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It is December in Wicklow:
Alders dripping, birches
Inheriting the last light,
The ash tree cold to look at.

A comet that was lost
Should be visible at sunset,
Those million tons of light
Like a glimmer of haws and rose-hips,

And I sometimes see a falling star.
If I could come on meteorite!
Instead I walk through damp leaves,
Husks, the spent flukes of autumn,

Imagining a hero
On some muddy compound,
His gift like a slingstone
Whirled for the desperate.

How did I end up like this?
I often think of my friends'
Beautiful prismatic counselling
And the anvil brains of some who hate me

As I sit weighing and weighing
My responsible tristia.
For what? For the ear? For the people?
For what is said behind-backs?

Rain comes down through the alders,
Its low conductive voices
Mutter about let-downs and erosions
And yet each drop recalls

The diamond absolutes.
I am neither internee nor informer;
An inner émigré, grown long-haired
And thoughtful; a wood-kerne

Escaped from the massacre,
Taking protective colouring
From bole and bark, feeling
Every wind that blows;

Who, blowing up these sparks
For their meagre heat, have missed
The once-in-a-lifetime portent,
The comet's pulsing rose.
John Niederbuhl Jul 2017
Have you ever wanted to do something just once,
Only once and never again, and then have it be as if
You'd never done it at all?

It was summer, like now:
Hot, hazy, sweaty--even in the evening.
The brook ran low, between banks covered with alders,
Overhanging, tall, immense;
The mountains were purple, indefinite through the mist;
The pines looked almost black.
You could smell the summer--scents from the marsh--
Things in their prime--you could hear them,
Tweeting and chirping and buzzing and peeping and croaking,
And barking and hooting:
Dead mid-summer--hot, sticky, buggy.

After the sun set, but before it was dark,
When you can still see, but everything's a different color,
I stood on the old bridge
Where the brook runs under the back road
On its way from the marsh, down through the village,
To the big river and the lake beyond.

I was looking up towards the plateau, trying to lose myself,
When around the bend, banking against the alders,
In formation, like separate missiles shot from different cannons
At the same moment, at the same velocity,
In the same direction
With systems to navigate and turn, elevate and descend, dart,
Follow the stream bed,
And stay exactly the same distance from each other,
Like an entity with an awareness
The no one part could experience,
Came a flight of bats, moving too quickly to count.

They rocketed under the bridge,
Appeared on the other side, raced
Down a straight stretch, veered right
And disappeared with the brook into the meadows
Headed for the dark pines, the rapids and beyond.
You could hear the swish of their wings as they passed
And their high-pitched pings, like the highest notes on a harp.
In a blink they were gone, in their ecstasy flying on,
And I wanted to be them, all of them at once--
Just once.
I think there is a consciousness in a well-coordinated group that no one
member can experience--that's why I wanted to be all of them.
Aniron Jul 2015
The sighing winds had lulled me here;
The waltzing boughs, too, had fallen for its charm;
The ivy, ferns, alders and the birches;
The quivering hemlock against my arm.

The travelled path was now long left behind,
And on hills of gentle moss I stood and gazed about
To find the purple cloak of twilight painting me,
And all the pines, not one left out.

II

The harvest moon in its splendour came rising,
Had poured itself on the waters deep;
The birds were silent, the wind still sighing
Had brought the woodland a drowsy sleep.

The dawn had come in golden light
And where I was I did not know -
I wandered long to find the path again,
And in the distance heard the river flow.
Marshal Gebbie Jan 2010
Across the ice a baritone
Projects his notes of steel,
A tenor’s harmonizing
Adds that melancholy feel
And the glory of the voices
Flows out through alders bare
And the listeners weep for Russia’s soul
And the tragedy found there.


The tragic melancholy
Found in every Russian heart
Liberated by the sadness
A fine harmony can impart.
Of the monolithic yesterdays,
Those forgotten fields of dead
And that fire within the *****
Which numbs the agony of the head.


