i want you to imagine standing in the middle of an already collapsing house, and having everything suddenly flip upside down; or after years of homelessness, picture yourself being told you had somewhere you could stay for good, only to wake up just before being handed the keys. these are some of dangers of making places out of  people.

1. don't ever turn a human being into a home unless you are prepared to be evicted without warning.
2. when you start to notice their arms taking the shape of a roof over your head, you have two choices: run, or wait for it to cave.
3. if they ask you to stay and burn with them, you have the right to say no.
4. it is not your responsibility to save anyone, and it is not your fault when you can't.
5. salvaging the photos from a house fire will only re-break your heart every time you pull them out to look at them.
6. when the basement floods, hold their hand.
7. if you are not a strong swimmer, remember that the difference between love and codependence is that one of then will drown you.
8. love will never drown you.
9. i knew this from the start but let you hold me beneath the waves in spite of it, just so you could stay afloat. i can't do that anymore.
10. i don't think i'll ever set foot on your hardwood floors again, but i'll pray that someone new moves in soon.

- m.f.

The love that a son has for his father..
The love that a father has for his son
A trust in another man to lead you and get it done
Showed me things gave me knowledge That on my own
I wouldn't have known
Something that can't be taught in college
Met you when I was in 7th grade  I have grown
Can you see the seed you have sewed
Can you see where my work ethic comes from
Blood, sweat, and tears
Callus thumbs
Your the reason why I know that I can be a homeowner
Cause I seen you do it first
Held me up when times got rough
Fatherhood
When I wasn't ready you assisted like a crunch
When my heart was crushed
You open your doors help with my direction
When we kick it,  manly admiration and  love is what's reflected
Just want to let you know you are respected
My father died then God blessed me with you to prove I wasn't neglected
Fatherhood
Helped me stand when I couldn't

At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.

The homeowner:

“O should we warn your kids that my yard fence
Is now electrified against possums
And foul raccoons most pestiferous?”

The stepfather:

                                                                     “No.”

Lint and dust in every corner,
the **** of living builds in all
the nooks and cracks like
furniture for spiders.
The room is wilting;
The walls have been stripped
and slowly everything recedes
to the center of the room.
A monument to what was.
In this room, there was;
an art gallery,
a cave,
a studio,
an arcade,
a love shack!,
a study,
a library,
a concert hall,
a gym,
a dressing room,
a laboratory,
a cafe,
a theater,
a psych ward,
a photo booth,
a club,
and a home.
Now it moves elsewhere,
a box at a time. One-two,
a hamper of clothes,
a bag of cheap technology.
A poster. A picture.
An instrument.
A lot of instruments.
There was a heartbeat here,
and now I hope you can
invest in that.
Keep this room more than
a home. Above an enclosure.
Head and shoulders above;
this room holds legends.

I can still remember the weather, it was your weather, as the whole day was yours as well.  

You called me Tuesday lunchtime. I tell you this so you might know who I am. I expect you call many people on a Tuesday lunchtime so I am nothing special to you. The cup-a-soup chicken dust was in the mug and particles were floating about in the light. The kettle flip was down and the water was just at that bit, post bubbling before the flip kicks up again to show it’s done. Butter out and open, ready and still messy with crumbs like some cross section of limestone showing its history. I could smell the toast was nearly toasted too. Everything was coming to a head, even the clock was crawling close to the exact hour. All these processes were funneling back together into one task, like streams regrouping in a river. I was focussing hard enough that I could feel seconds, and that is when you called.

“Hello, is this Mr. Innes-Jones?”
You said it in one of those recycled voices, and that hurt. I could already see your eyes in my head, I'm a fast visualiser, but with the way that you spoke, scripted, I couldn’t see any life in them. I could see your finger wrapping and unwrapping itself in the phone chord and I could smell complimentary coffee on your breath.

“Speaking,” I said, muting the television, cutting the talk show’s announcement short as to who the father is. He put his head in his hands and the woman opposite stood shouting and pointing downwards at him like a dictator, which, on this program, usually means he, is in fact, partaking in the wonderful adventure of parenthood.

“Are you the homeowner Mr. Innes-Jones?” God, if you could only call me Andy. If only you could say my name as if you were asking me what’s in the fridge, or telling me to move my legs so you could get in close on the couch. I know it’s two syllables but it’s still not too difficult a name to say and in my wildest dreams, sigh.

“Yes, I am and call me… tell me what this call is in regards to.” I’m sorry to be so rude and direct, it still kills me that I may have cut some of your voice from my life by getting straight to the point but I realised it was far too forward for us to be on a first name basis, when, to you, I’m a stranger. I was like a car that swerves and then has to control itself. You could hang up any moment and lose a sales deal, but I could lose you.

