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an existential question so deep,
it can be answered only by
enumerating a million tiny
words:

in the quiet crackling of a spine & unsticking page noise of an opening of a brand new book, a first of firsts, a thrill for free in any bookstore that is yours now, uniquely and forever

in the upward stroking of a smooth
cheek, by your smallest finger, upon
a newborn’s face, your youngest child’s
newborn, and a rare moment of unadulterated love tinged by
immortality

the smile you retrieve when scratching
that old beloved pet’s face, in the exact
spot only you two know and a long time ago
discovered


patrolling the Promenade, espying an
elderly couple so bundled against the
city’s Arctic cold freeze, that movement nearly impossible, nonetheless holding gloved hands in a manner and a moment describable only as inseparable

letting someone jump in front of you,
at the supermarket or the bank, when
they have only one item to purchase, and you, a dozen or so, but the most important item you really really urgent need you have is to prove to yourself that it is possible to buy more time
for a human

crossing with an elegant eldery woman
across the wilds of First Ave., who insists
she needs no help (ha!), but doing it anyway
by complimenting her candy striped cane,
and being rewarded with a “stop that, or
I’ll be forced to take you
home!”

searching endlessly for  red kidney beans in olive oil in a health store that has no less than 19 varieties of everything, and an immigrant teenager employee tskes you across a cityscape of aisles, turns, niches and alcoves  to the exact spot and item, and you
smile and weep because the beam of their smile at your pleasure lights up two souls
simultaneously

next, herbed flavored tofu?

making a bank teller laugh (a near impossibility) when depositing a very large
check, and when asked if there is anything
else you need, informing that you would like to withdraw half immediately but only if they have a sufficient quantity of extra large size single dollar bills!

a group of privileged upper east side college seniors eating out at a wonderful Italian neighborhood restaurant, talking loudly about their recent travels abroad, and how crazy it is that one cannot get a cappuccino in Italy(!) except at breakfast
(oh, the in-justice)

here I stop, because not a lot, of my reasons
to be brought forth are concluded, but only because  you have started
to feel an urgent need to p-
repare/start your own list, immediately if not sooner to ascertain precisely your own anwer to:
Where
are you
being?


5:48am
NYC
Shabbat, January 18, 2025
18 Tevet, 5785
most of these happenings occurred all on one day
last week;; one, 7 years ago…only ine was imagined but is planned

https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/


https://hellopoetry.com/poem/4956772/exactly-how-far-is-it-to-you/
entombed to die together.,

prisoner utters these words to
their lover~companion,
who has joined him freely, and
that conceptual, hardly casual,
resonates, pinging my sonar
brain long after the famous
opera concludes, leading me
unforced to the writing table…

Saturday 2:1l:25 9:27AM

now, after having lived and
loved for well over 25,000 days,
there is much data to review
much of it corrupt & corrupted,
and of course, it must be done
man-u-ally (manually), and
will require filtering to edit
out the natural edits that the
fog of war, time, and the innate
human desire to improve one’s
recorded history, I conclude;

Not only have I loved others
desperately,

beyond reason and sensibility,
but more than once,
more than twice,
more than my
faltering courage dare confess…

remembering the physical manifestations, is almost eerily too easy,
to recall the angst, physicality
of loving too well,
heart chested pain worthy of a doctor visit,
desperate hunger feeding on/off
of depression costuming as dreary sadness,
but so overtaking that I am the
cliche of the human berefetted of
all energy, except for periodic moaning,
visitors refused, sleeplessness my
only steady companion

writing worse poetry
than this,
dialing, hanging up, repeatedly,
paths crossing in hallways,
and breaking me down to
aching breaking pieces

later,
when all grownup,
deserted wife and children
for the restoration of another
woman’s love,
but dragged down by
actions & inactions,
she wearied of my agoniste
and left me to
treble tremble when the weight
of the load, they/I
put right on me

now, sipping my morning 3-cuppa of
Caribbean brown beans,
my fresh eyes tearing,
my internal tearing
myself up/down,
half in mocking, half in sympathy
for the lost soul once was,
no longer desperate
but nonetheless joyous that
more than once I was mired
in a state so encompassing
and compressing,
was overruled overrun
overcome
with the gain and the pain
of loving desperately
and happy contented
that it shall not happily happen again,
for my poor heart already repaired
by a heart surgeon,
but with damage left from
life’s and loving’s accidents and accumulations, muscles weakened,
parts clogged with memories
beyond repair,
if loving desperately should come back
one last time,
winking, he’s thinking, ha,
for last licks,

