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L B  Mar 2017
"Hey Kid!"
L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
Izzy Jul 2017
First Minutes
The discovery sinks in as we spring into action
Adrenaline kicks in, heart pounding, blood rushing.
My mind confusedly putting pieces together.
First Few Hours
Calls are made to paramedics and cops and investigators swarm our house.
Our car goes faster than what is safe as we follow the ambulance as it carried what we would later learn was only her body and a few dedicated paramedics.
A time of death is announced and more tearful calls are made, this time to family and later to friends.
We leave hours later surrounded by a mournful silence.
First Day
We sat on the on the couch in a shocked silence, which was only broken by my calls to her friends, the ringing of the house phone and doorbell.
First Week
The silence was deafening and I had to escape.
So I returned to school after making arrangements with my family for the cremation and shedding my own tears for the first time. I caught the last two classes of the day and began burying myself in my classwork after telling those who needed to know.
First Month
Our own questions were behind every turn as we handled finances, possessions, settling things and celebrating her short life.  
I began to tell more and more of my friends.
Second Month
The pain was still fresh and stinging,
My mother returned to work for the first time.
Third Month
I held back my tears in English.
The play we read reminding me of her and running lines with her the previous year.
Fourth Month
I let it get to me while locked in my room, wishing it was my boyfriend's arms around me instead of my paint-stained jacket as I painted the canvas as black as I was feeling.
Recording my tears for him and watching how he hid his own watery eyes the next day in class as I honored our promise.
Her birthday passed and my mother planted flowers.
Fifth Month
After an uneventful spring break, my dad began staying home from work, unable to handle the weight of his thoughts.
Sixth Month
School ended and summer began and for the first time in what was now fourteen years, I didn't have a sister. I was alone.
Seventh Month
Slowly but surely the pain faded, with the help of scattered therapists, counselors, and mountains of support from family and friends. Summer traditions continued but were never the same.
Eighth Month
The weight of her absence doesn’t rest on my shoulders as heavy anymore.
Ink stains me with her memory. The pain I felt, saw and personified over many pages as we still face it.
My father has returned to work as we each learn to deal with the missing piece of our family in our own ways.
Ninth Month
School begins.
It's my junior year and school is starting for the first time since 3rd grade without my sister. My mother would always take a "first-day" picture, the tradition faded when we attended different schools. Maybe it wasn't so annoying after all.
Tenth Month
It's October, my, our, favorite month. Lost memories run through my head along with missed opportunities. Did we even carve pumpkins last year? Last year we argued about passing out candy but both ended up falling asleep. When was the last time we went to the County Fair? The Mullet Festival? Missed opportunities for silly reasons.
Eleventh Month
The Holiday season is kicking off. Soon it will be Thanksgiving. Her absence is noticeable as I stand amongst my family and celebrate. The only ones who don't ignore it are the little ones, repeatedly asking where she is as the grownups look uncomfortable. I don't know what to tell them.
Twelveth Month
The Holidays are in full swing and I can't help but think of the last one we all spent together. She passed before Christmas. They aren't the same anymore.

One Year
Its hard to believe that a year has passed without her. Her room is the same as if shes just at school. We spent the anniversary doing things she enjoyed, like taking the family dog to the beach and sharing cotton candy.
We haven't moved on, not in the slightest. My mother still cries, I don't think she'll ever stop. But as the days pass I can see how it gets easier and easier for my family to be happy again.
Michael DeVoe  Oct 2015
Grownups
Michael DeVoe Oct 2015
We are grown ups
Full grown *** adults
Making out in the front seat of your car at the edge of a crowded parking lot in front of a high school where mothers are picking up their daughters from their first homecoming dance
You know, like grownups do
But that’s not really what we are
Not here, not all day
Today we’ve been movie characters
We’ve been comic strip accidents
We’ve been fairy tale destinies  
The clock is striking midnight soon
This fidgeter’s bracelet still doesn’t fit over these fat fingers
Come morning you’ll be back in the castle
Where princesses belong
Stupid fairy god mothers always ******* up a perfectly good nursery rhyme
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
CR  Oct 2013
goodmorning
CR Oct 2013
when the milk light steals into my eyes—hey it’s grownups’ goodmorning
—I let your elbow go and then I pull it back again, soft metonymy (i
sometimes remember
when you’re awake, and abashed I keep it quiet
how you’re my favorite part
—of what?—not applicable, but this morning I remember
when your eyes are closed, and I let you feel how much I
feel you in my ribs when you’re all around me)

