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Wires & walls
rats in bathroom stalls
strained sinews drag
a Camel into my lungs
as I walk  over
asphalted hills.

Bridges span seas,
but to no memories
of a life unguided
by highways' helping hands;
all adventures are planned
ahead.

Cities grow
as cameras roll
to capture the movements
of every breaking soul.

Wires & walls
rats in bathroom stalls
beasts in a zoo
which we all walk through,
how miserable we have to be
to lock up all as we do.

Eyes to the night sky
avoiding neon lies
seek soothing drops
of moonlight trickling down
our crystalline, steel caves.

Killers and lovers
walk the parks together.
Knife in hand,
hand in hand
all hope to find
what they need.

Cities grow
as cameras roll
to capture the movements
of every breaking soul.
Onoma Jun 2018
city heat in hard

black attire, superconductive

glow of a serpent chasing

its tail.

asphalted lay of holy land--

whose bedraggled pulse snorts

in ****** laughter.

roadside augurs fester while

tying the laces of traffic, through

passed out archways.

bird's beaks are broken open,

in mad waterless monologues.

as the nucleus of this wizened apple,

casts oblique shadows... for curly cue-ing worms

flirtatious doom.

sped billboards imminently flattening the world,

under a Columbus-blue sky.

going, going...gone!

ice cream trucks mangle dueling theme

songs, sloughed off by sensational tides of kids.

distraction's lustful lick, an informationless

tombstone busy with curves.

here, whole-body shaves of renouncement...

and steady showers of salt, will make

worthy the truest Himalayan meditation.
Brandon Conway Oct 2018
Feast your eyes upon all the
                                       mangled
                                                twitching
                                                            bodi­es

trapped in the grills of fat and
                                                        brown
                                                              pa­ckage
                                                           ­         trucks

so far away from the idyllic blades of
                                                                ­ green
                                                                ­        and
                                                                ­           sun

crossing ***-hole asphalted rivers where
                                                               alligators
                                                                ­        speed
                                                                ­            amuck

We all get hurt crossing seemingly
                                                       empty
                                                           perilous
                                                        ­           streets

and end up in some wolf-dressed-as-sheep
                                                                ­    machine's
                                                                ­               sharp
                                                                ­                     teeth

are we different from the insects
                                                 roaming
                                                              on­
                                                            inst­inct?

If only you could wiggle your body more to the side
but the alligator never slows and the wind is a bonafide
                                           bully.                                              
At least I can see whats ahead, might as well enjoy the ride.
I have built my shrine to insecurity.
Laced it with peppermint and spice,

to give it added attraction. The smell
giving strength to the overall gasps

of pain that escape from fetid lips.
Spinning tyres go round and round,

never heading in any direction. I am
as tiny as a bug on the floor, unknown

to the feet walking across it. Steadily
determined to strive for satisfaction.

But nothing is really working right.
There seem to be no magical moments.

Question marks float like blowing leaves
across the metres of asphalted streets.

The rice is cooking in the rice-cooker.
The bowl and chopsticks at the ready.

I've littered the table with papers of
instructions that I'm required to read.

As I eat, I'll give them their justice
and learn the many pills I'm to have.

The ice is chopping on the balcony.
The cold is here now. A fabled

Canadian winter underway. I was
filled with doubt, and this somehow

mattered, despite the pencils sharpened
so easily in the struggle of the existing.

The rice is done and, perhaps so am I.
I wash my hands and think of nothing.
The blood
A short
slim athlete
Running
In track filled with holes
Like beehive
Asphalted on the ground
All that
Is for an oldman
To raise his tall from a dining table
My Way
I saw the three tenors sing “I did it my way” mind, the fat one died,
and the two others hate each other and never appear in public if
they can avoid it. Of the two one looks like an aging matinée idol
the other suffers from being mobbed at school  and looks scared
has nightmares and takes to tears before going on stage.


I still like Frank Sinatra's rendition of that song better he sang
it so relaxed with a clear diction and  made me think of a man
with a six pack ambling on his way home  he too is dead to
“My Way” is about human hubris we think we are masters of our
destiny when we are leaves blowing along a wet asphalted road
in the autumnal half-light.  

