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Mateuš Conrad Aug 2016
the Islam of Malcolm X isn't the Islam of today... it isn't really the prescription of Nietzsche had before the Heraclitus flux took sway and said: waterfall or lottery... it really, really, really doesn't matter. the Islam of the 1960s isn't the Islam of today... too tinged with Sieg Heil... although less the Ave Caesar salute and more akin to: who's up for ****, *******? the Islam has changed... if i was wise enough i'd have converted, to mind you... but i thought: putting my faith by only having a library of only one book... i thought... n'ah... that's a bit extreme, can i at least have a comic book strip to add to that massive library? no? oh well, no, sorry, at least one book mentions several authors who tried to imitate but failed on the last hurdle, at least i can revise that, and completely erase the two extensions that borrowed from Hinduism; 'cos' like it ******* mattered.. don't test me, i'm anticipating death like  suicide-vest child... come on! let's start the Slavic crusade!

perhaps it's not about not thinking certain thoughts,
or feeling certain emotions...
but perhaps it just is...
i say, we need the Sophists these days to
apply the fishing-net tactic to deciphering or
simply selectively reflecting our vocabularies...
strait-jacket vocabularies are there in plain sight...
i mean... wait a minute...
i jumped from jazz into pop music on the headphones,
from Miles Davis' *kind of blue
defining
moment of the flamenco sketches right into the bog
of one direction - so i guess this is where
the antidote for art being too subjective comes in...
well, they sorted that problem already...
objectivity in art is around us as we speak,
it means "artists" that are manufactured,
art in the age of mechanical reproduction
(Walter Benjamin), it means more props than artists,
the problem got solved, it means reaching an
autocratic plateau of plugging in and sharing
a non-individualistic stream of emotion,
the opposite of democracy is autocracy, it isn't
despotism... i don't know why democracy doesn't
understand that it's ugly sister (autocracy)
is the enemy and not a Genghis Khan style of government...
democracy in the form of autocracy is a failed
attempt at Utopia... it suggests the system is perfect...
it means the institutions go about their daily business
like children in the playground who ******* and wet
themselves (the bankers), and still not one does anything
about it... what was once a demo tape of a indie band
becomes an automatic big seller big grosser E.P.,
just because the tragedy came, and they drove the touring
bus off a bridge in Sveeden... *******...
you ain't fighting dictators, you're fighting your change
from democracy into autocracy... where things
seem so perfect they can hardly ever change,
they're automated, they're not demographically sound...
sure, i'm the clown, i'll juggle a few big words around...
but in term of art? well, pop music has reached
the limit of what "philosophers" argued against...
to be frank... jealousy got to them that argued
for counter-productive constraints...
now they rebel against this objective construct of
artists in the shadows, writing text and tune and needing
some amateur to perform... and where do you
seek their rebellion? in the subjectivity they once
argued against: that famous Rage Against the Machine
protest against the X-factor...
so wait, first you argue against the subjectivity
of the artistic expression, then you postulate the non-existence
of the self: countered as the dasein for all subjectivity,
then you miss artistic objectivity with the karaoke
and what comes as the **** utopia with French
euthanasia tourists in Switzerland and Belgium...
you missed the argument you favoured, i.e.
artistic objectivity, i.e. performers, not people who write
the hit singles, Hiroshima Karaoke,
well, aren't we all objective now, that we have to source
our feelings in the expressions we once made angst against?
odd, isn't it? you never knew how well established
the counter argument became...
it's pop culture, it's evidently going to become viral...
but you see the power of subjective art...
it spreads like an infection, no point arguing against it...
objectivity in art is already a well established
virus, it doesn't really bite into your soul,
it bites, but you just get the odd body chicken ****...
that's what i mean about how a self-assured-without-a-self
democracy morphs into autocracy...
the fake Utopia of the well-established social
institutions actually being bankrupt, starting
with the post-colonial charity companies,
lying sharks and interest rates at 2000% per annum
i'm starting to think of Islam... leeches and hypocrites...
so your pointless critique of the subjectivity of the arts
became your most sling-shot friction strained weapon
to aim at the industry of art objectified,
in the age of mechanical reproduction true art = dodo...
it's on its way out... i hardly think that
50 years from now you'll find someone as idiotic
as me writing poetry for the love of the **** thing...
you'll get Utopian plateaus, anaesthetic democracy in
the realm of humanism, and hanging over you
autocracy... immovable foundations, cos' everything's
just perfect, time to invade another Libya where
some genius ensured the people knew their place
and who kept order on the pretence of
keeping weapons of mass destruction and
dog leashes... but there you will be ****-strapped going
huh? i thought subjectivity in art was bad?
n'ah mate, that's the only thing that made art good...
you got your ******* Karaoke, live with it!
the English Renaissance of the 1960s ain't coming back,
even if you gave Belfast back to the Dublin crew...
i say we need another Protagoras to get
the vocabulary inflation up to speed...
i say devalue the words self, ego... and make the
psychologists bums..
i say devalue the words nation, british and hamburger
to make the anglophile influence on Europe
a bit like sniffing a mortar of ******* off a penny...
i say reestablish the virtues of Japanese feudalism,
scare depressed teenagers with the words:
your only way out is by Hara Kiri.
something must come from a poem like this...
i have rage... you reason with it...
i'm not going to reason a calm into my heart with the words
i just wrote... n'ah... n'ah n'ah... that ain't happening...
it only took one needle in a haystack to give me prompt...
the ailments of subjectivity in art...
that got me, bull's eye reddened mad...
you ain't turning me into Darwinian grey matter!
this is democracy at its most despotic...
let me try democracy first, before i join the legion of dentists
with happy middle-class lives in autocracy...
can't blame ****** in this guise of organising people,
'cos' there just ain't no ******...
that got me hot wired and hired to argue...
first they say: art deserves no subjectivity...
fair enough: 1 man draws a rhombus a 1000 men draw a square...
but now that we can finally see objectivity being applied
to art, we only get pop: **** jazz, classical, rock and speedy-indie...
we get manufacture... as you once hated those with
personal intention to add to the democratic demographic,
now you turn against them for disturbing the status quo...
well, happy are those that come to the sun's repeat jargon
and happily doubt the roundabout...
because criticising art as subjectively orientated
really spared you art having ascribed objectivity to its cause
of attaining mechanical reproduction,
and the subjective placebo... neither thinking nor feeling
anything deeper than nervous yoga twitching dances...
spare me the ******* details if you come up with
a more accurate historical pinpoint.
Matt Roberts Nov 2012
She sees blindly, selectively.
She sees the man whos arms are the only place she feels safe, not the violent brute who beats her if she breathes to loudly.
She sees her friends who care about her more than anything, not the people who complain to her constantly, as if they've forgotten they have working ears.
She sees a job she loves where she gets to help people, not the one where her boss feels her up & tells her if she says or does anything, she's fired.
She sees the man in the elevator who says "good morning ma'am" every morning & "good night" every night, not the man who stares down the revealing shirts her boss makes her wear to keep her job.
She sees the man who helps her wash her car, not the man who spits at her window & calls her a ******* ***** because she accidentily cut him off.
She sees freedom & a way out, not the gun.
She sees blindly, selectively.
Palpating the empty cavernous realm of intellect and morality,
I find a restricting noose constructed of the finest strands of insecurity, but it's more proportionally comprised of self-doubt. Each fiber's soaked in a vat of social restraint, the ineffective capability of people to deny injustice. Choosing instead the intoxicating mirage that hereditary lies has handed down throughout the centuries.

