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Nat Lipstadt Aug 2
A follow on poem to 'In the Sunroom (Suicide)"  (1)
writ many years later...
~For MWK~
<>
A stray thought. a burring burrowing, thorny tawny:

A wish, yet to get, but vetted for each of us.

This within, this redoubt, a contemplative oasis,
my indoor poet's nookery rookery sanctuary
each one, each is, deserves, all, one such,
a place holy filled, with lice and dirt of a life,
strained and trained for emission and transmission
of the best of the worst, and the triumphant emergent commission of
our individualized most excellent fresh best

where crumbs of apple crisp pie solidify, vanilla bean ice cream
melt offsets the oven heated warmth, and from this interactive
contrasts combative,
a poem pie reborn, newly disguised, familiar words,
yet unheard and before this very never,
went unspoken and now goes forth
svelte and unbroken

rhymes of yore, forgot from a before, but making up the walls
of the here and now,
a sunroom to spread out the lit lights of egress and entrance,
of fire door no exits that now are chiseled closed,
lock in, lock up, and somehow, one, stills to learn from
the stilling quiet solitude.
to penetrate the prostrate kneeling grinning grief,
how to expel and spell the words
that grant
relief

visit my sunroom, though no fiction.
the sun rays *******, create the friction
of that which cannot ever be withered nor contained,
and your mouth opens wide and a poem birthed and delivered,
pastiche paste composted of truth and dreams of fiction, fine diction,
with a shrug, a smile, a satisfaction extracted extraordinary,
you garner moments of satisfaction but cloud cover returns,
and the process of sunrise exposition recommences,
and one revisits the elemental sequencing of
all the predecessor pain, but this time,

for gain, for gain,
<>

written this sabbath Saturday
12:38am EST
Sat Aug 2
2025
in the sunroom,
on Shelter Island
Nat Lipstadt Jun 2024
Seeds could not prosper without the love of your fingers


what I know of soil and seeds,
is less than nothing, the dirt neath
my fingernails is only evidence of a
presence on this Earth, but no rapport
with the cold, damp earthy plains of  
what feeds, colors and gives forth
fruit

and yet,
you send this concretized city fella,
pictures of the seeds on your agenda,
the chosen ones that will in time, birth
healing to the world in natural mystical
ways, for what I see, what  I know is this:  

soil and rain, by themselves can bring forth
both hardy and hardluck weeds that eke out a
living home in a quarter inch of dirt in the
in~between of sidewalk cracks, trod upon,
but yet!
survivors to the
worst kind of human indifference


but when you plant, you fingers enwrap,
send coded message hid in the essential
oils of human love, for that is what only
certain hands can do…


Your hands much practiced in this messaging,
and peculiar kind of kind massaging
for I have seen your gardens, moreover I-know,
that hands such as yours overflow with both  
the take and give, inherent in only certain
specific humans, at a cellular level
not in my
possess


it takes a different kind of life experience, that
marries different kinds of cloth into a single weave,
that stores what is in your fingertips, nutrients of
your life, singular, homemade, that make
your botanicals
fully blossom




Jun 1 2024
12:50pm
in the sunroom
Nat Lipstadt May 2013
I sit in the sun room, I am shaded for the sun
is only newly risen, low slung, just above the horizon,
behind me, over my shoulder, early morn warm

Slivers of sun rays yellow highlight the wild green lawn,
freshly nourished by torrential rains of the prior eve

The wind gusts are residuals, memoirs of the hurricane
that came for a peripheral visit, like your unwanted cousin Earl,
in town for the day,
too bad your schedule
is fully booked,
but he keeps raining on you,
staying on the phone for so long, that the goodbye,
go away, hang up relief is palpable

The oak trees are top heavy with leaves frothy like a new cappuccino,
the leaves resist the sun slivers, guarding the grass
from browning out, by knocking the rookie rays to and fro,
just for now, just for a few minutes more,
it is advantage trees,
for they stand taller in the sky
than the youthful teenage yellow ball

I sit in the sun room buffered from nature's battles external,
by white lace curtains which are the hallmark
of all that is fine in Western Civilization,

and my thoughts drift to suicide.

I have sat in the sun room of my mind, unprotected.
with front row seats, first hand witness to a battle unceasing

Such that my investigations, my travails along the boundary line
between internal madness and infernal relief from mental pain
so crippling, is such that you recall begging for cancer or Aids

Such that my investigations, my travails along the sanity boundary
are substantive, modestly put,
not inconsiderable

Point your finger at me, demanding like every
needy neurotic moderne, reassurance total,
proof negative in this instance, of relevant expertise!

Tell us you bona fides, what is your knowing in these matters?

Show us the wrist scars, evidential,
prove to us your "hands on" experiential!

True, true, I am without demonstrable proofs
of the first hand,
my resume is absent of
razors and pills,
poisons and daredevil spills,
guns, knives, utensils purposed for taking lives

Here are my truths,
here are my sums


If the numerator is the minutes spent resisting the promised relief
of the East River currents from the crushing loneliness that
consumed my every waking second of every night of my years of despair
                           divided by
a denominator that is my unitary, solitary name,
then my fraction, my remainder, is greater than one,
the one step away from supposed salvation...

Yet, here I am sitting in the sun room buffered from
nature's battles by white lace curtains which are the hallmark
of all that is fine in Western Civilization

I am a survivor of mine own World War III,
carnaged battlefields, where white lace curtains,
were not buffers but dividers tween mis en scenes,
variegated veins of colored nightmares, reenactments of
death heroics worthy of Shakespeare

Did I lack for courage?
Was my fear/despair ratio insufficient?

These are questions for which the answers matter only to me,
tho the questions are fair ones,m my unsolicited ******,
they are not the ones for which I herein write,
for they no longer have relevance, meaning or validity,
for yours truly

I write poetry by command,
by request, good or bad,
this one is a bequest to myself, and also a sidecar for an old friend,
who asked in passing to write what I know of suicide,
unaware that the damage of hurricanes is not always
visible to the naked heart

These hands, that type these words are the resume of a life
resumed,
life line remains scarred, but after an inter-mission, after an inter-diction, an inter-re-invention
in a play where I was an actor who could not speak
but knew every line, I am now the approving audience too...

But I speak now and I say this:

There are natural toxins in us all,
if you wish to understand the whys, the reasons,
of the nearness of taking/giving away what belongs to you,
do your own sums, admit your own truths
query not the lives of others, approach the mirror...


If you want to understand suicide,
no need to phone a friend, ask the expert,
ask yourself,
parse the curtains of the
sun room and admit, that you do understand,
that you once swung one leg over the roof,
gauged
the currents speed and direction,
went deep sea fishing without rod or reel
and you recall it all too well, for you did the math
and here I am, tho the tug ne'er fully disappears,
here I am, here I am writing to you,
as I sit in the sun room.

Memorial Day, 2011
hard to believe this poem will be 8 years old, soon enough; I well recall writing it and willx return to the sunroom soon for inspiration and an afternoon nap.
Casey Sep 2019
The room that we called a "porch"
because that's what it was supposed to be
before it was enclosed with walls.

The room that we used as a fridge in the winter
because of how cold it would get.

In summer,
the room where the cat would lay, sun-basking.
Shedded fur floating like petals in the air,
illuminated by the sun-streams through the window.

The room with the handy outside-facing lock
so that your brothers could lock you in
when they were annoyed with you.

The room that was renovated into a part of the house
rather than an enclosed porch.
Ending the many uses,
but still containing the memories.
Written in my LA class, inspired by Bathroom by George Ella Lyon

— The End —