In this chapter, the researcher reviewed the opinion of some past and recent writers on the subject and also added their own ideal under the following sub-headings:
- Conceptual frame work
- Theoretical frame work
- Empirical frame work
- Summary

2.1. CONCEPTUAL FRAME WORK
CONCEPT OF ZOOLOGICAL GARDEN

The concept zoological garden is a form of ex – situ conservation, which primarily involves keeping of animals alive outside their natural environment for aesthetic educational researches and recreational purpose (Varadharajan and Pythol 2000). Nigeria is blessed with abundant wildlife species which needs to be properly managed in a sustainable basis to prevent depletion (Opara et –al 2010). Hence the need to adapt strict management of resources, repopulation of endangered species and conservation of wildlife park and zoological garden and management strategies (Ajebede et – al 2010).
Throughout history, human have given value to other species of animals as means of entertainment, education and spirituality in addition to being source of food and clothing (front 2011, 69) collecting and exhibiting and exhibiting animals originated from Ancient Egypt where private collection were reserved for the higher class population as a symbol of wealth and power (wearing and jobberns 2011, 19 – 50). In the 1900’s, zoo’s based themselves as conservation movement, with focus on scientific study of endangered species. In the beginning of the 20th century, zoo became an attraction of mass audiences (Beardworth and Bryan 2001, 88). By the late 1900’s there was a shift in the natural of zoo with public attitude and interest changing nature and conservation, with concern for ecosystem and awareness as they protect endangered species (Wearing and Jobbern 2011, 50.

ROLES OF ZOOLOGICAL GARDEN
(Mason 2011, 189) reveal that the roles of zoo are:
a. Educating people about animals.
b. Conservation of endangered species
c. Safeguarding the welfare visitors
d. To generate revenue
e. Providing visitors facilities such as catering and merchandising
f. Re – introducing captive breeding into the wild and carrying out zoological and veterinary research to improve animal welfare in the wild and in captivity.
On the other hand, zoos served as scientific research, for example, zoologist learn more about animals habit and diseases by studying them in zoos studies of animals living kin zoo, together with examination of those that have died have provide zoologist with information about the structure and function of animal bodies (Usher M.B 2000). Keeping wildlife animals in captivity bring visitors from different parts of the world for different purposes such as to provide sources of recreation in the city, to provide biological specimen to constitutes, a learning resource for secondary school, colleges, and universities. It also provide employment and game reserve, provides sources of protein revenue, esthetics recreation, education and scientific values (Presley 2001). The captive animal propagation is one way of encouraging growth of depleted wildlife species population and so properly planned program of zoo establishment and development is considered as one of effective method for conservation of wildlife (Okpiri 2005). Educational environment study and conservation of the  environment have become a subject of major importance all over the world, not only from the point of view of preventing population, but also from the point of conserving water supplies by protecting water shed, conserving soil, vegetarian and Fauna. (Comphell 2007). Comphell also stated that conservation zoos can provide an important facility for research at both pure and applied levels in both the field and laboratory in colleges and universities. Bigot (2000) emphasized that the primary function of zoo curators is to make visit a leaving experience. The attention and effort given to wildlife conservation and tourism in both state and federal levels have been noted.

CONCEPT OF TOURISM
According to UNWTO 2020 defined as the study of man away from his usual habitat. Activities of a person traveling to and staying in places outside their usual environment for not more than one consecutive year for leisure, business and other purposes, tourism contributes to specie conservation, communities project in developing countries like: Nigeria, environmental education, awareness and economies development (Klutzy, 2000). Filton et al (2000) reported that 20 – 40 percent of international tourism is related to wildlife. In Nigeria, tourism contributed 3.3 percent of total GDP in 2011 with forecast of a 10.8 percent increase for 2012 (WTTC 2012). Smith et al (2012) recognized the role of wildlife tourism as building breeding species management and influencing visitor’s behavior for the benefit of wild animals. Fibs (2007) underscored the value of zoo visitors and their feedbacks for the planning and designing of zoo and more importantly to decision making in zoo management by showing on – going treads. He therefore stands to reason that visitors’ preferences should be seriously considered by policy makers and management of zoo and other similar institutions. An area in which visitors’ preference is highly important for a zoo in particular is choice of animals desired. Woods (2000) observed that humans have definite preference for different species of animals. Knowledge of visitors desires in terms of animals and the features that make the animals appealing will assist zoo management in animal acquisition and also in development of education and interpretation programs listening physical features, behavioral characteristics as factors influencing animals preference (Wood 2000, Wentworth 2012). Wild tourism can be described as tourism undertaken to view and or encounter non – domesticated animals in captive, semi – captive or in their natural environment (CRC 2001, Newsome et al 2005). According to Durbary (2004), it could be non consumptive such as viewing, photographing and fishing.

CONCEPT OF ZOO AND EDUCATION
In zoo and education, a study by Patricia et al 2007 states that conservation and education are key elements in the mission statement of zoos. A survey conducted by the Association of zoo and aquarium (AZA) reveals that the general public rate conservation and education as the most important role of zoo (Frasers and Stickler 2008). Zoo primarily deals with three aspects of conservation practice i.e practice, advocacy and research. Conservation practice entails captive breeding, species rein-introduction programs, species survival plans and the use of zoo revenue for conservation programs in wild. Conservation advocacy include: public engagement, promoting awareness, advocacy, stewarding and fund raising events and schemes, a good example of which is like “Adopt animal scheme at most modern zoos”. Moreover, conservation research is conducted on wildlife biology, population dynamics, animal behavior, health and welfare and there are also publications generated by zoos animals care captivity. The preservation of animals in zoos makes it easier for more people to see them.
As well, zoos have been used to preserve various endangered species. However, zoos have become powerful educational tool for many scholars, biologists and researchers (Falk and Dierking 2000).  Individual who visit a zoo get the rare opportunity to examine the relationship between man and animal (Wagoner and Jenson 2010). Students can learn a lot about certain animals that might not be locally available. Many specimen and animals (Wagner and Jensen 2010) argue that zoo makes it possible for researchers to conduct their studies, for instance, researchers can use caged animals to make various observation about wildlife or animals. The acquired knowledge can be used to support the survival of the wild animals in their natural habitats. It is therefore agreeable that zoos have an important educational role in every society. This because, learning is ever – changing process (Falk and Dierking 2000). In the 1970’s the primary educational target for most American zoo was elementary level children. The idea was that building understanding would lead to appreciation which would eventually produce a generation that was concerned about wildlife and the environment (Wheatly 2000). Wheatly emphasized that although children are still a primary audience, zoos are extending themselves to reach many others audience that can make difference in action today. This initiative includes the membership, governance and employee of zoo.

CONCEPT OF ZOO AND CONSERVATION
In zoo and conservation, according to Max – Planck Gesell Chaft (2011), Zoology garden breeds animal from threatened populations and and thus makes greater contributions towards biodiversity conservation. According to UN (2020) on global biodiversity warned that 1 million species are at risk of extinction with decades, putting the world’s natural life support system in jeopardy. Unfortunately, loss of plants and animals habitat leads to from species extinctions and loss of diversity from ecosystem. Fortunately, not all of the extinctions occur at once. Conservation action may still be able to save threatened species (John M et al 2016). At October 2010, meeting of the Convention on Biological Diversity (CBD) in Nagoya, Japan, delegates discussed a plan to reduce pressure in the planet’s biodiversity. Key targets include expanding coverage of protected areas, halving the rate of loss of natural habitats, and preventing extinction of threatened species. Species whose habitat is severely threatened, however, the outlook is so bleak that the International Union for Conservation of Nature (IUCN), the US Endangered Species Act and the CBD (Article a) recognize that In-Situ conservation action (ie, in the species natural habitat) will need to be combined with Ex-Situ approaches, such as captive breeding in zoos, aquariums and so on (Conde et al 2011).