Helping the constructors of irrationalism build their platform upon supports of popular opinion.
Equipping it with the ingenious trap door many a potential scholar of entropy and fatalism has fallen through. Snapped necks they suffocate on the breath of pseudo-liberty; as the French have, and Americans still do.

Hands bound behind their backs by indecision, latent anger, the belief in a system far from progressive. Where morals and codes of conduct are tempered, and deliberately shaped into devices of torture sugar coated, and worn pridefully without knowing the restrictions nor the pain, any form of progressive thought is absent. The mass majority select intellectual stagnance over the enlightening evolution of attempting to understand the human condition.

They are not to blame.
For shame and resentment are left for frugal debates over each new candidate, sheered from the same wormwood poisoning the stream of consciousness ****** by a nationalistic fervor full of flavor, no long lasting integrity, only iron clad walls of discretion and misrepresentation.

Traveling great distances, shoulders encumbered with regret, apathy, and triviality; the phantom that is a patriot has left his burden laden tracks for the next poor sap to find his way far from freedom, closer to slavery. The yoke fits loosely but unlike the bumbling oxen his purpose is indiscernable, his capacity to think of a way to escape is neutralized by the bag of oats and blinders he himself accepts; by abhorring what he’ll call disrespect and irreverence toward a slave driving body masked by the right to live fruitfully, albeit sedentary.

