Submit your work, meet writers and drop the ads. Become a member
Shofi Ahmed Jul 2018
On the edge, the living earth
dared to mimic Queen Fathima's worth,
the Queen of Heaven's grace and poise,
her footsteps, a blessed path of choice.
This way bedewed with divine light,
a numinous destination of sight,
graced by thousands of prophets of God,
a sacred path that all should trod.

In Allah's name, she descended,
on the Night of Ascension, her path transcended.
from the Night of Measures, she came,
her frame, heaven's dark matter, a mystery untamed.
A divine dot in terra incognita,
a fondly-folded bud where time doth bloom.
If one can see up to where it rose,
Paradise sways towards this uncharted way
the only guide, oft is a glimpse of Queen Fathima's eye!

The only asymmetrical golden ratio,
steps forth amidst the symmetrical prophet flock.
The earth makes way for her in awe,
as she moves in sequence with the golden lock.
Cloaked in mystery, she reveals
her unique, divine relation to the divine.
Makes measured moves at the forefront,
shining the light ever drawing closure to God.

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great flock of women mirrors the earth,
following each atom on that angled girth,
aligned perfectly under the waxing full moon's worth.
As they approach the behemoth's might,
atoms beneath their skin explode in their finest sway,
and beneath Fathima's feet, vibrations take flight.

The ocean billows up, floating with the clouds,
Like choreographed dewdrops hanging low on the rose,
Ready to shower down on that hot spot like honey-drops.

Even the Moon on the horizon follows suit,
Ah, the lunar punter rows down, loves to sip in a drop.
the sleeping beauty wakes amidst the moonlit night,
silver dances in her eyes on every star in sight,
as the Moon sails down from its celestial height.
The seven seas sing out in the dark,
bubbling with exuberant fireflies' spark,
who gleefully rock the moonlit boat,
towards the cup of that pretty little drop.

Poetry in motion, the sea on the ground
a beauty reflected in the Moon on high
the storylines jump and dance around.
Painting the colors of the winds in the sky
over the shady grove, the rhythm goes on
rains down from the sky on that sweet spot
singing the sweetest of all title songs.

Never before was a woman a prophet of God,
but for the primitive woman, the leading lady,
the sharpest cut above the rest, the leader of the pack.
Sayeedatun Nessa, Queen Fathima,
Heaven holds no secrets, always an open mirror!

Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
"There is no night, only déjà vu moonlight
the pious homemakers, these veiled tuberoses,
were hidden gems to the sublunary fireflies
who will be open moons in heaven's secret skies."
The Huris gaze upon mesmerizing beauty,
but their eyes turn to the real McCoy:
the women in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.

The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great women flock mirror the earth
treading across every atom on that angle
perfectly aligned down the Moon.
Until those beneath the skin atoms
bang, explode, on approaching the behemoth,
the vibration beneath the otherworldly Fathima’s feet!

The ocean billows up floats with the clouds
like choreographed dew droops hanging low on the rose
just to shower down on that hot spot like honey drops.

Even the Moon on the horizon follows suit
ah, the lunar punter rows down loves to sip in a drop.
The sleeping beauty wakes up amidst the moonlight
silver dances eye on every star in the night
the Moon is sailing down.
The seven seas sing out in the dark
bubbling with exuberant fireflies
that would gleefully rock the moonlight boat
over to the cup of that pretty little drop.  

Poetry in motion is a sea on the ground
the same is known as the Moon in the sky!
The storylines jump ever more
on that way over the shady grove.
Painting the colour of the winds
the sky rains down on that spot
singing the sweetest title song.  

