Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

I can’t wait to be a hundred;
turning over the thoughts
and plots, of Caledon
floating on Zimmer inserts
and dusted Florsheims
three steps forward
in a dream woven
summer afternoon

Through the barn doors
and bee keeper flats
assimilating voices
from Sachems
and Forbes
and Hope Healers
coming and going
as the countryman
comes and goes

You can feel it
in a place like this
the 3 in the tree memories
of Allis Chalmers
and combine parts
of Sundrim poppers
and shallow carp fields
of patterned lawsons
and fading caulk
(on the ripped and rolled
frontier seats)

it’s a wishing well
for the peddler
and bold hydrangea...
both peeking their way
through the rusted
grinders wheel

sages and brethren
gather, and share
and slowly souls
are bared
their tempered voices
and quiet eyes
reserved of judgment
with passing smiles

moments blend
in current trends
opinions wide
and reflections deep
the concepts
and irregularities
once murky
now clear

they prioritize
and familiarize
that staunch resolution
of generation net
will remunerate
and illuminate
through the checkpoints
and formal reviews
through the purple curtains
and open stage
nothing tainted
or bitter
left for taste

cause its they
who’ll plant the seeds
the captains of commerce
healers and jugglers
the coaches and councilors
negotiators and compromisers
the kings and queens
hustlers and hellcats
(who've all found their way!)
let us tip our hats
and salute them

We walked in a daze, driven
for a better answer than the one given.
We, chasers of the elixir to heal wounds
But we, chancers, and ended up in a field.
Wounded Healers, laying on hay.

The filed was empty and foreign
It's beauty stolen and was now barren,
expect for the hay we lay on.
There a great sense of clarity aroused.
But before that rose could nourish and fully flourish, it rained.

Youth knows no pain, but that's a flawed statement.
Truth is, if you saw us in the rain
You'd see what we felt was raw and fresh.
We felt the cleansing waters on our flesh,
But even if we stood in this shower for hours, we'd still feel so *****

'We, Two Boys Together Clinging'
Clinging to the idea that we could fix each other.
With a mix of empathy and sympathy.
You said the arts would help, so we acted out our damaged parts.
Listening to the symphony of our bandaged hearts.

Salt rocks and lollipops
Gemstones and Zen
Spellbinding wizards
and dragons that eat men

Lightworkers and Indigos
Heart chakra crown
Don’t block kundalini
you’ll surely break down

With Ohm in the house
like it or not
Theta beats Beta
No judgement or thought

Malas and Mantras
to the Seat of the Soul
dissecting wavelengths
to uncover the whole

Ankhs and crosses
With fire and white light
Circle of crystals
bring spirit into sight

Mystics & healers
heed the cosmic call
extend love to our planet
to save us all

canto 1
I call her daddy my own. He felt nothing for her when the time had come for him to do something he fell and she felt nothing at all, nothing whatsoever. It is a cruel world, mateys, and the best thing you can do is curse God and die. Hard to ditch the pity act. Ditching is denying and there is much truth to the lie.

canto 2
Their eyes bubble in the open air, they fill to bursting and scrub until they scratch. **** drips. It's a sound that I will never forget. A sight that should be reserved for the dream world...a stench unrivaled.

canto 3
The Chinese bomber is persistent. One has to wonder why he bothers at all, seeing that his attempts have been futile up until the present moment. It's shoe week, so I guess he has his reasons. But this has gone on for far too long. If there were a way for me to stop him I guess it wouldn't hurt to try.

canto 4
Random parking lots and good God what have they done? I thought it was all over, these thoughts were through, these voices are mad. Usually it's not as upsetting. Your car door gets stuck, you know, it happens all the time. It happens every day, still you never get used to it, do you? You're always stuck inside that ugly mirror.