THE THEORETICAL FRAME WORK
The animal welfare and management (Dakin 2001) is a state of being that can be measured, recognized that its ranges from very poor to very good, introduces the concept of coping, allow measurement separate from moral consideration and refer to feeling as well as physical and psychological health. The definition of welfare that we use also emphasizes that it relates to an individual and thus welfare can differ between different members of the same species, even when exposed to the same condition (Horsey et al 2009). In the case of zoo animals, which have often come from very heterogeneous background, individuals may vary greatly in this previous life experiences and this can influence their ability to cope with certain challenges, by using each animal as its environment and thus an individual’s welfare can be measured.
There are also some species – specific characteristics that have evolved to enable animals cope with different, environment and thus we should also consider welfare at the species level; such species level adaptation could relate to dietary needs, hearing sensitivity, thermo-regulatory needs and so on. The theory of evolution by natural selection, first formulated in Darwin’s book “On the origin of species” in 1859, this theory states Organisms change over time as result of changes in heritable physical or behavioral traits. Changes that allow an organism to better adapt to its environment will help it to survive and have more offspring. The physical and behavioral changes that make natural selection possible happen at the level of DNA and gene, such changes are called Mutation. “Mutations are basically the raw materials on which evolution act. Pobiner said, mutation can be caused by random error in DNA replication or repair, or by chemical of radiation damage. According to Chinaka (2019) in the book concept of evolution, Charles Darwin proposed the concept of natural selection as the mechanism of evolution. The main postulates of Darwinism are:
1. Geometric increase: According to Darwinism, the populations tends to multiply geometrically and the reproductive powers of living organism (biotic potential) are much more than required to maintain their numbers.
2. Limited food and space
3. Struggle for existence
4. Variation etc
Both natural animal populations and those in captivity are subject to evolutionary forces. Evolutionary changes to captive populations may be an important, but poorly understood, factor that can affect the sustainability of these populations. The importance of maintaining the evolutionary integrity of zoo populations especially those that are used for conservation efforts including rein-introductions is critical for the conservation of biodiversity.
Greater appreciation for an evolutionary perspective may offer important insights that can enhance the reproductive success and health examples and associated strategies that highlight this approach, including minimizing domestication (ie genetic adaptation to captivity), integrating natural mating systems into captive breeding protocols, minimizing the effects of translocation on variation in photoperiods and understanding the interplay of parasites and pathogens and inflammation. Captive populations can adapt rapidly to captive environments through demonstration, in which human impose artificial selection in order to increase the prevalence of desired traits in the domesticated population.
For domestic animals, human breeders choose to breed only those individuals that thrive in the captive environments, leading to trans-generational changes that result in a population that is adapted to breed and survive in the conditions imposed by the breeders. Among captive population of animals, zoo populations are unique in that they are maintained to educate the public regarding wildlife and their habitat or to preserve critically endangered species through captive breeding and reinforcement program. Although assessment and preservation of genetic diversity is a top priority for most conservation breeding programs, fundamental to these goals is the maintenance of the genetic variation of these captive populations (Lacy 2009). Whether used to further educational or conservation goals, it is critically that these captive population are representative of the natural populations from which they are desired (Ashley et al 2003). However, maintaining captive population, such that they are reflective of the wild phenotype of the animals, can be challenging in zoos because of the mismatch the environments that the zoo population is originally from and the captive content in which they are been housed. Hendry et al 2015 carol et al 2014, for example, solitary animals with large territories that only encounter sexually mature counterparts during estrus may be housed in proximity of their mate year round, potentially leading to the behavioral issues, including ****** aggregation or ****** incompatibility. Other stressor can exist in captive environments for which animals are not adapted, including the acoustic environments, physical substrate and even availability of food (Morgan and Tromborg 2007). Minimizing the mismatch between the natural environment and the captive environment and they should limit the decline and poor performance of captive populations (Hendry et al 2011; Carrol et al 2014). Captive environments are very different from the wild and can impose different selection pressures that can lead to genetic adaptation in the captivity that affects behaviors (eg: temperaments; MC Douglas et al 2006), morphology (eg; size, skeletal morph metric O’ Regan and Kitchener 2005); and reproductive output (eg; age at ****** maturity, letter size). In particular populations of species with short generation times will adapt more rapidly to captivity than those with long generation time (Frankham 2008).
Social learning theory is the idea that children from observing. According to the learning theory, learning is based on social interaction with the environments (Nwamuo et al 2006). As children walk around the zoo, they are exposed to words and concepts. It also encourages dialogue between parents, siblings, friends and zoo guards (Jessica 2014)  visiting the zoo help the children and other visitors to understand the importance of taking care of the environments as it has a significant impact on lives and welfare of animals and importance of conservation and animal care which will never be forgotten. According to (Nwamuo et al 2006) social learning theory plays a big role in how people and especially learn. There are four elements to social learning theory including:
• Attention: Children can’t learn if they aren’t focused on the task. Students who see something unique or different are more likely to focus on it, helping to learn just as in zoo.
• Retention: people learn by internalizing information later when we can recall that information later when we respond to a situation in the same way which we saw.
• Reproduction: in the way we are able to reproduce our previously learn behavior or knowledge when it’s required. Practicing our response in our head or in action can improve the way we response.
• Motivation

Operant conditioning of behaviors theory of B.F Skinner, enclosure design and environmental enrichment strategies have all been suggested to improve the welfare of zoo animals by reducing stereotypical behavior and rein-introduction success of wildlife species. (WAZA 2015). Thus, the use of these strategies has important consequences for zoological collections. Despite the recognition and wild-scale implementation of such strategies, however, concerns around global zoo animal welfare remain and behavioral pathologies are common in many species. (Luhrs 2010) using operant conditioning, some of the barriers to delivering positive welfare experiences through holistic behavioral management strategies to zoo animals and make recommendations for institutional approaches towards improving zoo animal welfare using examples of Abnormal Repetitive Behaviors (ARBs) through targeted behavioral management.

EMPIRICAL FRAMEWORK
According to P.A Anadu (2000) on his study wildlife conservation in Nigeria: problems and strategy a case study of wildlife reserve of University of Benin, the major treats to nature conservation in Nigeria and he reviewed critically the measures adopted for the protection of wildlife. According the study, the major problem includes habitat degradation (through uncontrolled logging, agricultural projects, industrial plantations, highway and urban development’s and exploitation for fuel wood) over hunting and poaching.
He suggested that to protect wildlife include the creation of more game reserve, enactment of wildlife laws, signing of international treaties and manpower development. According to his research through interview with about 10 workers or staff of the wildlife reserve, the major treats to the area include poaching and hunting, indiscriminate feeling of forest trees, low funding, inadequate game laws and weak enforcement of the existing legal provisions.
It is suggested that the Federal Government should intervene more positively in favor of conservation by creating more national parks and assuming joint responsibility with the states for formulating wildlife laws. Furthermore, the role of nongovernmental organizations in influencing conservation policies and mobilizing public opinion will be cruial in different years ahead.
In the journal “A synopsis of wildlife conservation in Nigeria by Timothy A Afolaya  2009, this article emphasized the recent developments in the overall conservation program in Nigeria as it describes the important role which wildlife is playing in helping to feed the nation, in creating employment opportunities, in education in research, in recreation and in local medicine. Inadequately of Nigerian wildlife legislation and of the trained manpower to protect and manage the wildlife resources are among the crucial wildlife management problems identified. It is also stressed that the basic information for effective management is often lacking where Nigerian wildlife reserved are concerned. It also stressed that the main problems facing wildlife conservation in Nigeria include poaching, over exploitation, lack accurate data, bush burning that destroys wildlife habitat. There is adequate reliable database to facilitate forestry planning and development. Weak forest policy and implementation, forest policies lacks legal backing and hence its enforcement is difficult. The Nigeria forestry policy Act, 1937 is subsumed in the National Agricultural Policy of 1988. Forest tariffs are relatively low and are not revised frequently penalties under most laws are low and seldom enforced. It suggested that Nigeria forestry policy act should be reviewed or renew and encourage the government to implement the policies adequately and enforce penalties on the offenders.
Jonathan (2009) in his own study animal wildlife conservation under multiple land use system in Nigeria reveals that out of 6 selected zoological garden and game reserves in six geopolitical zones in Nigeria. The situation of wildlife in Nigeria is nevertheless different. Except in the Yankari, upper Ogun and Kwiabaha, Game Reserves and the Kainji lake National park, little efforts have been made to protect the Nigerian animal wildlife resources from human pressure and wide spread extinction. To many, what remains of the wildlife animals are best seen in the few state owned zoological gardens in Nigeria?
However, because most indigenous large animal species including Elephant, Buffalo, Chimpanzee, Gorilla, Rhinoceros, Leopard and Ostrich have not been able to reproduce in the various zoological garden so far, the hope to conserve this animals are brittle.
According to his work, animal wildlife is a declining resource in Nigeria because of unplanned land use practices. For example, land uses in game reserves are often conflicting and contradictory for land uses, timber extraction, hunting; food crop production and settlement are simultaneously going on in game reserves with little or no control measures and with no management plans. The excessive demands for land these conflicting uses have greatly disturbed the ecosystems involved, thus making the survival of the wild animals uncertain. Specially, the problems of wildlife conservation in Nigeria are:
a. Poaching
b. Indiscriminate burning of the vegetations
c. Uncontrolled grazing activities in the reserves
d. Intensive logging for domestic and industrial uses
e. Users rights on the reserves enjoyed by the traditional owners of the land before reservation
f. Lack of adequate fund to manage the reserve
g. Ineffective legislation
h. Lack of trained manpower
i. Urban sprawl
j. Infrastructural development of roads, electric and telegram lines and irrigation schemes.
k. Lack of modern enclosure or caging
l. Inability of animals to breed within the captive environment.

He then emphasized that the picture for Nigerian animal wildlife depends on the nation’s ability to conserve what is left either in their natural habitat or at least, in zoological gardens. The game reserve should be reduced to manageable numbers while state governments should win public sympathy through adequate conservation publicity and the provision of sufficient vehicles and personnel to manage the game reserves. The policy of land use in game reserves should be conducted on:
a. The number and species of animals hunted per year
b. The population of animals species in the game reserves and their habitat sustainability
c. The endangered and extinct animals species and specific reasons for the decline in their population
d. Human problems peculiar to each reserve and ways of minimizing them.
e. Establishment of rein-introduction programs.

SUMMARY
The establishment of zoos in a society is premised partly on the idea of bringing man close to wild animal’s species (Yager et al 2015). This establishment has various roles to play in the ecosystem and all endeavors of life. The role of zoological garden as well as wildlife conservation is as follows:
1. Education: zoos are established for the preservation of animal to make it easier for more people to see them and learn their characteristics and habitat. Zoo animals are used for specimens both for secondary schools students and tertiary institution as well as teaching the public the benefit of wildlife. A survey conducted by the Association of Zoos and Aquarium (AZA) reveals that, the general public rate conservation and education as the most important role of zoo (Fraser and Stickler 2008).
2. Conservation: of endangered species to avoid extinction of such animal.
3. Tourism:  it serves as a centre of tourism as people from different parts of the country visit to learn about nature at their leisure.
4. Generating revenue for the government as well as provides employment opportunities individuals etc
Most problems encountered in Nigerian zoos include:
• Poaching
• In availability of breeding species
• Lack of trained personnel’s
• Lack of fund by the Government
• Lack of infrastructure and conservation facilities.

.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

I began my life active with sports and other meaningless award systems.
Girl's recreational soccer, basketball, bike riding, math competitions, the works
Today, I feel weightless
useless would be best fit
As if all the running, jumping, yelling, point requiring statuses pushed the light out of my transitioned life.