Never was a woman prophet of God
for the primitive woman the leading lady
the acute cut above the rest, the leader of the pack.
'Sayeedatun Nessa' Queen Fathima
heaven is no secret always an open mirror!
Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
There is no night only Deja vu moonlight
the pious homemakers these veiled tuberoses
were the hidden gems to the sublunary fireflies
shall be the open moons in the heaven's secret skies!
Huris look on mesmerising beautiful
eyes on the real McCoy the woman in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.
The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!
Gideon McCarthur Oct 2015
Once a girl lived in a tower.
She had the longest golden locks you had ever seen.
Her mother would visit and be hoisted upwards upon those locks to see her daughter.
The girl was named after a plant… Rapunzel.
How could she know this though when she had always lived in her home of the tower.
Her mother had kept her there since she could remember.
Rapunzel would ask when should could see the world.
Her mother would turn down these pleas saying the world was too dangerous for Rapunzel.
As she grew older Rapunzel realized that she resided in not a home but a prison.
Why was mother allowed to see the world and she was not?
Why could she not decide for herself the dangers of the world?
Freedom always framed within her window but too far below to reach.
On her 18th birthday Rapunzel fled the tower using the locks that had grown so very long.
Her mother soon after discovered her daughter to be missing.  Full of spite she pursued her daughter.
Rapunzel’s hair kept her from going too far and soon her mother was upon her.
Rapunzel tried to flee, but her mother seeing her daughter free from the world she had made for her stepped upon the long locks.
She pulled her daughter back to her slowly, back to the safety of her arms, her world. Rapunzel struggled on the ground trying to escape. She took a rock and severed the locks from her head. She fell forward into the edge of the woods and onto thorns.
She was blinded. Her mother rushed to her side not concerned for the eyes that weeped red but for the destroyed beauty that was her daughter’s locks.
Rapunzel may have lost her sight in that moment but her mother had lost hers long before that. Unable to see how she had hurt her daughter. That the greatest pain her daughter had experienced was given by her. Her daughter was blind and could not see the world, but her mother had never seen her for what she was.
Mari Carrasco Apr 2015
Twists, rips, knots, love-filled locks.
Hair that embodies personality;
Wild, untamed, unkempt, yet beautiful.

Hair that embodies nature;
Disobedient, ever changing, free.

I will never regret these tree root locks.
They have taught me patience,
They have taught me to love even that which is not beautiful to everyone.
They have taught me that we are like the earth, we grow, and we die, and we blossom.
I never intended my snake locks to be for fashion, I wanted nature to teach me what it will.
And if no other lesson ever stays with me this one will:

*Nature can never be tamed.
I began my dreadlocks journey about a month ago and my baby snakes are so very important to me, I had to write about them.
Richard Riddle Aug 2013
In my travels, I happened to find this little box. It has no key, and has no locks. So, sit back, sip a cup of coffee, or favorite drink, relax for a little while,  and hopefully, enjoy the ride:

On the table, the box it sits-
All six sides of equal fit-
What is the mystery inside-?
What are the secrets that it hides?
This little box--
That has no key--and has no locks.

The Oracles of Delphi-the hermits on the peak-
Claimed to see the future-but in truth they did not seek-
The power of this little box-
That has no key ----- and has no locks.

It doesn't eat! It doesn't breath!!
But oft it can, and will, relieve
Your fears of the fiercest days ahead--
All within this little box-
That has no key---------and has no locks.

When clouds gather, dark and drea'r--
Eyes swell, and start to tear--
It's not a curse! nor a pox!
Just pick up the little box--
That has no key---------------and has no locks.

So, with great ferocity--
Quench your thirst of curiosity!
Discover the secrets held within!!
Feel the power again, and again!!!
Learn the mystery of the box--
That has no key--------------------and has no locks

(YOU MAY NOW OPEN THE BOX)
                                                            ­                                      
Put together with guise and guile--
With hopes that it will make you smile-
So, now you know the mystery--
And the secret of the box-
There never was a need -- for keys and locks!!!       
           
Copyright r.riddle-August 17, 2010
Should be presented as a "gag gift." A ceramic coffee cup in the shape of a toilet worked for me.
An Imitation Of Macpherson’s “Ossian”.


Dear are the days of youth! Age dwells on their remembrance
through the mist of time. In the twilight he recalls the
sunny hours of morn. He lifts his spear with trembling hand.
“Not thus feebly did I raise the steel before my fathers!”
Past is the race of heroes! But their fame rises on the
harp; their souls ride on the wings of the wind; they hear
the sound through the sighs of the storm, and rejoice in
their hall of clouds. Such is Calmar. The grey stone marks
his narrow house. He looks down from eddying tempests: he
rolls his form in the whirlwind, and hovers on the blast of
the mountain.

