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NeroameeAlucard Oct 2014
From birth my beauty condemned me, a sacrificial lamb for slaughter.
Beauty was a curse in my land, for each and every daughter.

The monster in the castle, Dracula would be his name.
Always hungry for ****** blood, and it was his right to claim.

Stealing a moment before I go, I took a bottle of sweet red wine.
Hoping that a drunken stupor
would help me with my time.

For days he kept his food alive, who wish that they would die.
I sat at the moonlit pond, and for my fate I did cry.
I come from a family, who's wholly dreaded
Because to the church we are indebted

I took up my family's sacred weapon
A holy whip, the vampire killer, after leaving home into Transylvania I treaded

I wandered aimlessly into a forest
Seeing Draculas castle on a hill,
My blood boiled and my family's voices were urging me to go pursue the ****

I stopped in a lonely clearing and Sat down with the whip at my side,
I looked up and saw a beautiful maiden carrying a very fine wine

As I walked the path, to the castle on the hill.
I saw the man upon a rock, my heart did calm and still.

He offered me some food, I shared with him my wine.
I stopped to sup with him, dragging out the time.

If I could love, this man I would choose.
Curse the fates and Dracula, because of them I lose.

I listened to his voice, shy to reveal my name.
I just want to stay here forever, safe and far from pain.

I whisper my name, after hearing his " Nero".
My lungs all but froze, and my heart rate went to zero.

A wonderful name
for a wonderful man.
My love was growing, but not part of the plan.

The time grew late,
I soon would have to go.
But I knew I was his,
I could feel it in my soul.

His story he did tell, the aim to destroy the beast.
The very same one, who on my blood would feast.

"Aurora" so simple yet supple, it rolled of the tongue
I knew that I loved her, I knew she was my only and one,

The problem was I was facing an impossible task,
Destroying the count, I wasn't sure if I would last

I said to her if tonight is my last on this earth
That I should enjoy it, like incense and myrrh

I could not let him go, without showing him my love.
I would give him my heart, before he is taken up above.

I untied my lace,and steeped out of my dress.
Watching his beautiful eyes, as they fell upon my breast.

I gave him my strength, my body,heart and soul.
All for the only man I will ever physically know.

His hands so tender,
it made my heart cry.
Holding him tightly,praying he would not die.

I stared at this beautiful woman, now naked in the moonlight,
I was aroused already by her appearance, but this was exemplified by the darkest night,

I laid her down on the forest floor and kissed her lovely face
Somehow my armor was stripped off of me and scattered all over the place

His kiss melted my heart, his loverall than made me whole.
Broken til I meet him, the partner of my soul.

I took him in deep, tho I was sure it would not fit.
But it easily slipped inside, with his fingers working my ****.

Gasping and moaning, he truly filled me up.
My joy and my pleasure, overflowing my womanly cup.

Scratching at his,back, and arcing up my hips.
My breath mingling with his, as his name escapes my lips.

My God this woman was like heaven on earth
She was so Beautiful, like the goddess of the hearth

She was so sweet and supple like a well cut gem I knew I loved this woman, and I proved it there and then

I fell apart in his arms, my ****** blew my mind.
This was the purest love, that would stand the test of time.

His loved filled me up, the moon he did give to me.
A caged bird no longer, for my beloved had set me free.

Far to soon our time did end, the fates stepping in once more.
But for a moment in time, we were connected and we soared.

It almost brought tears to my eyes, that our time together couldn't last
We made love so passionately, our bodies had stains of grass,

I gave her my mother's Morningstar, in case I didn't return
I loved this woman so much, it was a trinket she deserved

Tears flowing from my eyes, the Morningstar clasped to my breast.
I whispered my goodbyes, with a tightening in my chest.

Fully dressed with whip in hand, oh what a sight to behold.
But the truth of the situation, had my blood now running cold.

I sat upon his rock, and watched as he walked away.
Knowing until he returned, right here I was going to stay.

I walked up the path and opened the gate to that cursed abode
I trusted my love with the Morningstar because it was my heart I trusted her to hold

I fought my way through his castle defeating everything, zombies, demons even death
Like my ancestors before me I would fight on until my last breath

Finally atop the ancient staircase stood the evil count himself,
I didn't even bother sneaking in because i grew tired of stealth,

In a battle that raged many hours as the night went on,
I choked and beheaded him with the vampire killer, and after that he disappeared into the great beyond,

Triumphant I returned to my beloved and I noticed it began to rain
It felt like my ancestors we're celebrating and their tears were of joy instead of pain

Rain washed down my cheeks, chasing the tears that fell.
My beloved topped the crest, and he was hurt, I could tell.

I ran up to greet him, my aid I lovingly did give.
Many thanks I gave to god, for letting my heart to live.

I took him to my home, and took care of his every need.
Cleaning up his angry wounds and cooking rabbit for me to feed.

Sleep overtook him, the stew I stew I left to simmer.
Holding his I hand I to slept, as the day light began to dimmer.

I walked home with my beloved and fell into a deep slumber
While I was unconscious my every need and wound she treated as if a spell she was under.

I began to stir as I smelled food, rabbit stew if I had to guess
Having known my beloved's passion, I knew it was made with love, the best

The moon rose and than it fell, I watched my lover sleep.
I saw when he began to stir and with joy I did weep.

I changed his bandages, and feed him with every kiss.
He ate the whole bowl and my heart was full of bliss.

My love would live,
my curse was now broken.
All because of a kind hello and names that were softly spoken.

My wish came to true and love I did find.
Our two souls now made one, forever intertwined.

I looked at my love and saw the passion in her eyes, I pulled her close to me, I missed her so last night,

I kissed her with all the love I could muster I stared into those deep blue eyes
I made sure that because I had come back she would never have to cry

I kissed my love, my own, he was truly my handsome hero.
I could no longer hold it in," I love you Nero."

My heart swimming in my eyes, I put my hand upon his cheek.
The love that I could see, made my bones melt and my knees weak.

Finally I could live,
my heart now had a home.
This man that is before me, I can claim as my very own.

I smiled in my beloveds face, I kissed her again and said I'll always love you
I don't know how fortunate I had to have been
But ill make sure to keep you happy, more so than you have ever been

Forever happy I shall be, with you by my side.
No longer shall I feel pain, no more will I have hide.