Thinking back- I can afford to- I never got a thing my way which when
young caused me bitterness the highest prize eluded me kismet knew
I could not handle illustriousness it would have made me look absurd
a swaggering fool hated by colleagues, on the stage of life. Yet, when
dancing the tango at a nightclub in Buenos Aires 54 years ago the applause
I received still rings sweetly in my ears.
A Bus Ride
I had bought a newspaper in town and was taking the bus home,
a half an hours ride up to my village.  I looked at the headlines
and noticed the paper had no date, were I reading yesterday’s
today's news or tomorrow's?  The bus was empty this afternoon
and it struck how silent it ran could only hear the swishing sound of
rubber against the asphalted road.
Then the bus stopped for the first time on this journey near outside
my house, so many flowers now in November, my dog sat on
the steps waiting just for me. The bus door opened with a hiss,
but the dog didn't run towards me.  I hesitated something was wrong it
was the same house, yet not the same this one looked irrelevant
the flowers were pale, yes; this was a copy or a painting forgotten at
a rural art exhibition. Not my village, I said to the driver and sat down
“Are you sure?” the driver asked I didn’t answer and the bus rolled on.
Opened the newspaper it now had the right day and it was Monday.
The long Road
I'm going out for another walk at home the silence
are oppressive most of the villagers have moved away
and some are dead or senile she hates my house,
my home it is too silent, and she wants to move in
to a town and meet people.
I understand her, I partly agree it's only this, I re-built
this cottage and the best years of my life is here
I found what I had lost my self-confidence I knew they
laughed at me  of my dreams I was an eccentric, but
here I healed my broken self.

I walk on an asphalted road it's easier that way. I don't
want to go home and be met with truculent silence
I wish to walk and walk till the roads end or split into
a fork and a sign post will tell me what to do
whether I should return or carry walking northward
Gods of Horcondising

Previously Vernarth takes his head resting on the ceramic that supported him between the Hydor photo duct, rather than approaching his hand to the Klismós that Saint John the Evangelist had given him when he passed through Ephesus. In such a way that when he makes the first impulse to get up from the chair he was already beginning to leave the conventional Universe for the first time, then when he sits down again in the chair inaugurating the crystalline body that was looming over himself, he continues to be the Duoverse as if outside the Klismós with its curved legs resembling supporting pilasters of the Megaron diverging to the conical ones that projected concavely supporting the hollowness of its pectoral, which was already transparent like its Invisible Eclectic Portal. In this meanwhile he gets up again holding onto the Mashiach who came to take him in his arms and place him in the klismoi that interpreted the elevation of Hellenism to the Greater Heavens and the Itheoi of the Duoverse; that is, the spiritual deities of Vernarth in the classification of the starting rank and projection of the abandonment of the Golden Himation. In such a way that the Astragalus was integrated; his floral company that rooted in his hands and roots that cooperatively took root in those of Kashmar. Thus, Vernarth with the Ibic Rings would begin to syncretize the quantum and its hyper-accelerated mobilization of physics, and sub-atomic particulars that would later unleash from Alef to Tav to Astragalus and Aionius, beginning his omnipotence.

The sidereal distance began to unlink towards the Calypso air that was twinned with large portions of the sea in the same enamel, making Patmos the union of the speed of reacting in a chain with valleys of the Dodecanese with the Transversal Valleys of Sudpichi unifying Vernarth with Apollo, Smintheus and Befos; that is to say, three sketches of Apollo himself for the theological genealogy chart of the deity Scarabaeidae with species that multiplied together with Vernarth to become the metalloid Azophar, as the main guideline from the knowable to the unknowable, being Apollo the same in the corporality of Vernarth previously rising to the iridescence of Mashiach.

Astragalus: His primary Itheoi or theological picture would be composed and forming part of his feet and the environment of his ex-voto to take to all the summits of the world in the essence and the gift of eternal life represented by the root of the madrigal curdled by his feet, with the root of the Astragalus in flower when it represented the zero hours by getting rid of his Himation and meeting the Mashiach.

Scarabaeidae: God of the modality of the subsoil of wandering souls destined for the physical and spiritual decline, Scabaraeidae Aphodiinae as subtractors of all the waste of souls that have boiled in malignancy, and the Scabaraeidae Dynastinae as the righteous larvae that rise from the imaginary soil to feed on the roots of the Astragalus and all the flowers and leaves of the Dynastiae. Increased the taxonomic genus of the species that would have to remain in the underworld to aspire to a better one like these Dynastines or Heracles beetles in honor of this hero carrying the peg that Vernarth would place on all the gardens once he was in Aorion, leaving him in a larval state, before being sponsored by Hera's family for the life cycle of the Horco-Olímpico.