I find myself sitting in one area often, as one may do
But different than sitting on a bench or sitting actively in company of others
I sit wondering exactly who I am looking at
Why am I empty lifeless longing towards an imaginary spot in the distant wall
I imagine some events in these minutes of stoic despair
Hearing goes weak and frozen, in this second, while I continue my Sunday brunch with non-conformative attitudes and her mother, the sweet old dementia
I don't mean to have their meetings often, I must of first acquainted as the first grade trauma or the Broadway rendition of Alone Thoughts featuring the Broken High School Years.
I hope to work the wheels again, to end these meetings and to live for once, in the midst of motion and pause.
This time, stopping and starting as I please.

Kashmir Delirium

Oh People Of Earth! Thankful are we,
For each act of benevolence shown to us.
Your gilded sweet words describing,
The beauty of Kasmir, land and people.

Mention in books and talks of it's riches,
Naming it the Sweet Paradise Of Earth.
The Lord has been bountiful to Kashmir,
Treasure of resources in every sphere.

To elevate each aspect, our wish for life,
As every acre of this land is worth millions.
Full of treasures and recreational value,
Forestry with grandeur and silvery rivers.

The outside world's view is so limited,
Simple folks living in the lap of rich bounty.
Mentioned in world forums and organizations,
But what of the goal of giving us freedom?

What has The UN established in our name?
To measure the pain and anguish we bear,
At the hands, of our supposed benefactors.
The saviours who has us fractured.

But in reality they train their enforcers,
In the art of creating oceans of tears.
The red blood now hidden in camouflage,
The spent shells now gathered and hidden.

The leaders we are told to elect in electoral shams,
Run publicity kiosks and swell friend lists.
Joint conferences to address personal interests
Dialogues that never address the root issues.

Just the formalities and no sympathy,
For the ones burnt in cruel sadistic reprisals.
The hypocrisy continues deliriously unabated,
More augmentation of the security forces.

For a first hand view of deep hypocrisy,
Walk this land, you know as beautiful.
Religious leaders will teach you  political artistry,
Sermons full of ambiguity and guile.

Waywardness and narrow mindedness on display,
Political apologists give great lessons.
Religion and religious ethnicity are tools,
That keep minds and bodies in total check.

Gamesmanship by leaders is the rule of thumb,
As promises are forgotten once office is obtained.
When writing of this succulent beautiful land,
Write of the air, pregnant with sadistic practices.

This land is being stripped of worldly treasures,
And the greatest treasure is mistreated daily.
The best of nation is the inhabitants,
Ignored are the real gems of this beautiful paradise.

.chris rea: god's great banana skin...

/ such random thoughts are a blessing, esp. after you've been walking for over 2 miles, in the cold and in the rain, with the setting sun... continually impressed by the nature of polyester clothing, how you feel the cold, but aren't cold at all, how you go back home and: you're dripping with sweat... /

the random thought?
about a saying, here's the schematic

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

which statement is true?
within the questioning parameters?
i think it's a trick question...
how else would you be able to
teach these statements and make
replica understandings of
said, statements?

(****... quickfire shots of syrupy
*****... **** me... give me the sweats,
and i'm not even constipated,
it must be the ***** doing
the magic... yeah... sober me?
doesn't like thinking...
but oddly enough, the drunk me?
pulls out philosophy,
no, not as some pretentious
high-brow interest...
   i just looked at philosophy as
a genre in literature,
nothing more)...

numbers, like letters...
or in the case of Roman numerals
(letters are numbers)...
i'm unsure whether you can arrive
at crafting them into existence
by analytical parameters,
i don't actually think
that you can conjure up numbers
from analyzing a priori,
given the ad continuum:
but... there was a point in time,
when / where: numbers weren't used...

Kant was a theist,
sorry...
  he says it plainly at the end
of his critique of pure reason...
in the transcendental methodology...
sure... he takes a "schizophrenic"
moment to write a thesis
and an antithesis on subjects like
cosmology...
but he's inclined, as i am,
counter to an atheist...
yes... god is probably a monster...
but a ******* gorgeous monster...
kinda like a femme fatale...
so what's not to like?

    but this thought didn't arrive
randomly,
and my consciousness
didn't hone in on it...
i didn't vector this thought
to an immediate conclusion...
the thought arrived,
and then: i had to make shrapnel
out of it...
the original thought was complex,
i had to make shrapnel out of it,
in order to put it back together,
so that a cognitive 3 seconds
could be rewritten in under 30 minutes
explaining, why the thought arose...

you know... when thinking
is detached from the moral (θ)-ought
you get to experience these "things"...
here's another schematic...

I + Φ (you put a key into a lock),
   Θ (you turn the key), O (the door opens),
hey presto... a free radical iota...
detached from both phi and theta...

i am free from making
a moral ought (i) or the immoral: ought (i) not?
i'm free, hence my concern for...
abstract questions...

back to the original schematic...

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

this actually has a theological
dimension,
supposing i am god...

   if i propose an analytical a priori
with a synthetic a posteriori...
well then...
             i can't change anything,
i can't actually make changes to...
with my omnipotence,
omniscience etc.
i already analyzed, a priori
the Kantian elevation to theology
comes, via me, stating...
if i analyzed the entirety of
creation...
            a priori ex nihil
(from the prior out of nothing)
how can i make a synthesis
in the a posteriori domain,
of the already existing things,
which didn't exist a priori,
since there was nothing,
and i already analyzed the potential
of nothing, and this potential
was realized as everything i would
know to exist... and i went along
with it anyway?

i'm starting to think that
the realm of analytical a priori
doesn't exist for mortals...
the gods can muse this ****-show
of a dimension over and over again...
we're more (being mortals)
synthetic a posteriori...
oh don't get me wrong,
i believe we have the capacity
to comprehend analytical a priori
but it's an analytical a- priori...
we've reached the limits
of the microscope, the telescope,
and the hadron collider...
or on our way to exhaust that...
still being left with an intact mesh of...
the orbits... summer, winter, autumn, spring...
but this thing with this schematic:

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

how can i conjure an understanding
of IV + VI = X...
analytically a priori...
when... i have no hindsight /
prior to understanding of said rubric?
well... with Roman you could say:
analytical a priori,
given the Ancient Romans already
had the letters I, V, X...
but... if you didn't have the concept
of measurements prior,
of arithmetic...
how can you analyze something...
that doesn't exist?
so... you had to synthesize a priori,
working from the letters I, V, X...
to conjure up "numbers"...
  numerals... you had to create these
numbers by a synthetic a posteriori
method...
and the 4 + 6 = 10...
        well... you analyzed the a posteriori
synthesis, and threw I, V, X out...
and began the second wave of mathematics...
and this is where, authentically...
analytical a priori comes from...
based on I (1), V (5), X (10)...
                    came IV (4), came VI (6)...
don't mathematicians treat their language
as that of or equivalent to the gods?

now... for the cultural exchange program
that i promised...

on the great British isles...
you have a variety of languages
& dialects,
i'm so sorry that the Scottish
"forgot theirs"...

but when you have something
akin to

English: red
Cymru: coch

or right... they have their Pict
Gael?

Pict Gaelic: dearg
Irish: dearg
Cornish: rudh

we'll require a second word...
what word, what words..
life!

English: life,
Cymru: bywyd
Pict Gaelic: beatha
Irish: saol
Cornish: bewnans...

back, "home"...
we also have sub-groups
in terms of linguistics...

there are the Kashubians...
and there are the Silesians,
and, there are...
the Kurpie...
akin the Welsh, the Pict,
the Ire,

and their language looks like so...
again, borrowing from
red and life...

Polak: czerń
Kashubian: czôrny...
  but that can be disputed...
why?
     czerwień is not actually
a noun, but an adjective...
a quality of being associated with red...
czerwony? that's a male
adjective...
   and the female adjective
is czerwona...
                ****...
a color has to be something...
the noun adjective that's blood...
Polak: krwawy (czerwony)
Kashubian: czerwiony
Silesian: čerwůny
ah...
   Kurpian... high polish?
Masovian?
harder to find the words...
have to use alternatives...

Kurpian: caban
Polak: tępak
Kashubian: osoł
  Silesian: yjzel...
(idiot, imbecile)

you know how hard hard it is
to find a Kurpian to Polak
translator?
i can't find one to boil down
to the examples or either
red or life,
i'm reduced to choosing other
words...
like...

   Kurpian: chwat...
Polak: chłopak
Silesian: bajtel
Kashubian: knôp...
(boy)

Kurpian: jédło
Polak: jedzenie...
Kashubian: jedzenié
alternative to Silesian:
  jadło, i.e.: it ate...
past-participle in
the verb...
let's see what the Silesians
call it...
Silesians: well.. a variation..
chlyb
godka
mietła
masa... all things you can eat...
(edible food)

only a word, like the Kurpian
word akin to kotnå
reveals that Vikings passed via "us"...
kotnå?
  an impregnated sheep...
with young...