Shunned by the village, as the one who was chosen.
But now from the darkest pit, the sun has finally rosen.

To you my love, I give my heart.
Forever together,
never shall we part

I smiled wryly and began to gently rub her soft curvy body
I didn't think it strange at all she began acting so oddly

As we laid together in the sunrise I whispered "darling, shall we make love again?"

I raise my head to meet his eyes and knew he wanted me to.
" Are you sure my love, it won't end up hurting you."

To hurt him now, I just could never forgive.
I shall never cause him pain, as long as we both shall live.

But oh how I wanted him, my body began to ache.
I pray he was well enough, so me he would be able to take.

I said no matter how much pain I'm in I'll always make time for you
Just be gentle with me beloved, I'm healing now thanks to you

I kissed him tenderly, giving my promise and my vow.
"I shall love you tenderly, no pain will I cause u now."

I kissed my way down his neck and licked down his chest.
I leaned just a little bit so his hairs could tease my breast.

Lower I did go, my mouth hungry for more. As I reached my goal, my heart began to soar.

I placed myself between his legs, and licked my luscious lips.
I put my mouth to his shaft and my hands upon his hips.

I took him inside and his taste danced on my tongue.
If I could but sing my joy I would have sung.

As I bathed him with silken warmth, I started to ride his leg.
The feel of him inside my mouth had my core starting to beg.

I felt almost ecstatic
Making love to Aurora again
After battling my way through hell and high water
I couldn't wait to be with her again
My toes curled up in excitement my muscles still somewhat sore,
I stared into those deep blue eyes, my eyes begging for more

I teased him just a little bit, my tongue licking up and down.
I had to taste his lovely ***** so cute and bouncy round.

I slide up his body and slowly slipped him inside.
I softly rocked my hips as I began my loving ride.

I moaned deep in my throat and he filled deep within.
If this was being wanton than I bask in glorious sin.

I laid back and watch this beautiful woman transform into a goddess of desire
I could see why the night we first met was ablaze with this passionate fire,

My spine shot up and down I quivered with ecstasy
I held on to my love tightly
So I could love every inch of her body

Quivering with such delight, I placed his hands on my breast.
I left my hands ontop of his, as he fondled and caressed.

I gave him my body, I will even give him my life.
My only one true desire now, was to become his loving wife.

I looked deep into his eyes, and drowned within his soul.
My body felt on fire and my flame did dance and glow.

Pleasure overtook me, I began to scream his name.
My sheath tightened around him and my essence began to rain.

I felt her sweet love juices
Spill onto me with such extremity
I'd been traveling around for quite some time so I knew the perfect remedy
"Beloved lay down beside me I want to try something new"
I winked at her because she had no idea what I planned to do

I kissed my beloved down her body caressing from place to place
My eyes were almost drunken from her intoxicating face

I arrived at her woman cup so soft wet and warm
I began to drink deeply, taking in all of her love juices like coffee at dawn

Griping the sheets within my hand, I bite into my lips.
The shock and surprise had u rising up my hips.

I gave a womanly growl, as my hands than griped his hair.
I was so enchanted with the sight, I could do aught but stare.

Him between my legs, his tongue licking at my ****.
I knew that he could taste me, for I was extremely slick.

My essence flowed freely, and I was lost to the pleasure.
He treated me like I was his own special treasure.

I ate her like I was starving, Like her orifice contained the gift of life
I ****** and licked upon her
Desiring nothing but to make my beloved nothing less than my wife.

I drank my beloved's essence like I was mad with desire,
I got back up on my knees, and asked for what my beloved desired

My joy knew no bounds, as I could not believe my ears.
My wish was granted, I shed some happy tears.

I rose up to meet him, now we were eye to eye. I kissed him so hard and let out a contented sigh.

"Yes my love I would not want any other, my heart is in ur hands.
Were you go I go anywhere throughout the lands."

I wraped my arms around him and kissed him with all my heart.
He is my everything, right from the very start.

I kissed her beautiful lips and I slid myself back inside her again
The bed creaked and groaned as both myself and my wife moaned and I released deep inside my beloved again

I kissed my wife's rosy cheeks and kissed her lovely lips
"I love you so much aurora" her name felt soft like a willow in the wisp

I awoke to a sound of tapping, the teacher purple in the face.
This felt like a weird time and an even stranger place.

Ignoring the words, I turned my head to look and see.
And there was my dream man staring straight back at me.

I smiled a knowing smile, for I think he knew me to.
We both lived in the past and our love was not through.
Its So fun Working With Natasha M L, Thanks for being aweosme luv!
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
With axiomatic prominences, the God Spílaiaus hung from the Virola from Ibic Three in the elevations of the Kantillana at three thousand meters high in the Transversal valleys, individualized Pichi, Chile. Millions of flying masses of Chiropterans unfolded, anticipating Vernarth's visit to the Celestial Regency of these Deities by accidental and hybrid Hellenic prophecy; coming from the Protocol of Transylvania with the Eternity of the Submythological god of Vernarth Aiónius from Ibic 1. These deities came etherealized by the heights of the Nothofagus Obliqua that was bent at forty-five degrees by the lift singing the melisma of Antiphon Benedictus that this time made the bastion and garrison of the Mikhve or Kathartyrium of Vernarth possessing souls with scabrous megalomaniacs boiling internally through the Underworld bringing Hades Speleothemes, such a tow pulls the Kosmous and humanity into the bowels of the Kardiá of the purified Agoge and the Mikveh or Purification of Vernarth in later Hypnosis Existential hanging on the halberds of the Dorus, Áspis Koilé and Kantabroi waving in the intensity of the conifers before the hegira began at Tel Gómel. Vernarth approaches Spílaiaus and proffers: “My Lord, I had an illusion…, I said that I had to fly over the Palace of Arbela at the expense of the followed “Paraps or Othónes” or Parapsychology screens that took me to wastelands full of Ungulates that rested barren in calcined silica **** covered with Hoplites and Achaemenides cries imploring to escape from disastrous dawn of Dark Angels, safe from other Angels Shvil, Almas de Kalidona, Hellenika, Armas Christi and Almas de Trouvere. Essentially all of them would beg for the circumcision of the open field and also openings of thousands of soldiers when It was arranged by all this heavenly light to crack the heels of every Hoplite. Thus leaving the hollow opening of my soul Mikveh, Kassotides, and Lynothorax that invaded with satiety to get out of itself and become the destination of all oppressed compassion on the way to the Empyrium. The curtain persists that helps beatific concerns of submitology inherent in cultural realities where it subjugates the digressive persist of specimens that recover life from their own exhaustion exercising truthfulness in those that are strengthened by their own incapacity "Vernarth" is a product of Spílaiaus' concern , and this at the same time knowing and having everything given in its analogy and terminology protruding the same root, except that submitology is roots that subordinate the inorganic and inanimate for such an effect that legacies of myths take on a leading reality that does not consider true what is not or it is part of a myth rooted in mythology, but rather of what is subtracted from its own inertia or wear and tear that does not take on a reality present in all things that are not virtuous, much less express it from a Gnostic perspective; where everything is reborn and progresses in paradisiacal cycles and messages of the Merkabah..., They are of an infinite cohesion of that celestial if it had to appear in the astral journey without taking into account what the same time in question allows to appreciate how long it has to last or persist to know that you are rooted in this process itself!

