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The Good Pussy Nov 2014
.
                               happy
                        happy happy
                      happy happy ha
                     ppy happy happy
                      happy happy ha
                      ppy happy happ
                      y  happy  happy
                      happy happy ha
                      ppy happy happ
                      y  happy   happy
                      happy happy ha
                      ppy happy happ
                      y   happy  happy
                      happy happy ha
                      ppy happy happ
                      y   happy  happy
         happy happy        happy happy
      happy happy ha    ppy happy happy
    happy happy hap   ppy happy happy
        happy happy          happy happy
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Mark Toney Jun 2020

………………………………………………………………
H
Ha
Hap
Happ
Happy
Happy o
Happy or
Happy or d
Happy or de
Happy or dep
Happy or depr
Happy or depres
Happy or depress
Happy or depresse
Happy or depressed
Happy or depresse
Happy or depress
Happy or depres
Happy or depre
Happy or depr
Happy or dep
Happy or de
Happy or d
Happy or
Happy o
Happy
Happ
Hap
Ha
H
L
Li
Lif
Life
Life i
Life is
Life is a
Life is a b
Life is a ba
Life is a bal
Life is a bala
Life is a balan
Life is a balanc
Life is a balanci
Life is a balancin
Life is a balancing
Life is a balancing a
Life is a balancing ac
Life is a balancing act
Life is a balancing ac
Life is a balancing a
Life is a balancing
Life is a balancin
Life is a balanci
Life is a balanc
Life is a balan
Life is a bala
Life is a bal
Life is a ba
Life is a b
Life is a
Life is
Life i
Life
Lif
Li
L
S
So
So e
So ea
So eas
So easy
So easy t
So easy to
So easy to s
So easy to sl
So easy to sli
So easy to slip
So easy to slip a
So easy to slip an
So easy to slip and
So easy to slip and f
So easy to slip and fa
So easy to slip and fal
So easy to slip and fall
So easy to slip and fal
So easy to slip and fa
So easy to slip and f
So easy to slip and
So easy to slip an
So easy to slip a
So easy to slip  
So easy to sli
So easy to sl
So easy to s
So easy to
So easy t
So easy
So eas
So ea
So e
So
S
M
Mo
Moo
Mood
Moods
Moods t
Moods th
Moods tha
Moods that
Moods that f
Moods that fa
Moods that fal
Moods that fall
Moods that fall c
Moods that fall ca
Moods that fall can
Moods that fall can r
Moods that fall can ri
Moods that fall can ris
Moods that fall can rise
Moods that fall can rise a
Moods that fall can rise ag
Moods that fall can rise aga
Moods that fall can rise agai
Moods that fall can rise again
Moods that fall can rise agai
Moods that fall can rise aga
Moods that fall can rise ag
Moods that fall can rise a
Moods that fall can rise
Moods that fall can ris
Moods that fall can ri
Moods that fall can r
Moods that fall can
Moods that fall ca
Moods that fall c
Moods that fall
Moods that fal
Moods that fa
Moods that f
Moods that
Moods tha
Moods th
Moods t
Moods
Mood
Moo
Mo
M
………………………………………………………………
Wait for tomorrow’s new day
6/21/2020 - Poetry form: Shape - This was inspired by fellow HelloPoetry poet Riley Cartwright’s shape poem “The Music in My Head.” Thank you, Riley - © 2020 Mark Toney.  All rights reserved.
laura-jessica Jan 2018
so happy
so happ
so hap
so ha
so h
so
s
su
sui
suic
suici
suicid
suicida
suicidal
edit: thank you for all your feedback, it is nice to hear support as well!
Arvind Krish Jan 2016
2015 had its last breath..
and we had given the light to
2016
last  year we made mistakes'
this year we make success
last year we learnt more
this year we teach more
last year we made resolutions...fake
this year we know
it  doesn't  need new year
for a great start
Joshua Vincens Apr 2013
Ya wonda why I'm filled with so much passion and rage/
But that's what happ'n when ya lessen a man to a cage/
I haven't even unleashed the darkness/
Imagine a soul that's cold 'n' heartless/
Crowley is weak compared to the I beast/
Within me, 'n He I now release/
It in I and we have begun to feast/
Spit it out/
Shut ya impudent mouth n listen/
Time ta quit ya ******' insolent dissin'/
Check me out I'm hookless/
Reckless/
You follow the text n I'm bookless/
Check this/
Determination look me in my Eyes/
Ya gunna stay in tha gutta, ***** *****, just to watch me rise/
RA!/
I am incomparable/
Can't match  me, I'm too lyrical/
I am a spastic assassin/
Breath deep/
I am the heir, with anthrax-in/
How I see it, You nuttin' but fails/
You in a row boat *****, n my ***** got sails/
Ya call me crazy/
Ya vision is hazy/
And ya thinkin is lazy/
What I know would make ya a sage see/
I'm filled with these higher optics/
Shouldn't need a telescope ta spot this/
But you do/
What, Hoss is up, Livin life in love/
'N neva givin' a ****/
Crowned/
I Come here to shut ya ta hell down/
------------Chorus-----------
Duranged/
It's Dark n Strange/
Quit ya askin', 'What am I?'/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange/
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha Wakin' Age/
Ya tormented by hæmaluna change/
IT'S NOW/
Needa label me "I Am" - The Omnipotent is Dark n Strange!/