Kurpian: łańï truń!
Polak: nie mów!
Kashubian: ni gôdac!
Silesian: ńy godka!
(don't speak!)

mind you... Kurpian translation
is hard to find...
and you almost wonder...
at the British isles...
you think, us, Polaks...
do not have sub-linguistic groups
in our ranks,
like your Welsh, your Pict,
your Irish?!
guess again...
you had them all along...
and you thought...
the Polaks were
a homogenous culture...
all this time...
primarily because our culture
wasn't multicultural...
oh but it was... but on the subtle side
of history...
mind you...
defenders of the galaxy?
i knew gamora wasn't white...
but... **** me...
even if black or hispanic...
she looked so **** attired in green...
i was thinking:
absinthe cherub, absinthe cherub...
and forgot about glorifying
Zoe Saldana in all that choc...
what?
   a green skinned chic?
                    if i can forget about
the existence of chocolate...
i'll just anything that moves...
but i knew she wasn't white...
i hate chocolate...
          give me an absinthe girl any
day of the week...
       yeah...
only the English have complex
ethnicity encompassing
a single language...
only the English...
                 like **** they are...
at least my linguistic variation
is suited to a bundle of words...
Welsh?! Gaelic?!
  completely different languages...
at least in my part of the world
all that is deviating
is a choice of variant nouns!
but then again, the English
speaking world....
        how's the new pronoun
dictum coming along?
you keeping up with...
   appeasing the new crazies?
oh... you are?!
    well... kudos and applause!

p.s. guess what happens with appeasing
the new crazies... guess...
i'll tell you...
you **** around with grammar,
some grammatical pedant will raise
his head up from the crowd and say
something like:
               what?!
and then the old crazies rise up...
and... your, ahem, little discussion
about changing the rules of grammar
to "ensure" that the language is
kept, "intact"?
      see... mm... hmm... the old crazies?
the old crazies have their own
methods...
they're of the obligation:
let my gun do the talking...
  and then...
  you get pol *** arithmetic,
of skulls...
           being counted in an abacus
of heaping up, "debris"...
         see... these new crazies
are bugging me...
  they're bugging me...
because the old crazies didn't
attack grammar,
and whatever delusion they had...
i couldn't see it...
the new crazies?
they're attacking grammar,
and the delusion they have...
is... associated with something
i can see as being self-evidently untrue...

the new crazies...
******* spinners... fakers...
    i prefer the old crazies...
at least their delusions had ambitions
to deceive in the realm of
the unseen...
       the unproved, and never to be
proven...
these new crazies...
i am supposed to speak asylum talk?!
so... society is the new asylum
with the past asylums being
abolished?!
who gave caffeine to these news
crazies?!
******* sane people's naive pandering...
while the depressed man?
hey boy... hey, hey, hey boy...
noose!
i've lost all sympathy for
the victims of a psychotic
version of a repressed P.T.S.D. example...
the mad have hijacked language,
disorientated grammar...
and... b'a'ah, b'a'ah...
                 no...
                              i'm with the old
crazies...
                    at least they're the ones
that can inflict genuine grievance...
rather this policing of restricting
     the orthodoxy of the use of language.

p.s.
i found only two paradoxes in this
world...
    schadenfreude: feeding a pleasure
from the misery of others...
as...
  finding wisdom in others' own
forsake of an antithesis of
universal application...
  mainly that, associated:
            to a self-gratifying benefit...
the joke ends within the confines
of schadenfreude...
as does passable "wisdom" attached
to instragram novelty of the "maxim"
by your wisened sages
of the selfie...
  
                  i've been among the russians,
i know what the true uber looks like...
you hitchhike...
hitchhiking? forget that?
ponzie scheme albatross thingy
of a worth of a british mensch?
    funny... a people can so easily
forget the practice of hitchhiking...
so easily: entertaining individual rights...
and: innocent until proven
guilty until some next
               teddy bundy comes along...
and then it's all: ooh! ah! woo'ah!

   you know, i don't like the cartesian
chiral dynamic,
the whole: nietzsche take...
sum ergo cogito...
          i don't like the:

innocentes quoadusque (qua esse)
                           reus....    inversion...

an innocent man might hang...
well... if you have the death penalty:
too late to regurgitate the
original statements...

but? where's the element of redemption
for the innocent man?
why are so many people captivated
by the shawshank redemption?
there's a redemption story...
   in the inverted game?
a jimmy saville walks off scot-free...

the continental model doesn't make
sense with a death penalty...
but without one?
redemption... the atlas "paradox"...
one man usually burdens the fate
of a reciprocate of the unit of one...
but not the many...

me getting laid or not getting laid
is as important to me as:
whether i know about last year's
snowfall...
*** *** ***... all that sort of
******* in the western minds...
*** *** but no children!
recreational procreation without...
any procreation... to begin with...

         i'll admit...
english humour is funny...
but schadenfreude is a borrowed term...
hence the lost in translation
element...
           the english are terrible at
appreciating if not simply applying
the original zeppelin bomb...
after a while: the english just became
annoying toy-whips
of ***** replicas...
       the english knew elevated slap-stick...
with monty python...
with fawlty towers...
          they borrowed a term like
schadenfreude and completely lost the plot...
they once, upon a time,
chanced to play a game of linguistic
comedy...
            
                 i'm pretty ******* sure
the germans relate to schadenfreude in a different
way... i'm guessing:
the deutsche are not prone to ridicule as
the english are...
               the aunglisch are prone
to ridicule out of a sentiment of spite
than out of a repose for giggles...
        
          i don't understand the german sense
of humour,
     but understanding the english attempting
to "understand" the german sense of humour
is an enigma in an enigma in a per se...

such integrated back into
the ol' continental ways...
                       kudos to the brits...
bringing back the commonwealth to stereotype
us europeans with a negative "circumstance"...
now them: ******* up to "correct"
their integration policies... for the commonwealth
peoples of the united wordly wealth of
made in china plastic toys!

     a **** among the brits has
the audacity to tell a german he's not
supposed to feel at home on these isles...
sure... and i will never feel quiet at home
in Islamabad either!
               so? equal count of hubris!
that's the only thing that ****** me about
these isles... god i love this language...
but... when you get your afghani hounds
on me to do your ***** work?!

      even though i'm not: deutsche?!
i'll ******* pretend to be deutsche!
           i'm not here to mop up your failed
integration policies...
i settled on keeping my language...
they settled on keeping their sharia,
their **** pajamas and curry...
while adamantly rejecting their language...
in order to implement their desired changes
by subverting your language...
and you gave your language on a *******
platter...
    
    by subverting your language
to accept their cultural tattoos...
  let me tell you: if a people don't respect
their own culture,
by way of god, by way of language...
and they are "integrating": without speaking
their native mutterzunge?
they're not respecting either culture...
mongrels ahoy!
   what happened to the african-h'americans
not speaking a word of african?

what will they do, ascribe themselves
to ******* scots,
left with no gaelic and more a finnegans' wake
accent gymnastics of some irvine welsh?
nae for no: some glaswegian smart-***
excess of nouns?
      
hell... they would have never built
a colliseum if they saw:
1 + 4 + 6 + 9 = 20
   i.e. I + IV + VI + IX = **
            imagine... a society where letters
worked perfectly as sounds
and as arithmetic concepts of measure.

lucky for me the roman empire never
conquered
the lands i come from...
always with the brits being...
oh so so proud having been conquered
by the romans...
what's the prize... archeological sites?!

much respect as great britain...
but... *****... please...
don't pucnh below the waist...
importing your commonwealth dogs
to mark you out among all the other
europeans like some prized asset with
an inkling into h'american affairs...
thanks to you: i'm bored of looking up
the telescope of h'american ****
with their waning cultural export
of a worthwhile entertainment of appreciating
their music.

I know you struggle; I've seen
Eyes like yours in
The mirror before.

Sit down. Breathe. It's a
Recreational universe
If you let it.

Open your hands. Look.
What is that? It's heavy.
Sharp. Red hot.

Hands worn, blistering,
Bleeding. Let it drop.
Here, I'll carry you.

I'll carry you like a father.
Let go of your burdens.
Be mine.

I run on your relief.
When you wake up  
We'll be there.

chaste pecks from the super-sonic youth
numb lips flutter to the hollowed cheeks of normality
no longer the hand-prints on the guide book to hostility
a pamphlet of rudimentary teachings;
the principles of tolerance and rebellion and acceptance of human beings
a concoction of suppressed psychotic behavior, quick wit, and center of satirical tease
constantly moving with heavy footsteps and heavier hearts
their minds and bodies plagued with actions from a deserted youth
soul lusting over the naivety of people before self-actualization; how crude
do they call it an existential crisis or the daily life of a agoraphobic nobody
shouts from the depths of caged fears that scrape the oblivious flesh in their brain; a bit gaudy
mother, sister, brother, father how your words crush the knots of comfort that line my internal organs
bleeding from the pores of my screams; streams of moon-beams shooting out my eyes; oh, not again!
stomping our metaphorically spiked toenails against the idealism of pop culture
oh, my, how adolescence is the worst kind of torture
cherry slushies lined with cigarettes to create a whirl-pool of nostalgia
recreational drugs and ironic situations to ease our instinctual sense of proverbial nausea
loud-mouthed demons spawned out of clothes-hangers and emotional turmoil
show up in our nightmares that we nick-name ‘a good place to contemplate suicide’
repeated imagery stacked like flap-jacks in the mouths of blissed-out sociopaths
too self-indulgent to include us in to their personal stories so we can observe, record, and assess
i don’t perceive doctors to be particularly and predominantly just and true
but i one time met a doctor who told me ‘being a teenager is perhaps the hardest thing you could ever do’

your gusto

ripping through my veins

'merican flags
trump supporters
platinum beer
fireworks flaring
fires visible atop seedy peeled-paint rvs

technicolor lights amped up on edgy recreational vehicles

4000 (BRIGHT BLUE), 6000 (BRIGHT GREEN), 750XR ON-AND-ON-AND

covered in dirt and filth

eating meat

sizzled atop  
flames atop
charcoal bricks and lighter fluid

complimented by krafts brand
mac n cheese

i am apart of it
you know
your triumph burns sticky, out of my skin

guiltily i came into being

birthed inside anthracitic sediments and lighter fluid

scratching, writhing, biting

at the mercy
of a hyper-paint / subtle-death encrusted
reality

You are somewhere but you're hidden there;
You are with me in my every step.
I cannot see you yet I feel;
I cannot sense you yet I hear.

You are the shade no-one can catch;
You are the force they cannot make.
You are behind their pale shadows;
The one they're too tired to know.

You are in every flavour t'at I taste;
You live in every drop t'at I drink.
You breathe in every move I make;
You stay with me and ne'er fall apart.

You are the leaf of my autumn shade;
The emeralds of my summer gem.
The orchids of my cold jade stones;
The tulips of my skin and bones.