The subsequent stage will be governed by fertile beings or deities. The Genre of Itheoi Deities arises from magnificent submithological gods since they are present in events of an immortal nature doomed to micro spaces that will be configured with Paraps or Othón forming multidimensional links in each episode. The scenographic movement is represented in this work, in such a way to personify a heterogeneous reality shared by some of these gods and others from Olympus. In the case of Spílaiaus, it is specifically an augmented reality nexus of ibicos that are instantiated in this Trilogy from confraternal words where Vernarth Says: “Give me a little Gála and I will be the son of Zeus, perhaps as a means in everything and not an everything I never thought of…!” Here is that Gála is dairy juice where a speleological factor intervenes from Chauvet, Valdaine - Nyons Region - France. This is more than saying that the triggering factor is Mikveh or Purification leads from the premiere of the journey to associate with the underworld of the Kathartyrium or stationary Purgation that will take him through sequences in chapters or Paraps to meet again with Virolas or Anillares composing Medrones, crimping and growth. Later Wonthelimar from the Boedromion would bring The Arrows that Zefian will bring in the Second Trilogy bringing sleeping bodies of winter to the lap of the spring Boedromion crossing lines from spring to winter in the cycle that went directly to the Cinnabar Mercurial Ambrosia. They were discreet detached arrows that he had launched into the sky and they did not return but in the rooms, and in stages of Animalia towards the duty of rejoicing at the ****** of the Telesterion. Wonthelimar, being once again relocated before starting the works on the temple of Megaron Áullos Kósmos, was returning to the Chauvet-Wonthelimar cavern. He distanced himself from the contravention of Apollo and Artemis towards an olive tree originating from Zefian's arrows, to mark the new cardinal points of the zenith starting with the first two arrows that are placed on the bowstring away from the Quiver, each one crossing north-south trajectories and another two that were violated again with the bow of the stormy East, to launch arrows from east-west with limits of southern magnetism. He carried in his belongings "Ibic Rings" that would be transmigration towards cardinals and points where the Megaron of Vernarth would be exactly, arguing that Zefian's phalanges would be ordered in Sintropia and organic chaos in Patmos, making Pythagorean proportions in essences of numbers that idly advanced in temporary passages of Wonthelimar that were movably made of religious Saetas and Mercurial Ambrosia of Cinnabar, to contribute with insightful points of the Constellation of Capricornus. Zefian's tendency was evident to delight after being pulled from the bowstring to ghostly existence; presuming that where they fell would be the beginning of the gales that would originate the Áullos Kósmos or Megarón, a late pro of some courts imposed from the Ouranos or Cielo that was going determined in his will seized by a dubious Vestal god advocating associating with hospitable Canephores as conjectured Virgins Vestals of Roman bilocation that were resting in their hands..., and quantum parapsychology of the feared live between-tale that boils over in the arrows that have not yet fallen, not knowing their whereabouts? As sheets or serial wafers that were evoked where the origin of the Universe was broken to open towards the organic, vigorous, and anti-burned contravened Duoverse including the divine celestial origin as a *****-ovular parameter, rather eons and instances in Hestia's chimney running in pertinacious towards vast volumes of light-years. The connectivity of the Itheoi gods will make the quantum mobility machination operable between seasonal dimensions that will have to pass through periods, stages, feats and famous moments since it is initialized from here in the stone of lance with its Etruscan horses in Tel Gómel, for later in the Eleusinian mysteries themselves co-participate in eras of connection, as it appears here after the saga of Judah composing their respective seven chapters until breaking down at the end of the Conclusive Meshuva. The Boedromión will be an essential part of Trilogy II, waking up in all the winters of the world as a shelter flowered directly to the component of the Mercurial Ambrosia, a valuable element of Cinnabar or high-grade Vernarthian Sulfur for the Vas Auric or Sacred Medallion of Limassol that overflows decanted at the end of the Mikveh growing in arid deserts.

Cardinal Spilaiaus

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)
- West: Dyticá (Twilight of Leiak)
- East: Aftó (Kaitelka Equinoctial)

From Medrones that grow in massive ibix antlers in Nyons, Seven Ibics Rings were taking hold, a Viroliferous process was progressing, or exercise of rotation mechanics of Quantum Rings in the same thesis work that speaks further of a replacement Universe as the anticipatory Duoverse, and the gifted Codex Raedus as a complement or annexation baggage of the Profitis Ilias in Patmos thus generating that pre-Christian annal have a leading role in new construction by presenting a virtual situation or Genius Loci. The Semi Itheoi will have roles in leading each cardinal so that the Gestation of the Fourth Arrow of Zefian is finally re-established, reordering the universe predisposed to receive the one approaching the Duoverse. What happens in Tel Gomel and Persepolis is relevant to the Psiloi Phalanxes and crowds that would face militarized personalities, totally ignoring the origin of the Hoplite as a worshiper of Hera's Wastelands and eternal stables that supported Vernarth just like Etruscan horses and Steeds of Sudpichi summoned Alikanto or ALikantus. His mother Luccica and father Bernardólipo endorsed all contained belligerence if he were not a repentant warrior in the gloomy night of the Horcondising Castle where Spilaiaus would give warlike foreshortenings right there to abduct him at great speed to Gaugamela. Vernarth would go to these latitudes, and then he would be exposed to governorships of Aionius to consolidate and channel this hybrid submithology that would bring together the ancient Hellenic Mythology. The vertiginous passage of time will conceive harsh characterizations and qualitative Paraps or Parapsychologies, possessing the largest arsenal of quantum and historiographical data ever counted and interpreted by characterizations, more than personalized blocks in particular characters, being the support vehicle or generational stem of the summary of understanding more facts and qualities that own characteristics of interlocutors. The vast collection of Submythological gods will be strongly entrenched in identifications of Semi Itheoi or deities that are intertwined directly with the human fictional world. ! Successive Paraps are concealed and accompanied by connectivity screens called Othones, these are a fundamental part of the audio-graphic syntax, managing to structure gods and then decode the final concretion of the conclusive in each Paraps, which is nothing more than a consequence of this imperceptible quantum axon, which does not end or start!