Dark stains along the timber wall
Wood fire’s stones make steam
It fills the room with stifling heat
Which sweats the bodies clean.
Red wheals raised on shoulders
Birch branches whip the back
Whilst companion tones of maleness
Speak in vectors women lack.


Red larches in the foothills
Gold lantern light on snow,
The vastness of ancient steppes
Of Central Asia grow.
A viola’s velvet passion
Sighs beneath a cottage door
And the sadness in sensation
Brings grown men to weep once more.


The vastness of the terrain
The hardness of the land,
The bitter cold of northern wind,
Each freezing winter spanned
By Siberia’s lashing gales,
White snow is metres deep
And turquois ice as hard as steel
Beneath which... rivers creep.


Dostoyevsky,Kruschev,
Rasputin and the Tsars,
Great Lenin, Marx and Trotsky
And the swords of Horse Hussars.
Gorbachev the great redeemer,
Poor Yeltsin’s pale white skin
And the ****** found in Stalin's smile
Span the politics of sin.


This great Russian melancholy
Lies deep within the soul
It’s a legacy of yesterday
Of her history's brutal goal.
It’s a product of the suffering
Inherent in the past
Endured by legions of the people
Then  dispensed with…
With a laugh!

  

Marshalg
@theBach
Mangere Bridge
13 April 2009
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
   A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the ***** of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the ***** of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the ****,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the ****** work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—

And—the other world—
the windshield a blunt barrier:
Talk to me.  Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.

Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.

Peer Gynt.  Rip Van Winkle.  Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross:  four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.  All toads are happy
and belong in gardens.  A toad to Diana!

Lean forward.  Punch the steerman
behind the ear.  Twirl the wheel!
Over the edge!  Screams!  Crash!
The end.  I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch!  All threads cut!
Death!  Black.  The end.  The very end—

I would sit separate weighing a
small red handful:  the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.  All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny **** flattened upon it under
a weight of air—For the first time!—
or a yawning depth:  Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.  The End.  I sit
examining my red handful.  Balancing
—this—in and out—agh.

Love you?  It’s
a fire in the blood, *****-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
in the morning.  You are slow.
Men are not friends where it concerns
a woman?  Fighters.  Playfellows.
White round thighs!  Youth!  Sighs—!
It’s the fillip of novelty.  It’s—

Mountains.  Elephants ******* along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.  It’s
the fillip of novelty.  It’s a fire in the blood.

Oh get a flannel shirt, white flannel
or pongee.  You’d look so well!
I married you because I liked your nose.
I wanted you!  I wanted you
in spite of all they’d say—

Rain and light, mountain and rain,
rain and river.  Will you love me always?
—A car overturned and two crushed bodies
under it.—Always!  Always!
And the white moon already up.
White.  Clean.  All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—

Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.—
It’s the grey moon—over and over.
It’s the clay of these parts.
Oh happy shades--to me unblest!
Friendly to peace, but not to me!
How ill the scene that offers rest,
And heart that cannot rest, agree!

This glassy stream, that spreading pine,
Those alders quiv'ring to the breeze,
Might sooth a soul less hurt than mine,
And please, if any thing could please.

But fix'd unalterable care
Foregoes not what she feels within,
Shows the same sadness ev'rywhere,
And slights the season and the scene.

For all that pleas'd in wood or lawn,
While peace possess'd these silent bow'rs,
Her animating smile withdrawn,
Has lost its beauties and its pow'rs.

The saint or moralist should tread
This moss-grown alley, musing, slow;
They seek, like me, the secret shade,
But not, like me, to nourish woe!

Me fruitful scenes and prospects waste
Alike admonish not to roam;
These tell me of enjoyments past,
And those of sorrows yet to come.
martin Jan 2013
We left behind the growing oaks, the contorted willow
with its weeping friend, and the chestnut which
protects us from the western wind.

The christmas tree, garden plonked some thirty years ago,
soon to chop and chimney, and its holly neighbour,
freed at last from greedy strangling ivy.

The white-barked birch, the leaning cluster pine, the maturing
walnut and arching alders, the trio of young scots pines,
rescued from loop moth caterpillars just in time.

