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Àŧùl Mar 2015
So aged he is, but still so zealous for his job.
It feels like he has only known his rickshaw.
The ancient bard in him tells Punjabi poems.
He belies his wrinkles as he pedals his ride.
Just putting to shame his fellow rickshaw pullers.
None remembers or even cares to know his name.
He just pedals and remembers his deceased wife.

He told me a Punjabi tale of partition...

"We were really happy when it happened,
I was 16 and married to my beautiful wife,
But then he pressed for a separate Pakistan,
Just so much wicked was this demand of his,
Punjab was alight due to some people's doing,
We were to cross river Ravi en route to Amritsar,
In Lahore my childhood home was burnt to ashes,
My beautiful wife was still so young at that time,
She was ***** on the banks of river Ravi & killed,
In no cloth was she draped as they burnt her body,
After pouring whiskey all over her lifeless body."


His voice broke and a stream of tears escaped,
Down his eyes they flowed like the river Ravi,
"In front of my two eyes the men had ***** her,
Her mistake? Looking at them once & smiling,
Sin as great to be punished by such brutal drab?
What God, Ishwar or Allah did they follow?
I have known all & none advocates ****,
To which parents could they born?
Must be the devil & the witch."


By now his nose was red and his sobs audible.
He said, "She was not just *****, she was also killed,"
The ancient rickshaw puller gasped for breath as he said,
"Would the high heavens thank them for killing my wife,
She was a Hindu and an idolater with my mangalsootra,
Why they spared my life I have no idea but just remorse,
Will their Allah or God spare them on Doomsday?"

==============
And Google knows who pressed for a separate Pakistan in the name of communal majority.

My HP Poem #813
©Atul Kaushal
From where I sit in this bicycle rickshaw
everything is in motion.

Balloons, massed into colourful clouds,
ride in the rickshaw just ahead.

Brahmin cows walk by, unconcerned
by the tiny cars speeding and honking.

People of every age and description
walk towards the stalls and shops.

From where I sit in this bicycle rickshaw
pale pink sari fluttering around me,
all is completely still and silent,
*even as everything is in motion.
©Elisa Maria Argiro
Tilok Adnan Aug 2014
As buildings and tea stalls
and compiled garbage
passed by us, and led to other
buildings and tea stalls
and compiled garbage,
it was clear that the road ahead had many
turns and twists.

It was clear that
if, and only if, we went straight
we'd end up colliding into a building, or a tea stall,
or compiled garbage.

But fortunately for us,
  we know better.
I resented that day that we hadn't had enough rickshaw rides together.
Somehow he pulls along
He breathes
In his little width of life,
He gasps
In making that width
When moves flesh
That far outweighs
What he gets at the ride’s end,
Sweats it out in the sun
Splashes in the rain
A pedaling run
Joyless but gritty
That if can be made
Would fetch him his bread
From the rider in comfort
To the puller who transports
Mountains of loads
Knowing not to pause
Till drawn by fate
For a rest in sunset!
Priya Devi  May 2015
Heritage
Priya Devi May 2015
First things first
I'd like to apologise

I'm sorry I'm not the good Indian girl I was bred to be
I'm sorry I don't make round rotis
I'm sorry that the tongue I use to speak punjabi is broken and hides in my mouth unused until desperately needed
I'm sorry that I don't cook and clean efficiently enough to be wifey material
Sorry that I love who I love and don't hate who I was told to
Sorry that I can't follow gods blindly and not try to sneak back stage to see their shining gold adornments and blue body paints and multiple arms in full and bare glory and scandal

I'm sorry that I'm actually not sorry for any of this
I'm sorry that these are false and empty apologies

I am unapologetically whole
A human not just a race
A female not a trust fund or business transaction

I filter out the good parts of the culture I'm from and the ones I identify with
I'll wear docs under my saari no apologies
I'll grind on dancefloors and do the best Bhangra dance you'll ever see unashamedly

Hareems and hoodies
Bindies and pin up eyeliner
Hedonism and head in the clouds

My ambition is Ambedkar untouchable
My drive is a salt march surging silently non violently through cities
My hometown pride is built in concrete and rickshaw dust,
Prejudice and Bollywood lust
More of a rant than a poem
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
beyond the lighted city
past the festive crowd
beneath the melancholic halogen
outside the shut doors and windows
upon a lane paved with garbage
amid an air stenched with *****
between two wooden wheels
head resting on holed rexine
arms limply down from heaven
feet embracing the dirt
sleeps another night
from the ashes of day
dreaming just enough
to muscle
another
morn.
Rickshaw-pullers of Kolkata
a passing thought on a festive night in a blind alley
In owl-moon night
when doors are closed
in shut out light
lanes breathe morose

He carries the weight
dead in drunk sleep
in chilled night’s sweat
of tightened grip

On side of street
men burning logs
seize some heat
as need too dogs

But he must run
errand of hell
till job is done
moon’s face goes pale

Jangle hand’s bell
veins swell up taut
marks frame frail
battle hard fought

From lane to lane
his stone feet roam
till rests his pain
on pavement home!
Nuha Fariha Oct 2015
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
Mary Pear  Sep 2016
Varanasi
Mary Pear Sep 2016
Two strangers in a rickshaw in Varanasi:
Two strangers who never felt like strangers.
Two people lost and alive in the moment,
The same moment
With every sense standing, antennae bristling..

Two in a bubble
Together, held apart.

Caught up in a parade and surrounded by shy , smiling faces
Waving modestly at the fair haired strangers,
Laughing
At their surprise and joy.
Knowing that moment's awe
Delighted to share the festival.

Rickety trucks gaudily decorated blare out the tinny music and
High pitched voices distorted by the tannoy add an urgency
To the motion.

Shimmering saris glisten,
So in tune with the  music that trembles with joy.
That joy spills out from the
Scents, the colours, the gleaming grins and the shy waving that marks our welcome,
Till every sense tingles
With life.


And then the sand storm
Swirling and circling the speeding rickshaw
Arrived mysteriously, magically,
Like dry ice in a theatre.

The air now tangible;
Surrounding us like the skin of a bubble
Lifting us out
Of ourselves as the scene comes and goes.

The sand screen clears to reveal
An elephant
A beautiful, smiling elephant
Dressed in splendour
Accompanying us on our magic carpet ride.
Close enough for us to touch his hide.

Bejewelled and glorious
Smiling too
And all is one in that moment
And each looks at the other and feels enchanted and wants the parade to go on forever
Just like this;
With motion
And music
And colour
And smiles
And laughter
And
An elephant.
murari sinha Sep 2010
in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera
RH 78 Jul 2015
Covent Garden.
Midnight.
Revellers and tourists combined.
The market is heaving.
Last trains are leaving.
An eclectic mix to broaden the mind.

Covent Garden.
2am.
The place is pretty quiet.
Pubs have closed.
Clubs.... God knows.
The tourists have frozen their riot.

Covent Garden.
4am.
A drunkard stumbles by.
Flood lit shops.
A rickshaw stops.
The backdrop against a reddish
sky.

Covent Garden.
6am.
Blokes lurk down Langley street.
The glint of a blade.
A blur in the shade.
Lava tip of cigarette falls to a strangers feet.

Covent Garden.
8am.
Commuters emerge from underground stations.
Workers prepare.
Visitors beware.
Pick pockets attracted like gravitation.
Spent a night shift at Covent Garden in London people watching.

— The End —