The joy of complacency is not holding responsibility, not feeling accountable for any choice where the dangers of rational thinking may awaken the bitter, savage realization that he is merely a by-product, a cog in a larger scheme to keep freedom a longer journey than it is according to the whip holder’s theory. The excruciating knot is pulled tightly together by hunger, so the worker satisfies this hunger with more intricately designed knots. His concentration isn’t in untying it, it’s merely compounding it with greater enigmas he’ll leave for the omniscient to decipher, and untangle.

He’ll wash his hands of the assignment and swallow what he deems nourishment, but the hole is never plugged. The hole grows and the abyss growls, the sounds of thousands of souls in constant traction, but this man of many fantasies can have no distractions. His focus remains selectively aimed upon projects the future will later ruin, yet without foresight the ambition has no name so the cycle remains the same.

His lifeless body now swings to and fro above gallows where the omnipotent applaud the writhing spirit of free will convulsing violently; gyrating while the sedated world of the executed continues being recreated to disguise the sincerest, deepest pain he’ll never know, because knowledge is will and the power struggle is one of isolation and possible destitution. So only when he wakes after his fate has been sealed will free spirit, and free will assault his no longer inebriated body, showing no mercy and reminding him of every time they tried to save him.

He’ll scream in utter agony placing his voiceless soul amongst those bellowing from the abyss he never tried to close. What’s more, choosing to ignore such an enormous expanse of nothing, makes the punishment perfectly sufficient, and succinct with every bit of skepticism he had that such a void of expression, virility, and endless suffering even existed. The twisting twine that holds this wretched, still body of reason securely above the wastelands of awareness makes the most insidious noise. It’s like rubbing famine and pestilent ridden bodies together; the crunching sound of bones absent of mass, riddled with brittle chip marks where the consciously aware soldiers of misfortune have attempted to shape spearheads of vindication, but are then left where they were found because even the potential tools of warfare are less sturdy and strong than the flesh bound mind of sterility from whence they came.

So there is nothing this heap of biological ingenuity and imagination can offer, but to swing in each gusting breeze like a sign posted “No Loitering,” “No Trespassing” would when pushed by the conglomerate gales of assembled hundreds. Ignorance prevails, those who fight are made to accept this evil mantra not out of doubt, but hope that once one awakes before his/her spirit and will has been completely removed, they’ll feel the refreshing irony of those who prayed silently that their army of insolent rewriters of justice has grown by one more.

Still breathing, within a masked struggle fought on separate planes of reality, behind curtains weaved of Kevlar, lead, and iron, many perverts of theory co-opt covertly in absolute anonymity fashioning plans: the plans of liberty, freedom, and prosperity.

They’re his only means of acquittal. Slashing the ropes and allowing those long since dead to die in peace, and those whose breath still has a bit of resistance to fight; the chance to view in full honesty and tragedy the gallows where weary travelers of theory are beaten by conviction and moral restrictions.
Zachary L Nov 2012
They say I suffer from retrograde cash flow
and it is afflicting me with anterograde anxiety
so they let me go
bleeding money from every pore
leaving a red paper trail behind me

A memetic virus of unprecedented scale
has everyone pale and empty-pocketed
their haunted eyes reflecting
the fear of an exofiduciary reaction

The resultant melancholy
proves infectious.

My sad-sack coworkers,
drained from the same numismatic disease
seek alternative medicine
but I am hooked on the slow copper drip
and wait patiently for the bag to empty before
I even realize I should have
seen another doctor
before
my internet support's been pulled.
Jay M Wong Dec 2013
Oh Rudolph, hath thou'st been picked upon by thy peers,
And hath thou cry'st thyself to sleep upon thy very tears.

For hath thou been bestowed 'tis distinguished nose,
For which thee other reindeers have selectively chose,
To be'st the prime target of thou'st dearest tears arose.

Yet, as swift fame arisen hath false friendship emerged too,
As horrid bullies now be'st bestest friends as thee night'st adieu.
For little Rudolph sees not the emergence of such facade,
A'th thy actions of dearest Santa ha'th granted thy accolade.

Again'st his dearest peers and their jealousy little Rudolph sees not,
For his dearest downfall must these devilish, horrid little beings plot.
Upon 'tis dearest red heart should see'st then 'tis fated knife,
And end'st now upon the hands of thee jealousy, shall his life.
For dearest little Rudolph hath known nothing of what a masks a'worn,
Shall beings do'st yet another despire thee words prior a'sworn,
For false masks of friendship shall plant thy dagger a'heart,
Until thy jealous'd fame and body shall separate apart.
A poem on facades of immediate friendship following immediate fame.
Delilah  Mar 2010
Acacius
Delilah Mar 2010
Of all the cracked sidewalks
The winding maze
Of everyone else's shattered city

He traces calcium caked bones;
Ribbon strips of dyed out dreams
Close your eyes, close your eyes!