“Of course sir.” Sir is worse than Mr. Innes-Jones.

“My name’s Christine.” Christine. You said something else afterward about solar panels but I was still stuck there. Stuck there wondering whether you looked like your name, as some people do, or if you transcended it and it paled in comparison to you, just like when a star is named a number. Christine. Maybe your parents are people of faith and their conservatism in your upbringing has given you a bashful streak. Might you turn in your rotating office chair and blush in the face of a wink or a half smile? Are you a Tina in the world off of the phone? Or Chris? this is important, what is it about you which might influence people in that decision.

I focused back into your voice. I could always leave wondering for later. I’d most likely have my whole life to wonder and knowing how the memory would fade, how I would eventually have to fill it in with my substandard vision of your voice, tone, and intonation, I couldn’t let any more of you slip into static, the hum of space.

“Might you be the homeowner sir?”

“Yes, I am indeed” I wanted to ask the question back and delude myself that this was a conversation and not an interrogation, but I didn’t. The saddest three words right there.

“And you make the decisions there, correct?” “Yes, certainly do.” I’m sure that women like a man of the house, our house, though I doubt your imagination was working as hard as mine. I was still finding it hard not fall into it.

My silenced program finished on the television and you went into my electric bill. The women in the adverts disappointedly displayed their appliances, fell off ladders, came in suits to save people who did, and a myriad of other things, but they all spoke in your voice, spoke to me. Some were called Tina, some called Chris, depending on which name suited their faces. It was funny, I felt that I slightly loved all of them, in different ways, as they attempted to be you. Like this woman with the wonder-mop for example. She had a checkered shirt, and despite still being quite pretty, time had separated her jowls slightly from her chin, so I decided on the more androgynous name Chris for her, Chrissy at best, she has a life away from wonder-mops. She doesn’t spend her days in perfect lighting demonstrating to her husband and kids how, however hard you shake the thing, it still retains it’s liquid. Though I expect she probably gets one for free. I hope she does, they look quite good.

“Sir? Sir?” Chris on screen tells me, like some kind of backward echo getting louder and more real. I gave you my attention back and bear in mind I always will.  “Sorry?” “I said, are there any large trees nearby your house that may obscure sunlight to the panels?” “No.” “Any tall properties nearby to the same effect, sir?” “Can’t say so.” In my mind you were asking me for something in that way that wives do, establishing with a series of questions that there’s no real reason why we can’t have solar panels, so why don’t we. A really subtle supplication, and I played along and allowed it, just for you. I kept it to myself that I live in a basement apartment and the only light I get is when no one is walking over the grate above the front window.

Relax.
I know your instincts are screaming to fight.
This is a mistake.
You will only hurt yourself.
Just relax.

You are frightened, confused, and angry.
This is only natural.
You will tell yourself to not feel these things.
This is a mistake.
Feel them, own them.
They are yours.
It is only natural.
You are being dragged backwards through a hedge.

You say,"Stop it!
The branches are tearing my shirt!
This is my favorite shirt!"
This is a mistake.
**** your shirt.
Tear it into bandanas,
sell them on Etsy.
Just buy more shirts.
Pack of four. $9.99. Wal-Mart.
Tell a stranger a story
about the scars the hedge gave you.
Maybe he'll trade you
a shirt for a good story.

But you say,"My pants!
The hedge is covering my favorite pants in grass stains!"
Stop that.
This is a mistake.
Cover your pants in new and interesting stains.
Paint in them.
Spill food on them.
Comfort a dying animal,
let it bleed on them.
Do too much *******,
**** yourself.
Get bored, cut them into daisy dukes.
Try wearing a skirt, a sarong, a loincloth, the wind.
Calm down,
they're just pants.

"But what if I break the hedge!
The Homeowner's Association will **** me!"
This is also a mistake.
**** the Homeowner's Association.
You did not choose the hedge.
The hedge did not choose you.
And once you're on the other side,
you won't to answer to them.
No one will find you, and
you don't have to come back.
Unless you want to.
But that is your decision.
Yours and the hedge's,
no one else.
Remember that.

"But who is dragging me through this hedge?
What kind of hedge is it?
Why is this happening to me?"
These are the wrong questions.
You are being dragged backwards to through a hedge.
That is all that matters.
Concern yourself only with what matters.
Making it through.
Landing on your feet, or
barring that, getting back up.
Seeing what's on the other side.

