1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o

1:1
Stop. Who’s there? Tis clock strikes twelve,
brings thy Horatio to seek tis specter from hell,
In Denmark, something is rotting in thy state,
In Norway, unimprovèd mettle hot and full awaits,
Tis specter arrives to arouse confusion and fear,
but to treat it violence and majestic threat,
thy specter departs as the ****’s crow drew near,  
leaving the blows of malicious mockery to regret.
And for Hamlet may speak to the wandering soul,
Tis morning to Hamlet must the three a’go.

1:2
Claudius, thy Uncle, is crowned King a’last,
Gertrude, thy Mother, hastily marries a’fast.
With duties done, Laertes to France adieu,
Hamlet griefs thy Father’s death and thy Mother’s dine,
for once a Hyperion to now a satyr is Uncle to Father a’new,
is but now a little more than kin and less than kind.
Horatio brings poor Hamlet the fatherly news,
that King Hamlet’s specter is now a’loose.
The joyous Hamlet is but joyous to see,
the two month father, dead and decease,
but for he calls that foul deeds will foully arise.
He hurries to the heavenly site prior sunrise.

1:3
Laertes to Ophelia, a brother to sister, he warns,
that Hamlet is but a fiery lover and to love he sworn,
but to love now is but not the future,
for Hamlet’s fire may, thy mind unpure,
for his lovely vows are not to believe,
he is but a man of deception to conceive.
For when Laertes departs, Polonius rants,
that Hamlet’s love, Ophelia must recant
for his affections and fashions are but false wows,
for when blood burns, lends the tongue false vows.

1:4
Shrewdly the air bites, nipping and eager,
at Horatio and Hamlet thy specter nears.
To speak alone, it beckons so,
But Horatio to Hamlet speaks no,
for may it draw thy madness and strip thy reason,
but to thee specter does Hamlet go,
for thy life is but a’lacking living reason.
Aback do they hold him most,
but Hamlet, his sword he wields
Fate has brought him here, he feels
To hold him back is but to turn a’ghost

1:5
Revenge, does his heavenly father speak,
of tis horrid ****** of unnatural feat.
For the orchard’s snake, wears thy father’s crown
and ****** thy gracious Queen, whose now evil abound.
With dignity and devotion she loved me so,
but tis sinful ******, Hamlet, you must’a know!
Through my ears, a venomous potion he drew,
thy fair Uncle, Claudius that potion he brew.
Abed, my life he ended this night,
And to my crown and Queen took he a’flight.
For thy dearest father, revenge must thy draw
upon thy villainous head, Claudius must fall
And to thy sword thou dearest friends must swear,
to tell not the occasions of this night we bear,
And to madness Hamlet must falsely seek,
to discover the truth of horrid deed beneath.

2:1
Reynaldo to Laertes, Claudius a’spies,
to Paris, Reynaldo goes with a’plan devised,
to seek the situation of Laertes in foreign hoods,
with bait of falsehood takes this carp of truth.
Ophelia then enters, with her father she shares,
"Oh, father, father, I’ve just had such a scare!"
In her sewing room, it is Hamlet she sees,
with no hat, nor buttons, nor stable knees
For he stared and stared to let out a final sigh,
Love mad he may be, a’to King we must a’by.

