have no idea.
Aurelia Dec 2021
my clenched, barnacle-encrusted teeth / are bared into the humidity of the sheets where my fever broke / another barrier hiding my hair-width lips pressed white together / that your salt-worn, sun-leather fingertips pry at / hoping to expose spit-slick glistening / and flayed, flexuous pink flesh / and the pearl buried within it
unuttered layers are peeled apart by your callous tongue casting about / that defies the no my slender neck thrashes / the struggle before the shore breaks wave / before the clamshell is wedged to halves / before my lie is exposed / sand
Jennifer McCurry Aug 2020
She was the reckoning
In God’s eye  
  
And she came before his moment  
Not unlike
The clamshell breathe  
That exhaled enough  
Of gritty debris  
And salty waste  
To stir warm waters to rise  
  
A momentum growing  
From one minuscule  
Molluskular  
Involuntary reaction  
To his “pain in her mask”  
Pure no count dumb fuckery  
  
A momentum that would rise  
And fall  
To onslaught  
Tidal wave effects  
  
And land  
(An understatement at the very least)  
Onto his his psyche  
(She sees dumb **** beach)  
And leave in tatters  
  
Browned and dimmed  
Once fresh pressed  
Buttoned downed to tanned flattened  
navel  
Supremely white cotton shirt  
And smirking logo stitched on it  
  
And she would grin  
Clamshell wide  
At how his smile once matched the smirk  
Of the perfectly put and odd little logo  
That sat  
(almost mocking her)  
Upon his white shirt  
  
But now due to  
The much needed exhale  
(Involuntary Molluskular removal of little more that bits of would be ****)  
  
Had left him only the expression  
Of purely God Smacked
Celestite Sep 2018
The pearl flourishing from a clamshell
emerging from the caribbean sea
a phenomenon that even made Jupiter turn his head
you are an aphrodite
your skin warm golden sand
sunsets dripping from your lips
and the glistening ocean in your eyes;
The Birth of Venus
Kelly Mar 2020
Do my words
                               my existence
              
                   my breath
                                                          ­    my hardship

the thud of my feet upon the flesh of the earth

                                      my thoughts of us
                                                              ­                   or lack thereof..

Carry explosives
                                 unruly power
                      omnipotence
                         ­                               demolition
                       ­      daggers

into the satin, slick clamshell center of your chest


The way yours do

                                       To me?
Maniacal Escape Nov 2020
Silver beckons,
Platinum calls.
jewelers precision.
diamond drops, necklace impossibility.
azure coast, cries oceans of gold.
clamshell closure. kick back at the jellyfish.
ocean spray to wash it all away.
sandcastle liquidation from a avalanche of chance.
frame it in platinum, here for stands a masterpiece.
said the seaweed.

— The End —