Submythology is an etymological derivation of later stages of mythology that deprives of granting subsistence and comparative biology to cultural, urban, fabulous components or inheritance of great ancient and medieval epic periods. Contributing great accumulations of proposals to such a generation in channeling with original playwrights reinventing their theses, also giving a breath of expectation to mythical beings so that they come to life in a hybrid interpretive horizon, or with alternation of roles considering mysteries in the blink of an eye happening to postulated dissidence or vagueness, losing itself as a gendered practice but not of the real cultist who has been propagated in his gnosis to remote places of the infinite superior. In short, Submythology is an infinite tragedy where the characters represent the work in furtive omni canality, and three-dimensional presence in sharp contact with the thrones of deities that make it even more evident to relate past history through submithological exercises, which itself refers to the prefix Sub " from what precedes par excellence” and mythological suffix as a series of processes of experience where the active voice of the narrator counts, being rather an inspirational pre-constructive phase. What should be experienced when in front of us a Homeric god of Olympus is presented to us telling us that the Olympic archeology has secrets of the Myein revealing characters and successors Submythological Gods with histrionic deities looted in all ages of the Celestial Organic Subsistence.

Ibico 1: "The first was from the initiation of Wonthelimar and he brought purity, for all who needed him and went to visit him in the dark, then he would find the light when he came out of the cave alive if he was accepted." As the only presence of Wonthelimar is of Chauvet's present god ambivalence.

Ibico 2: ”He was guided by Vlad Strigoi in the center of the priesthood of his shelves with the chiropterans and in addition to the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the vapors of the Antiphon Benedictus”.

Ibico 3: "From the Eygues, the waters evaporated to heal the tormented initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron."

Ibico 4: "This ring was from the antler of Wonthelimar, here they wore the oikos or threads of Orphi Gold, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a Mycenaean complement- Valdaine”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's hyper neurological and Duoversal brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns from Kafersesuh, bringing pollination from the Lepidoptera, for the central stage of the investiture under the shadows of Hellenika and Theoskepasti."

Ibico 7: “It is the deep voice of Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices that inquire of the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medium, up to the millimeter-sized shoulder of the square meters that will illustrate the Acrotera del Megaron”


                             Gender of the Duoverse Itheoi
                                     Horcondising Deities

Previously Vernarth takes his head resting on the ceramic that supported him between the Hydor photo duct, rather bringing his hand closer to the Klismós that Saint John the Evangelist had given him when he passed through Ephesus. In such a way that when he makes the first impulse to get up from the chair he was already beginning to leave the conventional Universe for the first time, then when he sits down again in the chair inaugurating the crystalline body that was looming over himself, he continues to be the Duoverse as if outside the Klismós with its curved legs resembling supporting pilasters of the Megaron diverging to the conical ones that projected concavely supporting the hollowness of its pectoral, which was already transparent like its Invisible Eclectic Portal. Meanwhile he gets up again holding onto the Mashiach who came to take him in his arms and place him in the klismoi that interpreted the elevation of Hellenism to the Greater Heavens and the Itheoi of the Duoverse; that is to say spiritual deities of Vernarth in the classification of the rank of beginning and projection of the abandonment of the Golden Himation. In such a way that the Astragalus was integrated; a floral company that was rooted in the hands and roots that cooperatively took root in those of Kashmar. So Vernarth with the Ibic Rings would begin to syncretize the imperceptible quantum and hyper-accelerated mobilization of physics of sub-atomic particulars that would later second it, unleashing from Alef to Tav to Astragalus and Aiónius, beginning his omnipotence. The sidereal distance began to unlink towards the Calypso air that was twinned with large portions of the sea in the same enamel, making Patmos the union of chain reaction speed with the Dodecanese Valleys and Transversal Valleys of Sudpichi unifying Vernarth with Apollo, Esminteo or ephebeia; that is, three sketches of Apollo himself for the theological genealogy chart of the deity Scarabaeidae with species that multiplied together with Vernarth to become the metalloid Azophar as the main knowable guideline to the unknowable, being Apollo himself in Vernarth's corporeality before rising to the iridescence of the Moshiach.

Astragalus: His primary Itheoi or theological picture would be composed and forming part of his feet and the surroundings of his ex-voto to take to all the summits of the world in the essence and the gift of eternal life represented by the root of the madrigal curdled by his feet, with the root of the Astragalus in flower when it represented the zero-hours by getting rid of his Himation and meeting the Mashiach.

Scarabaeidae: God of the subsoil modality of wandering souls destined for the physical and spiritual decline, Scabaraeidae Aphodiinae as subtractors of all the waste of souls that have boiled in malignancy, and the Scabaraeidae Dynastinae as the righteous larvae that rise from the imaginary soil to feed on the roots of the Astragalus and all the flowers and leaves of the Dynastiae. Increased the taxonomic genus of the species that would have to remain in the underworld to aspire to a better one like these Dynastines or Heracles beetles in honor of this hero carrying the peg that Vernarth would place on all the gardens once he was in Aurion, leaving him in a larval state, before being sponsored by Hera's family for the life cycle of the Horco-Olímpico.

Nothofagus: God's phoneme-photon of divine mass light to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron of the Ibex of Wonthelimar, to the millimetric assembly shoulder of the square meters that will illustrate the Acrotera of the Megaron, and the Iridescent Nimbus that percussed between the Áullos Kósmos and the Vas Auric ” in total synchrony with Patmos, at the same level of luminosity and growth revelation of the Scabaraeidae Dynastiae to transform inert matter into another fertile one compared to Poseidon.

