On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful

At once at the top of the Estinfalos, Marie des Vallées avoided all of them being injured and being swallowed by the strait. The bronze birds with great vigor avoided being part of the vast shore that hit them as Nephelleidae Helles. Here they were compelled by the Myth Frixo and Hele, in the process of their sacramentals. They took the assignments before running with the same fate as the children of Atamante and Nephele. Ino the second wife of Atamante wanted to get rid of them by burning the grain so as not to have crops. This is where the soul of the Herophilus Sybilla appears to them, consulting the Oracle of Delphi. The Children of Atamante were destined to be sacrificed, being Nefeles who sent a Golden Ram, the children were saved by climbing Ram's spine, taking him away from the executioners. When Heles was going to a great height he looked towards the sea that caused him vertigo, falling into the sea in its celestine waters, remaining from this instance with the patronymic Hellespont. His brother, Phryxus, clung tightly to his back and arrived safely at Colchis. Marie could see some Gerakis and then react in search of Heles, taking time to decide and enter. It was only a few hours before dusk, and the lacerated seventy were lowered from the Stymphalos to cross the waters in search. Marie joined the bronze birds with the interaction ratio of all the times that they would intertwine in the lines showing exploration, supplying what Theus and Vikentios did to grow in number, and with all the occurrences that occurred for the contemporary coincidence of thousands of years, for the current figure of millions of light-years that reacted towards the sky crashing in everything that a maximum roof allowed, and then allowed them to be in the interaction when crossing the Sea of Heles, where she always was, only being diverted by the bronze birds from above, and only being tangible by Marie's conscience when she saw that she had never fallen from the Golden ram, but had been only a weightless creature among the clouds of her mother Nephele, hanging around her neck some remarkable telesomatic beings sent by herself, in egregious tributes to her most adorable daughter. She subsequently falls into the sea, unblemished that Vernarth would go to rescue her from her. The Lacerates, Theus, and Vikentios gathered in the circular area of the Gerakis, leading them to the ancient Phrygian city of Dardania. The crowded currents of the celestial realm became ocean currents that lifted Heles's living body as Gerakis with her wings signaled to the Stymphalos to grasp her with precision. Silently the psyches of the bodies of the Trojan War were able to make Heles's rampage measurable, doing Vernarth's medication at a distance with Heles when her death throes accused her rejection of the balsamic intentions of Marie des Vallées. Then is she resorts to the bilocation of Vernarth managing to see from the surface the reckless surface of the sea, seeing a figure with a snowy white outfit and also a light blue tunic, in addition, she wore a crown of cocoons as a Diadema.

Nothing made it possible to presume that quantum was not bending in kilometers that separate Patmos and the Sea of Heles when this sacred figure was sighted that was glimpsed as psychosomatic physiology, for the good of the Second Age that Vernarth brought for them, noting that it was Bernardette Soubirous, which became immediate like a Benedict Akashic field. The small and large units of Massabielle's universe were pointed out from where this quantum elitrophic wave came, with living palpitations of Heles granting the inquiry of her by convulsions of his brain with small akashic vibrations before falling into the icy Sea. Non-local logic became arcane before this telepathic event, and the figure of Bernadette notified them by its coherence of subtle connection, that lately the light that she carried when she escaped from Ino will be rekindled, with the oblation for her was subordinating her, and that it would be supremely since there from where they would uproot her and then free her from the Akashic field from minor to major storm, where Marie des Vallées would let them know that she was safe. This space was already local, but it was detached from the terminal that made it originally from it for the connections of having it already on Patmos so as not to have to be transported by the Stymphans. Everything happened synchronously in unison, after the transpersonal boundaries of consciousness that were united among all to free it from these bonds in the freshness in Heles. All the micro-dimensional organisms became more than clairvoyant with the endowments of the falls and the uprisings after the rescue of Heles by Vernarth and the Akashic fields, applying the material field that was transposed in great extensions of material-immaterial time, before the immanent Electromagnetic gravitationally that could only be seen, heard and probed by Vernarth when he was meditating between the hemispheres of Aullós Kósmos, justifying nth parapsychologies where space is not empty and does not have a percentage mass in this case, and what has been called the quantum vacuum is in fact a cosmic plane (Akasha). Thanks to this information, it was conserved and transferred by the Akashic field, from the coherent universe of Heles, where it could be reconverted into a Sub Mythological being, thanks to a superhuman being happening at the site of the Dardanelles and which will also take place in another place in Patmos.

