The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.

While riding  to loch Driscoll
Upon my faithful  ***
I came upon three calvary men
Who demand of me a tax
I pulled my trusted claymore
And my pistol capped
The devil take your souls and the copper coin to match
I took the bounty chest rightly full of gold
I yelled to the devil
Here comes three more for your hole
Shalah  hey Heidi do ** de oh
Life as a highwayman
Life as a highwayman
I buried half me treasure
And the other half is gone
Perhaps  the ****** that earned it
Will help the minstrel  sing my song

Shadey hey hey do oh
Life of a highwayman
Life  of  a  highwayman

I took the remaining treasure
And arranged passage on a
Ship
I would tame America with
The claymore  on my hip

Life of  a  highwayman
Life  of a highwayman

Riding fast through summers warm night
with heart as black as his attire
desperate to get back to safeties reach
quench his thirst, fulfil his desire.

His labour has been a profitable one
for not one but three tonight
and the ***** that he carries
will set him something right.

Whilst kicking he's heels into his steed
whispers faster boy he begs and pleads
hoofs on dry ground echo and resound
through the trees and all around.

This Highwayman homeward bound.


By Christos Andreas Kourtis aka NeonSolaris

Well Old Hank said it best
When he said,
"I'll never get out of this world alive"

I keep telling myself
"Self, you'll do just fine
As long as you keep on keeping on
And keep on gettin by"

But at some point
I'm bound to break
And I won't be as strong at the broken places
Like Hemingway once wrote.

I'll crumble and wither away
A pile of dusty bones on the street corner
Beneath a hookers stilettos

The wind will come and blow

I'll be a ramblin man then,
I'll be a highwayman then,
I'll be everywhere then man...

Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

NEW TRANSLATIONS 03-01-2025

I long to embrace her, Ghalib,
whose thought is the rose in its dress of petals.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Wholly pledged to passion amid mundane life,
I worship lighting, lament the torched harvest.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Nights, sleep and composure are his,
who sleeps entwined in your disheveled mane.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

As a single ray of sunlight damns the dew to oblivion,
so I’m destroyed by a single kind glance.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

When I see her, my face lights up;
thus she thinks the patient is cured.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

There’s no cure for passion, Ghalib. It’s the fire
that, ignited won’t burn, and, extinguished, refuses to die.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

There, the arrogance of airs and appearances. Here, simple modesty.
If I were to meet her on the thoroughfare, would she invite me to her soiree?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I understood the merits of decorum and asceticism,
but wanted no part of them.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

How could I have escaped,
when the sky spread its nets of stars?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

An arrowless quiver, no hunter lying in ambush?
I’m content in my corner of the cage.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Where does one plant the second footstep of longing, Lord,
when the first found an infinite desert?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Inquire with my heart about your negligent archery:
since there’s an arrow in my liver rather than higher.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Having murdered me, she foreswore further cruelty.
Such is her “repentance.”
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Thanks to passion, I developed a taste for life,
but seeking a cure for pain, I found pain beyond cure.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Due to weakness, my weeping became sighs.
Thus I learned water can evaporate.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

To erase the thought of your elegant fingers
was to rip the fingernail from its flesh.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Rain pouring down from spring clouds
is like weeping in grief at death’s separation.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

GHALIB ON DRUNKENNESS

To hear my rose-bestrewing speech,
first place the flagon before me!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Let someone too obedient for wine and honey
transform our paradise into hell.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Grief overflows the cup despite the abundance of wine,
but this cupbearer’s slave, what griefs do I have?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Leave me alone at ZamZam because spinning in circles makes me dizzy.
And besides, my pilgrim’s loincloth has wine stains!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Will the One grants you such glorious radiance, O Moon,
not also grant me glorious wine?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

When the flagons and glasses are all filled,
the winehouse stands empty.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I drank wine all night, then at dawn
I washed the stains from my pilgrim’s loincloth.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

When the winehouse has been departed, do we care where we go?
Whether to the mosque, the classroom or some Sufi lodge?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

We’re unaccustomed to leisure:
when the winehouse door closed, we visited the Ka’ba.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

We departed Paradise for illusions here,
but the inebriation’s overwhelmed by the hangover.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

GHALIB ON GHALIB

Who doesn’t know Ghalib?
He’s a good poet with a terrible reputation.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Although there are other excellent poets,
they say Ghalib excels them.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Think of Poetry as an enchanted world rich with meaning:
every word, Ghalib, that charms my verse.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