Lepidoptera: Like The sixth piece of crowns by Kafersesuh bringing the fertilizations of the Lepidoptera in the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar” that together with Leiak they would transmute to Horcondising.

Azofar: This metalloid god and support of the bed will take and bring Vernarth again when sailing through the cosmos towards the fifth element that would contract the universe and the Hyperdisis galaxy, to extol him from the neurological hyper brain of the Duoversal of Vernarth twinned with the Mashiach, exemplifying duplicity of Apollo as Azofar device of new interstellar ships beyond all that is knowable.

Ibicus: god of Wonthelimar's antlers, here they will carry the oikos or Orphi Gold threads for the Himation and investiture to anoint Vernarth's body bringing the aerial atmospheres of the Alps and Ida as a Mycenaean-Valdaine complement, thus they were inaugurating the solemnity and honorability. Here the quadrature will be the perfect Heliacal Ortho of the fourth Ibico with the quadrature of Aurion commanded by Leiak in the cardinal Dyticá.

Vélus: from Ibico 4, from where the goddess Artemis will evaporate in the waters for the healing of the tormented in initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron as if they were surrounding a Castalia for such solemnity.

Spílaiaus: from Ibico 3 in the center of the ministry with the bats, and others from the mercurial ambrosia invoking the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus”. Here is one more bastion of Hades' underworld dressing for the Speleothemes that will take you to the heart of all the dens of the Faith.

Aiónius: from Ibico 1 Wonthelimar who brought purity to all who needed him and went to visit in the dark, then he would find the light when he came out of the cave alive” here Kaitelka and Borker, in total harmony with Demeter, Persephone, and Hestia. Bringing them from the labyrinths with the rusty chains of Prometheus and Vertnarth wandering through infinity.

                                       Semi  I theoi

Semi-deities and great autobiographies of the Itheoi world derived from the denotation that would be reformulated from the Apoinandros that would be displaced by spikes of the didactic Ego or teaching of the authentic apostles that crystallized with Zefian, Borker, Leiak, Kaitelka, and Ezpatkul. Zefian: Reformer of the Universe-Duoverse, possessor of the four Arrows that will illuminate Heaven and all of earthly Greece every time Vernarth circulates linearly through the seas of the Vóreios of the Aegean. Ruled North: Vóreios (Boreal of Zefian) Borker: Demiurge and guardian of the Duoverse. Warden of the Forests of the World and of the Transversal Valleys of Sudpichi. Ruled South by: Nótos (Austral de Borker) Leiak: Omnipresent demiurge, the vague spirit of the docile water dancer who lives on the water with his slimy Chin, his playful back is seen breaking lines of wells between flesh and silhouettes. Before the First station, the first of the three remaining nights before reaching the crater of Joshua de Pétra” ruled West: Dyticá (Twilight of Leiak) Kaitelka: Down Whale ruling the Psychic Trisomy of the Duoverse and seas surrounding Patmos of the Apokálypsis ruled to the East: Aftó (Kaitelka Equinoctial) Ezpatkul: Dóntiakul or Augrum teeth or prominent Gold will rotate through the Scarabaeidae demarcating the Vóreios Vóreios in the Horcondising region, bilocating it in Patmos Encinas borers, with such frenzy…!, that of Right there they would extract the strength of the Mapuche north winds from the Meli Witran Mapu, beginning with the Pikún-kürüf.

A great revolution was conceived with the imprint codified in stars that would begin to appear in Alto Kanthillana after the awakening semblance under the Nothofagus bottoms; being a god who would free Ninfuceanicus. This was a Sylph that millions of years had been inert in the space or radius of Spilaiaus very close to events of the new awakening. This Sylph would be the main stolon of the Nothofagus and would provide residual inactive matter from it so that Vernarth could secretly rebel from the stages of darkness and desolation of the species, having been dragged by decanted augers since time immemorial from what is currently on Patmos. This would consecrate extensive recycling, accelerating the characterizations of each organic personality and not, tending to an essential role in Vernarth's plot; because it will be this depression to make of its awakening a multicellular set that would grant the disappeared species of the behavioral axis to be restructured in all the ex-karstic zones of the subsoil of Patmos, up to the Transversal Valleys of Sudpichi endowed with a great mineralogical bijective mass to supply powers with signs of substance and later mineralogical dimensions. Ninfuceanicus will be its Exo muscular mineral part that will provide proteins to Vernarth directly from this Sylph, in addition to recreating with her the necromancy attached to Gods Itheoi with Tsambika, Kímolos, and Patmos.The Paraps are nothing more or less than depressions of these liberations of great old geological masses that were biasedly unified under the subsoil of Hades Speleothemes, not exemplifying the stationary world of the relay but rather the Omnipresent Sphere of Spílaiaus together with Aónius and Azofar in the rescue of this Sylph, then Vélus, Ibicus, Lepidoptera, Scarabaeidae, and Astragalus will assign them the predominant rule. In silent and prominent escalations of events, they would intrigue themselves in the Submythological Epic, recomposing themselves in recapitulations that would indicate that Ulysses, Heracles, Hector, Leonidas, and the Great Alexander the Great would come to life from this thermo-geological concoction that would manifest itself by Vernarth's upper pectoral hollow "Called Thunder Kassotides” of which the conversion into tremendous events franked by ancient Greek Mythology would be destined to Vernarth's own and expeditious Hellenic life. This assumes that the overloaded physiognomic muscular exoskeleton of the Hellenic environment will be redirected with the power of natural phenomena beginning in original symptoms of multi gnosis reborn from the sub sphere of thought that intermediates with the interior ones, after the incitement of Vernarth and being part of the gnosis that would lead him to clear everything that is with him and what will be. The Animalia as fierce representatives flow by attempts and at the same time are inhibited from a tacit presence with animals that would conform to Spílaiaus stereotypes; an out-of-phase ventral turbinate of the God of Speleothemes, who is Wonthelimar or ventral turbinate, would propitiate any incidence in manifestations of the noosphere, given the serial appendix of instantaneous analogical relation in the disturbing and super mobility of the Constellation Capricornus, the Belt of Aurion and Betelgeuse. Right there radiating particularity the ontogenesis of Vernarth, already resigning himself from the intimate existential point to focus on the complementarity of other existences on the way to the Empyrium or Resident Ouranos, brewing universals in all unlimitedly comparative when alluding to as being diligent among beings who are not, and reciprocally be revivers of those who will be. Here is the synonymy of Vlad Strigoi that could be supra-spiritual historical omnichannel considering that he is an integral part of a Mythology and a real liberating hero of Transylvania. It still is, but under the exclamatory context that is born of avidity that requires and must collect fungus vines from Canephore and Hellenic delicacies in the prompt presence of gods when it is not enough or there is no legacy of servants or servants under the hindrance of its metaphysics with its empty entrails. Here prevails what dictates a dogma that differs for those who are touched by the edge of the Speleothemes of Spilaiaus to survive in the Sphere of inorganic life of the same god and Ninfuceanicus. This legend narrates the real and non-fictional lived history of Vernarth, that time that in absolute darkness and solitude he met the deity of the Ibico three in the crowded population of the Nothofagus is a totally prehensile approving gesture of a vegetable that authorized him to address Him …, Spílaiaus was such a reference when he listened to him for long hours transforming himself into a real therapist who worthy would bilocate in the original from Piacenza-Italy, when in rare cases of parapsychology he declared himself ineffective to be able to continue the endless sessions. “Gaugamela is the great battle that must be wielded with iron temper as a stalking of a heart that did not scold for another that did not pulsate”