Marie des Vallées says: “everything that happened in one period also happened in the following times here at the Hellespont. Nothing was local, nor limited to where and when it happened. All things are integral, cosmic because everything is connected and the memory of all things extends to all places and times. Here is Vernarth who is the object and subject of his umpteenth parapsychologies, which are the replica of the joyous songs of Bernadette Soubirous's Rosary "

Vernarth sensing that Heles was in frank danger of life, mounts Alikantus and heads for the Strait of Dardanelles. Here he manages to specify that it was compared with the anachronism of the Bronze Birds, who had sailed through the upper Dodecanese, then over the Marmara counterclockwise from Kairos, meeting again with the Helladic period. Here it spread over Hellen; with the eponymous hamlet that boasted of the Stymphalos, as a coerced premonition in the pre-Helladic, towards the end of the Bronze Period. Thus, with this changeable phenomenon, Vernarth was directed, while he flew in the seconds of Kairos time as a symbol of subsisting in each deleterious life, almost with the powers of not getting intoxicated with any substance transited by the sea of the strait. Here Vernarth went to Alikantus, being this one from Thessaly and Sudpichi, right here among them Kanti appears with Etréstles, they came to tone up the survivals that would bear Heles after recreating the two great Ionic and Doric hydric colonnades. While Alikantus being of Cretan, the roots he had to emit breaths from the Eighth Cemetery of Messolonghi to revive the colonnades, to separate the waters and molecules that increased in density to move Heles from the depths of the ocean. Kanti was a super steed, he plunged under the Marmara, like a tiny sea to leave the waters of the Black Sea from one of the abutments of some seams of some Achaeans, which were disengaged from the seas that joined them. In this instance, the Helén together with Vernarth continued to release the ropes of a great Kizara that Nefeles had woven for her daughter, from here from the dean cloud and from the distress where she freed herself to go to her Gaugamellian aid. The Kizara was a Eurythmic wire rope, therefore its sound elucidated the sea and its celestial kingdom, magnifying and complicating Poseidon in the sea that actually resembled the sky. Therefore, Heles was with his ethnonym Hellespont who snatches her and redirects her to Helén, which was similar to her name, in such a way that the sky was embroiled by the point, from Helén by Heles creating the watery element of the Flood of Heles that was retracted by the impetus of Kanti and Alikantus when Vernarth increased with all his vivification when he saw her near the shaft of the Doric colonnade, organizing the waters that would rise from the susceptible Heles wrapped in a Himation that Vernarth had dispensed near the Vas Auric.

In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.

IX

Oh this gradual coming together as sleep lifts away from bodies resting just apart but then a little turn on the pillow knees touch there is the slightest kiss of a nose a mingling of feet hands may rest atop a thigh and touch experimentally This is such bliss all consuming no thought but each body’s press and caress so slightly so gently given until hands and limbs and kisses and the dearest stroking fills us to the brim with that longing which only the deeper kiss can quench Afterwards we watch from our attic bedroom leaves departing their trees

X

The steep steps and Doric pillars eight in all gather us into an entranced gloom only to spill us out into the light and space of galleries filled with Cyprian artefacts an owl with a removable head more porcelain than even your great aunt could look at but in a corner there were these bowls from Syria 12C and earlier Michael Cardew could have thrown and patterned but didn’t One in Iranian green inscribed thus blessing prosperity glory grace joy happiness security and long life to the owner  nothing more surely ever to be wished for ever to be wanted

XI

My Chinese heroine has a soulmate: Jilia’s deer in flight across a page of Somerset Soft White and Tengin mould oh the verse of Hafiz 14C Sufi mystic flowing into the body of this running beast Rejoice you lonely seeker of the scented path out of the wilderness the perfumed deer has come and there was more in different hands paper parchment poems exquisitely rendered into living words In a frame Goethe’s leaves of the Gingo Biloba stuck to his letter of love to married Marianne This leaf from a tree in the East has been given to my garden

XII

Captivating in beauty glowing silvery-white petals flutter down to lay a blanket of snow beneath the flowering trees and miraculously they did and more to make us wonder that negative space could be so powerfully wrought Hiroshige the master in his element of the winter snows eloquent landscapes figures on the Edo to Kyoto road the detail of raised up clogs and warm layered garments of a Geisha walking out with her maid the stone blue waters the pale reflecting skies the delicate embossing of waves and the flow of hillsides the ukiyo-e woodblock prints pictures of the floating world

XIII

Wearing purple and red your near to Advent colours grace this table we lunch at before a final walk through the city full of our time here amongst the towers and chapels and more history and art than we can manage for the time being Again and always whelmed over by your beauty seen against the press and clutter the clustering in the peopled streets the bicycled roads and in this one o’clock restaurant’s clamour how is it that my eyes are wholly on you my ears only hearing your sweet voice my fingers reaching out to touch you again?

pour your aneurysm into my palm and i will love you so hard
be glad. this love is nothing more than tremendous, however
you might have Doric columns, where i have Ficus
but you're a ***** stone, a-swarm with ivy
a mind reading astronaut
i ought


and a
cat.

