Flow gently, sweet Afton, among thy green braes,
Flow gently, I’ll sing thee a song in thy praise;
My Mary’s asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Thou stock-dove, whose echo resounds thro’ the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.

How lofty, sweet Afton, thy neighbouring hills,
Far mark’d with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary’s sweet cot in my eye.

How pleasant thy banks and green valleys below,
Where wild in the woodlands the primroses blow;
There oft, as mild Ev’ning sweeps over the lea,
The sweet-scented birk shades my Mary and me.

Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides,
How wanton thy waters her snowy feet lave,
As gathering sweet flowrets she stems thy clear wave.

  Flow gently, sweet Afton, among thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary’s asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Ye banks and braes and streams around
The castle o’ Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last fareweel
O’ my sweet Highland Mary.

How sweetly bloomed the gay green birk,
How rich the hawthorn’s blossom,
As underneath their fragrant shade
I clasped her to my *****!
The golden hours on angel wings
Flew o’er me and my dearie;
For dear to me as light and life
Was my sweet Highland Mary.

Wi’ mony a vow and locked embrace
Our parting was fu’ tender;
And, pledging aft to meet again,
We tore oursels asunder;
But, O, fell Death’s untimely frost,
That nipt my flower sae early!
Now green’s the sod, and cauld’s the clay,
That wraps my Highland Mary!

O pale, pale now, those rosy lips
I aft hae kissed sae fondly;
And closed for aye the sparkling glance
That dwelt on me sae kindly;
And mouldering now in silent dust
That heart that lo’ed me dearly!
But still within my *****’s core
Shall live my Highland Mary.

Working over Birk’s Works and other tunes my saxophonist admires—
Cheesecake, Blackbird—for the theoretical, applied mathematics
inside an abstract, audial harmonization of the Big Bang and The Fall.

The derivative reveals the ***** of the tangent along the curve of
       spacetime.
Follow that rope back and forth from the known to the unknown, your
      mountain to their shore,
an umbilical cord between cities and stories, history and hope, divinity
       and mortality

                        *                        *    ­                    *

I never had anything wise or gentle to say to my parents.
About bladder function. They got the same treatment as every other
       soldier.
Which systems shut down first and how. The mail keeps coming even
      after you’ve stopped barking.

And what is man made of? Man. Tough it out, laugh about it. Take it out
on your spouse and sons. Democracy corrects itself
through constant criticism, neurotic carping, daily life as low intensity
      warfare. That’s how we show we care.

                        *                        *        ­                *

Will my letter to the editor be in the funny pages?
Will I even be able to read it?
Did I send it to the wrong address? I’ve seen my death face and it’s not
      pretty.

Maybe I can watch your varsity games from a viewfinder in the afterlife.
If I don’t finish The Iliad, maybe there’s a library there.
Maybe. Maybe is a long, long time.

                        *                        *        ­                *

Homer tries several ways to explain the slaughter:
by describing how a spear pierces a warrior’s jawbone or armor,
how Achilles’ and Agamemnon’s hissy fits contribute to the pain of being
      a soldier

and how the gods, esp. Zeus, are passionate, confused, obtuse.
A callow youth even as a man. He was afraid and therefore could not
      comfort or help.
Perhaps he has a question he’d like to ask but isn’t sure what it is or how
      to ask it.

                        *                        *          ­              *

The hero loses urinary control.
The virtuoso loses interest in her bow.
The expert neglects to do the research.

How do cancer cells and bacteria cooperate to ****
the host (you)? The way yr mum & pop
******* up. It’s unavoidable and it’s not your fault.

Aye, you take away,
My livelihood with a wicked smirk,
Know ye, today,
The heavens multiply your sorrow's birk.

The chief had a drank for twenty years or so
And stayed drunk enough to call the streets his home
He was working on a hand-held totem pole until
Boy blue looked his way

The drink and his style stayed clogged in his ear
Or maybe he was to drunk to notice or fear
That man with a gun raising hell
About his blade.

The chief kept walking, not knowing he should stop
And with a whisper of a warning that is as far as he got
Boy blue put four in his back my god
What a man.

'This doesn't reflect on the whole brigade'
But discipline and punishment, like magic, fade
They protect their own so Mr. Birk
Just hid away.

The lesson here is one of fear
One of panic and add the right to ****
Try your words before you send an old man
To his grave.

Fordi mine arme er grene
svajer jeg i vinden
Når det rusker
ryster jeg
Træ er et smukt materiale
birk er sublimt
Jeg mærker hvordan roden
dræner mit køn for væske
Xylem gør sit job
Giver mig sved på panden
Straks derefter
næsten umærkeligt
springer jeg ud

Aye, you take away,
My livelihood with a wicked smirk,
Know ye, today,
The heaven multiply your sorrow's birk.

outside the snow lurks
a cold dew kissing warm birk
and inside our house
the tealight candles will melt
a flame will flutter
against a fogged window pane.

oh how my breath stills
captured there in bright beauty