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Matthew  Mar 2014
Whisper Loudly
Matthew Mar 2014
Boots 'n' ca-ts! 'n' boots 'n' ca-ts! 'n' boots 'n' ca-ts! 'n' boots 'n' ca-ts!

Boo boot ca-t boo-padoopa ca-ts, boo boot ca-t boo-padoopa ca-ts.

Boot chewy-skir-ts, boot chewy-skir-ts, boot chewy-skir-to-skir-to-to-to skir-ts.

Boo-ts, ca-ts boot-to-to-to ca-ts, boo-ts, ca-ts boot-to-to-to ca-ts,
boo-ts, ca-t ca-t to-to-to ca-t, boots ca-t ca-t to-to-to cat to-to-to

Book a took a cat, book a **** a took a ca-t, book a took a cat, book a **** a took a **** a took a...
Carl Barton  Dec 2012
Jazz Solo
Carl Barton Dec 2012
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat…
The beat repeated over and over as the band plays on.
As it approaches I feel the butterflies flutter.
My arms start shaking nervously.
My hands begin to sweat and grow clammy.
The drumsticks become harder to hold with each stroke.
The band crescendos….
LOuder!.
LOUDer!..
LOUDER!!!... Then,
silence.
Only the drums are playing.
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat.
Everyone is waiting, all of their eyes are staring.
The band now holds the beat, as the drums take the floor,
Center stage.
Shivering in a cold sweat, fearing failure, I change the beat.
Bass drum and hi-hat start off…
Boom-tss-boom-tss-boom-tss-boom-tss
A snare rolls…
Dadadadadadadadadadadadadadadadadadadada… it crescendos… GAT!
*** dum da de dum bop a duba de dop pop…
I play several measures.
All of them unique, but connected.
Finally the band joins back in, and the pressure is off.
Back to the same old groove, the comfortable beat.
Tss-dat-ts-tss-dat-ts-tss-dat-ts-tss-dat.
The audience roars with applause.
I look to my father, and the smile on his face is all that I need.
Bo Burnham  Mar 2015
I F--k S--ts
Bo Burnham Mar 2015
*****! *****! I **** *****!
***** get ****** when I **** *****!
No ifs, ands, and/or buts!
I **** *****! I **** *****!

Nice girls are nice, but no good for nut-*******.
They'll need a serene night to green-light a ****-*******,
but that'll be easy with ****** ol' ****-*******!
Boo to the nice girls! Praise be to ****-*******!

I have a list. A list? Yes, a list of all the ***** I've missed.
I've never ****** or ****** these ***** and thus my nuts are ******* ******.
So when I **** the lucky ****, my nut removes her from the list---
another dumb cumbucket struck from my nut-*******,
"**** it, ****!" ****-******* bucket list.

***** can be white, brown, pink, or almond.
They can be skinny with ******* or skinny with small ones.
***** can be perky, preppy, or posh,
with their brains and their clothes all shrunk from the wash.

But other ***** are pretty and funny and smart.
They can lift your thoughts from your **** to your heart.
They can talk about science, music, or art.
They can put you together or pull you apart.

But don't trust these *****! Don't! Don't you dare!
They'll force you to trust them and love them and care.
And then they'll be gone and then you'll be aware
of that hole in your heart that that dumb **** left there.
poem reading here--> www.youtube.com/watch?v=UGZ2VqcmZlI
Lanox Nov 2015
Do make it clear if breakfast is included. If not, make a disclaimer: "I am in the belief that you coming over is good. But that somehow this twisted world resulted in someone twisted as me. Who although enjoys the company of someone like you at this hour, cannot accommodate you past sleep. That you can choose to either leave before I doze off, or that in the morning you will readily accept if I can only open the door out for you. You can make yourself coffee. But know that I am wary of being with awake people while I am asleep, as I think you can easily understand."

There are two types of people in the world: the foodies and the cranky ones. I do not intend to be the latter.

Do make sure you expect only as your place can allow. You cannot hope for me to clean up the eye makeup that heavy drinking had caused to drip down my face when what you have is but a cracked mirror and a broken sink. I cannot fix myself up amid your chaos. I would have to look the part. Act the part. Smell the part. You either want me to receive you messy or put you back up. And I know there aren't too many choices, but still. You gotta make one.