SWEET daughter of a rough and stormy fire,
**** Winter's blooming child ; delightful Spring !
Whose unshorn locks with leaves
And swelling buds are crowned ;

From the green islands of eternal youth,
(Crown'd with fresh blooms, and ever springing shade,)
Turn, hither turn thy step,
O thou, whose powerful voice

More sweet than softest touch of Doric reed,
Or Lydian flute, can sooth the madding winds,
And thro' the stormy deep
Breathe thy own tender calm.

Thee, best belov'd ! the ****** train await
With songs and festal rites, and joy to rove
Thy blooming wilds among,
And vales and dewy lawns,

With untir'd feet ; and cull thy earliest sweets
To weave fresh garlands for the glowing brow
Of him, the favour'd youth
That prompts their whisper'd sigh.

Unlock thy copious stores ; those tender showers
That drop their sweetness on the infant buds,
And silent dews that swell
The milky ear's green stem.

And feed the slowering osier's early shoots ;
And call those winds which thro' the whispering boughs
With warm and pleasant breath
Salute the blowing flowers.

Now let me sit beneath the whitening thorn,
And mark thy spreading tints steal o'er the dale ;
And watch with patient eye
Thy fair unfolding charms.

O nymph approach ! while yet the temperate sun
With bashful forehead, thro' the cool moist air
Throws his young maiden beams,
And with chaste kisses woes

The earth's fair ***** ; while the streaming veil
Of lucid clouds with kind and frequent shade
Protect thy modest blooms
From his severer blaze.

Sweet is thy reign, but short ; The red dog-star
Shall scorch thy tresses, and the mower's scythe
Thy greens, thy flow'rets all,
Remorseless shall destroy.

Reluctant shall I bid thee then farewel ;
For O, not all the Autumn's lap contains,
Nor Summer's ruddiest fruits,
Can aught for thee atone

Fair Spring ! whose simplest promise more delights
Than all their largest wealth, and thro' the heart
Each joy and new-born hope
With softest influence breathes.

I
I SAW a staring ****** stand
Where holy Dionysus died,
And tear the heart out of his side.
And lay the heart upon her hand
And bear that beating heart away;
Of Magnus Annus at the spring,
As though God's death were but a play.
Another Troy must rise and set,
Another lineage feed the crow,
Another Argo's painted prow
Drive to a flashier bauble yet.
The Roman Empire stood appalled:
It dropped the reins of peace and war
When that fierce ****** and her Star
Out of the fabulous darkness called.
In pity for man's darkening thought
He walked that room and issued thence
In Galilean turbulence;
The Babylonian starlight brought
A fabulous, formless darkness in;
Odour of blood when Christ was slain
Made all platonic tolerance vain
And vain all Doric discipline.
Everything that man esteems
Endures a moment or a day.
Love's pleasure drives his love away,
The painter's brush consumes his dreams;
The herald's cry, the soldier's tread
Exhaust his glory and his might:
Whatever flames upon the night
Man's own resinous heart has fed.

I

I saw a staring ****** stand
Where holy Dionysus died,
And tear the heart out of his side.
And lay the heart upon her hand
And bear that beating heart away;
Of Magnus Annus at the spring,
As though God's death were but a play.

Another Troy must rise and set,
Another lineage feed the crow,
Another Argo's painted prow
Drive to a flashier bauble yet.
The Roman Empire stood appalled:
It dropped the reins of peace and war
When that fierce ****** and her Star
Out of the fabulous darkness called.

               II

In pity for man's darkening thought
He walked that room and issued thence
In Galilean turbulence;
The Babylonian starlight brought
A fabulous, formless darkness in;
Odour of blood when Christ was slain
Made all platonic tolerance vain
And vain all Doric discipline.

Everything that man esteems
Endures a moment or a day.
Love's pleasure drives his love away,
The painter's brush consumes his dreams;
The herald's cry, the soldier's tread
Exhaust his glory and his might:
Whatever flames upon the night
Man's own resinous heart has fed.

We're all columns with cracks, that twitch when they creak.
I'm Doric like Greeks, but so loose in the back.
I never know which, nor with itch is this patch,
or the one that keeps silting and clapping this scratch.

As a Pete Pillar, a pillar of Peter, I stand the statue stand,
for when my Dad's too tired to greet, I make like a pillar with hands.
Near the gate, is where I see the men and women shaking.
Nervous is what nervous seems, as souls go limp with taking.