Great raids will be composed of others that will speak of a strong hero having committed superiors, of others that will be based on eloquent vivacity that nothing takes long when it is necessary to induce the cut of Una Xiphos; whose function is dissuasive if the blacksmith is not a god that shows no mercy, but if he is from a job that can be resistant to deliberate him in another that has nothing, nor will he sustain him. The goal is essential in all weakness if a hero is consumed by his stoic bravery, rather it could perfectly reside in his coat of arms as indicated by Hephaestus in the glitter of a forge when the seasoned worshiper of his forges spills liquid steel and not blessed blood of a royal warrior from Laodicea. What Vernarth forges of Hephaestus himself will sound on his lyre descended from precognition of the god Spilaiaus, affirming that blacksmiths of Athens would be decoys that adhere to carcinogenic generations of opprobrious fires, if it were not for one who could carry in his hands a sword certainly jammed by Hephaestus, and that the diluted steel that really falls would make future generations authentic sedated drops in them for the true Spartan or Greek that strengthens it with verve and abulence.
Preface
Ken Pepiton Oct 2018
Honest,

that meaningless word left dangling before children,

a damoclean sword held fast in a gordian knot tied with scarlet thread,

finer than the spider's that once tied men's souls to an angry American God,

birthed in Transylvania,

over the woods, and through the dale, no lie

There is a tale of lies told in Nobel houses, never reachin' ground,

Down here, we situations manifested to, vain, again, stem the tide,

We flounder, fish out of water, why are we sent if

wait



he hears, he listens, haps he knows, and

how such as we came

to be here,

Welcome and see, dare ye ask me in? Might I ply you with lies

and you, believe 'em?

I could make a mindless robot out of your parts, but

that would take forever and

that's not how

Wisdom's child would tend to be, for first,

You must believe a lie and I, amusing as can be,

can't tell lies.

Discernment, fine points, per-spicacity per se, the only way.

Good luck (Luc, said luck in many tongues, is said Lose- as in Luc-ifer.

It means light, as in light, regular old granted light.)

Lightifier, good, take some, good light, for the travail, in the night.



You see, not so long ago, for me, five years before I'as born,

my momma moved to town.



What was that like, I axed my old uncle, while back,

movin' t'town, in 1943?

Well, he says,

We had electricity.



USA, 1943, some folks still was poor, and all the good men

was gone to war.

Cities, it was different,

if the movies got it right, Bowry Boys, n'em.



In the desert we did, okeh, in town, though,



we had electricity.



He was ten back then. He'd been huntin' rabbit's,

to buy Christmas presents from Sears and Roebucks,



since he was five.

C'mon, I say. No lie, he say,

BLM or some gover'ment

whatsajigger, was payin' 2 cents a pair fer jack rabbit ears.



'Said he bought Christmas presents for his mom and dad,

and my mom, with his first rabbit money, at five.



Shootin' with a single-shot 22, 12 cents a box,

Jack Rabbits, 2 cents a head.



Three Christmas presents, plus postage, $2.56.

Do the math, I think, and go -



Five years old, at ten, he moves to town, 1943,

we had electricity. That's all.
An older man than me gave a thought to ponder. Thought I'd try to share the bounty. This is read, by me at http://anchor.fm/ken-pepiton
Mateuš Conrad Jan 2017
prelimenary coordinates - a blindman playing chess.