canto 5 (the "missing canto")

canto 6
I want to tell the world how good you are. Amazing and incredible. **** and *******. Talented and unrestrained. Honey nut Cheerios. You give it but I have a sneaky feeling you would rather be lost in a dream. A banal night vision. Comparably

canto 7
I want to make it better. I want to see you smile. What can I do? You are my own heart ripped from my chest and given wings to fly. Your smile is a lost treasure I would do anything to get it back to give it back to you, I didn't mean to take it away from you. You push me up against a stone wall and you don't even realize you're doing it. That my soul cries and prays for something real, for some kind of explanation or even an excuse would be fine right now. Instead I float. Not the way I like to float. I drift and crash, a dizzying spiral out of control, confused and dumbfounded by the realization that none of it means a ******* thing. What I thought was love turned out to be a jester's game, a joker's trick. You don't need me anymore.

canto 8
I hide myself behind a blanket of stone where you cannot spit fireballs at me without cracking an egg. Cold breeze tickles my news. It's not too chilly in this room. But the fireballs warm things up. "Blanket of stone"...what a stupid expression. Why do you have to be so hateful to me? How many times can a man say I'm Sorry without losing an eyeball?

canto 9
I have no right to feel the way I do. I don't think I can control it, though. This is one of the ****** up idiosyncrasies of my confused existence. Vanish without a trace and look for clues in the alphabet soup.

canto 10
Weariness is like a slug, a giant slug, a parasite infesting my body, hanging on and hanging out. A fire down below that waits for my imagination. My sleep patterns are getting ****** up but I'm not sure if I was sleeping or just dreaming I was awake. Under the impression that it doesn't matter? Well, you are a stone fool for thinking that way. You've never experienced the life-changer. Else you would know. But all I want to know is this: Why am I afraid of sleep?

canto 11
Things get slow. Patience is required, but I don't have any. Why does it have to be that way, o cruel dictator? You get a kick out of this ****, don't you?

canto 12
Spill your guts, maties, it's the only way you'll ever come out of this situation with even a shard of dignity intact. I know it's early and you haven't had time to adjust your eyes and your wrists for this delicate task. Go! Do it now before you lose confidence.

canto 13
We took a holiday and it was so nice. She stood there on that stage without a stitch of clothing on her voluptuous body. Baby, don't you let your hairdresser down

canto 14
Who doesn't love breakfast? Me, actually.

canto 15
I can't help it if I'm changing every day. Ask the question later, maybe my answer will be suitable. I don't think I can help you because I'm not like anyone you've ever known or will ever know or can ever know or would ever want to know and why do you keep wanting to know where I've been? I've been right here. Right where I've always been. Haven't moved a muscle.

canto 16
This is the 16th and I should be proud but the apathy seeps from my very pours. That little ******* was about to take a **** in the corner. When I picked him up to take him to the paper he dropped a couple of turds on the floor beneath me. I guess he couldn't wait.

canto 17
Sometimes things change so much that it's hard to tell if they're for the best or the worst. It is at these times that I enjoy a good evening on the water, enjoying my yacht and eating peanuts from another man's sack. Salted peanuts with pickled eggs and deviled ham with a side order of angel food crack.

canto 18
My wrist hurts and I've lost the will to **** socks.

canto 19
The lawn chair has been placed under extreme scrutiny. It's rocking motion is being scientifically tested and arranged for packaging. The physics of this miracle are in the process of logistical infiltration. You'd be surprised at how useful a rocking lawn chair can be in a world tangled in war. It's a good place to relax. For paranoids, that is.

canto 20
Bird feathers of a different post, it has never made a lick of sense and the promises made were broken. Who was that man in the bird suit? Why was he making all those funny noises? I'll have to investigate. Lawd have mercy I do believe I've **** my pants.

canto 21
Don't come crying to me if you feel misunderstood. I can read right through you and I know that all you're doing is fishing for a compliment. You will not receive one from me, Salty Dog, not because you don't deserve one. You probably do. But not from me. Perhaps you should take up your case with Hoda Kotbe. Who knows but that you might look really, really good on television. Just remember to feed the dog before you leave. He gets hungry. But he doesn't miss you. I don't mean to break your heart, but the rational man within me is very convincing when he tells me you are a real pickle.