The regiment of leylandii along the northern border all in a line
the laurel hedge, the little holm oak, the redwood brought
home in luggage as a burl now spearing to the sky.

The shy biloba, new, unsure, not yet deciding if it dare.
The host of yellow plums, which bid to sucker  
everywhere.

The rowan in a ***, bark nibbled by a bunnie, still waiting
for a plot.  

The scruffy greengage, planted for its scrumptious fare,
the bramley sapling and the conference pear plucked
from the bargain bin last year.

We left them all behind, just for a night, with
a special mission on our minds. We
traveled south then west to a band
of dedicated people in a special
place we had to find.
He was there.

He's with us now, and quite relaxed.
We're on our way to take him back,
to live with us as a life-long friend,
and make our lives
complete again.
We've been to collect our new puppy !
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—

And—the other world—
the windshield a blunt barrier:
Talk to me.  Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.

Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.

Peer Gynt.  Rip Van Winkle.  Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross:  four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.  All toads are happy
and belong in gardens.  A toad to Diana!

Lean forward.  Punch the steerman
behind the ear.  Twirl the wheel!
Over the edge!  Screams!  Crash!
The end.  I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch!  All threads cut!
Death!  Black.  The end.  The very end—

I would sit separate weighing a
small red handful:  the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.  All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny **** flattened upon it under
a weight of air—For the first time!—
or a yawning depth:  Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.  The End.  I sit
examining my red handful.  Balancing
—this—in and out—agh.

Love you?  It’s
a fire in the blood, *****-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
in the morning.  You are slow.
Men are not friends where it concerns
a woman?  Fighters.  Playfellows.
White round thighs!  Youth!  Sighs—!
It’s the fillip of novelty.  It’s—

Mountains.  Elephants ******* along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.  It’s
the fillip of novelty.  It’s a fire in the blood.

Oh get a flannel shirt, white flannel
or pongee.  You’d look so well!
I married you because I liked your nose.
I wanted you!  I wanted you
in spite of all they’d say—

Rain and light, mountain and rain,
rain and river.  Will you love me always?
—A car overturned and two crushed bodies
under it.—Always!  Always!
And the white moon already up.
White.  Clean.  All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—

Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.—
It’s the grey moon—over and over.
It’s the clay of these parts.
Oh happy shades--to me unblest!
Friendly to peace, but not to me!
How ill the scene that offers rest,
And heart that cannot rest, agree!
This glassy stream, that spreading pine,
Those alders quiv'ring to the breeze,
Might sooth a soul less hurt than mine,
And please, if any thing could please.

But fix'd unalterable care
Foregoes not what she feels within,
Shows the same sadness ev'rywhere,
And slights the season and the scene.

For all that pleas'd in wood or lawn,
While peace possess'd these silent bow'rs,
Her animating smile withdrawn,
Has lost its beauties and its pow'rs.

The saint or moralist should tread
This moss-grown alley, musing, slow;
They seek, like me, the secret shade,
But not, like me, to nourish woe!

Me fruitful scenes and prospects waste
Alike admonish not to roam;
These tell me of enjoyments past,
And those of sorrows yet to come.
I wonder what present, what future
to predict to you, me
to you, with hands of leaves,
with thoughts, lost into the torn
canvas of someone else’s
words,
with a gait of a wave…
A silence buries the hours
and the alders remain
candles.
Yes, the homes are
never enough.
And there’s none whom
to pray to among the dry
flowers speechless
but unique.
And may the wind
spin you
through clefts of granite.
With all my tenderness –
into fall of the leaves.

The original:




* (какво ли)

Какво ли настояще, какво ли бъдеще
да ти предскажа аз,
на теб, с ръце от листи,
със мислите, изгубени в раздраното
платно от чужди
думи,
с походка на вълна ...
Мълчание засипва часовете
и елшите остават
свещи.
Да, домовете никога
не са достатъчни.
И няма на кого
да се помоля сред сухите
цветя безмълвни,
но единствени.
Но нека вятърът да те
върти
през процепи гранитни.
Със цялата ми нежност –
в листопада.

