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Ted Hughes  Sep 2009
Thrushes
Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
a stab
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.

Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.

With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
above what
Furious spaces of fire do the distracting devils
**** and hosannah, under what wilderness
Of black silent waters weep.
Marshal Gebbie Jul 2018
Too long this rot has run its course, too much the damage done
When men deflect acknowledged glance, they know that wrong has won.
Across this land and far afield the wrongness seeps within
And pride becomes a memory through distant halls of spin.
How can we bow to tyranny, how can we shy away
From that which causes  eyes to slide.... and coaxes will to sway?
To tolerate the bombast, the bullying, the lies
Succumbing to a hopelessness, which, both we despise.
Division in the nation, uproar in between
A man and wife’s contention-ness beyond what should be seen
Brothers loathing brothers, silence in the room
Where a word  uttered wrongly can erupt to screaming soon.
Allies left in tatters, trust is cut to shards
Tariffs injudiciously, imposed to **** the cards.
International uproar, industry in strife
Teetering disastrously when NATO flees the knife.

Putin sits and rubs his hands, hilarious the show
Disorder and disharmony to lubricate his glow.
Beijing sits inscrutably, always opportune
Manoeuvring judiciously, in place, to call the tune.

America, the isolate, sails away to sea
Blondini, at the helm, wears smirk indulgently.

M.
The White House
HAMILTON NZ
12th July 2018
1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm
kindness eats
least of all we defeat our enemies cheaply
steep the leaves in hot water gently
keep enemies close to you and weapons even closer
our friends are like sunbeams
I jump in the water
your sun-burned back is peeling
out loud you remind me
not to bend down too quickly
she hounds me with her questions
lessons on arithmetic
I’m so sick of it
histrionics and sonic lectures
his tricks are onto it
moronic manic accidents
red lions with long necks
deflect authority and wager on credit
the outcomes are certain
all will fade away indefinitely
understand this and measure your life
by breaths and not complexity
densities are hiding in visionary lightning
finding new faculties every moment
we are swift in our limitless
capacity for adaptation
a refulgent emulsion
immersed in water and poetry
under the highest authority
or just higher scrutiny
wrapped in a paranoid blanket
of heightened security
all is being watched right now
as judges redefine your beauty
if you are truly interested
in finding happiness
you must understand
that all magic is abraxas
and satisfaction unceasingly attacks this
as we collapse upon the backs
of ecstatic languages....
slr  Oct 2018
dictionary I
slr Oct 2018
mov•ie
\ ˈmü-vē \

noun

1.a story represented in motion pictures/motion : noun : mo·tion : \ ˈmō-shən \ : an act, process, or instance of changing place/forward, backward, up, down, pacing, running, crawling/how we flee from our lives, our problems, our responsibilities/instead of focusing on motion we look to pictures/picture : noun : pic·ture :  \ ˈpik-chər \ : a design or representation made by various means/click, zoom, import, export/our lives are on a flash drive, on a snapchat, on an instagram, on a memory card/everywhere but on our own memories/we don’t like pictures either/they show moments never to be regained from our past/our solution?/combine them into something better/movie : verb : mov·ie :  \ ˈmü-vē \ : an escape from reality/we use movies to deflect the pain of our lives/we think that we watch because we are bored/no/we watch to escape/escape : verb :  es·cape : /əˈskāp/ : a recording of moving images that tells a story and that people watch on a screen or television.
I wrote this a while back but I fell in love with dictionary poetry after it
ryn  Oct 2014
Weak
ryn Oct 2014
Don't deflect my insecurities
Acknowledge them for they are real
Don't brush aside my inadequacies
I can't help the way I feel

Hugging myself close, searching for reassurance
Through tear-stained glass I grief strickenly see
Seemingly I've lost my tight-rope balance
Clambering up ever so desperately

May think I'm wilful
Because I often get consumed
Don't judge me unstable
Just dormant emotions exhumed

Place a palm against my chest
Between sobs, my heart beats strong
Laying my turbid mind to rest
As I whisper me the comfort that I long

Don't be afraid of me
I know I tend to get lost
Alone in my storm swept dinghy
Susceptible to the chills of frost

I can't control, I get carried away
With the dream I'm set to pursue
I can't curb or hold myself at bay
I'm weak because I haven't got a clue...
Shiloh Oct 2013
Clouded judgement
biased opinions
based off stereotypes
and ancient value
your own experience
from perhaps too many years
it all makes sense
but you can't lay it down on me.

Always wanting what is best
never fully healing past
what happened in your world
which was catastrophic
but at some point we all
come to the realization
to move on
...if we are strong
now I know
why I can never seem to reach you.

Always seeming to gather
thoughts and emotions
reports and reviews
of everything
from other people
having to master
knowing what they think
before making up your mind
so you aren't even really yourself
which is part of why
you can't seem to reach me.

After all this time
nights of crying and asking why
I have so much pain
can all this anger
find its place
having no inclination
as to where it all has come from
not personally experiencing
what some may end up calling
the textbook definition of
depression
post traumatic stress *******
anxiety
attention deficit hyper whatever
but yet all at once.

Aggravatingly confusing
constantly asking
question after question
getting over my father issues
knowing they ultimately
came from your inabilities
getting over every of my problems
simply because I was strong enough
ironically in part because of you
but I think with those higher standards
that could have been set by either one of us
the anger of you not fulfilling that
is your fault.