In Morven dwelt the Chief; a beam of war to Fingal. His
steps in the field were marked in blood. Lochlin’s sons had
fled before his angry spear; but mild was the eye of Calmar;
soft was the flow of his yellow locks: they streamed like
the meteor of the night. No maid was the sigh of his soul:
his thoughts were given to friendship,—to dark-haired
Orla, destroyer of heroes! Equal were their swords in
battle; but fierce was the pride of Orla:—gentle alone
to Calmar. Together they dwelt in the cave of Oithona.

From Lochlin, Swaran bounded o’er the blue waves. Erin’s
sons fell beneath his might. Fingal roused his chiefs to
combat. Their ships cover the ocean! Their hosts throng on
the green hills. They come to the aid of Erin.

Night rose in clouds. Darkness veils the armies. But the
blazing oaks gleam through the valley. The sons of Lochlin
slept: their dreams were of blood. They lift the spear in
thought, and Fingal flies. Not so the Host of Morven. To
watch was the post of Orla. Calmar stood by his side. Their
spears were in their hands. Fingal called his chiefs: they
stood around. The king was in the midst. Grey were his
locks, but strong was the arm of the king. Age withered not
his powers. “Sons of Morven,” said the hero, “to-morrow we
meet the foe. But where is Cuthullin, the shield of Erin? He
rests in the halls of Tura; he knows not of our coming. Who
will speed through Lochlin, to the hero, and call the chief
to arms? The path is by the swords of foes; but many are my
heroes. They are thunderbolts of war. Speak, ye chiefs! Who
will arise?”

“Son of Trenmor! mine be the deed,” said dark-haired Orla,
“and mine alone. What is death to me? I love the sleep of
the mighty, but little is the danger. The sons of Lochlin
dream. I will seek car-borne Cuthullin. If I fall, raise the
song of bards; and lay me by the stream of Lubar.”—
“And shalt thou fall alone?” said fair-haired Calmar. “Wilt
thou leave thy friend afar? Chief of Oithona! not feeble is
my arm in fight. Could I see thee die, and not lift the
spear? No, Orla! ours has been the chase of the roebuck, and
the feast of shells; ours be the path of danger: ours has
been the cave of Oithona; ours be the narrow dwelling on the
banks of Lubar.”—”Calmar,” said the chief of Oithona,
“why should thy yellow locks be darkened in the dust of
Erin? Let me fall alone. My father dwells in his hall of
air: he will rejoice in his boy; but the blue-eyed Mora
spreads the feast for her Son in Morven. She listens to the
steps of the hunter on the heath, and thinks it is the tread
of Calmar. Let her not say, ‘Calmar has fallen by the steel
of Lochlin: he died with gloomy Orla, the chief of the dark
brow.’ Why should tears dim the azure eye of Mora? Why
should her voice curse Orla, the destroyer of Calmar? Live
Calmar! Live to raise my stone of moss; live to revenge me
in the blood of Lochlin. Join the song of bards above my
grave. Sweet will be the song of Death to Orla, from the
voice of Calmar. My ghost shall smile on the notes of
Praise.” “Orla,” said the son of Mora, “could I raise the
song of Death to my friend? Could I give his fame to the
winds? No, my heart would speak in sighs: faint and broken
are the sounds of sorrow. Orla! our souls shall hear the
song together. One cloud shall be ours on high: the bards
will mingle the names of Orla and Calmar.”