Translator Bulgarian-English: Vessislava Savova
rarebird
© bogpan - all rights reserved.
Mindietta Vogel Apr 2019
Xtra Tuffs, forgotten. Ten mornings to go.
Let us start with ten miles to Ewan Bay.
Passing Granite Bay and rocks that crowd Junction Island,
seals furtively eye us, and orange-footed Oyster Catchers
stay grounded while gulls erupt into flight and frantic shrieks.

Zip, peal, zip: from dry suit to tent.
Storm teacher. We learn water below,
water above, water without, and water within.
At Bog Island, fingers are colorless, wrinkled fruit, and we
must think of wetness in layers.

Zip, stuff, zip: from tent to dry suit.
Bog Island becomes a convalescent home, made of polyester tarp.
To stay warm, Yoga in the rain. Two are napping.
While we rest, beached ice become snarling growlers,
I see and listen in the quiet way.

Zip, stuff, zip: from tent to dry suit.
Before crossing Jackpot Bay, we visit a waterfall.
While we lurch to avoid bear ****, dark blurs leap into vertical flows.
Tonight, we tuck our tents under a canopy
of alders against a rock wall, slicked with falling water.

Zip, stuff, zip: from tent to dry suit.
Four days of dampness and heavy brows. The sky teases with streaks of blue
that enliven ice-green bergs. Suddenly, sun spills over clouds.
Wordless gasps and elation melt our moods.
Glacial air chases warm rocks. We race to dry our gear.

Zip, stuff, zip: from tent to dry suit. Again Island found, in Gaanaak Cove.
Blueberries drip from the bushes like the rain of the past four days.
Yellow arnica stand like sunflowers, and I feel her here.
The commuting breeze sounds like morning traffic on the Glenn.
Chenega, that achy glacier, growls like a distant tarmac.

This morning, rays of sunshine dance on my tent for a few seconds.
Zip, stuff, zip: from tent to dry suit.
We arrive to Nassau Fjord as unwelcome, party crashers
To hundreds of seals lounging on their icy chaises.
Don't Go, I think. We were uninvited.

Zip, stuff, zip: from tent to dry suit.
Haibun, Didactic Cinquain, and Diamante:
These formulas are like the handrail method Jonathan teaches for reading a map.
Intentionally point off course to the stream that goes into the lake,
or veer to intersect the road to the parking lot.

Zip, stuff, zip: from tent to dry suit.
At Dual Head, the tide is a mirror to itself.
The echoing waves, equal and opposite to my breath.
I relish the watercolor and poetry on the beach under our
first and only setting and then rising sunshine.

Zip, stuff, zip: from tent to dry suit.
Despite the small-craft advisory in Whittier yesterday,
We are delivered from the Sound on calm waters
​as we reunite with family and former self.
I believe I am more than I was.
Ray Dec 2015
"O'er the dark pines she sees the silver moon,
   And in the west, all tremulous, a star;
And soothing sweet she hears the mellow tune
   Of cow-bells jangled in the fields afar.

Quite listless, for her daily stent is done,
   She stands, sad exile, at her rose-wreathed
           door,
And sends her love eternal with the sun
   That goes to gild the land she'll see no more.

The grave, gaunt pines imprison her sad gaze,
   All still the sky and darkling drearily;
She feels the chilly breath of dear, dead days
   Come sifting through the alders eerily.

Oh, how the roses riot in their bloom!
   The curtains stir as with an ancient pain;
Her old piano gleams from out the gloom
   And waits and waits her tender touch in vain.

But now her hands like moonlight brush the keys
   With velvet grace -- melodious delight;
And now a sad refrain from over seas
   Goes sobbing on the ***** of the night;

And now she sings.    (O! singer in the gloom,
   Voicing a sorrow we can ne'er express,
Here in the Farness where we few have room
   Unshamed to show our love and tenderness,

Our hearts will echo, till they beat no more,
   That song of sadness and of motherland;
And, stretched in deathless love to England's
            shore,
   Some day she'll hearken and she'll under-
       stand.)