So you ask,"what is on the other side?
What if I hate it?
What if it's a parking lot?
What if it's all sticky?
What if everything's on fire?
What if it's just more hedges?"
Relax.
You're looking at it all wrong.
Maybe your friends are all there.
Maybe it is all sticky.
Maybe it's a combination liquor store,
ice-creamery,
minigolf course,
and you can pour whiskey on your face,
and eat Rocky Road,
and finally get a hole-in-one on that ******* windmill.?
Maybe it's the way home.
You're still looking at it wrong.
This, too, is a mistake.

You were dragged backwards through a hedge.
Dragged.
Backwards.
And you made it.
While you were worrying
you didn't notice you already made it through.
So now you're here,
on the other side.
Now it's your call.
You can do as you wish.
Watch the sunset.
Or dive into a new hedge, maybe
headfirst this time.
Or walk home.
Or make a new home.
It's your choice.

And really, who's going to stop you?
Some puny ******* bush?

hammock and a stack of playboys.
first emerged,
boy.

feature trees and teens and punch drunk lovers.
chalk murals,
girl.

into the quiet density of love.
quiet city.
dance party, usa.

we end up making movies about our fathers
whether we know it or not.
home videos.

we double down on arcade tickets
& spin for a kite to tangle.
climb the town hill and bury our warmth.

kiss to forget or remember this bliss
& strange language.
strange sprawl of lights seen.

the homeowner’s association melt a pile of plastic flamingos
into an idol osiris.
dead god.
& wait,
wait for halloween.

our parentals diligently sweat.
they are conjurors of snacks and supper.
they are creatures of the ritual routine.

we ritual.
we homework.
we breathe easy, waiting for nothing.

   (except for more holidays)

WARNING:  Horror*...Readers might find this poem offensive or distressing.
_____________­_


1)
I know
once I was just like you
I was young and furious too
the world was too much
everyone made you feel
so hopeless, you think you could ****
I know exactly
how you feel

Like the time
my parents kept on and on
about responsibility
I had to look after my things,
that made me mad

And then I decided
I must assure them
I would grow up to be responsible
make them feel confident
I must put them at ease
so I did

And the police asked me
if I knew where they'd gone
and I showed the cops my perplexity:
“They were always 
responsible
in everything -
 how could they
just go away 
and leave me like this?”

The police and lawyers searched the house
and they found the will -
my parents had left everything to me
and had put my siblings
neat in order
stretched out on the dining table
in the basement kitchen


2
Like the time
then at work
the colleagues went on
about responsibility
and they conspired:
I was irresponsible;
they were conscientious;
I was a freeloader
Ah, the judges in one's world

the judges of one's soul

and one day
they found a worker in a bad state
dead and lying naked in the clichéd
pool of blood –
in the toilet, of all places -
with the words: *“How irresponsible”
on the floor

Everyone was in a state -
I moved inter-state
I was going places


3)
Dear, oh dear

don't cry

Darling, oh darl

don't bleed

There was a time when I married
(everyone finds it's a mistake;
they either **** their partner
or, to continue living,
they **** their own spirit)
but I was determined to grow
my body and spirit -
can we not get conventional? -
so I had minced pie for a time
and no one could bring
my wife back home
you see
wifey got
too comfy
and see she had this thing
(after respectability)
about responsibility
the role of husband and father and
parent and homeowner, mow the lawn
service the loan
and all that crap –
I quite believe she was going mad;
maybe she walked away into the woods
Was that responsible of her?

Dear, oh dear

don't cry

Darling, oh darl

don't bleed


4)
I moved into the woods
built a little cabin, below the rocks
and covered by the trees;
yet I had visitors
who had come astray into the wilderness

Someone wanting space for the night:
“Is there enough room in your cabin?”
“Why,” I said, “there’s plenty all round”
I was vegetarian
but the destitute offered themselves to me -
the religious might say:
God fed me 
even in the wilderness! Ha!

A wandering woman one evening,
she offered love in return
for shelter that night
She let me lick, taste her flesh
“Bite me,” she said
offering a foretaste in our foreplay
Why would they not leave me? –
these wanderers, the intruding world

No, I had not come in like Thoreau
or the Unabomber – but maybe
like the misanthrope Timon of Athens...
afraid of my own hate; but the innocent
seemed to be drawn in as to a...an...abattoir



5)
And now here we are -
I have come into your space, your cell;
gates and doors
yield to my fingers, if you must know
(always good with my hands,
good with my teeth)

And we are here
each against one's wall -
and each wants to know
who is responsible
for this mess
Who made all this?
Who was insane to give us all this?
It was a mad God

or a meaningless universe – 

either way, there is no responsibility
You and I are agreed

Here we are
each against one's wall
considering who will eat who...
*Make your move; I am famished