canto 22
Those comments are found particularly offensive in light of the situation in the Gulf. You need to regulate your interest in beans. One day you'll fly to the Middle East looking for peace and all you will find are demons like the ones who raised so much hell in "The Exorcist". You don't want that, do you? Settle for Ranch Style and leave the diplomacy to the masters.

canto 23 (the "lost" canto)
I wouldn't wish this on a barrel full of monkeys. They say that time heals all wounds and I suppose it does. No "if"s, "and"s or "but"s. Don't believe me? Listen to 'em snarl. They're hungry for blood and sandwiches. I owe you nothing, so perhaps I'll send you a good time from New York. You gotta love a trapeze artist.

canto 24
I'm trying my best to change the world but the fact remains that the human race does not deserve the kind of tender loving care that I'm well known for. This holiday event will not include high temperatures or the kind of crap the weather people try to sell you.

canto 25
******* Valhalla. This is how it always seems to wind up, isn't it, Pinnochio? Just when you think things are getting better, BAM, ****** up again.

canto 26
You know you've reached a severe point of boredom when you switch to the Daystar Network and find yourself singing along to the bogus faith healers. Pecans on that one, please.

canto 27
Plug away, Sailor. Keep plugging away. When you get there you can say you plugged away with as much vim and vigor as a much larger man. Slough it off, O Great one. Keep sloughing it off. When you get there you can say you sloughed it off with as much skill and empathy as one might expect from a lizard. Or a monster frog.

canto 28 (the "twenty-eighth canto")
Come, look at my incredible collection of dice. Right next to my collection of mice. Next to that bowl of rice. Sugar and spice, everything nice. My head's full of lice. Don't think twice, just break the ice. Pup your puppy dog in the freezer.

canto 29
My toes are cold and so is my nose. I should be concerned with this situation but, strangely, I could care less. There are so many other, more important things to worry about. Like how many frosted flakes are in that box over there. And is there any milk left? And is it the real deal or that phony 2%? 1%? Skim milk is even worse. If it gets down to that point I'll save the money and use tap water. Don't think for a moment that I won't.

canto 30
Colored pencils expect risque answers to tame pencils. Unfortunately the quality of superior eggs is relative to the ice cream that has dripped down your shirt. You're starting to smell bad and I would highly recommend soaking in vinegar for an hour or six.

canto 31
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 32 (the "same as the 31st" canto)
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 33
Yazaa, yazaa, yazaa I told you I was gonna steal that car. You didn't think I had the guts, did you? But look who's laughing now! That guy with the big flower in his pocket must really feel like **** right now, realizing that his awesome vehicle is no longer in his possession. Maybe get an ice cream cone, maybe feel better.

canto 34
Come out of your hidey-hole, scurvy dog. Rat scabies be breathing down your neck and it's cold and old and you'll do as you're told. Pinch back that stray lock of hair, O Queen of Sheba. You shall spend the rest of your days parked on a green chariot overlooking Lake Erie

canto 35
You could have given me a reason for the season. Instead you had nothing to offer but a huge chunk of pepperoni that had mold growing all over it. Admittedly it was delicious but surely you could have come up with something a bit more expressive of the tender emotions I inspired within your fluttering heart.

canto 36
The prospect of a news reporter calling you a crack head based on information gleamed from your Internet social network profiles is quite terrifying, but when you tie the noose you might as well make sure it was time well spent. It's a shame you shaved your head because the painful truth is that now you bear a striking resemblance to Telly Savalas.

canto 37
Energy. That's what is required. And not just the kind of energy you can get from sugar, caffeine and butter. If it were that easy you could be **** sure that the Catholic Church would be the first in line to canonize it. They have a burning desire to fall off the wagon. "Which wagon?" you may ask. The one with the ice cream, of course. Don't be a fool.