2:2
With Rosencrantz and Guildenstern,
Directly or indirectly will Claudius learn,
of Hamlet’s matters they are to return.
Polonius, with news of Hamlet, he waits,
for thee Ambassador, to inform that Denmark Gates,
Are to be opened for young Fortinbra’s ****** defeat,
Polonius to Claudius, reveals thy madness roots,
For Hamlet is but love crazy for the fairest fruits,
of dearest Ophelia, who a letter he wrote,
Proclaims the fairness of her upon tis note.
And to test the truth, their confrontation, must’e spy,
Behind the arras to view thy love-mad side.
Is but our hastily marriage and his father’s death,
thy Mother, aware, are but the means of his mad breath.
Polonius then to Hamlet, speaks of witty words,
A fishmonger he calls, but one of two is misheard,
For when Polonius humbly takes a’leave,
He is but to take anything, but his life, shall he not receive.
Rosencrantz and Guildenstern, enter to Hamlet, they chat,
but Hamlet to quickly find the two are but a King’s ****,
Only sent to spy on a dearest friend,
And to human’s name do they offend,
Only to betray a dearest friend in honor of the King.
And so Players arrived at Denmark grounds,
for they, the best in the world, Polonius sounds.
And then for Jephthah, witty Hamlet chants,
the song of a foolish man who accidently grants,
the sacrifice of his beloved daughter.
Pyrrhus, do they perform for dearest Hamlet,
His sword is a’air, but a’air it sets,
for he hesitates to swing thy sword,
And with this, Hamlet hopes to store,
the strength to **** the horrid Lord.
Though he is but ashamed, for upon false emotions can Players act,
And in himself upon truths, strength can he not extract.
So a play for the King’s conscience does Hamlet devise,
for the heavenly ghost may be false in his advice.

3:1
To be or not to be; that is the question,
For Hamlet to be nobler or to a’take action,
Shall he withdraw with ****** self slaughter,
But shall’st never may see thy fairest daughter,
To die, but to sleep for a mere dream,
But in sleep shall fair or foul be unseen?
Now Polonius and Claudius awaits,
for Hamlet’s arranged meet with a’bait.
Hamlet to Ophelia, his love recants,
For honesty and beauty are but Someone’s grants,
Once did he love her, but now a’figured,
that women are but corrupt and impured,
For one’s honestly and beauty can and shall be taint,
For if God given thou one face, dear not another by paint.
For honestly and beauty has God falsely bred,
All but one, shall women *****.
All but one, shall women be nun.
Hence this marriage is over, and to a nunnery at once,

3:2
Let this mousetrap be named and this play a’set,
Shall capture thy horrid mouse or thy Uncle of Hamlet.
Polonius to Hamlet, the theater he knows,
For a Caesar death died he at thee Capitol.
Upon the lap of fair Ophelia, does Hamlet, lie,
Only to think of country matters and nothing (he implies).
And the play begins, with a prologue so brief,
Like a woman’s love, was Hamlet’s belief.
The King and Queen, a loving bond they share,
But the King by a mystic potion envenomed beware.
Thee action to ****, a murderous scene it was,
Leaving Claudius to regret the murderous act abuzz,
He arises to say: Let there be light! Let there be light!
And to the joy of Hamlet to see tis joyous sight,
For the words of thy heavenly father was but right.
Now shall the minute parts of truth ignite.
And to his Mother he shall speak daggers wield none,
for shall his tongue speak of the cruelties undone.

3:3
With Rosencrantz and Guildenstern, to England a’go,
Should insane Hamlet know not a hawk from a crow,
And behind the arras, Polonius will again spy,
the taxation of Hamlet and his Mother’s cry.
Polonius departs to spy upon the Mother and the Insane,
Only to leave Claudius to regret thy hideous Mark of Cain,
Shall he pray the Heavens to forgive him his actions,
For thy stripped thy Brother of life, throne, and attractions.
As Claudius is never to withdraw his stripped token,
Divine forgiveness shall never then be unspoken.
Hamlet can **** not his murderous Uncle in praying stance,
For a hideous monster shall not a’go Heaven by chance.