------------------Verse 2--------------------------------
I'm spittin' real ****, so consider me exlax/
Banishing the lies, I'm leavin'em just facts/
True talk is how this ****'s gunna torment Ya/
Break ya Soul if ya fearin' It, I'm thinkin' torture/
Wake Up/
No fire to go with  your sulfur/
Poor tormented Souls end of time to torch ya/
Flowin' hot speakin' blazen fluid/
Become a fire frequency king druid/
Remain in vain and **** it, You'll die morbid/
In days last You'll be over timid/
Skinnin' weak people like piglets/
Label me 'Naught' I've no limits/
I'm life Livin'  in center aligned/
Tippin' scales them ******' swine/
Ascend win twin minds combine/
Balancing act Life's **** or 'dalini/
Rise Up/
I'm beastin' the intensity/
I climb ladders frequently/
******' sick of livin' hell I harmonize Energy/
Mind insane I'm bringin' ******* madness/
Lost senses found you still sittin' sadness/
Be More/
I'm mastering levels with the Dodecahedron/
Ya livin' lame that's ya lazy ******' conundrum/
I get pure data that's distilled in a cauldron/
Most minds are piles of **** like postmortem/
Abominations bossin' somniliquists with abhorrence/
Only condemnation for such ******' malevolence/
Opened eyes providing ya with luminescence/
End for all contempt contrite by due reverence/

-------Chorus-----------
Duranged/
It's Dark n Strange/
Quit ya askin', 'What am I?'/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange/
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha Wakin' Age/
Ya tormented by hæmaluna change/
IT'S NOW/
Needa label me "I Am" - The Omnipotent is Dark n Strange/

---------Verse 3----------------------------
I'm Clinically Fearless... Absolutely scared of none/
You're afraid of my haunted paradox... Defined me Fearsome/
I'm sick of this ****** lost society/
Living a worthless illusion no reality/
What is it/
Mass Individuals stuck in egotistical vanities?/
I am goin' crazy contemplatin' such insanity!/
Can't you see/
This is the path of demise for humanity/
You need a hand, so sad/
Refused for me to help you, your bad/
To hear this/
You need to wear a mental harness/
This is the seed of my soul's darkness/
Everybody does share none and lives careless!/
The fruit is hard truth, Ya life is hopeless!/
There's tha gun, here's tha trigger- PULL THIS!/
Should have been Tempus Fugit as We Carpe Diem/
Too late tempers temp-is ****-it Masses parley Global Requiem/
Yeah I know my process is dark & strange/
My mind is warped definitely it is deranged/
After all I Sow & Reap for simple change/
Here is wisdom, which is validated by three/
Blow your ears & gouge your eyes, than you will see/
Divide by none return to your commUnity/
The end of my advice, now reach for DivUnity!