canto 38 (a "short" canto)
If boredom is a sea in which one can easily sink into and drown in, I must be swimming the Atlantic.

canto 39
When the dog barks like that it's a sure bet that he's been neutered in the last few days. It's a sad and sorrowful sound that is only recognized by **** knockers in the deep woods.

canto 40
I could stare at the bars of this prison for the rest of my life. Okay, that's *******.

canto 41
Who was it that once said time is the only reliable concept in the universe? Oh, wait. That was me

canto 42
They tell you to wait. That's what it's all about. Wait, wait, wait, wait until I can almost feel my hair turning gray. The estimated time is currently number 7 the estimated hold time is 4 minutes, thank you for your patience. Well, you're welcome, comrade.

canto 42
I've only to surrender you to the world, lie down and wait for it to crush me.

canto 43
If I can only keep it together...if I can only hold it together this one time, I know the gravy train will come my way. Would it do any good to pray? This isn't the first time that enlightenment and illumination have reared their blessed heads. Would that I could live within them this time.

canto 44
Have I told you lately how much I hate to wait? Thinketh not that the Chair has lost it's financial imbalance, the very thread of chocolate that brought you here. It is still a very important and, some would say, a hot topic regardless of the amount of grime, sweat, blood and V8 juice is spilled on it's ivory shaped pear seat.

canto 45
The shadows turn into cloaks, dark itchy woolen capes that enfold the nothingness beneath them, the nothingness of being. You could have worked a little longer and a little harder on that one, amigo.

canto 46
It's been awhile but my wrist still hurts and I've written the word "moon" on the back of my hand with a Sharpie.

canto 47
I'm movin' this **** to WordPress. No I'm not. **** WordPress. Press WordFuck. Word FuckPress. On and on and on and on and not the least bit clever or entertaining. But I do like steaks.

canto 48
I swear to God I wish I had never taken that first hit of ****. Look what it's done to me. After so many years, I guess I was only fooling myself. Or maybe I was so dumbed down that it didn't seem to matter. But now things have changed. And I can do nothing about it. Dump a can of Campbell's Chunky Soup into a bowl, throw it into the microwave, let 'er go for three minutes, let 'er cool down in the oven for a couple more, stir in a quarter cup of Tabasco sauce, let 'er cool down for a little while longer, mix in a ****-load of Cheez-It reduced fat crackers and then go to ******* town. Go to ******* town, I say, **** the stoner days.

Let's give tribute to our vets,
Best diagnosticians yet,
Can they mend a broken wing?
Yes, and most other animal things,
The pets don't know what's wrong,
Vets say, "It won't take long,"
Animal healers are the best,
Mute animals get healing yet!

I've been focused on nutrition
sense before recognition
of a requirement of nutrients
for my life.

I eat for nutrition
I shunned the processed
chemical ick
a lifetime ago it seems
no longer remembering the taste
of chemically created
food stuffs.

though I know if I were to get a taste
it would satisfy my buds
they were made with my buds
in mind
hijacked my senses
lied and lied and lied
told my body it didn't need
nutrition
that is could live off of
intuition
and stuff in boxes
and bags
and cans

I've become my own food processor
now
I have mouths to feed
now I know what to feed
and where they make feed from
so we stick to the grass-fed

I'll teach them how to eat
even before how to read
its just how I see it
once that sugar laden
red
chemical construction
touches their lips
they will instantly desire more
Twain and Fitzgerald
will take them longer to digest.
so these are my priorities
now.
I am a nutrition seeker
a truth seeker
and I believe I come from
a line of healers
all who knew nutrition
is the key to life,
here.
the basic building blocks,
the amino acids
of life,
here.
when you're nourished
it all makes more sense
but stay out of those center aisles
their chemical composition
is too dense
my kidney could no longer clean
the code of food stuffs.

My strong little kidney
I'm so proud of it for
releasing its grip on its twin.
it wasn't for us anyways

Ahmed ji:-
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