I impatiently waited tables
trying to earn enough money
to keep my apartment
filled with cheap beer
and expensive drugs.

There wasn’t much else to do
in that stuffy little town
with one intersection.
The air was fine
as long as you didn’t breathe.

I watched my friends and neighbors
watch me from a close distance,
separated by a parking lot
and an eternity of sins
that no one wanted to talk about.

When I was 18,
I kissed a boy
and told him we were going
to get married some day.
He laughed at me.

I picked out a tux anyway.
It was white. I wanted to wear white.

A most gracefully bird, but not of the air
White caped waves are his clouds
Water proof feathers is what he wears
He stands on the beach mighty proud
His wings won't let him fly
But through the ocean he quickly glides
You'll never see him in the sky
Behind the corral is where he hids
When lion seals are on the prowl
His play ground is a winter wonderland
He is by far the best dressed fowl
With his dashing tuxedo he looks mighty grand
By design he was denied freedom of fight
But that my friend doesn't make him sad
For in the ocean so deep he reaches new heights
The icy slides are his launch pad
He certainly is a wonderful bird
To call him anything else would be absurd

I

I am often attracted to things unhinged. Not necessarily (traditionally) romantic, more akin to an unwillingness to ask permission, one who might say It was never your permission to begin with and not be angry or upset about having to say it. Few are so willing to evaluate situations without the overwhelming cloud of emotion. Judgment fully withheld, kind banter catching wind. A needed immediacy.

Jean-Michel Basquiat was aware of the past. He pretended to not care if you did not like his paintings. Part of him was upset some people did not understand. Basquiat strangled history down to basics: music, culture, society (not the same thing), generations of family after family. His point was not for you to obtain this. This was his conscience—tangible. Brain processing. Synthesizing. To him it was so simple. I refuse the word primal because it is misguided, it does not factor purity, clarity. Sugar Ray Robinson told Basquiat to stop painting the background. Tuxedo told Basquiat what words to place and where.

So much of my art is stripped and lucid and enacted with only me in mind.