The life you lead is your choice.
Mine is mine.
gather and collect
and then offer your sympathy
feelings deflect our sorrow and antipathy
life is brimming with good deeds
i remain steadfast in all that i seek
sweet love is among us now
her eyes and hands
feed the mouths of two rivers
i chase winter into her bed
our eyelids lift as we drift south
and lots of people desperately
cling to their doubts like old lovers
Sophie Herzing Nov 2014
Please don’t call me beautiful
when your hands are between my legs,
and god forbid you say it as a seg-way
between you’re so hot
and my caution, your response
you’re sure you don’t want to?
I’m pretty sure the way my body looks,
nineteen and stress-infused with an Oreo belly
isn’t really what you pictured beneath my blouse,
and I’m positive you didn’t listen
to the story about my dad and the bad prom dress
because you cared. It was just sentiment. You said it was beautiful,
but really you wanted me to believe the act
like a description in the Playbill
and ride that trust all the way until the curtain dropped.
Please don’t call me beautiful
when the word ******* is before it
or if we are ******* because making love
is for married couples and you don’t even want me
sticking around for the ****** sunrise that peers
underneath your shade every morning.

Tell me I’m beautiful when I’m crying—
crack me open and watch the colors bleed
like a painting that hasn’t dried. Admire
the light that peaks through the clear parts
like a windowpane, no blinds.
Tell me I’m beautiful when I’m laughing,
when I’m reading my favorite part of a book,
when I’m stuffing my face with peanut-butter
pretzel bites and I haven’t washed my sheets in weeks,
and I’ll know you can’t be lying
because I’ve listened to the waves your heart makes
when you’re sleeping and I’ve called your smile
to the surface many times when you’ve tried
to deflect it back inside. You’ll know that
and you’ll know I’m beautiful.  
Call me beautiful
when you’re not even trying.
Call me beautiful when you’re by yourself
and the smell of my hair is still on your pillow,
or the memory of how dumb I sounded
singing my favorite song breaks your heart back
to the best little pieces.
Try to understand.
Jordan Frances Jan 2014
She has dated boys before.
Boys who beat her
Boys who ***** her
Boys who did nothing wrong at all
But still did not feel "right."

One of them made fun of her
Told her she must be some kind of lesbian
(As if that was an insult)
If she did not want to have *** with him.
She smiled something sad on the outside
To deflect
To forget
To hide behind.

She thought
And what if I am?
What does that make me?
It's a question that wanders into the unexplored ruins
Of an unkempt mind.

A boy meets boy love story is next on the list.
They both play football
And think that means they must both be "players."
Really, they're falling for each other
With one swift and concise movement.

Boy A cannot tell his parents
As he comes from a rowdy and traditional Italian line.
Boy B is getting fed up
And yet waits, patiently
For his one and only to express this flaring emotion
A love, unexpressed.

Their families, churches and culture
Thinks they can change who they are.
They use different, cruel tactics.
Beat the gay out of him
Excommunication
Force her to have ***, and she will turn straight

You tell the world that they are an
Abomination
Atrocity
Mutation

And yet, I ask this.
If the Bible was a Holy deity's, a God's message of eternal love
As any good Christian, as I am supposed to be, would proclaim
Then how can it be used to justify
Acts of such hate and genocide?

"I tell you, on the day of judgment people will give account for every careless word they speak"
(Matthew 12:36)
I hope you are prepared for your Judgment Day.
Jackie Oct 2015
You take me in strides
I take you like doses of medicine
I make my past irrelevant
And you don't even bring your past along
Love breaks through the loneliness like cracks on a sidewalk
And I can see the grass grow
I form sentences in my head but never say them out loud
Obedience can be a disease
Suppression can **** the mind
Two wrongs don't make a right
But if you get lost you better ask for directions
Why do you have to do that thing with your eyes
Deflect
Deflect
Deflect
I can't see you in that way
The way the birds see the sky
And the way landscape sees an open horizon
I start to drink coffee even though it makes my heart race
Hands are meant to be sturdy
If you build a house you want sturdy hands
And you make my hands shake
The cracks in the sidewalk remind me that this earth is always moving
Shifting off kilter
Breaking down even the strongest matter
Heartbreak is like cracks on a sidewalk
But you are the grass that grows in between the cracks
And I can't even tell you how much I appreciate that
Andrew Rueter  Jun 2017
Sporting
Andrew Rueter Jun 2017
I quivered in the arena
As thousands of people screamed at me
All because I wanted to touch the *****
I guess I play a different football

Those Hartford wailers weren't there
When I was on the ice
Trying to play goalie to the problematic pucks
All I had was my blocker
And all I could do was deflect

Yet those same people
Try to convict me in the tennis court of public opinion
Just because I wanted to make my own racket for a change
Is that really my fault?
Why should I listen to these people
When zero and love have the same meaning?

Am I beholden to those
That wanted me to kneel in the endzone?
They're the people who separated me from myself
Now that I'm running back
They're claiming they were my safety
But there was never a decent referee
Only people that wanted to see me in stripes
But here's the kicker
I'd forgive them all their past interference
If they'd just stop challenging my plays now
judy smith Apr 2015
Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses

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