A prima-donna in the shining past,
   But now a mother growing old and gray,
She thinks of how she held a people fast
   In thrall, and gleaned the triumphs of a day.

She sees a sea of faces like a dream;
   She sees herself a queen of song once more;
She sees lips part in rapture, eyes agleam;
   She sings as never once she sang before.

She sings a wild, sweet song that throbs with
             pain,
   The added pain of life that transcends art --
A song of home, a deep, celestial strain,
   The glorious swan-song of a dying heart.

A lame ***** comes along the railway track,
   A grizzled dog whose day is nearly done;
He passes, pauses, then comes slowly back
   And listens there -- an audience of one.

She sings -- her golden voice is passion-fraught,
   As when she charmed a thousand eager ears;
He listens trembling, and she knows it not,
   And down his hollow cheeks roll bitter tears.

She ceases and is still, as if to pray;
   There is no sound, the stars are all alight --
Only a wretch who stumbles on his way,
   Only a vagrant sobbing in the night."

The Spell of the Yukon and Other Verses - Robert W. Service - 1907
Sjr1000 May 2019
Smoking
Pacing
Thinking

Talking to the poet
You never know
He can be cruel sometimes
Funny other times
Crude
Convoluted
Compassionate
Delusional
Banal

Repeating his cliches
Over and over
Controlling like a blackberry bramble
"Time to write this down"
"Put it up"
He says like some kind of
*******

We walk
We pace
I smoke

We sit in the sun
He's a stoner & a drunkard
Sometimes it's the ocean
Sometimes it's a lake
Sometimes it's the backyard
Alders trembling

We stare off into space
And wonder
what's next
He disappears forever
He reappears down the road

Best friend
Worst roommate
Couldn't live without him
He writes these poems in a composition book
Progress notes
States of mind
Whatever it is he's trying to find

We talk
We pace
I smoke

Tomorrow
We'll do it all over again
Like it was the first time.
Jonny Angel Aug 2014
They lived an eternity,
carved names in the alders
& listened to raindrops
fill the oaken barrels.
The want of tobacco drove them
to the brink of insanity.
And now, we understand
the meaning of hardship,
'cause they stole his dog.
Patience.
Patience.
Patience.
They celebrated
the coming
of the full moon
on the bitter roots
& disappeared forever.
This I know.
I was with them.
Can't sleep.......!
Jamal Abboud Dec 2017
So fair to trace fervent swallows' treat
When summer's warmth of northern retreat
Starts to desert heat to southern east
Luring a febrile fever for migratory feast
Swallows' flocks disappear with bereft heartbeats
For the fledglings are abandoned in alders' nests
Yet before long, their parents, the young shall meet
Following the elders path of flight by mere instinct
Which is a banal puzzle, yet truly deserves inspect
A mystery of innocent creatures without deceit
Is impetus to discern the secrets of love effect
Thus united hearts shall ever bounding ties reflect
While the bare soul of love roams with decent feat
Wherever its bounteous eyes stare, spaces retreat
For with the soul of love is anointed the lord's feet
And the union of holy sweat with love shall greet
the pure glorified love that knows no defeat.
Translated by Przemyslaw Musialowski 10/30/2019

You love your home, family home,
that every summer night, through silver mist,
with rustle of its linden trees accompanies your dreams,
and with silence soothes your tears?

You love your home, this old roof that tells a tale
about long-forgotten past and olden days,
family threshold of moss-covered entrance doors,
that warmly greets you after every long hard road?

You love your home, a refreshing aroma of golden grain
and grasses in the morning freshly cut,
of moist alders high and red roses wild,
that weave flowers into hawthorns' green thick hair?

You love your home, this forest dark,
that noise of its powerful songs
and ghosts moaning, and winds choir,
is pouring into your ever-restless blood?