the punctuation of the days was always mine and I
couldn’t breathe as well without keeping the dark
for me just me
and still my eyelids weigh me down a little but
I don’t mind
hey goodmorning
Thanks for the meatballs ma'
On a mission
Be back soon
Took a huge jump on my bike, not a moment too soon
Got struck by lightning and bit by a raccoon
Next thing I knew
I'd taken to the sky
Swept up in a bubble
Passed the Hubble
Made a wish
As I streaked across the sky
And landed on the moon
Found the moondust powdery
Heartbreakingly abandoned and alone
Felt it caress the palm of my hand
Smooth as purest silk
Gave it love
A home
Made it a part of my fingerprint
And as I did
Sprang this wonderfully innocent music
Harmonies of such clarity and void of lies
Brought tears of sadness to my young eyes
As I laid them on this blue marble that houses our skies
Still bleeding itself dry
Spinning faithfully on the blackboard of life
Such grace
This wonderfully complicated dance of life
Never asked for anything in return
Except maybe the answer to a burning question
Why all this grownup warmongering?
Why?
When in the midst of all this hate and terror
Every kid in the world is born
With a natural instinct
To play
To laugh
To explore
And to celebrate
The precious gift of their newborn life.
Childhood series #3
Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
Left Foot Poet Jun 2014
Cold beer,
a long necked bottle held to my forehead
and in my throat,
to my lips,
so relief comes both ways,
glad for it,
the double of the cool,
helps the day of troubled nothingness,
and the long necked bottle makes it
worth the extra second of anticipated tasty wait

can't drink in the river park,
don't cotton to brown paper bags,
do it anyway cause the East River
tides me over on its way
thru the Verrazano Narrows,
bound for the Atlantic with me low rider spirit in tow,
a devil may care attitude en contrôle

this troubadour opened the store at 700am
but not a one came looking for a song,
but the mail came reliable,
with dues due,
promises that need keeping,
and other items,
what the grownups call responsibilities

June Monday early eve and the Moran tugboats
ply their trade like reliable ****** to the sailors,
and their larger than bathtub size toys,
turning containers, freighters, into docile boys
who do as they are told on their way to ports far

there are stick figures outlined on the hexagon
paving stones that are so nyc for me,
here pedestrian! follow your designated path
here pedestrian, you must walk to be safe arrived

but I take to the railing,
where  Isaac-bound and mesmerized,
I imagine surfing the churning wakes on the surface
of the riveting tides and wonderous wanderlust for
where we are bound...

no voice heard from the heavens,
saying Abraham put down that knife,
because I have not passed the test of true belief,
perhaps the river's invitation is my test,
if I should sing another song here,
perhaps it will tale the end of this tell...
MP  Dec 2014
Home
MP Dec 2014
I'm restless like a low-class little nothing. Or a something. Or something, I don’t know. I tried to run away when I was twelve. I kicked puddles, ate a package of crackers, came home. I wish I could come home now. But he doesn’t kick puddles, he kicks the stairs loudly when he’s drunk and can’t walk up. He stains the mattress when he ****** the bed. He calls me from the gas station at 4 am saying “I love you baby, come pick me up.” And I shouldn’t, but I will. Will I? I will. And I really want to come home now, I miss the comfort of my warm bed and your soothing hands and would you make me tea when I am sick? I know I’m older, but let’s please forget. He fights and get cuts and scrapes and scabs and bleeds them onto me and I don’t think it’s gross. I think it’s gross when he tries to make love to me. and it hurts. We are not one, we are two. Making love, the term makes me laugh. It’s called *******, I think. It’s not like in the stories or the movies or the fantasies, *******. But this is what grownups do, right? Smoke cigarettes on street corners and don’t use condoms and eat ecstasy like aspirin and sweat and dance and collapse and come home and cry. Because they used to be the good girls, right? Was I a good one? Oh, no, I really want to come home now. Plane tickets are gold and he is too afraid to fly and too afraid to let go of my arm. The bruises are okay, I like the shape they make. It reminds me of a horror movie. I used to not be able to watch them, I was too young. You won’t be able to sleep, you’d say. But I can’t sleep now and I think I might still be too young. I want to come home now, can I please?
Àŧùl Sep 2016
Aaj ke bacchon mein hi nahin,
Apitu badon mein bhi sanskār,
Naammatr ke bach gaye hain.

Not only in children of the day,
But even the grownups lack it,
Ettiquette is just for namesake.

Andar se wo aadar bhaav gūm,
Aur haan gūm hai satkaar bhi,
Badon ke liye sammān gūm hai.

That feeling of respecting is lost,
And indeed is lost that hospitality,
Elderly are no longer given the place.
Foundation pillar-shaped bilingual concrete poetry.

The Hindi language poetry means the same as translated into the English language in the lines that follow it.

HP Poem #1154
©Atul Kaushal

— The End —