You are for whom I feel feeble;
You are for whom I have felt hurt.
You are for whom I endure pains;
You are for whom I hate.

But in your presence t'ere's no hate;
For with you there, then love is just love;
Love and hate are like dust and water;
They are separate, and not to be together;

And in your presence t'ere's no fear;
For tears turn into sweet poems t'at I hear;
And t'ose bleak midnight dreams shalt end;
Whenst in your arms, my very best friend.

And you are told once more and again;
By my untouched love and laughters;
From my untold hands and right words;
From the eyes of insane poetry.

And you are there, all over again;
You make things right whenst they do not;
You are in the cold tales I make;
You saw my first love bloom and grow.

You are in my words and prayers;
In the dreams t'at live forever.
You are the strength t'at makes me write;
You are in me all through the day and night.

You are my blood and my sacrifice;
You are my truth, honesty, and lies;
You are my moon, stars, and my hectic skies;
Your soul is mine and shalt ne'er die.

You are the hate and filth t'at I say;
The happiness t'at comes in my way;
You are on my mind night and day;
You are my poem in April and May.

You are my eggplant and cherry tree;
My green lime and sweet strawberry.
My purple lavender and rose;
My morning dew and midnight gloss.

You are the green moors I walk on;
The curved path I always stride on.
That my heart beats when I am beside you;
With a love genuine and passion so true.

You are the sun by my clouded grass;
The light t'at soften hearts' anger;
The love behind one's gritted teeth;
The truth behind deformed false mirth.

You are my ginkgo tree and peach;
The shine among the filth and foul.
My savour sea and fragrant beach;
Cure for the darkness of my soul.

You are my summer and fall tales;
My exact said and written words.
The blood and flesh of my red cells;
The light and promise of my worlds.

You are in my skin and my mind;
You need just love to make me blind.
You are in my ears and my hair;
I feel your presence everywhere.

You are the miracles that I see;
The poetry God carries with me.
The dramas I sing of and write;
The true love that makes things sound right.

You are the one lie that sounds true;
The ******* ****** heart desires.
The essence of my breath and *******;
The frank lust of mine in the West.

You are the thirst my heart falls for;
You are the rain that soaks it wet.
You are the fertile grass it grows;
The autumnal tears that it sheds.

You are the kite that soars up high;
And I shalt be your protective shield.
And whenst you fall with your knee wounded,
My poem's the very drop that makes it heal.

And it speaks of you with sanity;
And misses you with high verity.
And with such warmth t'at is still mine;
It longs to keep you in the heart and mind.

It's thus the immortal in you;
T'at makes it sees with clarity.
T'at it loves you eternally;
T'at it seeks you again and again.

T'at it wants you all over again;
T'at it wants you for no clean reason.
T'at it wants you now and once more;
T'at it wants you like never before.

T'at it loves you like it loves itself;
T'at it loves you with no falsehood.
T'at it loves you like it loves life;
T'at it loves you and shall die for you.

Ah, Immortal, whatfore art thou doing t'is dark afternoon?
My heart is alone in abrupt silence;
And it wants to disturb thee again;
It wants to run after and play with you.

Ah, Immortal, but doth thou tread some-times, on our fav'rite green path?
The one smelling like musk and red berries;
The one thou took to the most;
On which thou called me whenst thou got lost.

Ah, Immortal, and I ran fast like a blind nymphet;
For I was afraid of finding thee not;
Ah, I was in a ruffle skirt and with my poetry book;
Thou said I's pretty after one brief look.

Ah, Immortal, and we crafted one dusk ode together;
And t'at dusk grew more beautiful altogether;
With a soul as handsome as thine by my side;
Brightened by the streets' thrilling fluorescent light.

Ah, Immortal, and so I've written another ode today;
T'at maketh me remember everything without delay;
All joy t'at we had t'at night, on t'at lil' path;
A portrait of once live, but now vanished worlds.

Ah, Immortal, and such an ode maketh me smile again;
It feels like thou art here, my lover and best friend;
And the only lover I shalt ever run for;
The only man for whom my heart beats fast.

Ah, Immortal, and nothing is sweeter t'an t'is green ode;
A piece of innocent poem t'at thou shalt like;
Just like the ones thou always read;
By my side, with thy head laid by my orange lap.

Ah, Immortal, and nothing is more honest than my own poems;
For it thinks absurd not, of what is absurd;
Like t'is immortal passion it feels for thee;
Ah, for thy soul t'at too is immortal.

Ah, Immortal, but now that I've written this poem;
I shalt retreat to a peaceful rest;
I've laid about what's within my chest;
I'm ready for a sleep's endless virtual doom.

Ah, Immortal, and you wilt say in my oblivion;
T'at I have reached my destination;
The very place where there's no thee;
The desolate ice with thee gone.

Ah, Immortal, and you wilt sit in my unconscience;
Keep me asleep in my confusion;
T'at I escape, and escape not from my guilt;
T'is endless guilt of loving thee.

Ah, Immortal, to whom I still love, and love again;
Whom t'is very heart still adores;
For whom my prayers still breathe;
And for whom my tears still flow.

Ah, Immortal, and you wilt dream in my limbo;
Of a dream t'at leaves me conscious;
T'at there's no more love between I and thou;
A love t'at once made our hearts luminous.

Ah, Immortal, and you wilt rock me back and forth;
'Till I but wake again to this world;
And the horrid sands of Yorkshire;
Where I smellest none but dire loneliness.

Ah, Immortal, but dream of me—make me unaware;
And let t'is love for thee step forward;
Sending me back my triumph;
Shoving me up with virility.

Ah, Immortal, let such a bashful moon distract me;
But turn me not about my long sleep;
And with its horns slaughter my love;
That I shalt wake up loved and unloved.

Ah, Immortal, let the grim grimace slander me;
Let t'is love for thee hinder me;
But ****** not my love for thee;
And the longing for thee to be by my side.

Ah, Immortal, and stay with me but in my words;
T'at I am able to tackle the worlds;
To **** its failed virtues and vice;
Its cruel pride and fatal conventions;

Ah, Immortal, thou canst feed me through my bare poems;
And attend more of my illusions;
Take to my imaginations;
Breathe through the words and circles I draw.

Ah, Immortal, thou canst witness my weird footsteps;
Sleep on my imaginary lap,
And leave thy heart to me by one side,
T'at I canst but rub and play with it again.

Ah, Immortal, and thou canst leave to me your heartbeat;
And I wilt adorn it with warm heat;
That like you are, it shalt stay immortal;
Like a love poem I'll craft in fall.

Ah, Immortal, and thou canst leave me thy love to me;
T'at I shalt kiss and cheer it every day;
For it has more than what I have to say;
For it speaks to me with proud sanctity.

Ah, Immortal, and thou canst leave thy hours to me;
T'at I canst write you a good poem;
A poem t'at breathes through thy chest and hands;
T'at thou canst feel my presence again.

Ah, Immortal, and thou outta' leave thy blood to me;
T'at I canst shield, I canst protect it;
T'at I shalt act like its owner,
With a thousand smiles and promises.

Ah, Immortal, and thou canst leave thy flesh to me;
T'at I canst heal and empower it;
T'at I canst cast spells on its wounds;
T'at it shan't dwell rott'n forever.

Ah, Immortal, and thou canst leave thy doom to me;
T'at I can retrieve your old laugh;
Although I'm young and I am not her;
I'll love you again and again, more than ever.

Ah, Immortal, and thou canst be mortal to me;
But I shalt still call you my immortal;
Like I once did when we were young;
With the blossoms of love in our hearts.

Ah, Immortal, and thou wilt see my promise is true;
I'll shed my blood and flesh for you;
From such shalt flow fresh spring water;
T'at shalt heal thy cracked wounds and lungs.

Ah, Immortal, and thou wilt see my love's not a lie;
For if thou rot, then I too shalt die;
For my gripped breath too shalt be broken;
For my vain heart too shalt die hurt.

Ah, Immortal, and thou wilt see thou art my heartbeat;
Thou art part of me and my wit;
For t'ere's no poem but one about you;
For t'ere's no dream but of our first love.

Ah, Immortal, and thou wilt see thou art my thousand skies;
For t'ere's no love but by your side;
And no words written but for thee;
Thou art the voice of my clarity.

Ah, Immortal, and thou wilt see thou art my life;
Thou art inside me as thou wished;
Thou art a breath t'at withers not;
Thou art a thought t'at leaves me not.

Ah, Immortal, and thou wilt see I shalt not wander;
My love for thee is clear and again;
And one intact, and whole, and untorn;
And one civil, and pure, and unburnt;
Thou art my light, my cold fire and warm ice.

Ah, Immortal, and thou wilt see t'at my love is chaste;
For whenst betrayed, it betrays not;
For it cuts not our story short;
For it stays with thee still, in blood and flesh;
For it thinks of you yet, in its wake and rest.

Ah, Immortal, and thou wilt see my love is genuine;
For it shoulders guilt on its own;
A guilt t'at comes from loving thee;
For loving you is what makes it live.

Ah, Immortal, and thou wilt see my love lives forever;
For thy remembrance gives it breath;
And thy memory frays its hate;
You are the love t'at's ne'er too late.

Ah, Immortal, and thou wilt see thou'rt my perfection;
Thou attend my poetic arts and visions;
Thou art the precision it makes;
The decision it firms hard life on.

Ah, Immortal, and it screams for you by its walls;
And calls your name again and again;
T'at it keeps you in a heartbeat;
T'at it shalt seek you in its every sense.

Ah, Immortal, and thou wilt see my love is not hate;
For it knows not what hate is itself;
Like it knows not hatred on its own;
For it knows only bland virtues.

Ah, Immortal, so thou wilt see my passion is true;
T'at this etched love is not a disease;
T'at my love shalt hatch again and again;
Give birth to frank newborn poems and thoughts.