Faced with Vernarth's temporary absence, Sardinia continued in flames of lilting water, re-integrating itself into albuminoids in whom it saw it depart, it continued in the liturgy with monophonic ideologies, appropriate to the elemental, transfigurative, and regressive parapsychological trance. They had been divided into several identitarian personalities, they could be almost instructed to leave for Piacenza to join Raeder and Petrobus, so that later they could undock to the Dodecanese to expand the conurban folio brogues with San Juan Evangelista. They meet with Etréstles and the participating confreres who arrived at the Tholos in the morning. They were all asleep, except Etréstles who was starching a few sheets of bread dough and tzatziki sauce from breakfast. Meanwhile, they had sacred fire heating with sacred water for everyone. Vernarth approaches, and says Khaire, he answers, a joy to see you!

Vernarth says: “Beloved brother Etréstles, I have already taken the notations to begin the decalogue. Today in the afternoon we will board the sailboat and we will leave for Piacenza, we are in the conclusive oblation. In the Izanna tower, I cried out to the Rings of Zefian and to the domains of the Universe, to be exhibited and empowered to make the signs of the Decalogue and its blessed essences that Live in all the Ages of time and in their vicissitudes. Everyone begins to spur his panoramic vision, they look at him and wave, they sit in the circle analogous to the Tholos to eat breakfast. Meanwhile, outside the refuge they felt Apollonian horns moving in the symmetry of the three minutes piloting through the Thracian skies from the Kairós period, in such a way that in the last sound of the Doric scale the storm will segregate, providing beginnings in each one to board the Carrenio or Carro de Oro that will take you to the Cala Cogone pier. They all say goodbye and hug, Vernarth tells his brother Khaire!

Canto Sibila Cimera: (bis) customized the symbols of the arranged ceremonial, forging classic gestures of prodigality, it was nothing less than a cornucopia given to the zephyr of the Ultramundis, which was revolutionized in the boss around that trembled in the stony epidermis that they dressed in the stalls of the final tubule of the 103 meters, intervening with Kairós. The pharyngeal muzzle of her steed suckled the aforementioned inclinations of Likantus that harassed him like a beast, consuming the final discretion of Theseus, to finish the page of his father Aegean, breaching the sentence of his son and evading him from his stepmother Medea . From this show business, Theseus took root with his mother Etra, being the right moment for Kairós from the vibrating Panatenaicus: “enlightened people are those who handle well the circumstances they face every day, who have the judgment that is necessary on special occasions or in meetings that may arise, and they rarely miss the opportune course of action for their decalogue ”.

Kairos conferred aired in the logic of Aion, transcending the explicit time of eternity, administering tubular of time that began to be lost in space, usurping chromatic nuances of Cinnabar. The woodcut of the Olive Tree Berna brought in its oratory meanings that built undivided earrings when witnessed and persuaded them in decalogues that they had to administer with the value of Polis, and with the Prepon at once for his stylistic oratory that makes conviction in his attempt transcribing the Decalogue literal. In the migratory cove of Kairós, time was self-manipulated, absorbed in the spaces of the tunnel near the sinkholes, which were regulated by burning with ocher in the turbulent outbuildings of the Cinnabar, which began to scald fumaroles after Vernarth's rhetorical Prepon. Kairos phenomena were sought, sacralizing times to make them majestic from a field of appropriate eloquence, and of spiky synchrony towards his roles in all the void of the cavern.

The seasons began to disintegrate towards a white of Kairós Elafrós Rodóchrous, in pink inflections that represent the terrors of the climatic hot red, thriving in the subdued attractions of Cronos. The order of Áullos Kósmos made Elafrós Rodóchrous, the pinkish character for the metaphors of the musqueta, which yearns to be calico lilies fading in the proof custodians of Tique; Goddess of fortune, bringing him the winged breakers of the Mediterranean, lost in the usurping ships of the kingdoms and seas that bowed in billions of tonnages per cubic meter, with thick aqueous elements from the massifs of Kavkazski and Khrebet. Thus the avid heirs of time in Profitis Ilias would be frugal Armas  Christi, bustling around with their winged feet and soaked in thick black water, making themselves immaculate by glorifying themselves on Virolifera level 197, amid dense and rebellious masses of black mud, accelerating in the media opportune transcending of the time of Kairos, converting a minute of light into an infinite time in the oratorios of the high-sounding decalogue as it merges with the Deitie Primordial of the cosmogony that arose from its geodynamics, and in the invariable sigh of the Virolifero de Zefian, sealing the beginning of the world as a conditioning ring of the Whole.