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Prabhu Iyer Aug 2015
Come marauder, sword unscabbarded, lay  
siege by deceit, wound mortal my coil again:
I live in aeons where millennia are puddles -
you will be assimilated, your venom spat out.

What of nations but the notions of separation,
people go, languages die like colours and petals
but here lies anchored, the soul of the world.

Deep in that recess where no man has gone,
by moonless nights, unfurled ancient
the song of the stars flowing in  distant skies

Who knows when time began? Who clocked
the beginnings? Here I asked of nought and nigh,
here the endless vast, and out of a featureless past
speaks the wisdom that lights continents afar
heroic the call to selfless action in the field of war.
Here was love born, in all her colours, and the lore
of the unhinged compassion of the liberated soul
here I asked of the highest god, why none above?

and came war beating its chest, lust laden again
pillage and plunder of the savage kind

but, I live, I live, I live,

I live in the cave temples of the unknown world,
I live in the music of the evening sun,
I live in the dance of the spirit drunk of love,
I live in the ruins whose soul is beyond plunder,
I rise towering from the ashes,

There - flies the wheel of law on the horizon high

There is yet a mighty dawn waiting to rain
down light on the veiled world, free free,
I am a spark of that thirsting fire!
Developing poem on the occasion of the Indian independence day, the 15th of August. 'The wheel of law' is my free rendering of Ashoka's Wheel, the central symbol on the Indian national flag.

Part of inspiration for this poem comes from the stirring song Chai (immortalized by Ofra Haza in this version: youtube.com/watch?v=uadPjtoONnM ) hebrewsongs.com/song-chai.htm

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Andrew Name Apr 2015
rain dogs
lightn bolts
wet shirt
at forty five

pants soak
holes float
aflush with road
abig like sky


black chai
death sticks
all sunk
I hated it dry
forty five: degrees
Riq Schwartz Jul 2014
Even with the mood lighting inside
this lethargy induced spiced chai
I find these things elusive
like good cell phone pictures of concerts
or, dare I say, a happy poet.

Despite generations of artistic indulgence
I find these things apathetic
androgynous, as it were
with indiscernible discrepancies drawing
daft conclusions from the quick-sought eye.

I too struggle to find the truth behind the lines.
I craft as though I know my medium.
I create broad sweeping arcs across
my own right side brain
but see them smudged and distorted, distended,
dripping their dynamics through the cracks in my floorboards.

Cinnamon vanilla maple ginger
shots at first class from coach
and here on my three foot throne
I squander the warmth of my ******* latte.

— The End —