well... you either drink, and write sparingly,
     or you don't drink, and you write
a novel...
    but who would have thought, that there
would be poetic odes involving coffee...
     it's staggering how many women write
poems and have to concern themselves with
coffee...
  i down a litre of whiskey a night, don't know
what a hangover is anymore,
        and i can beat out more words
than women, who use a stimulant and write
   crumbs... when i expect a loaf of bread...
if not this website, then another, and the scenario
is the same: the glorification of coffee...
           it just shows you how barricaded the human
narrative is, of the soul...
        poetry merely nibbles, and i know it's
flaws... write without paragraphs,
or care for punctuation marks... and it's immediately
a poem...
   or... oh god forbid! there's something profound
being said with a few words...
      and it has to be profound...
                      yes, i'm the Gargamel and those
are my smurfs...
                             strange that Freud didn't think up
the man-child complex...
                         which is the opposite of the madonna-*****
complex, which he actually did...
           Edward Hopper was also bemused by
these two mental pharmacologists...
                did a little sketch holding Freud as pillar 1,
and Jung as pillar 2.
    but coffee and poetry: i'd expect more from this
latitude...
        and it's still a case of:
                   people cling to the raft that's their
mental narrative mondus operandi...
                Kant tried to say something as concrete
with 5 + 7 = 13... and read any philosophy book...
    Kant isolates the ''i think'', and Hegel isolates
    the i = i, or i am i...
                              and these are serious thinkers...
but Descartes has said a limit...
                       thinking defines subjectivity...
      thinking the essential component of what's
   not thought about: the existential compromise of
   being per se...
                    and how i always seem to find philosophy
as a stumbling block concerning everything i write...
    it's almost as if i can't escape the world of
abstracts...          a degree in chemistry didn't help either...
     am i truly so un-realistic?
               not that i'm afraid of being drawn toward
the un-real...          it's that humanity seems only like
an infertile groundwork speeding toward a forgivable
promise...
    i just wanted to say: you drink and write poetry...
or you don't drink, and write a novel...
      and true to a heart's cause i will say:
that straitjacket of what poetry is...
                           whether rhyme... or other technique...
    hanging over it...
                           it can't do:
      i abhor Nietzsche for making poetry a science...
  and it is: too scientific...
              i'd never think so little can be deemed
so perplexing... or having that essence...
                    so yes... Kant
                         really does struggle to say something
profound, but he actually does...
                     over and over again... namely:
i'd never could think of so many faculties of my mind...
    not that's what i call a plastic saying...
      ****-licking brown-nosing, call it what you like...
it's just so terrible that philosophy cannot reach
toward being a humanism, like a novel always can...
     which is why i could eat a historical novel
        by Kraszewski in three weeks in between allocating
that time to the festive season,
                     and it took me 2 years to read Kant's
critique... until i let go of that post-scriptum necessity
of having to stop at every setence and do a rubick's cube...
     a bit like: well... aren't those electron-migration
   schematics they teach you in chemistry, a little bit pointless?
   who give's a badger's nut-sack about how electrons migrate
when a a cabron to oxygen bond forms?
                         but they do teach that...
           which is why you can take a novel to bed,
on the train... but so much focus is needed for that other novel,
the scientific one... the grandeur of... philosophy...
                and that's when i let go...
   the last part of the critique does allow you to read
piece of work... like a novel... unless of course that was my
need to do so...
                    so yes: transcendental methodology in Kant's
critique: does read like a novel... at some point
you just have to let go.

ii. ...

and you do... try saying philosophy without saying
something pretentious....
               and i dare say: as long as the fewest number
of people concern themselves with it:
  the more chances we have for electricity,
plumbing, food on the table...
               but by now there's this talk of a curse...
premature Socratic antics... mind you: he was an old man...
but Plato be ******, he wrote down what the old man
spoke: and a clear number of them succumbed to
      the tumble-**** effect...
                      no real prospects for life...
        and, evidently, the dead gods philosophised,
while the rest remained: prone to throwing a show of
macho, and worshipped the body...
Olympus shone...  
   by now you should know that i don't know what
i'm doing...
                  give me the killer-switch to launch a nuclear
strike and i'd probably say: maracas!
shake shake shake...     fidgety in the brothel...
shake shake shake...
             that's the weird thing, every time i went to
a brothel i became over-heated...
      i sat there, the whole **** place always reminded me
of a perfume... jack daniels...
   and i could feel myself over-heating...
  i don't known if that was the angel conscience talking
to me... but i always felt those eyes of scrutiny...
       mind you, once the whole "naughty'' escapade
took off... i forgot those relationships where
                    an impotence was crowned...
   don't know: maybe prostitutes just know my pin-number
and hold to say to little richard: off to the crusades with you!
     phenomenal...
                                         well... thank god for
the north african imports! i'd start thinking all european
women are bound to be: neglected.
               and was it ever, not only about ***?
    it's nice to doubt it...
                           next time i'll woodpecker a grave.
but hey! the promised land!
                           at least you'll have someone to cry
over your grave...
   and did i tell you how there's this cult of the grave
in Poland? yep, that's not a personal reality,
it's a populist manifesto... i'm starting to see it
as a hell where people sort of forgot to state their emotion
to the people, now lying in those tombs...
         give me a Hindu wedding with fire!
  i wanna become elemental!
and look, libido on fire... a billion vishnu-******* in
Bangladesh...   it's this thirst for fame in western
societies that's going to be a downsize...
                                 over there that's like a **** in
a tornado...              ha ha! it really is!
   but then again, here i am, a graveyard hyenna...
walking in Liberace's talk of style...
  most of these graves, really are: tacky...
    just like Liberace, the greatest showbiz conman of
the 20st century... i love the fact that he fooled so many
women... i mean... that guy was almost as good
as ****** when it came to mesmerising people...
but Liberace had a nieche audience... so...
                 no khaki for the ss...
                                           and i dare to hold
an ethnicity? in tune with bob marley: one love, one people...
it has never been so painful to strategise globalisation...
         it's this ethnic cleansing that everyone agreed to
provided they received a smart-phone...
                   or a McDonald's fetish... and that's saying it cheap...
but that's how it feels on the periphery of H'america...
little ol' England boycots Europe...
                     and it's like: huh?
                                           presto! dum-dum.
    sometimes i start thinking that i have a hydra for a tongue...
and the more i drink, the more i start to see
       it splintering up into a polyphony construct,
but more a case of: polyphony of subjects...
   and yes, aren't we all those internet losers...
when the most powerful man in the world...
     uses twitter. bastions of respectable comment!
yes, i.e. newspapers... we're riding this meteor to the end...
          does anyone still consider newspapers to be
the pledges of a free society? i must have been asleep for
the past 20 years then...
                      someone switched on this chaos-turbine,
and we're all shoving our two cents of opnions'-worth into it...
and it's not stopping...
            and yet you still read in newspapers, this underlining
feeling of being condescended... as if they are the sole
authority... they have to behave like little despots...
                           social media's power is invested in its
shock reverberation... think: Marx in the 21st century...
           but can you? is this some pseudo Marxism?
             i might have bypassed all the king-makers and
walls... but i have no leverage... my opinions are
     as cheap as chips... well: we got ourselves a unison converson...
   i still don't see how the television zeitgeist still thinks
that the internet zeitgeist is no connected with ''real life''...
i mean... **** me! where's the highstreet with all the shops?
on the internet. where is the frontline of wars? on the internet.
  where do suicides take place? on the internet,
from all the cyber bugs that people start to represent...
    if this isn't real life... then i guess i must be sitting,
and writing this in some medieval castle in transylvania,
    and my computer is powered by a legion of
hamsters on exercise-wheels, in a damp room, lit by a candle.

iii.