-------Chorus-----------
Duranged/
It's Dark n Strange/
Quit ya askin', 'What am I?'/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange/
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha wakin' age/
Ya tormented by hæmaluna change/
IT'S NOW/
Needa label me "I Am" - **The Omnipotent is Dark n Strange!
HAPPY HAPPY FELLA, HAPPY HAPPY TOO

I AM THE HAPPIEST DUDE AROUND

I PROVIDE FUN FOR ME AND YOU

I AM *******, TO BE A *****, CAUSE I HATE FIGHTING AT THE BAR

I REMEMBER WAY BACK WHEN I SAID, I AM NOT INTO DRIVING CARS

THESE OLD MATES SAID TO ME, I AM NOT A COOL KID ANYWAY

BUT I STILL GO OUT AND ENJOY MYSELF, YEAH YEAH YIPPEE I AY

I AM HAPPY HAPPY HAPPY HAPPY, HAPPY ALL THE DAY

I AM THE ONLY COOL KID IN TOWN, YEAH, I AM A HAPPY DUDE ANYWAY

OH HAPPY. BOY AM I SO HAPPY, OH HAPPY, HAPPY ALL THE DAY

ME AND MY MATE, WE ARE WALKING AROUND LOOKING HAPPY

ME AND MY MATE, ARE HAPPY ALL THE DAY

OH HAPPY, I AM VERY HAPPY, OH HAPPY THE HAPPIEST DUDE IN TOWN

HA HA HA YOU AND ME, I AM THE THE PRINCE OF EVERYONE WHO IS HAPP HAPP HAPPY

I PLAY WITH MY IDEAS, FOR CREATIVITY, DUDES

I CAN EAT A AWFUL LOT OF FOOD

OH HAPPY, I AM ALL VERY HAPPY, OH HAPPY I AM HAPPY ALL THE DAY

ME AND MY BROTHER, ARE SPREADING THE WORD OF BEING HAPPY

ME AND MY BROTHER ARE HAPPY ALL THE DAY

I AM HAPPY, VERY VERY HAPPY

I AM HAPPY, RIGHT INTO THE DAY

BUDDHA WANTS ME, TO BE VERY HAPPY

BUDDHA WANTS ME TO BE HAPPY EVERY DAY

OH HAPPY, YEAH DUDE I’M HAPPY, OH HAPPY, CARN DUDES, MAKE ME HAPPY HAPPY HAY

ME AND MY DAD AREVERY VERY HAPPY

WE PARTY ON DUDES, WE’RE HAPPY ALL THE TIME

YA SEE I LOVE PARTYING, TO THE GREAT ANGRY ANDERSON

LAST SUNDAY AT CONVOY, I PARTY EVERY DAY

I AM HAPPY, VERY VERY HAPPY, I AM HAPPY, EVERY SINGLE DAY

ME AND MY MATE PAT ARE VERY VERY HAPPY, IN OUR LIVES WE DON’T **** ANYONE OFF

CAUSE WE’RE HAPPY, OH HAPPY HAPPY HAPPY, CAUSE WE’RE HAPPY

ALL INTO THE DAY

HAPPY HAPPY HAPPY DUDE, I AM HAPPY TO BE ALIVE YEAH MATE YEAH

HAPPY LIKE AN AUSSIE, AUSSIE AUSSIE AUSSIE, OI OI OI

I AM A VERY HAPPY BOY, OH YEAH DUDES
Bruce Levine Aug 2018
Upper East Side
The Hamptons
Aspen, Colorado
The plastic people
Follow each other
Moving in herds
Like cattle to the
Slaughter