3:4
So behind the arras dearest Polonius stays,
to view the idle and wicked tongue arrays,
Thou’st the Queen, Thy Husband’s Brother’s wife!
But to hear a rat, shall Hamlet for a ducat its life.
Oh, but death ‘neath the arras, may it the King?
A horrid act? To **** and wear thy brother’s ring?
Oh, King it be not, but be a wretched, rash fool,
And now shall Hamlet tell thy Myth a’Ghoul.
For thy murderer has slain thy Heavenly mate,
And only now by natural law does he abate.
Upon these portraits shall ring a’clear,
That from thy Heavenly father is he nowhere near,
A murderer, a villain, a horrid fiend,
He is but a devilish murderer yield unclean,
No way can one drop from THIS to THAT,
And shall by this scene, the specterous soul attract,
Dear not be untenderly to thy Mother it speaks,
And shall this revenge soon awake its peak,
Hamlet appears a’mad to thy watching Mother,
but to his mother he warns, abed not another,
For two mouths should speak of none,
of this revenge that will soon be done.
And again, abed let not him ****** you so,
For now, apart to English must’e a’go.

4:1
Gertrude to Claudius, she continues to reveal,
Of Polonius’s ****** and his arras squeal,
"A rat! A rat!" A’mad Hamlet is,
Brandished, to rapier the life of his.
And now where’s thou Hamlet still?
To draw apart the body he hath killed.
Rosencrantz and Guildenstern is but yet called again,
With discord and dismay, are they to seek that thou slain.

4:2
The two seek to Hamlet, for the body’s lair,
Compounded with dust now does it wear,
And a sponge, does Hamlet call them so,
for the King to squeeze them dry and thorough,
"A knavish speech sleeps in a foolish ear."
The body a’by a’King, but a’King, the body unnear.
And so, Hamlet to the King premiere.

4:3
And to Claudius does Hamlet call,
That Polonius now rests at a dining hall,
‘til a conference of worms devours him all
He shall eat not, but they eat so,
‘tis our fate despite status quo.
And upon the lobby stairs a corpse may lay,
One of dearest Polonius, slain to heaven or hell
Now to English death must Hamlet pay,
To one mother does he give two farewells.

4:4
With a Captain does Hamlet now proceed,
Who tells of young Fortinbras of Norway accede,
The Norway prince through Denmark he leads,
to seize a’minute ****** patch must’e receive.
A worthless land, must many die for one,
But true greatness acts not from fair reason,
But for the sake of the mind when honor is won.
And has Someone granted the reasoning mind,
For man to hesitate so cowardly inside,
For thy deed to act, must we rid the mind bind,
And act on instinct and be not wise.
And from the reasoning state must Hamlet now leave,
for honor he shall act, and his emotions he’ll believe.

4:5
False sanity is but false no more,
For fair Ophelia’s reason be not restore.
A’now sings of thy premature stone a’foot thy father’s grave,
and the departure of Hamlet for thy wed depraved.
Claudius is but to blame for thee rotting state,
For Polonius, a proper ceremony he not awaits,
For poor Ophelia, stripped from her reasonous state,
For Laertes aback from France, by thy father’s death, irate.
And Laertes enters, with thy support for king,
For the murderer, vengeful death shall he bring,
So Claudius to Laertes, says he is not to blame,
but thy father’s murderer is but another name.
And enters Ophelia, with figurative flowers to give,
But those of Faithfulness have ceased to live.
Alive are but for Thoughts, for Remembrance,
for Adultery, for Repentance, and for False Romance.
For his sister’s sanity is but another to blame,
Laertes, a vengeance mind, is but now aflame.

4:6
Horatio, a letter from Hamlet he receives,
that upon a Pirate ship has Hamlet board,
And that shall with speed would’st fly a’breathe.
Meet to hear the story Hamlet has a’stored.