Ah, Immortal, and so being alone tortures me;
It renders me dead and my sanity;
Like an empty chair in its solitude;
I sing to myself, and no Eolian lute;

Ah, Immortal, and thou wilt see by my virile sense;
T'at I longeth for thee again and again;
T'at thou'rt the thought I verily ponder;
T'at thou'rt the only love I embrace.

Ah, Immortal, and I'll embrace thee again and again;
No matter how long, nor how many times;
My insane guilt is in loving thee not;
And knowing not how to tell of thy love.

Ah, Immortal, so I shalt proceed but to love thee;
And keep thee alive in my heart and mind;
And keep thee breathing in my story;
A story t'at, I hope, comes back alive one day.

Ah, Immortal, and thou see my nonsense is true;
Though full of holes and discolours;
Telling words is to me obligatory;
For it keeps my love in order.

Ah, Immortal, and t'ese diffused hues are but thine;
Just like my whole journal of tales;
T'at I shalt recall with virtues;
Because 'tis t'ere—t'at promise of mine.

Ah, Immortal, so thou'rt my artistic vision;
My endemic paints and phrases;
My arts' reposes and relapses;
My chanted spells all over the place.

Ah, Immortal, I craft thy poems with precision;
T'at all is unique in their nature and order;
T'at it preserves love and enigmas;
And so it preserves for you, just what you love.

Ah, Immortal, and I tell my tales with perfection;
T'at thou become my whole saturations;
Thou owneth the major gold'n utopias;
And preserve still, t'ese hovering dystopias!

Ah, Immortal, and I've seen in thee such myopic senses,
T'at what is iconic seems atomic,
T'at what is static seems dynamic,
Ah, but all seem such—in thee!

Ah, Immortal, I've too seen in thee such pictures;
Pictorial and ethereal in such a sense;
But malevolently, and fervently true;
Ah, Immortal, thou art my powerful hero!

Ah, Immortal, thou art the magic of my art;
The very clay of earth I step on;
The very suit of life I wear on;
The immortal mind among those mortal!

Ah, Immortal, thou art the soil of my being;
The very breath that I leave awake;
The primary cause I think of;
My multitude of secret reasons!

Ah, Immortal, and I want but' make thee—make thee mine;
We canst drink together and feast;
On t'is love and artistic gleams;
Of  joyed literary and poetic pleasures!

Ah, Immortal, and our young souls shall ne'er decay;
We hath more than t'is world shall say;
We own even more in our poetry;
We own every part of immortality!

Aye, Immortal, and thou wilt see my virtues are true;
I lied not to thee and about our love;
For our love is what art canst portray;
Whilst art itself is my pal and friend!

Aye, Immortal, and thou wilt witness my plain truth;
For t'ere's no mirrored truth than thine;
And even the truth of wan reality;
The reality of joy, tears, and gloom.

Aye, Immortal, and thus thou wilt admit 'tis mine;
Thy very heart and eternal conscience;
Thy cordial mind and vast concerns;
Aye, such are all—all mine, my darling dear!

Aye, Immortal, and thus thou wilt confess such's mine;
Thy very mind and ordinary senses;
And too thy literary and recreational thoughts;
Ah, and thy visions too are mine, my gorgeous dear!

Aye, Immortal, so such is a tale of my love;
T'at brews and boils just because of thee;
T'at loves and hates within thy spheres;
T'at cries and mourns whenst thou art gone!

Aye, Immortal, and thou hath seen what true love's like;
Just like the one I hath for thee;
And I want thee more like I want autumn;
I adore thee more like I do winter!

Aye, Immortal, how canst I find true love then;
Whenst all is blurry and clear not;
With thee gone and my poetry cut short;
I shalt but dream not of marriage!

Aye, Immortal, for such wedded bliss is with thine;
The king of my heart, *******, and mind;
The fairytale I read again and again;
The one old song I keep'n singing thru!

Aye, Immortal, and I longeth for thee just like t'at;
My love hides behind every labyrinth;
Where'n t'ere are green and red and gray clouds;
Where'n poetry is recited out loud!

Ah, Immortal, and thou'th seen t'ere's no-one but thou;
Thou'rt the simplistic art I seek;
The one I'm with whenst strong and weak;
The dream I hath, every day of the week!

Ah, Immortal, and so t'is naughty ode is genuine;
For 'tis mere' thy heart it longeth to win;
T'at it ever boasts proudly of;
T'at it ever wants to get, and again!

Ah, Immortal, and so t'ere's no heart but t'at' thine;
To be entwined with t'at of mine;
To be accounted down the line;
The one I speak of, and I hide behind!

Ah, Immortal, and thus t'ese phrases are but true;
For t'ere's no hero nor villain like you;
Who knows much 'bout truth and untruth;
Who sang perfectly 'bout our own youth.

Ah, Immortal, and thus t'is pleasure is all thine;
Physical and mental and of all designs;
For thou owneth my whole love labyrinth;
And all the tasty scents in its maze.

Ah, Immortal, and thus all t'is poetry is thine;
Just like my severed soul and breath;
For without thee, all t'ese dreams are but of death;
A dream of grief, t'at I shan't find rest;

And Immortal, thus t'is longing is thine;
For thou only canst amend such dreams;
And brings to it candlelight rainbows;
Just like the promise of my true love.

Ah, Immortal, and thou shalt see my plain love is true;
For it fails just anyone but you;
And thus I want thee here with me;
I want thee still, like ever before.

to me, the Cartesian saying had to be relegated to shrapnel,
i treat the cogito
                                           ergo                       sum
like i'd treat atoms, brushing and
signaturing each other with
a stabilised unification
under the name: helium, or hydrogen.
evidently that's also a term
for three dimensional space
and the cohorts of chaos that come
from it.
           but something worries me,
intrinsically it's what i would simply
term: the automation of thinking.
basically? it's blood hard to stop thinking,
to do yoga to intricate being
in nothingness,
    as Heidegger suggested:
non-being is a tier below nothing,
      and i guess automated thinking
comes from non-being,
because there's this intrinsic manifestation
of instinct found in all sport activities
that doesn't allow thinking to take place,
no footballer thinks about his exertion
on the football pitch, no golfer maps
out a system of thought to *** the hole
in one...
                some would even say
that thinking is a form of laziness,
          i find that the whole notions turns
out to be a **** up affair of concern,
the mere notion that thought is automated
    and cannot be barricaded against
its relentless battering our very being
is due to the fact that so many of us
do not attain the all that glitters is gold
particularity of fame...
             it's not that we are doubtful,
but that we are mindful / thoughtful,
a few of us make it to the top of the sardine
can, but so many of us are minding
our own business on this placebo earthenware:
yes, i call this a placebo urn of things
needed (people always rave about nouns
anyway, call it slang, or whatever,
it trends, hashtags and the outdated
forms of phone numbers - calling big brother
eeny, meeny, miny, moe) - i could
swear it's so, but then again, maybe not so.
still (what a crass digression),
coming back to the Cartesian shrapnel...
           basing in on weights and measures -
it's so tiny, that expression,
                      we can think the realistic
and only express a centimetre of the world,
we can be the realistic and only
express a centimetre of the world,
  and then we can think the illusionary
and express a mile of the world,
        and we can be the illusionary and express
   a kilometre of the world:
toward the basis of fame and contentment of
  the shadows...
       yes, we have achieved a "death" of history,
by simply stating our recreational pursuits
being more important than our
need for historical eventuality and crisis, and change...
we have stated a "death" of history
via our population size, our ability to combat
diseases (whether infantile or of a certain maturity),
yes, we have established a congested world,
which facilitates nothing quite like a herd
(cattle mentality): hence the modern concern
for alienation... we're created a collective manifestation
of insects, or as one might suggest
  this is yet another geocentric and heliocentric
concern for us... although relegated to
egocentric and the collective ethos of comrades -
but given the former has been eradicated
as it was previous known: communism -
      in economic vocabulary it's all but gone,
but still exists in the sports: yet again,
the re-surfacing of abolishing automated thinking,
namely, automated collision with the daily
activity - either competitive or mundane,
    as we all soon realised: if automated thinking
is not eradicated by automated doing
     we end up mentally distraught -
our own thinking alienates us and even progresses
to symptoms that have no viability
       concerning a drowning man, nonetheless
we're actually drowning.
i can hardly think that nothing is an abyss -
       to me thought is an abyss (cat meows,
i write, the fermentation of wine goes on in
four jars to my left, bob, pop, bob, pop,
and daniel licht is playing to the fatty *****
that's my brain) -
                     i knew that ponderings ii - vi
would get my creative juices flowing:
finally! a book on philosophy that i can comprehend
within that bilingual complex i've established!
or: this much can be said upon
giving a supermarket cashier a signed copy of
my actually printed works
     and hearing a compliment with eyes
waxed with glee (Tarah);
           now i have 100 copies to push,
become akin to a drug dealer with poetry,
           and that's not going to be easy
without p.r. and all that jingly marketing qualms.
still, what's there to be done
        if not that there is something to be done,
even if it's nothing, or a pebble on a mountain:
which is why there is so much
   potential in individuality, but also so much
angst - instead of doing crosswords we have
other riddles to be bothersome about,
   but so few even get a ?         to be concerned with.
again the Cartesian shrapnel equation,
              so much is staged on it in terms
of how thinking becomes automated, robotic
to the point of making children succumb to
    premature depression -
      back when premature dementia was the hit
on Broadway or in an Estonian lunatic asylum
in the 19th century,
when we first received our psychiatric vocabulary,
now it's the young who are odd
   and it is premature depression,
          a bit like the black plague, against
all hopes, a single identifiable folly.
             and where the best rewards?
solitude, where else?
                          for all that swindling of the talk of species
and competition within / without,
        always one ******* says:
                           i am the zeitgeist - always one:
are there really benefits to realising that
****** equation? are there? to feel alive, to feel
conscious, or the madness of Nietzsche's reversal
stating that he's a thing that simply, exfoliates
necessary thought?
           thought is primarily a moral ought -
the should i or shouldn't i?
        it's intrinsic, inherent and simply: just there...
or in the unlikely event, a step into the abyss
   and subsequent pathologies of the enabling of
   a destruction of the soul: as manifestation
of a transgressively transcendent embodiment
of pure body.
                 so, against all duality, i simply fathom
that ****** thing as shrapnel,
     curiously via (as i already might have said):
so much thinking doesn't precipitate into being,
     and so much being doesn't precipitate into thinking -
or of those who adorn mental silk fabrics and Solomon rings,
         and those who have to pay for elocution
lessons due to their ****** endeavours -
      yet again, alignment with Thesaurus Rex,
cue: down Synonymous Avenue
                     because how many times are we sharpening
our narrative trying to feels less inclined
                 to exfoliate in the exotica of what's
the necessary verbiage, and escape into single
identifiable meanings, without poker, without politics,
without sexualised ambiguity?
for me language should work, not be desecrated
to fun: it, should, work;
                     or here i rest my ambitions,
without any poetic dogma - or to make poetry unrecognisable
when stated, for no reason to discredit
   the systematics of poetry: but for reason
                        Kraken wrangler on language -
as much as Nietzsche might have said about
      philosophical systems and their errors and lack of
honesty: i say as much about poetry careful to
be identified as such: metaphors, imagery blah blah -
all things that make people conscious of what
they're reading is actually what they're reading and say
it's poetry - as i said to the supermarket cashier:
enso (Japanese,
marcon purposively missing) - to write while standing up,
and so the reader is standing up,
         not a novel you take to bed,
                     and read for months on end,
dozing off, or sneering at "uneducated" people
on the train...
                         i might as well be writing instruction
manuals for the sadistic training of ballerinas -
              one cut, one incision, and get the **** out;
or at least that's the idea -
      learn to spell, work on punctuation variations,
    learn to tie your shoelaces... and don't believe in
the word edit.