Drifting
Floating
Shifting focus
From one charity event
To another
Whatever’s trendy
Whatever’s fashionable
Whatever’s happ’ning
Whatever’s the need
Tainted new artists
Society’s rejects
The film-maker who fits in with
The flavor of the month
The disease or the cause
That captures the moment
Stigmas overlooked
Deformities relieved
By one hyper exertion
By one pseudo good deed

Changing bedrooms
Changing partners
New alliances
Noblesse oblige

Mrs. Astor’s
Four hundred
Reinvented forever
Reinvented with fervor
On the edge
Of hypocrisy
Keeping up with the Jones’s
Maintaining the houses
Paris, Rome, Cote du Jura
Malibu, Palm Beach
Couture fashion
Madison, Rodeo
Worth avenues united
Avenues of the liege

Location, location, location
The right address unspoken
Dinner in the right places
Sporting events to be seen
Three martini luncheons
Halcion evenings
Business is business
Where money’s retrieved

Look to plastic people
For fashionable guidance
No matter the moment
No matter the need
Remember to catch them
While jetting to Santa Barbara
Saint Maarten, San Troupe
San Marco, warp speed
They live in their milieu
Can’t function outside it
Can’t follow a shadow
That others believe

It’s easy to find them
They leave behind footprints
But barely a mem’ry
Or singular creed
Other than finding
The latest in fashion
The latest persona
Or new plastic breed
Javi Claycombe Jun 2016
When I was little
I was taught a lesson
That I control all that is destined
Of my life and how I live
And from that lesson I listened

In the next day
My teacher said
Today is a day to pretend

Gather round and close your eyes
Then tell me what you'd like to be
If you could be absolutely anything

I raised my hand without a doubt
And when I was called I said out loud
If I could be anything, I'd be "Y"

Because "Y" is in ever(y)thing
And "Y" can be an(y)thing

No no you don't understand
You need to try again she said

But I learned a lesson
That I control all that is destined
Of my life and how I live
And I want to be (Y) I said

But why

Because when people try but don't understand
They'll ask why and I'll help them learn

And when people are rude and say why should I care
I want to be there to say, I care

And when people are sad and ask why me
I'll be there to say it's going to be okay

I always want to be with (y)ou so that we're never alone

And because I want to be in the middle of Happ(y)ness

Happiness is spelled with and "I" my teacher said

I know
But "Y"
kay  Aug 2013
Water Bottle
kay Aug 2013
I put a bottle by my bedside
Before I went to sleep
To replace the liquid lost
From the times I weep
I closed my eyes to rest
And it was suddenly very near.
So I thought I'd climb inside
And wait to disappear.
I settled at the bottom
And waited for some sap
To come and fill the bottle
With water from the tap.
All the time that this was happ'ning
I was sleeping very well.
Having thought my fate was sealed.
And dreaming I was in hell.
Joshua Vincens Oct 2012
Ya wonda why I'm filled with so much passion and rage/
But that's what happ'n when ya lessen a man to a cage/
I haven't even unleashed the darkness/
Imagine a soul that's heartless/
Crowley is weak compared to the I beast/
Within me, 'n He I now release/
It in I and we have begun to feast/
Spit it out
Shut ya impudent mouth n listen/
Time ta quit ya ******' insolent dissin'/
Check me out I'm hookless/
Reckless/
You follow the text n I'm bookless/
Check this/
Determination look me in my Eyes/
Ya gunna stay in tha gutta, ***** *****, just to watch me rise/
RA!/
I am incomparable/
Can't match  me, I'm too lyrical/
I am an assassin/
Breath deep,
I am the heir, with anthrax-in/
How I see it, You nuttin' but fails/
You in a row boat *****, n my ***** got sails/
Ya call me crazy/
Ya vision is hazy/
And ya thinkin is lazy/
What I know would make ya a sage see/
I'm filled with these higher optics/
Shouldn't need a telescope ta spot this/
but you do
What/
Hoss is Down, Livin life like  love/
'N neva givin' a ****/
I Come here to shut ya ta Hell up/
------------Chorus-----------
Duranged/
It's Dark n Strange/
You askin', "What am I"/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha commin' age/
Ya too tormented by change/
IT'S NOW
Needa label me "I Am" - The Omnipotent is Dark n Strange!