They quit the circle of the Chiefs. Their steps are to the
Host of Lochlin. The dying blaze of oak dim-twinkles through
the night. The northern star points the path to Tura.
Swaran, the King, rests on his lonely hill. Here the troops
are mixed: they frown in sleep; their shields beneath their
heads. Their swords gleam, at distance in heaps. The fires
are faint; their embers fail in smoke. All is hushed; but
the gale sighs on the rocks above. Lightly wheel the Heroes
through the slumbering band. Half the journey is past, when
Mathon, resting on his shield, meets the eye of Orla. It
rolls in flame, and glistens through the shade. His spear is
raised on high. “Why dost thou bend thy brow, chief of
Oithona?” said fair-haired Calmar: “we are in the midst of
foes. Is this a time for delay?” “It is a time for
vengeance,” said Orla of the gloomy brow. “Mathon of Lochlin
sleeps: seest thou his spear? Its point is dim with the gore
of my father. The blood of Mathon shall reek on mine: but
shall I slay him sleeping, Son of Mora? No! he shall feel
his wound: my fame shall not soar on the blood of slumber.
Rise, Mathon, rise! The Son of Conna calls; thy life is his;
rise to combat.” Mathon starts from sleep: but did he rise
alone? No: the gathering Chiefs bound on the plain. “Fly!
Calmar, fly!” said dark-haired Orla. “Mathon is mine. I
shall die in joy: but Lochlin crowds around. Fly through the
shade of night.” Orla turns. The helm of Mathon is cleft;
his shield falls from his arm: he shudders in his blood. He
rolls by the side of the blazing oak. Strumon sees him fall:
his wrath rises: his weapon glitters on the head of Orla:
but a spear pierced his eye. His brain gushes through the
wound, and foams on the spear of Calmar. As roll the waves
of the Ocean on two mighty barks of the North, so pour the
men of Lochlin on the Chiefs. As, breaking the surge in
foam, proudly steer the barks of the North, so rise the
Chiefs of Morven on the scattered crests of Lochlin. The din
of arms came to the ear of Fingal. He strikes his shield;
his sons throng around; the people pour along the heath.
Ryno bounds in joy. Ossian stalks in his arms. Oscar shakes
the spear. The eagle wing of Fillan floats on the wind.
Dreadful is the clang of death! many are the Widows of
Lochlin. Morven prevails in its strength.

Morn glimmers on the hills: no living foe is seen; but the
sleepers are many; grim they lie on Erin. The breeze of
Ocean lifts their locks; yet they do not awake. The hawks
scream above their prey.

Whose yellow locks wave o’er the breast of a chief? Bright
as the gold of the stranger, they mingle with the dark hair
of his friend. ’Tis Calmar: he lies on the ***** of Orla.
Theirs is one stream of blood. Fierce is the look of the
gloomy Orla. He breathes not; but his eye is still a flame.
It glares in death unclosed. His hand is grasped in
Calmar’s; but Calmar lives! he lives, though low. “Rise,”
said the king, “rise, son of Mora: ’tis mine to heal the
wounds of Heroes. Calmar may yet bound on the hills of
Morven.”

“Never more shall Calmar chase the deer of Morven with
Orla,” said the Hero. “What were the chase to me alone? Who
would share the spoils of battle with Calmar? Orla is at
rest! Rough was thy soul, Orla! yet soft to me as the dew of
morn. It glared on others in lightning: to me a silver beam
of night. Bear my sword to blue-eyed Mora; let it hang in my
empty hall. It is not pure from blood: but it could not save
Orla. Lay me with my friend: raise the song when I am dark!”

They are laid by the stream of Lubar. Four grey stones mark
the dwelling of Orla and Calmar. When Swaran was bound, our
sails rose on the blue waves. The winds gave our barks to
Morven:—the bards raised the song.

“What Form rises on the roar of clouds? Whose dark Ghost
gleams on the red streams of tempests? His voice rolls on
the thunder. ’Tis Orla, the brown Chief of Oithona. He was
unmatched in war. Peace to thy soul, Orla! thy fame will not
perish. Nor thine, Calmar! Lovely wast thou, son of blue-
eyed Mora; but not harmless was thy sword. It hangs in thy
cave. The Ghosts of Lochlin shriek around its steel. Hear
thy praise, Calmar! It dwells on the voice of the mighty.
Thy name shakes on the echoes of Morven. Then raise thy fair
locks, son of Mora. Spread them on the arch of the rainbow,
and smile through the tears of the storm.
Richard Riddle Mar 2015
In my travels, I happened to find this little box. It has no key, and has no locks. So, sit back, sip a cup of coffee, or favorite drink, relax for a little while,  and hopefully, enjoy the ride:

On the table, the box it sits-
All six sides of equal fit-
What is the mystery inside-?
What are the secrets that it hides?
This little box--
That has no key--and has no locks.