In a wayward adventure in curiosity —
lured away from savvy of cooler judgment,  
he oversteps the bounds of reality 
into a state of altered awareness.

Overwhelmed by a rapid beginning
of a buzzing sensation — The Rush;
emanating from deep inside him, 
surging along the veins streaming 

euphoria through cells of his entire body:  
inside the body, with warm pleasure waves
flushing over the by now tingling skin —
soughing off all unpleasant feelings.

Mouth numbed, limbs heavy, and eyeballs 
rolling back from hitherto an unimaginable
state of bliss, he savours the calm explosions
of the pulsating bubbles in his head.

A magical moment of sheer ******* 
rapture—that ends in a lasting sedation—
during which he's dazed with wonderment
while covered by a cozy blanket of content.

He falls in love with the insidious drug.
And, he begins to relish its sweet fruition
in a seemly pattern of use that is put
in the shade to protect his best interests.

A stake in normalcy that seeks to restrict
his usage of the opioid to a social activity.
But soon enough he drifts towards a regular
recreational use: indulging on weekends,

floating, flying, and soaring in wonderful
ripples of pure delight, feeling very mellow
and satisfied, in an illusionary paradise of
forgetfulness where nothing hurts any more.

Bit by bit as time goes by his body builds up
a tolerance for the sedative, prompting his
intake of higher and more frequent doses
to feel as well as to sustain the desired effect.

This occurs because his body attempts to
adapt to the presence of the drug by quickly
breaking it up and purging it out of the system;
thus making it less potent as it was before.

At this stage of his drug abuse he's still able to
control whether to use the stuff or not, where
and when to use it, without stress. He could
also abstain from the opioid fairly responsibly.

But at the limits of his body's flexible response
to the dangerous substance, he begins to suffer
from its unpleasant side-effects that show up
a short period of time following his last use.

The pleasurable, but short-term, therapeutic
effects of the hard drug are now being
overshadowed by several of its undesirable
withdrawal symptoms that manifest as:

fatigue, irritability, cold chills/sweat, itchy skin,
muscle spasms and tremors, body ache, and
stomach cramps among others, with an
increase in his body's cravings for the opioid.

The onset of these torturous side-effects of
the stimulant marks the beginning of his body's
physical dependence on it, as he now relies
on the drug to fend off the terrible affliction.

He has bitten at the bait of pleasure oblivious
of the hook beneath it. The once casual user,
who had thought he could quit the habit at will
without stress, has progressed to problematic use.

The drug has become an integral part of a daily
routine that is gradually heading towards chaos.
Regardless, he's still able to go to work and
take care of his day to day responsibilities.

In time, a new sickness begins to fester inside
him: the opioid is tightening its grip on him,
as his body's physical dependence on it
is now generating his addiction to the drug.

This psychological dependence on the drug
has set in with anxiety disorder accompanied
by emotional and behavioural problems:
the duo classic signs of a progressive disorder.

The drug has become something he needs
to sleep or to fully wake up. His sleeping
pattern has also been altered; up at night
and intermittently dozing off during the day.

As dosage of the narcotic rises, so does
the torture of the painful lows and other
symptoms of addiction, making his cravings
for the sedative increasely more intense.

As it is, he's needs several hits of the drug to
make it through the day. All at once he wants
to use! He begins to look forward to using.
He would ingest the drug in risky situations

such as, while at the wheels of his car or
working at his job; always desperate to avoid
withdrawal symptoms as well as to revel in
the bliss of the drug's comforting warmth.

At times he'd skip work 'chasing the dragon':
pursuing the out-of-reach elation levels of
his initial euphoric high, swinging between
feelings of mediocrity and that of ecstasy.

Always, his body would afterwards crash
below baseline, barely able to cater for his
daily needs. The habit has long ceased
to be the fun that it was intended to be.

Like a vicious cycle the relief from the opioid,
which is not justified by external reality,
is being obtained at the expense of the
worsening addiction and a spike in distress

whenever his body is low on the drug.
The more he indulges on the sedative
to calm his racing mind, the more
its comfort zone seems to be desired.

Disoriented in the rigours of his vice,
he strays in the abyss of drug addiction:
a dark, weary place where priority disorder 
is dictated by events outside of his control.

It is this corrupted impulse control that
causes his sick obsession with the narcotic,
rendering him unfit to articulate rational
thoughts: a chronic brain disorder.

In this harmful shift away from reality,  
utmost in his mind is the insidious drug:
over and above his job, his goals, family,
love, friends, hobbies and personal hygiene.

Oddly enough the foremost essentials of life
like water, food, and sleep are also not spared.
He could be ill and he won't care.
No other thoughts can cohabit in his world.

Emotionally invested in his fantasy world,
the toxic substance has kindled in him
an inner turmoil — setting off an overriding
feeling of emptiness that aches in his heart.

The habit much harder to lose than it was
to find: an ongoing effort to wean himself off
the drug is being crushed by a dysphoric mood
and a sickly feeling that intensify in severity.

These horrifying withdrawal symptoms
are a result of the sedative's induced
alterations in the biochemistry of his
brain's system of reward and punishment.

Rather than a mild, blissful flow of the brain's
happy hormones, as is experienced while
one is indulging in a tasty food, on receiving
a great news, or while engaged in any other

kinds of novelty that fill us with a delicious
pleasure, the opioid whose chemical structure
is similar to that of the natural chemical
messengers of the brain, Happy Hormones,

by mimicking these primary drivers of the
brain's reward system the psychoactive 
drug sends a false signal of euphoria to
the complex *****, triggering an instant

and fast secretion of an abnormally large
amount of the 'feel-good hormones', that
begin to surge along its pleasure pathways
overwhelming the reward centre of the brain.

It is this huge outpouring of happy hormones
in the region that elicites in him a sudden
burst of energy, a pleasant state of mild
drowsiness, mental alertness, relaxation, ...

This already intense, euphoric effect of the
opioid is further amplified by the drug's
blocking of the pain partways of the reward
system, thus dulling his emotions and worries

by eliminating any feeling of sorrow, regret,
guilt, fear, or loneliness. Upon intake of the
mood-altering drug, he would feel warm when
cold, calm when angry, bright when grumpy,

filled when hungry and happy when irritable,
with almost a total refrain from the tendency to
view anything in a negative manner. This dramatic
result makes every normal thing look better

and brings forth a deep sense of satisfaction,
as though all his needs have been met.
However, this almost perfectly desirable 
body and mind experience is an artificial

feeling that only lasts a few hours at most.
When the drug's effects wear off, because
the brain, which has come to rely on the steady
supply of happy hormones, cannot adjust

all at once, it gets stuck in overdrive which
results in the withdrawal symptoms. It is so
because his brain, whose system of reward
and punishment has been tampered with,

seeks to counteract and accomodate for
the sweet thrills of the drug's euphoric high,
by secreting much less happy hormones while
the foodgate of pain hormones is thrown open.

Just like a huge surge of happy hormones
elicits unnatural levels of euphorical pleasure,
a spike in flow of pain hormones produce
in him the torturous withdrawal symptoms.

These unwanted side-effects whose rise and
fall are subject to drug levels in the system,
is the debt he has to pay for the supreme
bliss that is relished during his opioid highs.

It is all about his brain seeking to maintain
Homeostasis: a normal, healthy body function.
Once he's able to amerce with penance due,
he'll feel good again with no need for the drug.

Another flip side of the illicit habit is that over
time, the regular surge in happy hormones
disrupts the resilience of the reward region
of the brain, causing physical changes that

have drastically reduced his brain's ability
to produce the 'pleasure juices', or respond
to any stimulus other than the one being
triggered by the psychoactive substance.

This is clearly seen in his lost of interest in
activities that he once enjoyed, since his brain
suffers from lack of happy hormones which
influence one's capacity to be in a good mood.