Do say only words that you will not choose to forget the next day. Do not make promises of more future promises. Do not paint images of love, kindness, and honesty when we both know our story will only last as long as this night. This is not a contest on who'll be more unforgettable. We both know why we're here in the first place. We both remember too much.

Do consider the possibility that a sleepover may include only sleeping beside each other, but that it does not mean "nothing happened." A conversation can **** me up just as much, perhaps even more, than the real thing. You cannot share to me a universe that you expect me to pretend not knowing the next morning. You cannot accuse me of meddling when you've told me a story of how umbrellas scare the crap out of you and so every time it rains, I remember you. And so every time it rains, I text you, "Where are you?" not in the possessive way others do, but simply to make sure you are somewhere dry and not dying.

Do smile at me the next time I see you, even if we both know we've tried to avoid each other. I, only because I felt you were trying to avoid me first. Even if bitterness starts welling up, please do not look away. You perhaps may have been a mistake, and I may have been yours as well, but we've never been followers of others' ideas of what constitute a tragedy. My love, our love may to them look ugly, but we've agreed their beautiful ***** anyway. Every time they tell me you like a pretty thing, I always think you are being sarcastic. And that only I could see your sardonic point.

[Beer break]

At heto naman ang mga bagay na sana'y 'di mo gawin.

Kung ipagpipilitan mo ang kwarto mo, sana'y siguraduhin mo na mas malinis ito kaysa sa akin. Na 'di ka nakatira sa bahay ng mga magulang mo (dahil maingay ako at matatanda na tayo) o wala kang ibang kasama (sa parehong kadahilanan). Kung tatluhan ang hanap mo't 'di mo naman nakayang sabihin na may ibang babae na pala sa'yong kama ay mas mainam pang makipaglimahan ka na lamang gamit ang iyong mga daliri, mahal.

Wag mo ipagsabayan ang pagkain at ako. Alak at ako, pwede. Ngunit kung ikaw yung tipo na pinagsasabayan ang sarap ng dila't kalamnan, bibigyan kita ng ibang numerong tatawagan. Tayo'y Pilipino't kapag pagkain ang mapag-usapan, kasali ang tuyo, bagoong, balut, at itlog na maalat, mahal ko, seryoso ka bang maihahalo mo ang mga isip-isip na'to sa klase ng almusal na binabalak mo? Je ne suis pas Francais. My kisses will not make you think of food.

Wag mo akong ikalia. 'Di ko ikakahiya anong oras man akong lumabas mula sa'yong tahanan, basta lamang 'wag kang sumalungat kung ang tanging bukambibig ay galing ako sa kanya. Kung ako'y matingnan at mapansin ang biyak-biyak kong puso ngunit bakit nga ba 'di magawang mapalitan, kapag ba'y sinabi kong ito'y dahil sa'yo sana'y 'wag itatwa't angkinin **** minsan kasi'y nabanggit mo na ako . . .

Kaya't kaibigan, 'wag naman masyadong pikon 'pag ika'y na-friendzone, kinakausap ka pa rin naman, diba? 'Wag mo sabihing tunay ngang mas nana-isin mo ang trahedyang dulot ng malisyang 'di nabantayan. 'Wag mo sanang isipin na ang bawat pagpakita ko ng kahinaan ay pagtatawag na bigyang ligaya ang katawan kung masid mo namang lungkot ang siyang nakapaglapit sa'ting dalawa. Walang paghihiwalay sa pagkakaibigan, at kung sasabihin **** wala na tayo'y ipagkakalat ko na minsan nga'y naging tayo, pumili ka.

At ang huli'y sana 'wag **** ipamimigay agad-agad ang sarili mo sa sinuman matapos sa'kin. Madali kang mahalin. Mabilis kang matutunang unawain. 'Di naman sa kita'y ina-angkin. Ang sa'kin lang ay sana'y 'wag **** pagsabayin ang lahat-lahat . . . ng dinarama. Hindi lahat handa na ika'y mahalin ng buong-buo, lalo pa't 'di isa-isa. Tuloy nagmimistulang halimaw sa ilalim ng katre, kahit sa katotohanan nama'y kapareho lang na minsan di'y naging musmos, kapwa walang alam, kapwa nangangapa, kapwa takot, ngunit patuloy pa ring sumusubok.

