Paint me a picture
Of your skin
Does it bronze beneath the sun?
Or sizzle and blush
Like your cheeks
When you’re in love?
Is it soft to the touch
Like when your palms graze
The smooth surface of water?
Or rough around the edges
Like your favorite book
And its lovingly worn corners?
Does it melt in the heat
Like sweet syrupy treats
Dripping through your fingers?
Or does it welcome the winter
With wide open arms
As if greeting a lover?
Paint me a picture
Of your skin

We cannot write silence.
The beats.
The pause.
The breath.
The way it aches
and persists

and begs that,

if only for a moment,

our consciousness is only a whisper.
our bodies,
our lips,
the air that passes through falling chests
and stillness.

A melody of emotion.
Sleeping in the quiet of a heartbeat skipped
a word lost to the wind.

The wickedness of reticence
Encapsulated in air and time.

The moment stretched too long.
Hesitation perpetuated in the grip of fingernails
pressed into palms.

We cannot write silence,
but we can try.

to find a way to immortalize emotion
to create space
in the ceaseless drone of words that speak and spin.

I cannot write silence. But I can write
tears and years
and the burn of long-stretched lies.

I can write goodbyes and hellos
And dozen ways to say
I love to hate you
Or
I hate to love you
and sometimes
I cannot tell the difference.
Silence.
The space I have upheld for myself.

I love to hate you
Heart.

I hate to love you too.

I cannot write silence.
But I know it.
and I have held it in my hand.

The poet lives two lives.
One on the outside,
And one in their mind.

When you look in their eyes
You could see an abyss.

If you looked long enough
You could sink into it.

But most people don’t see it.

Take the time to read the words, though,
And you would know for sure.

The poet lives in two different worlds.

1764

The saddest noise, the sweetest noise,
  The maddest noise that grows,—
The birds, they make it in the spring,
  At night’s delicious close.

Between the March and April line—
  That magical frontier
Beyond which summer hesitates,
  Almost too heavenly near.

It makes us think of all the dead
  That sauntered with us here,
By separation’s sorcery
  Made cruelly more dear.

It makes us think of what we had,
  And what we now deplore.
We almost wish those siren throats
  Would go and sing no more.

An ear can break a human heart
  As quickly as a spear,
We wish the ear had not a heart
  So dangerously near.

1680

Sometimes with the Heart
Seldom with the Soul
Scarcer once with the Might
Few—love at all.

My mother is a piano
A little out of tune
Dusty keys
That play with ease
Ivory as the moon

Sometimes I’ll touch the wood
And admire its antiquity
Think of all the things that it
Ever dreamed to be

Sometimes when my fingers
Fly through a song
I wonder how this piano
Ever got so strong.

My mother is a piano,
She makes music out of air,
She answers each finger
With an embrace, with care

Her legs planted firmly
in the ground
How much I love to hear
her deep, rich sound.