4:7
Claudius to Laertes, he speak of innocence,
for by public appearance, the truth may bent,
For the public count loves Hamlet so,
And to thy fair Mother, Claudius a’beau.
Thy noble father lost and sister insane,
The murderous filth of Hamlet is to blame.
At this, a loyal messenger approaches,
to deliver the news that but Hamlet reproached,
An English death did Hamlet face not,
For now his destined death are they to plot,
Naked and alone, will he return to Denmark a’learn,
Of the honorable fence-match, he shall earn,
Against Laertes, whose fatherly love nor illusion,
Shall the death of Hamlet draw conclusion.
Even a’church will Hamlet, Laertes slay,
Death by no bounds, must Hamlet pay.
Envenomed rapier and wine shall prepare,
the faithful death of murderous Hamlet a’near.
Gertrude then enters with Ophelia’s news a’share,
For sorrows comes not in singles but in greater pairs,
Upon muddy death has Ophelia drowned,
for now another death has but profound,

5:1
Two Gravediggers upon one grave they create,
for to the death of thy Graveowner do they relate,
To die by self slaughter or to die by not,
the attention of passing Hamlet have they caught.
With Hamlet does one of thee two chat,
for once a woman, shall this grave be buried at,
A quick digger for Hamlet to his surprise,
Revealed that to England is mad Hamlet to advise.
For a corpse to live for eight or nine,
Thy dearest Yorick’s skull is to find,
Thy a corpse to date three and twenty,
Leaves Hamlet to recall thy memories a’plenty,
And to think Alexander, o’buried alike.
Here comes the King, Laertes and the Queen,
And upon the burial grounds is Ophelia seen,
His dearest sister does Laertes mourn,
But to Hamlet, her death, his heart a’torn.
Laertes to Hamlet, must’e not compare,
the death of one is a little more foul than fair,
For forty thousand brothers can sum not his love,
For the death of the fairest maiden beloved.
Claudius to Laertes, must Hamlet pay thy debt,
the plot of night prior shall’st not forget.

5:2
Hamlet to Horatio, does his truths trust,
Of thy wretched King and his unjust,
Of Rosencrantz and Guildenstern English death they meet,
With sacrifice and thy seal was thou to spare self defeat.
Now’st Osric enters to Hamlet a’chat,
For’st not hot, nor cold, nor sultry at.
And a’wish to court, with thy Laertes of excellence,
For Hamlet’s head does thee King expense.
With six French rapiers and poniards assign,
For by fate’s determination, shall this court incline,
For a special providence in the fall of a sparrow,
Can we do not, but abide by fate a’follow.
Trumpets and drums, now’st the fence begins,
For Hamlet and Laertes hand and hand therein.
Pardon he begs, Hamlet to thy brother,
For in him is but foil Hamlet yet another,
And so they fence for honor and fence for life,
Two of two leads Hamlet the strife.
The King, to Hamlet he drinks,
Tis pearl shall he the cup he sinks,
And unwounded for two, Hamlet prevails,
But Queen, the dearest Mother, so faithfully frail,
For she drinks thy cup of heavenly pearl,
For heavenly it be not, as thy malicious plot unfurl,
The cup! The cup! A poisonous potion,
Cause yet another by venomous commotion.
A distracting cause, for Hamlet to bear,
For Laertes envenomed blade must’e beware,
Now envenomed blood shall Hamlet shed,
Shall he hold thy rapier of Laertes instead,
to shed thy venomous blood of thy venomous mind,
For now thy murderous plot shall unwind,
At the honorable death of brother Laertes,
Shall the death of Claudius be a’seized.
The King’s to blame for the death of all,
And tis day shall he see his destined fall.
With thy venomous blade held a’hand,
Let the doors be locked and the evils banned,
For Hamlet wounds thy treacherous soul,
And shall horrid Claudius pay his destined toll,
For Hamlet forces to drink thy murderous potion,
And shall he too die of venomous commotion.
The death of four and tis ****** scene,
Shall Horatio tell to those unseen.
Shall he speak of murderous truths embark,
for Fortinbras shall now throne Denmark,
For in Fortinbras does his admiration lay,
For does Hamlet trust thou’st fiery ambitious way,
And tis now concludes thy Hamlet’s life,
For death and death thou’st all alike...

Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp

Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.

on Valentine’s Day he is working on black painting hears knocking at door with rag brushes in hand he asks “who is it?” “it’s Reiko! come on mr. birdfishdog open up” he has grown afraid of her nervously shuffles brushes rag in hand guardedly opens door there stands Reiko Lee Furshe shoulders pulled back arms akimbo black leather jacket black tight jeans black pointed toe boots hair cut extremely short looks like handsome young boy grinning “hi aren’t you going to invite me in? want to **** and ****?” Reiko’s altered appearance suddenness alarm Odysseus "why did you cut your hair Reiko Lee?" she says "it’s my hair and I can do what I want with it i shaved my legs armpits and ***** too want to have a look?" he replies "no no way why? why did you cut your hair?" she says "because i felt like it and because i know how much you love my hairiness Odys i wanted to displease you i’m female again!" she defiantly glares at him he looks away slowly closes door hears her holler “*******!” listens as footsteps race down stairs out building he drops paintbrushes rag rushes to front window looks out watches her saunter away down street until she is gone writes Reiko Valentine poem he will never send

love listens when you speak understands what you think love watches while you sleep love holds back as you leap love lounges while you run frantic love picks your pocket puts you in checkmate love builds nest hatches egg love rips open your chest plucks heart away love is racehorse love is rattlesnake love pretends not to notice while you ******* love swings on gate love visits your grave love impersonates a poet love slits your throat love devours everything leaves crumbs for hate

he receives Valentine card in mail from Mom wonders if ultimately his fate is somehow sorely connected to her what if Mom stands in way of every woman? what if stars lead away from recognition as painter instead steer straight back to Mom? what if each is trial to other as if their souls are entangled in insolvable riddle ancient curse? he drinks himself to sleep

Laius and Jocasta are king and queen of Thebes in ancient Greece they have baby boy oracle prophesies boy will grow up **** father marry mother to nullify prophecy Laius Jocasta decide to **** their son back then it is common to abandon unwanted or damaged baby on mountain for vultures child survives grows to be man he travels gets into fight on road kills stranger who unaware to him is his father King Laius traveler Oedipus goes to Thebes solves Riddle of Sphinx saves city he is made king unknowingly marries his own mother King Laius's widow Queen Jocasta Oedipus rules wisely he and Jocasta have four children eventually Oedipus and Jocasta realize what ******* Oedipus is Jocasta commits suicide Oedipus pokes out his own eyes becomes wandering beggar assisted by daughter Antigone at time of their marriage Oedipus is young naive but Jocasta is middle-aged woman maybe deep down Jocasta knows she is marrying her handsome son it is thrill to sleep with him maybe it is only after Oedipus realizes truth in disgust confronts Jocasta that she is driven to suicide Jocasta cannot live with herself because she has known truth all along and now she is found out Oedipus can live with himself yet he plucks out eyes because he never wants to see truth again

Odysseus continues to work on black painting many weeks pass slowly snowdrifts begin to melt on occasion sun appears in sky Penelope calls to catch up with him says she is in hurry has met really cool guy is falling in love again their conversation is brief he hangs up receiver considers how resilient Penelope’s heart is she seems so much more capable of getting over heartbreaks

russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!