*!it would be in a closing act sorta way,
a great fitting fitful accomplishment to die,
one last time, desperately in love!
1:12:25 9:20am nyc

Exactly, how far is it to you?
this is more than mere question,
or a rhetorical poem title discard,
consider it an interrogatory of
the first order, a debate raging
with every word successfully
affixed from brain to fingertips,
from my breathing to your heart,
how far is it exactly, pray tell me,
how these cords of words find you,
are your lips bending up in a smile,
need me a weather report, air quality,
wind gusts vitals vital to yo! estimate
how fast & conditions they’ll require survive/arrive in your eyesight well
and be friended


feed me the data, Heart Rate, Blood Pressure,
SpO2, so I’ll know what condition your
condition is in, adjust my words accordingly,
send to this distance back to me awaiting,
the necessary facts & figures to provide the finger stroke directional, do you need whispers or emboldened bold face to arouse the a spirit flagging, a shoulder shaking, a dozen red lipped chords of
kisses and sweet everthings, that do not
dissolve, dissipate or disappear instantly,
but can be stored in a Ziploc bag, refrigerated,
ready for gorging and disgorging, repeatedly,
as needed, synchronized slow or hard, fast
or soft, wet or dry. sweet or salty, savory
or a blended mixture, an adjustable concoction depending
on distance, time of day,
tell me,
the stuff that you accept
with open willingness,
or just begrudgingly

all adjustable
all shaped to
your individuality
elastic flexible
but the schedule
filling up fast
so we can mutual
squeeze into each others
empire of empty

so,
Exactly, how far is it to you,
to where you are being
?
Exactly, how far is it to you nml lipstadt
For Thyreez,
because she aspires


<>
most of us, no,
almost all of us,
collectors, of those little things,
real, substantive,
kept in that drawer,
reminders of collected moments,
of places people, successes, tragedies,
lumped together because,
just because
they constitute the pinpricks,
the meddles, safety pins, needles
of our lives, some treasures,
and a few collectibles of
black trimmed saddies

I have such a drawer,
admixture of single cufflinks, spare buttons,
Aaa batteries that might still work,
expired credit cards, charging cords for
devices long ago discarded,
a whole class of items I call
you never know when

some slides, pics from prehistoric times
when we never dreamed of magic phones
as life’s mini storage units

even I had
a lipstick kiss napkin,
just in case, when was required a
need a brevity taste of
a sad time-in-‘n-out
and back again
to feel human

but the mission critical
little things
do not fit in a drawer,
for they are the action’s & visions
we seize and keep in shadowy unseen
but inserted
grey cells

the taste, aroma, of that first cup of coffee
made by whoever was up first,
brought and placed on the nightstand
with a nudge, that failing, a very wet
kiss and a foot-beneath-blanket-squeeze,

the feel~touch of a particular locket,
the never-to be-removed-ever,
till it was
placed perhaps in someone else’s
drawer, shoebox, attic, or lost
in a ‘can’t be foundering place’

we probably have all three;
the drawer, the memory triggers,
the lost items that cannot be
lost, or forgot nor found

and I think and add all these,
I realize that this script
is
one such of the places,
where we put things,
we might need someday,
or maybe never but,

you never know when!
Smoke Scribe Jan 2
of the molecules of the water they will
swim in, that flow by my citybounded
abode in a tidal estuary
heading fir dispersal and aspersions
into the Great Atlantic Ocean
which I will visit
come the spring,
and are etched yet then
within the relentless
waves of the those very same atoms, upchurning and upspitting
white foam which will
very lively likely contain
new poems, perhaps,
perhaps even,
those writ by fish
in their dreams,
for who actually knows
the original origins
of the dreams
we drink daily,
not I,
who finds them
when the wet smoke of
fog of evaporated
water
kisses my lips!

P. S. perhaps I have written poems
authored by the very same fish
you held in your grasp once upon
a time in a photo)
Oct 2020
Poets, let us examine this friendship thing, again.


Poets, let us examine this friendship thing, again.

This is a poem of humans, regardless of our natural multi- flavored striations, that tend to over-define us, thus separating, instead of celebrating commonalities.

Like most things we enjoy, our five senses are the gateway to pleasure, even the pleasure of friendships. They act in concert, a symphonic interplay that reenforces and heightens so that in combination they create a whole greater than a single sense could provide singly.