Nothofagus: God phoneme-photon of divine mass light to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron of the Ibix of Wonthelimar, to the millimetric assembly shoulder of the square meters that will illustrate the Acrotera of the Megaron, and the Iridescent Nimbus that percussed between the Áullos Kósmos and the Vas Auric ” in total synchrony with Patmos, at the same level of luminosity and growth revelation of the Scabaraeidae Dynastiae to transform inert matter into another fertile one compared to Poseidon.

Lepidoptera: Like the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Lepidoptera in the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar "that together with Leiak they would be transmuted to Horcondising.

Azofar: This metalloid god and support of the bed will take and bring Vernarth back to navigate through the cosmos towards the fifth element that would contract the universe and the Hyperdisis galaxy, to extol him from the neurological hyper brain of the Duoversal of Vernarth twinned with the Mashiach, exemplifying duplicity of Apollo as Azofar device of the new interstellar ships beyond all that is knowable.

Ibicus: god of the antlers of Wonthelimar, here they will carry the Oikos or Orphi Gold threads for the Himation and investiture to anoint the body of Vernarth bringing the aerial atmospheres of the Alps and the Ida as a Mycenaean-Valdaine complement, thus they were inaugurating the solemnity and honorability. Here the quadrature will be the perfect Heliacal Rise of the fourth Ibico with the quadrature of Aurion commanded by Leiak in the cardinal Dyticá.

Vélus: from Ibico 4, from where the goddess Artemis will evaporate in the waters for the healing of the tormented in initiatory processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron as if they were surrounding a Castalia for such solemnity.

Spilaiaus: from Ibico 3 in the center of the ministry with chiropterans, and others from the mercurial ambrosia invoking the Cinnabar of Tsambika, having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus”. Here is one more bastion of Hades' underworld dressing for the Speleothemes that will take you to the heart of all the dens of the Faith.

Aionius: from Ibico 1 Wonthelimar who brought purity to all who needed him and went to visit in the dark, then he would find the light when he came out of the cave alive” here Kaitelka and Borker, in total harmony with Demeter, Persephone, and Hestia, bringing them from the labyrinths with the rusty chains of Prometheus and Vertnarth wandering through infinity.

Semi  I Theoi

The semi-deities and the greatest memories in the world that would derive the denotation that would reformulate the Apoinandros that would move along the spikes of the didactic Ego or the teaching of the authentic apostles that would crystallize with Zefian, Borker, Leiak, Kaitelka, and Ezpatkul .

Zefian: Reformer of the Universe-Duoverse, possessor of the four Arrows that will illuminate Heaven and all of earthly Greece every time Vernarth circulates linearly through the seas of the Vóreios of the Aegean. Ruled North: Vóreios (Zefian Boreal)

Borker: Demiurge and caretaker of the Duoverse, warden of the Forests of the World and of the Transversal Valleys of Sudpichi. Ruled South: Nótos (Austral de Borker)

Leiak: Omnipresent demiurge, the vague spirit of the docile water dancer who lives on the water with his slimy Chin, his playful back is seen breaking the lines of wells between flesh and silhouettes. Before the First station, first of the three remaining nights before reaching the Joshua de Pétra crater” directed to the West: Dyticá (Ocaso de Leiak)

Kaitelka: Down Whale ruling the Psychic Trisomy of the Duoverse and the seas surrounding Patmos in the Apokálypsis ruled to the East: Aftó (Kaitelka's Equinoctial)

Ezpatkul: Dóntiakul or prominent Augrum or Oro teeth will rotate through the Scarabaeidae demarcating the Vóreios Vóreios throughout the Horcondising region, bilocating it in the Patmos oaks borers, with such frenzy…!, that from there they would draw the strength of the Mapuche winds from the north of the Meli Witran Mapu, beginning with the Pikún-kürüf.