Because the narcotic has also disrupted
activities in the control region of the brain,
his whole thought pattern, perspective and
behaviour, all radically change along with it.

It is this reprogramming of his brain that has
altered the interior reality of his mind, in ways
that result in him going into 'survival mode'
in the absence of the drug during a withdrawal.

While in this irritable, aggressive and erratic
state, he would forego anything and everything
to obtain the narcotic because he's thinking
of his drug use the same way an individual 

who is parched with thirst thinks of water.
This desperation in seeking out the drug as
a vital lifeline is due to his compromised brain
'thinking' it needs it as a matter of survival.

A habit he had maintained at the outset
because it made him feel extremely good
has tuned against him, quite often, coercing
him to use for the avoidance of pain.

The sedative as dear and painful to him
as an imbecilic child is to its mother,  
he continues on the foreboding route 
for which he has no power of deviation.

Despairing in the clutches of addiction,
the drugs traumatize him, they infuse
toxins into his spine, and he wouldn't
know whether he's coming or going.

He's kept on saying to himself, 'I'm going
to quit for good after using one last time.'
But that remains to be seen as the drug
goes on dulling his inner light day by day.

In a downward spiral that stuns those 
acquainted with him, he loses his job,
his car is repoed, and he's evicted from
a nice home that had been stripped bare.

Drowning in unpaid bills and desperately
in debt, having blown an entire life-savings
on the drug, the loss of everything and a few
remaining friends leaves him fatally devastated.

The dangerous drug has evoked a negative
ripple that is felt throughout all that he's
part of. An awful realization that settles in
with cold clarity, eliciting a lurch of dismay

over his dire ignorance about the drug
which has led to the ugly entrapment.
In deep, sorrowful thoughts consumed
with self-loathing he puts a curse upon

the day he first laid eyes on the hard drug.
With the best resolve he's able to muster,
driven by exasperation to kick the habit,
he strives to make his will like stone —

a facade that is soon razed by his urgent need
for the ****** to stave off withdrawal. With a
burden of guilt and shame that can't be faced,
he retreats into the haze of his own misery.

With more problems and stresses than ever,
he plunges from troubled life to no life —
completely losing touch with reality as the
disorder assumes a more dangerous form.

His fixation on the ****** has taken a turn for
the worst; besides his strong cravings for it
to ward off withdrawal as well as to experience
its euphoric high again, it has become more

crucial than ever for him to keep his emotions
constantly desensitised to life, by numbing
the agony of living to ease the passage of
day with purchased relief from the sedative.

Locked in this highly destructive pattern
of drug use, he would stop at nothing to
feed the habit: he would cheat, steal,
lie or betray no matter who to get his 'fix'.

Like the spreading of cancer in the body,  
his affliction has metastasized way 
beyond him, chipping away at the sense
of wellbeing of everyone around him.

As frequent and ready targets for theft
his family have to always watch out for him,
in a resentful relations in which they never
could feel at easy with him around the house.

Wallets, jewellery, gadgets, or any other
easy to carry household valuables, that are
not safely locked away, will go missing.
For days at a time he, too, will vanish.

He'd eventually return like the 'prodigal son'.
Always, he's found the door open after
prolonged periods of avoiding home, even
on occasions when he'd been kicked out.

In the many months gone since losing his
source of livelihood, he's been pushed
into a number of rehabilitation facilities,
but as yet has failed to clean up his act.

He's also been in and out of rehab thrice
following hospital discharges for drug
overdose. On the last occasion, he was
found passed out in the family's bathtub.

Timely arrival of the paramedics had saved
his life. Notwithstanding, a nagging urge
to 'use' continues to feed and reinforce
the habit after each discharge from rehab.

It's been most upsetting to the parents
who have had to watch him visibly change
before their eyes: from a good, healthy
son, who had always had his act together,

to as it is, a thin, patchy-skinned loner with
a baffled demeanour — who buries his head
in low self-esteem, to conceal the often
dilated and glassy pupils from mutual gaze.

Nothing points more to the helplessness 
of the family's plight than having to finally
admit to their little or no influence over
the ravages of the stigmatized disorder.

A harrowing experience for a household
whose life-savings, along with compassion
for him, have completely been exhausted
with no more tears remaining to shed.

The hurting family at the end of its tether
confronts him with an ultimatum:
to get his life in order or face the music.
Coldly, they all watch him leave home.

His descent into the final stages of rock-
bottom has been swift. He starts by crashing
on fellow addicts' couches and floors,
but soon his welcome quickly wears out.

Now among the ranks of the homeless the
hobo would wake up feeling sick, and his day
would consist of shoplifting, petty thefts,
begging, and struggling to find others ways

to obtain money in order to feed the habit.
At nights, even on stormy ones, the rough
sleeper would crash wherever there's shelter,
never worrying about waking up the next day.

A hellish existence on the street that has
provoked a string of run-ins with the law. 
Nabbed stealing on ill-fated occasions,
he's manhandled in a most indecent way.

Tired, hungry and sick, the erstwhile ray of
hope, who once had a strong sense of self,
is currently a nervous wreck who envisages
life through the lens of opioid stupor.

Much beyond his ability to ask for help, 
his hurting family proceed to rescue him.
Under the humbling load of drug addiction
he staggers into another rehab facility.

But the often slippery climb to recovery
is never easy. It's yet another chance for him
to submit to a slow and delicate therapy on
his brain — whose structure and functions 

are badly impacted by years-long use of
the drug. The healing process is a labour
of commitment and discipline, coupled with
patience to allow the brain to adapt back

toward normalcy by gradually regenerating
and rebalancing itself. In a gruelling task,
he's expected to learn to care for a body that
now must struggle to work in a different way.

Desiring to put their lives back together many
druggies have been able to crawl their way out
of the sinister shadow — a big chunk of them
through the guiding light of structured help.

Amongst them were 'walking corpses' whom
possessed by their 'enough is enough', are
enabled to find the inner fire vitally needed
to rekindle the cold embers of self-image.

There's the fella cast adrift feeling wholly
disconnected from self and the world;
he's mourning the loss of a vital lifeline
that has always helped him cope with life.

He had been through it several times before,
the fatigue, stomach cramps, aches, itchy skin, ...
But, he's in the early stages of withdrawal when
cravings for the narcotic are at their worst.

This initial withdrawal agony is the biggest
hurdle any addict has to overcome in the often
stop-start journey to recovery. If he could
somehow find the courage to suffer through it,

the fierce and ceaseless cravings for the drug
would be considerably reduced, making
them easier for him to deal with. Eventually,
they will dissipate the longer he stays sober.

He's being offered a way out of his captivity,
but he's unable to embrace the opportunity
with open arms because the addiction,
which convinces him the only option is to

indulge on the narcotic, is blocking him from
seeing the available escape route. It has shut
off his ability to get up on the inside to face
the seeming overwhelming barriers to sobriety.

Like one in the grip of Stockholm Syndrome,
he has developed a type of trauma bonding
with the treacherous drug: the more it enslaves
him, the more his irrational affection for it.

With his consciousness constantly revolving
around the insidious substance, he just
can't imagine a chronic user like him
being sober and happy again without it.

That being the case, he fails to see any point
in struggling to remain sober — when in such
times he's beset by an awful illness attended
by a serious depression that is no help.

Regardless of the wreckage of his past,
everything that is dear to him plus the very
essence of life on the line, he's left convinced
that giving up the destructive habit would

mean endless suffering and feeling deprived
for the rest of his already sad existence.
More than any other reasons, he just
won't quit because he's powerless to resist.

In default of any dreams of ever recouping
losses that are manifestly out of reach,
the drug with a firm grip on him serves 
as a buffer to keep his ugly reality at bay.

All that he wants is to return to the 'loving
arms' of the opioid, very much aware that
the feeling of the drug's high now that he's
in pain can be one of the best things ever.

But even so, as tempting as the desire to jump
the healing process may be, he's bitterly
mindful of the horrors of street life that
loom upon him with such frightening aspect.

Savagely trapped with no good choices he
slips into a real fear of relapse. In anguish
withdrawal and cravings plague him daily,
and they won't allow him a moment's peace.

Utterly incapable of rising from the ashes 
to hold it all together—no hope—
nothing to hope for—everything out 
of focus—mind spiraling out of control...

In a fit of extreme anxiety the now rampaging
urge to 'use' prods him, closer and closer, to
the brink of a nervous breakdown; and suddenly,
his need for a 'hit' becomes most vital as.

Sweating profusely and trembling all over
with fear clutching a pilfered smartphone,
forgetful of future suffering, the rehab
jumper hurries along the forbidden path.

All alone with the merciless companion: 
nowhere to go and no one to turn to. 
Wretchedly wretched in additive agony
the ****** fades away into nothingness.








AUTHOR'S NOTE


The Abyss Of Drug Addiction is written in 112 non-rhyming quatrains.

The rendition is a poignant story depicting the sad existence of many drug users. The verse uncovers and illuminates, step by step, the different stages of drug addiction and the mental processes of the unable to function drug users.

The paramount aim of the work is to shed some light on the sinister shadow of drug addiction: to unveil to all and sundry, especially teenagers and the youths, the hazards of drug abuse and the vicious downward spiral that can be caused by it. 

Just as the euphoric experience of all kinds of hard drugs differ significantly, so are their withdrawal symptoms. Despite their seeming surface unrelatedness, whichever hard drug it may be, the creation of an illegal and dangerous dependency in users is a common denominator.

[The Rush is described as a feeling very much like a heightened and prolonged ****** ******. A great relieve of tension. It is mostly felt when ****** or any of it's derivatives opioids/opiates is administered intravenously].

In quite a disturbing hyperbole, a ****** addict described the drug's EUPHORIC RUSH as follows:
"Take the best (******) ****** you've ever had, multipy it a billion and you're still no where near it... "