You love your home, family home,
that amongst storms, in days of doubt,
when the thunder hits your soul,
with its memory saves you like a protective shield?

But if you truly love, and if you truly want
to live under this roof, to eat bread of grains,
guard thresholds so dear to you with your heart,
and lay your heart among beloved walls! ...

Maria Konopnicka (1842-1910)
Maria Konopnicka's funeral was attended by almost 50,000 people, and to this day this great poet has her special place in the hearts of ordinary Polish people.

Konopnicka's poetry has a pinch of Hans Christian Andersen's warmth and magic to it, and this warmth and magic is not lost in free-verse translation.

Enjoy!
Sjr1000 Nov 2020
Have you seen my beloved?
I have been looking for her everywhere

The first time I saw her face
It was the most beautiful flower
I have ever seen
A mandala of perfection
Bringing me absolute peace
How could I not
But love her

She once brought me
Alders swaying screeching in the winds
salmon running
skies Hale Bop eclipse Tahoe clear
She brought me beauty to the sunrise in the sky
Have you seen my beloved?

She always has been the same
Though she's known to be extreme
Shaking the earth I walk on
Sending rising tides
Stilling the wind in the center of a cyclone

She always knew what it meant to dance
Sings every song
The music of the full moon
She once believed life would find a way.
Have you seen my beloved and
Do you know where she is bound?

Her breath has become firey hot and dry
Her tears shed microplastics
Her paths are white with toxic snows
Where is my beloved and what does she feel or know?

She once loved me dearly
Nourished my way
Until the winds began to change
Have you seen my beloved?
And do you know
When she'll return?
David Hill Aug 2017
They freed the river
A steam shovel on a barge
Gnawed the dam down to bedrock
And the river ran free
Now alders line the banks
The salmon have returned
The holy men’s prayers are answered
But a flood washed out the road
To the dam
Last year.
Kevin Riley Jul 2020
Walking the ruts on the Historic
Santiam Wagon Trail, I split
the stories of sky scraping
Douglas firs.  Alders and vine maple shed
their leafy weight of early Fall.

The brown state attraction sign boasts
a sincere Conestoga.   A sturdy team
in a purposeful westward arch.  What
benign heroic ambition.  Divine inevitability.

Small pox.
Wounded Knee.
Boarding schools.

I wonder how the sign sits in the eyes
of a Kalapooya walking these woods.  Or
a Nez Perce or Siletz?

Like a ******* in Tel Aviv?  A machete
in Kigali?

But the Siletz don’t have an air force
or UN peace keeping troops.
KD Miller Nov 2019
8/20/2019

Lines i’d written
the day after we’d slept in the football field:
every summer has a different flavor,

a different sight,
a different scent
the golden glow stays the same

and the way i never fully get to feel
what i meant
to say,

but the way
the light hits the trees:
it haunts me.


what i meant was this:
the light through the slats of the leaves
of the alders

is gold
when i wake up
and roll over back to bed.

it stays that way when i
step out,
yet less imposing,

it’s everywhere
along with the
blue of the sky.

II
were we on the swings?
i can’t quite remember
but i stared at the slatted light’s impression on the walkway

and said nothing to myself
looked at the green of the leaves,
at my shoes, at you, back at the sky again

wondered if i’d
miss this moment
and i did, and i do.
KD Miller Sep 2019
8/20/2019

Lines i’d written
the day after we’d slept in the football field:
every summer has a different flavor,

a different sight,
a different scent
the golden glow stays the same

and the way i never fully get to feel
what i meant
to say,

but the way
the light hits the trees:
it haunts me.

what i meant was this:
the light through the slats of the leaves
of the alders

is gold
when i wake up
and roll over back to bed.

it stays that way when i
step out,
yet less imposing,

it’s everywhere
along with the
blue of the sky.

II
were we on the swings?
i can’t quite remember
but i stared at the slatted light’s impression on the walkway

and said nothing to myself
looked at the green of the leaves,
at my shoes, at you, back at the sky again

wondered if i’d
miss this moment
and i did, and i do.

— The End —