for me, this is how reading a philosophy book looks like:

| | |
     fig. 1
                                          /   \
                                            _
                 ­                                 fig. 2
    Δ
       fig. 3
                                           A
                                               fig. 4

it's like i want to see something with some clarity;
there is clear movement
      concerning a book like that,
              but unlike a standard novel:
there is clearly nothing concerning the: any given
  hope to disperse the mist.
                you're given the blunt truth:
the use of language...
                     again, it would be easier to call forward
a use of a tomahawk... or a guillotine...
            philosophy books never establish civilisations,
they break them.
                and do i think that the crucifix is a profanity
of the tetragrammaton? yes.
                do i feel Spinoza's anguish? probably.
when you read philosophy to start to waver,
it's almost necessary to unlearn language, and with
each philosophy book: learn it over again.
     you can't remain strapped to this culture
of emphasis of singled-out words...
              we can't find a constructive basis if we're
about to start any mechanism from such a dynamic,
isolating certain words and weighing them
                       obstructs language...
                 i can't even begin to fathom a pledge
to using a language, if there are these plebian obstructions...
i did write some notes when i spent these past 3 weeks
in Poland, but i'm scared of rewriting them...
                    i can claim to have understood
their content at the time,
but the context disparity is too much for me...
                 i'm rereading them in England
and i can only see England as a nightmarish construct
of such grandeour... that i might only be seen
speaking truth in the north of it...
                nor do i like the tri-tier categorisation
of man... if you read Kant, you'd be afraid of
man's laconic approach to the mind, stating
the three boundaries, and literally no faculty interactions...
  consciousness (the artist), denoting the overly-sensitive,
the subconscious (the worker), denoting the athletic construct
   and liberation from the daily toils of pure physical
    disposition...
and the unconscious (the zombie)...
   if you read Kant and explore the faculties...
and then turn toward the Freudian populism:
   there's enough reason to be concerned...
                  i can't be saying someone anti-vogue:
and that was my proper concern, that i might be saying
someone not recountable in any sort of realism...
          that mine is an isolated case...
         ditto alongside: why are we juggling the tri-tiers,
and so bombastic and even celebratory in huddling
toward these safety-nets of being human?
    thus said: the reflective man has died...
       in his place came the reflexive man...
                             and if there really is a worthwhile
stance to be a: **** sapiens...
   then all hope for a bewildered man is gone...
                 when the potency of robotics escaped science
fiction, and all trodden paths of orthodox science were
      fed to science fiction, humanity could begin
the process of discarding the offshoots...
          
iv.

the new testament... a book riddled with metaphors...
no wonder the greeks exploited the hebrew literalism...
and yes, plato the precursor made this very real...
by testifying that poetry had no place in the republic,
the new testament had to become solely poetic...
   the new testament is a rebellion against plato's republic...
it's a book wholly compromised on metaphor...
culminating in a book that's founded on imagery...
the gosepls are, once again, arithmetically speaking,
resembling the crucifix... which damns the concept
of the tetragrammaton...
                      as a book: it's only gibberish in
its final circumstance of revelation as a book of imagery...
   and in its preceding case: a book of metaphors...
who wouldn't be apprehensive to be born human
with such a thing being rampant?!
                    imagery is gibberish, given that we
have compentent painters out there...
and metaphor is metaphysics, given that we have
competent magicians out there...
   so how far apart are the words: qua             and
                   quo?
   as good a question as: how far apart are the words
                          phor               and phren?
       φoρ                       &                            φρην?
        so in the congregation of μετα, how are they
so apart?  looking at language from an alphabetical
perspective... it's hard to see anything inspirational...
    nor the tangens divergence of words
that are nonetheless so proximate in their construct...
a bit like the genetic proximity of man and ape,
or man and a banana...
   φoρ (the bearer of the beyond) -
                φρην (a mind concerned with things
under the curtain) -
                        and so: the futility of looking for
        a soul... became translated as the new found feudalism
of looking for a mind:
  given the common consensus: we're all mad....
so too looking at mythology could be revised:
  that myth of narcissus and echo...
or narcissus and psyche...
                         or φρην & πσιχη -
                we already know that there's an aesthetic
in Greek, at least they showed us
      that it can be σimple, when acknowledged
  and practised -
which means transcribing the ease of handwriting
   into a digital format, can be seen as an unnecessary
complexity - as if me currently looking for a word
that ends, and showcases the most obvious Grecian
aesthetic (without mention ο, ε, ω, η, œ)...
but with due mention: so where the second variant
of α, given there's æ?
                           it really is hard to find coherency
in human language... i'm still trying to conjure up
the second sigma... unless i hit the plural noteς...
there... i hit them... as simple as that.
  and yes: the father of the french hooked c
in garçon, came from this: the sigma used at the end
of wordς... i suspect that how things were denoted
to be possessed in english, also came from it.
once again: handwritting is bewildering on this digital canvas.

v.*

i don't have an atheistic argument, or a theistic argument,
i'v
Lucy Tonic Jun 2012
Handicap suburban hippies
Cruising like hyenas
Trampoline ******
****** tissues in ashtrays
Natural born riders
Liquid courage makes little peanuts
Alien Nation
Infomercials on mute
Strange thugs and dark markets
Needles and pixie sticks
Under the manmade weather
New types of bullet holes
Slaying the jabberwocky in
The new Transylvania
The Yes monster
Cranium stadium
Swords and roses
Barren space
Insolent minx
Holidays gone bad
Continental drift
Michael Marchese May 2017
Is there no one else
Who can match my revision
Or best me in combat
And wars of attrition
Waged on blank pages
Engaged against foes
Of the lewd and loquacious
A ****** of crows
To poetry ravens
Of my nevermore
The ink that I bleed
Oozes out from each pore
And spills to the floor
With each succubus kiss
I will drip from your lips
On the tips of your tongues
Are my Dracula trips
Which mirror the words
Of my undying curse
A lifeless reflection
Of my multiverse
Forever condemned
To a coffin of night
Painstaking my heart
With each word that I write
I want to live alone in a castle
with grand pianos and organs
playing as I walk by-
The desolate echoed and hallowed
halls will mimic my muttered cries

The strings of the ***** replicate
my baritone barely beating heart
And the piano cries out to me-

Key by key, by key.
They are calling to me

The instruments of the night

And I will live like a vampire,
only to come out at night
To watch the stars and enjoy
the moon on a lonely winters night..
© 2015 Christina Jackson

— The End —