This is on my mind this week, as I wrestle to understand the meaningful possibilities, the limits of friendship.

Poets form bonds without hearing each other’s voices.

Poets connect despite geographic distances that makes grasping each others sinewed arms, caressing the softness of hard cheekbones, without ever having been granted the unique, all encompassing satisfaction of embrace, hugging.

Poets sometimes can hear but not see each other’s words.

Poets sometimes can see/read each other’s words, but never hear them voiced aloud in the authors own, true voice.

Poets sometimes cannot smell or taste each other’s words, though it can take a poem to another, higher sensory level of coloration.

And yet, a bond so strong forms that defies the conventional limitations of the physical. Should we share such a bond, them you know it, no need to ask for confirmation.

Words, can be gifted, without teleportation, even when and if the bridge of a shared spoken language is not extant.

This is nothing short of miraculous.

Just like friendship.

All my wrestling to true comprehend this state, for naught, for the miracle of words is like the color of water. Universal, invisible, but so varied, that it too bridges and is shared by every ! human body regardless of any human shape, color, form of the billions conceivable.

But wrestle I do nonetheless, for the pleasure of this (non?)soluble problem that both creates queries & quenches simultaneously, so I break off this thinnest wafer to share with you, offering this notional:

All humans are poems.

All poems are human.

Solve this poem for human.

(And ignore the wet spots of my watery, clear tears staining this poem).
written Oct 2020. in conversation with SPT
  Dec 2024 Smoke Scribe
Nat Lipstadt
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken,
released 2010
(lyrics below)
<•>
A young teen listens to the
folk/rock during the Sixties,
five few years later,
now all growed up and living, crazy,
on Bleecker Street, the very same,
where these songs were being sung live,
by the artists, songwriters & friends
on the streets’s bars ‘n cafes

And Judy sings a ballad, mysterious,
‘bout a Marianne and all the tea in China,
words written like it was a poem,
and the infection was silent transferred,
still ‘fected, even now, in days sooner to
be reporting to heaven’s door, this blessed
curse will be unrelenting coming along,
we blame it on
Leonard Cohen

Knew the words, learned the secret chords,
which was easy, a-direct line between us,
knew where he got them holy tunes, and the
words he stole stealthy from our prayerbook,
went to Montreal, visited his home,
it was no accident, just the hand of god,
but don't blame the divine mystery being,
nah~nope, half~century, later, this dope
still blames it on,
yeah that’s right, on
Leonard Cohen

And here we are, the two of us, probably
smiling, gesticulating and gesturing, who
in fact is truly responsible for our crazy gene,
that pursues us, to create,
to mate words with
music of the deep soul, and here me be,
I am,
grateful grasping for each latter day to birth a new creation,
going out smiley & feeling kindly and fulfilled, now more than ever, and
zero doubts that the person at fault, fully blaming it all on my Canadian soul brother,
Leonard Cohen
https://genius.com/Byron-hill-blame-it-on-kristofferson-lyrics

<•>

Lyrics Listen
I WAS ONLY SIXTEEN|WHEN I HEARD THAT MELODY|AND THOSE WORDS ABOUT A YOUNG MAN|WHO WAS ALMOST JUST LIKE ME|ON A SUNDAY MORNING SIDEWALK|HE WAS FEELING ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||HE CHANGED MY LIFE FOREVER|WITH EVERY WORD HE WROTE|HE SANG WITH RHYMES THAT RAMBLED|AND THEY HIT ME LIKE A ****|SO I HEADED OFF WITH MY GUITAR|TO NASHVILLE TENNESSEE|MADE A PROMISE TO MYSELF I'D ALWAYS BE|WHAT I'D BECOME|BLAME IT ON KRISTOFFERSON||CHORUS: I'VE BEEN BLESSED TO BRING A SMILE|TO A FEW FOLKS WITH MY SONGS|BRING A TEAR TO SOMEONE'S EYE|AND HEAR THEM SING ALONG|BUT SOMETIMES I START HATING|EVERY WORD I'VE EVER WRITTEN|THINKING I AIN'T EVER LIVIN' UP|TO SUNDAY MORNIN' COMIN' DOWN AT ALL|BLAME IT ON KRISTOFFERSON||SO HERE'S TO JOHNNY CASH|AND 1970|THAT TV SHOW WHERE FIRST HEARD|THOSE WORDS THAT SPOKE TO ME|OF A SUNDAY MORNING SIDEWALK|AND A YOUNG MAN ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||REPEAT CHORUS|
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