Distinctive Horcondising

Horcondising or Horkondising: mountain massif where the bodies that claim to dwell in the definitive Heaven are consecrated and evaluated, multidimensional transaction of honorable and spiritual acts to continues life in a more astral and subjective plane.
Hyperdisis: Edenic Galaxy for the postulants, the sky of Joshua of Pétra.
Pólemistes Mapu: Knight of Joshua de Pétra, he used to walk barefoot and leave no footprints; and if he left them, they were the traces of Puma, incessantly seeking to reach Patmos.

Theía Trueno: Female Sister of Joshua de Pétra, she is seen walking in the wheat fields and grasses that surround the Kosmous of the only Duoverse.

Humus Sofós: Human beings degraded and feces of the anthropomorphic brete.

Kosmous Zigzag: Super Nova from the Hyperdisis Galaxy.
Adelympia: Female parent of Bernardolipo, master of the Tarot and catechist of all the classrooms of the Mashiaj.

Vátos Cantarina: Subterranean messages between both families of Joshua de Pétra and Bernardolipo.
Viologiki zoí Pichiensus: Entity of low thermal of the Gods of the Forests.

Toíchous Pirkas: Hill ridges similar to asphalted sheepskin hills.
Kryo Aqua: Host and Eucharist of the mountains that run through the estuaries on winter nights.

Vounó: Mountains of blankets or Matakis that fall on Pichiensus lands in the form of rainbows in the Iridescent Nimbus.
Vráchos Talamita: Galactic ship, a dolmen of the Talamita where they do their astral rituals.

Polyagapiménos: Joshua of Pétra's Bungalow, Incense of God, Child's Feet in the Kafersesuh, Mariah's Contemplation to Guide Everlasting Lives.

Thor's Stella Maris Metrica: Vas Auric who guides the Norse stars commanded by the Norse Deity.

Ekató Taurus: Medium troop of a hundred bull men in charge of stirring up the storms of the deluge of the Apokálypsis.

Karrenios Margaritódis Petrels: Massive defenders of the near sky in Kala Nera, masters of unfortunate land but of high media cordiality with the last fragmented souls.

Horkón: Cuirassier of the skit for non-believers, rosary for believers

Orphilía: Sylph that gives brightness to the dim stars every night.
Australdisis: Intermediate relay galaxy before aspiring to the Coelum.

Hyperdisis: Horcondising material galaxy towards the Duoverse.
Albalalhue: Cacique frightening the Demons of Horcondising and Patmos, recoverer of the Gold of Tychaios.

Talamies: Landowners of the Esteros de Fýlla or Hojas de Talami and Patmos.

Negeshon: Personality or Prosopon of the Mapu God of rancid hierarchy, director of the ears of the scared and nested Gerakis.

Diákolus: Morbid God and creators of theological hesitation in the slaves of evil.

Ramathís: Theologian who strengthens the vibrations of Lord Joshua.

Alcanphor Xórki : Macro transport of the spiritual masses to be transported at the end of the spell of the Himation Ceremony.

Wuaso: Great teacher of great proportions, they are seen at night surpassing all the Toíchous. He is commonly seen with a bullfighting pole in his left hand.

Pooja Nykterinós: Bandurria that travels through entire towns at night when they have been threatened by the evil pestilence of the cold.

Sudpichiana: Region populated by specters of archaeological lands, it is the farthest of all and the most spectral of the Horcondising.

Analpha Alpha: first illiterate in the Sudpichian land and the wisest in the refining of the Forest lineage of him.
Sacraverbial: Edenic lyricism that dances through the heights of Joshua's meditation in dialogue with Hashem.

Getsemani  Sudpichiano: Set of sacred trees of the Sudpichiano sector.

Jesuslight: representation of Krishna, Light of the shadows of the shepherd with his music of birdseed and sonorous of the lyrical flute. He sings and enchants when night falls he is filled with green colors, and when the night dissolves into the beginning of the day he is filled with solar colors.

Pirkas: delimiting the arteries of the highlander.
Slimy Herb: Lamprey's stomach herb, acid, and complement to Ha-Shatan.

Zenón: ox of the good harvest and the sunny day. Strong as a storm of Love of a healthy animal.

I Eikosi: the twenty fluffy felines agglutinated in the dark hell of Horkondising..

Konófora Analfagamas: high genetic range forest. Their voices are heard by the jet-black voices of the night.