The Oracles of Delphi-the hermits on the peak-
Claimed to see the future-but in truth they did not seek-
The power of this little box-
That has no key ----- and has no locks.

It doesn't eat! It doesn't breath!!
But oft it can, and will, relieve
Your fears of the fiercest days ahead--
All within this little box-
That has no key---------and has no locks.

When clouds gather, dark and drea'r--
Eyes swell, and start to tear--
It's not a curse! nor a pox!
Just pick up the little box--
That has no key---------------and has no locks.

So, with great ferocity--
Quench your thirst of curiosity!
Discover the secrets held within!!
Feel the power again, and again!!!
Learn the mystery of the box--
That has no key--------------------and has no locks

(YOU MAY NOW OPEN THE BOX)
                                                            ­­                                      
Put together with guise and guile--
With hopes that it will make you smile-
So, now you know the mystery--
And the secret of the box-
There never was a need -- for keys and locks!!!      
          
Copyright r.riddle-August 17, 2010
(A repost of my first writing.  Written to go with a "gag-gift" for my boss' birthday. The last stanza should be covered with a tab to be removed after the box is opened)
Richard Riddle May 2015
In my travels, I happened to find this little box. It has no key, and has no locks. So, sit back, sip a cup of coffee, or favorite drink, relax for a little while,  and hopefully, enjoy the ride:

On the table, the box it sits-
All six sides of equal fit-
What is the mystery inside-?
What are the secrets that it hides?
This little box--
That has no key--and has no locks.

The Oracles of Delphi-the hermits on the peak-
Claimed to see the future-but in truth they did not seek-
The power of this little box-
That has no key ----- and has no locks.

It doesn't eat! It doesn't breath!!
But oft it can, and will, relieve
Your fears of the fiercest days ahead--
All within this little box-
That has no key---------and has no locks.

When clouds gather, dark and drea'r--
Eyes swell, and start to tear--
It's not a curse! nor a pox!
Just pick up the little box--
That has no key---------------and has no locks.

So, with great ferocity--
Quench your thirst of curiosity!
Discover the secrets held within!!
Feel the power again, and again!!!
Learn the mystery of the box--
That has no key--------------------and has no locks

(YOU MAY NOW OPEN THE BOX)
                                                            ­                                      
Put together with guise and guile--
With hopes that it will make you smile-
So, now you know the mystery--
And the secret of the box-
There never was a need -- for keys and locks!!!      
          
Copyright r.riddle-August 17, 2010
Richard Riddle Nov 2015
With Christmas shopping upon us, thought I would put this in the mix**

In my travels, I happened to find this little box. It has no key, and has no locks. So, sit back, sip a cup of coffee, or favorite drink, relax for a little while,  and hopefully, enjoy the ride:

On the table, the box it sits-
All six sides of equal fit-
What is the mystery inside-?
What are the secrets that it hides?
This little box--
That has no key--and has no locks.

The Oracles of Delphi-the hermits on the peak-
Claimed to see the future-but in truth they did not seek-
The power of this little box-
That has no key ----- and has no locks.

It doesn't eat! It doesn't breath!!
But oft it can, and will, relieve
Your fears of the fiercest days ahead--
All within this little box-
That has no key---------and has no locks.

When clouds gather, dark and drea'r--
Eyes swell, and start to tear--
It's not a curse! nor a pox!
Just pick up the little box--
That has no key---------------and has no locks.

So, with great ferocity--
Quench your thirst of curiosity!
Discover the secrets held within!!
Feel the power again, and again!!!
Learn the mystery of the box--
That has no key--------------------and has no locks

(YOU MAY NOW OPEN THE BOX)
                                                            ­                                      
Put together with guise and guile--
With hopes that it will make you smile-
So, now you know the mystery--
And the secret of the box-
There never was a need -- for keys and locks!!!      
          
Copyright r.riddle-August 17, 2010

— The End —