No matter where awareness flings its nets,
the Phoenix sleeps unseen in my nests of words.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

With his special style, Ghalib sang of subtleties.
It’s a public invitation, for friends in the know.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Hearing my speech, accomplished critics
enjoined me to accessibility,
but my thoughts are complex
and if I don’t speak, I’m even harder to understand!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

The rose bestows her glory, true,
but you have to open your eyes, Ghalib!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

The shroud veiled my nakedness;
otherwise clothed, I disgraced life.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Confide in no one, Ghalib, for these days
no one keeps secrets, save the doors and walls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

When it’s allied with the enemy, there’s no trusting the heart.
My sighs? Ineffectual. My laments? In vain.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Let me be punished, not tortured,
since I’m merely a sinner, not an infidel.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Something accounts for my reticence,
otherwise I can speak, can’t I?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

GHALIB ON LIFE AND LOVE

In a dream I transacted business with you,
but when I awoke there was neither profit nor loss.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

All I know of my heart is this:
the more I sought it, the more you found it.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

How to describe the intensity of her eyelashes?
I strung my clotted blood into coral prayer beads.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

All my longings were silenced, transformed to blood.
Thus I became the extinguished lamp on a pauper’s grave.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Alas, union with her was not my destiny.
Our life together would only have meant more procrastination.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I knew from your delicacy that your vows were nebulous.
Had one been firm, it could not have been so easily broken.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Joy is a drop in Oblivion’s river,
but boundless pain soon becomes its cure.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I’m the captive of Love, the Huntress,
otherwise I’d have strength to flee.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Your sidelong glances? Arousing.
Your cruelty? Demoralizing.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Her temper’s an inferno,
but I’ll be ****** if I don’t desire hellfire.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Ten thousand airs and graces
negated by a single tantrum.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Where will the steed of life stop,
lacking hands on the reins and feet in the stirrups?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Your glances, deadly daggers. Your winks, unerring.
You are allured by your own reflection.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

If you can’t see my heart’s wound charring,
can’t you smell it, dear doctor?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I’m dying with the longing to die;
death comes, but not quickly enough.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

We went to complain about her negligence,
but she dismissed us with a glance and we disintegrated.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Whence, world-warming sun ray? Why not shine here?
Yet strange darkness descends like a shadow.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Tyranny adores those who adore the tyrant;
she’s not cruel by being unkind.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Having adopted a mendicant’s rags, Ghalib,
I’m amazed by the spectacle of generous people.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

I keep up awhile with each new jogger
yet fail to find a guide.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

All creation moves toward entropy,
the sun a flickering candle in the wind.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Fidelity if it holds fast is the root of faith;
if the Brahmin dies in the idol’s temple, bury him in the Ka’ba.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

If I hadn’t been held up by day, would I have slept as comfortably by night?
Thankful for the theft, I bless the highwayman.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

How small, our world to the oppressed
when a single ant’s egg is our entire sky.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

You didn’t press your lips to another’s in kiss?
Save your breath, we also have tongues!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Don’t fall for the illusion of existence, Asad,
when our world’s one link in the chain of thought.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Even if I live a few more days,
inside I’m resigned to someplace else.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

My opposite became granite
when she saw my fluidity.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

The rose unfurls as a means of taking leave;
fly, nightingale, fly, for the days of spring have fled.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Aloofness veils friendship;
when will you cease concealing you face from us?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Where is there anyone not in need?
Where is there anyone who can fill anyone’s need?
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

The wealth of this world’s a lament, a handful of dust;
the sky’s a dull gray egg, to me.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Why assume everyone would arrive at the same answer?
Come, let’s tour Mount Tur together.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?
— by Mehmet Akif Ersoy, Turkish poet, loose translation by Michael R. Burch



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)

I see apes walking on ice,
I see snakes slithering on snow,
lively eyes indulge my dream,
and it haunts me.

worry, worry, worry.
marked drips on a stained walkway
catch my stare so often
I forgot I was looking

by two levels, I drop.
the ground awaits me.
today, I am sure-footed;
I will not buckle.

an enigma passes:
I wrest free my heart,
but too late!
all that is left...
a cold afternoon,
a quiet memory,
a regretful encounter.

and countless others
who, in unfortunate confidence
might turn away in disdain...
they won't know a flower's scent.

if I were one of them,
I would stand up and say,
"Advance, Collingchance!
Attach your legions to mine,
and together we will conquer!"
or I would approach you like a highwayman
and make demands of you....

but since I am not,
my only demand
is that you accept me
for what I am.