------------------Verse 2--------------------------------
I'm Clinically Fearless... Absolutely scared of none/
You're afraid of my haunted paradox... Defined me Fearsome/
I'm sick of this ****** society/
Living a worthless illusion no reality/
what is it
Mass Individuals stuck in egotistical vanities?/
I am goin' crazy contemplatin' such insanity!/
Can't you see
This is the path of demise for humanity/
You need a hand, so sad/
Refused for me to help you, your bad/
To hear this/
You need to wear a mental harness/
This is the seed of my soul's darkness/
Everybody does share none and lives careless!/
The fruit is hard truth, Ya life is hopeless!/
There's tha gun, here's tha trigger- PULL THIS!/
Should have been Tempus Fugit as We Carpe Diem/
Too late tempers temp-is ****-it Masses parley Global Requiem/
Yeah I know my process is dark & strange/
My mind is warped definitely it is deranged/
After all I Sow & Reap for simple change/
Here is wisdom, which is validated by three/
Blow your ears & gouge your eyes, than you will see/
Divide by none return to your commUnity/
The end of my advice, now reach for DivUnity!

-------Chorus x2-----------
Duranged/
It's Dark n Strange/
You askin', "What am I"/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha commin' age/
Ya too tormented by change/
IT'S NOW
Needa label me "I Am" - The Omnipotent is Dark n Strange!
Please, I would love to know your thoughts on this lyric? Out of curiosity, do you think I should write another verse or leave it as is? I would love to receive some advice if there is any you wish to share?
Joshua Vincens Sep 2012
Ya wonda why I'm filled with so much passion and rage/
But that's what happ'n when ya lessen a man to a cage/
I haven't even unleashed the darkness/
Imagine a soul that's heartless/
Crowley is weak compared to the I beast/
Within me, 'n He I now release/
It in I and we have begun to feast/
Spit it out
Shut ya impudent mouth n listen/
Time ta quit ya ******' insolent dissin'/
Check me out I'm hookless/
Reckless/
You follow the text n I'm bookless/
Check this/
Determination look me in my Eyes/
Ya gunna stay in tha gutta, ***** *****, just to watch me rise/
RA!/
I am incomparable/
Can't match  me, I'm too lyrical/
I am an assassin/
Breath deep,
I am the heir, with anthrax-in/
How I see it, You nuttin' but fails/
You in a row boat *****, n my ***** got sails/
Ya call me crazy/
Ya vision is hazy/
And ya thinkin is lazy/
What I know would make ya a sage see/
I'm filled with these higher optics/
Shouldn't need a telescope ta spot this/
but you do
What/
Hoss is Down, Livin life like  love/
'N neva givin' a ****/
I Come here to shut ya ta Hell up/
------------Chorus-----------
Duranged/
It's Dark n Strange/
You askin', "What am I"/
Darkness Fire burnin' opaque, I neva Die/
Strange Set by Ra, Look to tha Sky/
Nothin' weirder than I/
So Dark N Strange
I Am, Cryptic Poetic Hark outta Range/
Who is, Dark n Strange/
Ya frightened of tha commin' age/
Ya too tormented by change/
IT'S NOW
Needa label me "I Am" - The Omnipotent is Dark n Strange!
Please, I would love to know your thoughts on this lyric?  I would love to receive some advice if there is any you wish to share?
ns  May 2014
Sea of Emotions
ns May 2014
I am a sea of emotions
An angry set of waves
A whirlpool of sadness
A storm untamed for days

Under this peaceful still current
A riot happ'ning inside
Creating a hurricane of feelings
I was meant to hide

I tried to take in the emotions
I tried to swallow in the fear
The pain that surrounds me
Been burning all these years

So i set my hurricane free
And it destroys everything we had
Nothing left but despair
It was cruel, gruesome, bad

*ns

— The End —