Alexander K Opicho
(Eldoret,Kenya;aopicho@yahoo.com)
This essay is based on the observation research that had been carried out  by a social research firm in  Eldoret, Kenya, in the preceding six moths, which has been concluded on 30th January 2014.I the writer of this essay was among the lead team that carried out this study.We unobtrusively observed two thousand University graduates from east African states of Kenya,Uganda,Tanzania,Rwanda,Ethiopia,Sudan,and Burundi plus a few form some parts of Congo .Our target population of two thousand graduates was used under the guiding assumptions that it would help the study to arrive at water tight social conclusions.Our problem of focus was that ;why are male graduates in east Africa not marrying fellow graduates but instead go for marital partners who have substantially lower education qualification and even academic achievement.
The conditions of serendipity was also encountered and taken care of , when we also deviated from the natural social settings and charted with our digital social media friends who were approximately two thousand as well.They were digital social friends from Facebook and twitter digital social platforms. We  posted a thread in question form that ; if you were marrying today , would you marry a girl you graduated with the same year? Eighty percent of the responses to this thread was no , only twenty percent was yes.
The actual situations in an empirical experience is that male graduates prefer marrying ladies who stopped schooling in high school,and male high school or diploma college graduates prefer marrying ladies who don’t have clear high school education.And male primary school leavers prefer marrying ladies with inferior social positions like those who come from poorer families or from different tribal communities that are geographically, economically or culturally disadvantaged.
And in case where a male graduate dares to marry a fellow graduate , the dominantly observed social behaviour in this juncture is that ; the boy will go for the girl in a different school or faculty that is perceived to be inferior within the university academic climate.Like a student of medicine or law will go for a girl doing education or any University course perceived to be inferior.But the observation  produces insignificant cases of where a medicine student daring to marry a fellow medicine student.The minor cases of where a medicine student dares to marry a fellow medic will only take place in a social fabric that the male student at fifth year level will go for a girl in first year.Still there is a social tilt.
When we asked for reasons in a non-obtrusive manner from our unsuspecting respondents.We got both positive reasons and negative reasons.The positive reasons our respondents gave are that in most cases girls who don’t make it to the university happen to be more beautiful or their physique is more sexually appealling than those ladies who make it to the university.when we projected this type of reasoning , we also found that ladies who are in schools like education,journalism or any other school perceived  inferior in the cultures of the University are again more beautiful and more socially enticing than the girls doing University courses like law ,medicine or engineering.One of the respondents made a socially outlying remark by saying that girls at the polytechnic or certificate colleges are usually light in the skin,**** in character and blessed with big or pronounced bossoms than ladies at the university.
When we asked the negative reasons , our respondents argued that  ladies from the university are not controllable,neither are they prepared to be controlled come even the marriage. Further argument for these behaviour by male  graduates is that the University ladies are sexually exhausted,As they usually stay with a man in the hostel or in the cube during the four or the five years of their live at the University. Some even live with different men interchangeably, after which they divorce those many on the graduation day.Another response is that University ladies have a proclivity towards social hangout behaviours like smoking ,pinching or revving in the wine spree and loving the pocket but not the owner of the pocket.
This social phenomenon have imperative concerns that there is high level of genetic mismatch through marriages in east Africa or any other part of the world which east Africa can be socially generalizable to in such particular socialization.Graduate ladies are often forced to marry as second wives , or marry non graduate husbands or stay as a single mother but playing a mistress somewhere, a social behviour described as mpango wa kando or chips funga in the the east African Kiswahili parlance. Such social encounters have a long term consequences of fettering the genetic potential of the family in terms of  academics.When we conform to a warning by an eminent American psychologist that ; ninety percent of academic brilliance is contained in the genes but not influenced by environment we then obviously concur with the findings of this study that if a graduate marries a graduate there is a guarantee for academic performance among the offspring , but where a graduate marries  a non graduate ,  academic performance among the offspring is either mediocrous or probabilistic.The findings of this study also fall in technical tune and intellectual tandem with the observations of Lee Kuan Yeow in his book; From the third world to the first world in which he pointed out that; failure by the male graduates from  Universities in Singapore to marry the fellow female graduates was an impeachment to development as the ultimate consequence of these social behaviours is unnecessary inhibition of good genetics at a macroeconomic level.
The conclusive position of this study is that University leaderships in Africa, with a particular focus on east Africa, must inspire new University culture that has a turnaround effect on this behavioural status quo.The reality is that male graduates behave like this out of a dominance syndrome not out of anything technically worthwhile.Kindly , let our graduates change their marriage behaviour so that we can substantially protect our genetic advantages.

References;
Lee Kuan Yeow; From Third World to the First World
Alexander K  Opicho, is a social researcher at Sanctuary Research agencies in Eldoret, Kenya.He is also a lecturer  for Research Methods in Governance.

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in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next