Selectively seducing the spires of silence
Romancing the carnage soaked thoughts
Smiling all the while
A Midnight  May 2019
The Lion
A Midnight May 2019
My choice or his design
I am hypnotized,
selectively blind
Claws cradle the head
Control the mind
Sweep over my face
And cover my eyes
He kisses my lips
Conceals my mouth
Stops air from getting in
To prevent words from coming out
Under a crown of talons
I am his Queen
As he sits on his throne
I'm chained to his seat
Unknwn Jan 2015
"You have perfected the art of being both outgoing and chill,
all at the same **** time."

*-the kind of skill I got-
an article I stumbled upon.
Trevor Stuart May 2014
we all flow through life like rivers
here and there, crested glimmers
sun shimmered
atop waves once ripples
at last glance of this looking glass..?
men surely shivered

locked in depths of mind
where feral thoughts blind
binded by
"my" mentality


the self is selectively obsessive
malevolent
eloquent
evident
in heaven sent temperament

I.

I..

I...

can do no wrong..

can do no wrong.

can do no wrong!

those with bias
revel in personally pious thought
a myriad of self destruction

pompous contemplation
decimates civilization


we all flow the same way
we all ride the same wave
once a ripple from a stones throw
bound to glimmer when we all flow
TinaMarie Feb 2012
Words expressed to the one I love
Selectively picked just for you
To show I am here
Now
Tomorrow
For all time

Placed together and presented to you
With an understanding of your past pain
To give comfort
Belief
Healing
For love

Letting you know,  no matter what
To the extent you determine
At the parameters you define
I am yours
At your command
No limits

These were not just words to me
I thought you knew that
I thought you could see
My heart
In your hands
No protection

But to my shock and dismay
No sooner did I give the words to you
Did you turn and give them away
Wow
****
How can this be

You say there was a different context
And I just don't understand
When you said the words to her
They didn't mean the same
Really
Huh
For real

"In Any Capacity"....hmmmm
The meaning seems quite plain
If there is another definition
I wish you would explain
In
Any
Capacity

Regardless what the reason
This is what I assume
You had to give the words away
Because you hurt too much to consume
Them
What they meant
That they were for you

If you knew that you were worthy
If you knew what their meaning could bestow
You wouldn't have thrown away these words
For someone you barely know
Devalued
Defiled
That which you feared

© Tina Thompson
Ayeshah Feb 2014
Selectively mines,  on conditions that I don't step out of line, don't dare ask too many questions because it makes you answer with more questions where I'm turnt into the bad guy,

the one who doesn't understand, it's all my fault somehow, it's because of me, I failed to give into to ridicules accusations or allow defeat, I was pushed past the point of breaking ,

I even lost me a few times, I've been insane for as long as I can remember but this time it's completely different, I wake to walk in fear every hours of the day,

I'm made to feel ashamed for loving you, told I'll never be as good as the one you're faithfully into someone whose not even known you not the real you not as I do,

seed after useless seeds polluted a once healthy womb, drop after drop tears fell ******* shadows passing me up,

leaving me for what may become a happy ending to this fairytale nightmare,screaming myself away flinging covers off of me, laughing as I cry  out darkness, so dark and the scents nostalgically unpleasant, the many times her scents lingered on you

even in thought I conjure up the smell of lies, the musty deceit, the filthy metallic accusations thrown at me

Selectively mines when it suites your ego and when it's not inconveniencing you, I'm turnt into the bad one the person whose always to blame,



                  the one who
doesn't understand,
                it's all my fault                        
                      somehow,
it's because of me,
           I failed to give into
                           to ridicules accusations
                                                       or allow defeat,    
                                                  I was pushed
                                                     past the point of breaking


the reason you need her - where I no longer have a place, I had no choice too, I had to move on.

Hardest things to do when your reaching for a hand but end up with  straws, darkness and no help, dreams unpleasantly real, craving a touch a kiss, to be notice.

        Knock knock,    
              
                          whose there?

                                  
                                             No one....
                                  
                                       Just your
                                        
                                                  Wife of 11 years.



                                  Always Me Ayeshah ®
Copyright 1977 - Present ©
K.A.C.L.N ©
All right reserved ®
it's sad to give anyone all of you when you now only have very little to nothing left to give your self, I know for me trusting people is too scary, last relationship lasted 3 yrs and what went down in the previous one which was 11 ++ really both did a number on me.  never forget to trust your instincts.

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