https://soundcloud.com/lanox-alfaro/the-dos-and-donts-of-1
I wrote this the night before hearing about the Paris attack. I thought of editing the French part out but decided to keep it, as a reminder to myself.
RAJ NANDY Jul 2018
Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.
The petals fall in the fountain,
the orange-coloured rose-leaves,
Their ochre clings to the stone.
Section 17 Row H seats 11 and 12
Almost every home game does he see
A grey haired man with a clip board sits
Two seats over and one down from me
He's a scout for the bigs, Comes most games to watch
Can't watch as a fan anymore
They know he made it, was up with the Bruins
Played defence with Old Number Four
He watches intently for five minutes or so
Just enough to watch each kid skate twice
Then he drinks down his coffee all in one gulp
and then he returns his eyes to the ice
The Scout, we will call him, for lack of a name
Has seen kids who've got game disappear
They find out he's watching, they get all uptight
And they can't play 'cause they're all tense with fear

I watched for four games, got his routine down pat
Watched him arrive and watch the kids skate
He'd go down in the corner and stand by the glass
Watching close through the plexiglass plate
He stayed away from the coaches, the players as well
And the parents, he'd avoid like the plague
If one ever stopped him, and asked "How's my boy"
He'd smile, and give an answer so vague
His career ended early with a stick to the head
Almost killed him, but, he was too mean
His left the game early, with Wayne Maki to blame
The Scout, is Edward "Ted" Green


Each season he'd sit, watching game after game
In arenas all over the land
Some kids he'd notice, he did not come to watch
They were just something that wasn't planned
He'd come into town to watch a kid who could score
And go home with two names on his list
One a defence man, and the goalie as well
But, the scorer, couldn't skate and got missed
Ted, would watch and make his reports on kids
Some were right, and the kid would go pro
He may be a star in the minors right now
But, the bigs...well, fate only knows

He'd listen to parents and coaches talk of the boys
Saying "My son's the next Bobby Orr"
Ted would chuckle a little and not say a word
He knew the kid would be heard from no more
Putting pressure like that on a young players back
Is like saying, "My boy will be God"
From then on it's never, the talented kid
I'ts the boy cursed with Orr's lightning rod
Many young players get compared to the best
But to say it out loud is a curse
You put a red dot on the young players back
He may as well leave in a hearse

Ted's seen them all, coaches, players and bums
Played when the game was real tough
They  had lighter equipment, not kevlar like now
and Ted, as we know liked it rough
His scratches and scribbles on the page tell a lot
But to the untrained they look like a mess
A pharmacy student couldn't read what he wrote
Nor a court stenographer I guess
He's a spotter of talent with stories to tell
More of them about kids who fell short
Most of them cursed with the "My kids the next..."
and the name of the best in the sport

Two Hundred and Ten games he watches each year
Most times he's gone early on
He's sees what he needs and then he packs up his stuff
And by the end of the first, Ted is gone
He's off on the road to another ice rink
To sit and watch on the hard seats, so cold
To listen as parents and coaches again
Talk of greatness, it's all gotten old
Terrible Ted has a warriors soul
And his grey hair is thinner but, curly
He has ice in his veins and a stick through his heart
Too bad his playing time ended too early.
Dedicated to "Terrible" Ted Green of The Big Bad Bruins and Edmonton Oilers of the NHL and former New England Whaler player of the WHA. One of the best hockey men around. I thought of this today after finding an old Ted Green hockey card from 1968 in my dresser drawer. I remember watching him play with Boston and Edmonton and saw him a number of times scouting at The London Gardens after his playing career was ended.
Nat Lipstadt Mar 2014
Everything in quotations marks and italics was written by TS Eliot.

eyes knowing glossy men,
sheer women, creatures,
not all artists, but artists,
always thus,
centrifugal, simple

from their core,
emanate, resonate,
expand the exterior
with interior precision sculpting

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity
subsidiaries of centricity,
tributaries of complexity,
oriented to their locality

the simple purpose of inhalation,
to exhale, after transformation,
the calculus of thought into emotion:

"the tongues of flame are in-folded
into the crowned knot of fire and
the fire and rose are one"


the dancers hear the music:

"so deeply that it is not heard at all,
but you are the music
while the music lasts."


**”Quick now, here, now always –
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well"
"Immature poets borrow, mature poets steal." T.S. Eliot (1888 - 1965)

Inspired this evening by the Martha Graham Company, the words and wisdom of TS Eliot, from whom she took inspiration in her choreography of modern dance

— The End —