Protograss : Mineral of the great universal heart that turns into mold.
Trisolado odogéfyra: access routes to the great Energy of the Duoverse viaduct.
Pre kalésete: Anticipatory doors before opening the soul that has to enter the Universe of Saint John the Apostle.

Ramireaux Astós: Joshua de Pétra's hemiplegic recorder, Selector of those who crossed the preferential threshold.
Mass Parameters: Kafersesuh of Light that adds to that of Hope and Faith.

Ingratia mol petal: Ultra-fragrant and liquidating molecules of the carcinogenic aureoles of the hollow of the chest of the Lymphoma of Vernarth, purifier of life.
Gender of the Duoverse Itheoi
The summer Island
On the island in the fjord where we use to go bathing
there is now a bridge over, a parking lot and you have to pay.
There are toilets- no peeing behind a bush- and kiosk selling
soft drinks and cigarettes, asphalted lanes to walk on and
signs, plenty of them, telling you what you cannot do
Last time I was here with my aunt and her lover the island
had bunkers and rusty iron bits from a long bitterly cold war.

A marina had been built and had a restaurant but you needed
to be a member and wear a blazer with golden buttons and
a white sailor cap; they resented local bathers it was no longer
a place for us workers, they strive to make life better but end
up privatising what used to be free
David and I gave
each other bike hugs
we both are like
little kids when we cycle

Pedaling along our
newly asphalted roads
we drink in the
extraordinary
Florida sunsets
and admire the neatly
manicured front yards
of kind neighbors

Mike's tiny dog
"Lil Bit"
yelps protectively
as we rocket past his yard

a lot of folks have joined
the happy carefree world
of bicycling since the
corona crisis

I chose a tricycle
for my preferred ride
"Sai Purple Majesty"
jets down Beacon Street
Behind David's Red Cruiser

Laughing with glee
we ride off into the
glowing candy apple sunset
Riches

Once, in the shallow river where sunlight makes the stone look
like gold nuggets, I threw into its water an engagement ring,
made of silver. I had paid plenty for it on my low earnings,
but compared with the river's gold it was junk.
Saw her kiss a man in a café where I could not afford to take her,
my misery was total my disgrace deep, how could I be so
deluded to think she would take my silver to his gold.
I threw mine into the river; amidst shiny stones, my ring looked trite
as a sliver of moonlight after ancient God's bacchanalia.
And forever I will be silent, not speak to her about this: a young man's
the heart is impossible romantic.
The river is now an asphalted road, deep down the precious stones and my silver engagement ring.
Sobriety
In the beginning, it is like walking on a narrow track
With olive roots over the ground to trip you up and branches
Of trees slapping you in the face, if you fall get up and
Continue to walk to be tired is not an alternative for a rest
The track gets smoother and wider, but it rains muds up to
Your ankles and you have to cross a stream.
After the ordeal you look back and wonder who helped, you inner
Strength the id it stepped in when most needed
Ahead is a shiny asphalted road waiting just for you.
I can't promise you happiness and Hallelujahs,
But promise this when at home and the day was long you
Will smile feel contentment for you have walked the walk,
Your feet are dry and life is not as bad as you thought.
Sobriety
In the beginning, it is like walking on a narrow track
With olive roots over the ground to trip you up and branches
Of trees slapping you in the face, if you fall get up and
Continue to walk to be tired is not an alternative for a rest
The track gets smoother and wider, but it rains muds up to
Your ankles and you have to cross a stream.
After the ordeal you look back and wonder who helped, you inner
Strength the id it stepped in when most needed
Ahead is a shiny asphalted road waiting just for you.
I can't promise you happiness and Hallelujahs,
But promise this when at home and the day was long you
Will smile feel contentment for you have walked the walk,
Your feet are dry and life is not as bad as you thought.
Town Life


walking around Cascais
which consist of cobblestones
asphalted road and mad traffic
How I long to tread on the soft grass
rest under a tree, sit on a ******
warmed by the sun

to see wildflowers again
and not trite blooms in a *** or vase.
Inhale the air of the land
not sullied by diesel fume
the spring is passing me by, who knows
it might be the last one

set me frees to fly and not dally more
back to the rural Algarve where I was born
for the second time.
my feet are sore pavements too hard
and the cacophony of blaring horns
makes my head confused.

— The End —