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Steven Fried Sep 2013
Before the birds and the bees the sun and the moon
without stars in the sky nor the land nor the dune

Not a sea not a plant not a tree not an ant
there was not a wildebeest nor an elephant

Just one small room
was the Craftsman's dark tomb

He toiled unstoppably without night nor day
in the blackened room he was bound to stay

for eternity the Craftsman seemed doomed
to continuum to be stuck in the loom

Blindly toiling in the binding shadow
with black tools viciously hallow

hammers and nails mud clay ashen bricks
marble chisel mortar pestle tricks

Monotony sparked the craftsman's lost temper
the wall became canvas for angry distemper

His artistic equipment brushed the prison walls
hour upon hour O' mighty hammer falls

He hammered until it whittled away
his fists were red raw like the break of day

The Craftsman was caked in saddened rough sweat
dejection on brow heavy did get

The Craftsman let his head fall low
out of the wall did a light show

A peephole smaller than a rat's tail
was broken wide in the prison cell

Wondrously untamed the light spilled
rolling and soaking all was filled

With light's glory the Craftsman could not see
another blindness that harsh bright brought be

His tools and materials all were a beautiful gleam
the Craftsman pleasantly content with the scene

Slowly but surely the room was filled
and then his neck almost needed t'be gilled

Lacking a need and bound to drown
he singularly thought his problem profound

The Craftsman deftly picked up his tools
and set to building collective pools

To contain flowing light
he took all his might

and built wholly right
a fountain delight

Artistic wonders into his structure
of beast and nature all perfect sculpture

Of timber and clay of marble and grass
he worked until the fountain's completion at last

In the Craftsman's abode was the most beautiful fountain
which all of the light was collectively bound in

Little black Leeches began squeezing through
at first it was only one Leech or two

The Craftsman was able to squish them all out
but even he grew tired bout after bout

They began to stick to his precious creation
Leeches worthy of the vilest waste-bin

The evil pulled petals off of wooden flowers
and the nose off of many clay tigers sin powers

Duly distraught for days he sat
tormented watching his statue crumble flat

Under the weight he watched stone clueless
wondering who endeavored to do this

Disregarding he set to his one task
deep within his mind he firmly did ask

He built a statuette and endowed it with life
by breathily bestowing will to battle strong strife

Using only dirt that had flowed into home
he crafted brains limbs and torso and left them alone

The Craftsman thought and pulled out a rib
and crafted the partner the woman most glib

The Craftsman sat back and watched ambition grow
the seeds thrived and they the **

They fought and they loved they created and destroyed
they lived and they died but survived all the void

The combat with Leeches
embattled stony beaches

Watching the battle
he saw no major rattle

When the Craftsman realized he was needed no longer
he built a chair for himself and sat down to ponder

Years and years more was the Craftsman
stoically sitting watching his creations gain traction

They leaped and progressed
with clothes or undressed

Intervening no more
they handled their score

His beard grew longer and longer and his eyes drooped lower and lower
until finally the Craftsman's heart beat slower and slower

comatose he waited ever in slumber
for his creations to need him to save any blunder

Ever hoping it never was necessary
life flowed around purposefully predatory

He watched their lineage improve naturally and viciously
and off they went history to history
the future was as it will be just a mystery
fountainfable.pen.io
Keith Moody Jun 2017
I'm a craftsman with words.
Each page I fill is another home I've built.
Every house is built differently to hold a variety of people.
I'm a craftsman with words.

A writing utensil is the only tool I will ever need.
It is a tool anybody can use but a true craftsman can do so much more with it.
My mind is a toolbox, filled with blueprints of houses just waiting to be built.
I'm a craftsman with words.

The page is the plot of land that I will build my house on.
The lines on the page is the foundation and the framework that I will build off of.
My pen is the hammer, each letter is a nail, and every word is a 2x4 holding the house together.
I'm a craftsman with words.

Every sentence a tile I lay to make the floor with.
Every paragraph is another wall that I put up.
Every "The end" is the roof I put to complete the house.
And every house I build, is a home people can move into.
I'm a craftsman with words.
RAJ NANDY Jul 2016
Dear Poet Friends, the 4th of July is celebrated as American
Independence Day. But for me it is a day of special significance since it is my contemporary & Texan poet friend Jon Stevens’ BIRTHDAY! We were both born in the same year 1943! Kindly join up to wish John ‘A Very Happy Birth Day’ with me! Today I dedicate an old poem of mine to John, titled - ‘’Time the Master Craftsman’’ composed way back in 2007 and posted on ‘Poenhunter.com’. Hope John and my Readers will like it! Thanks, - Raj, New Delhi.

      TIME THE MASTER CRAFTSMAN!
TIME the master craftsman first lets you grow.
For you are his ‘marble slab’ on which his work will show!
He silently chips away, his chisel makes no noise.
For he is a master of stealth, and woks with elegant poise.
We all take him for granted as time passes by.
Spring gives way to Summer, as Autumn draws nigh.

Then suddenly one day the mirror shows a face.
The wrinkles are etched all over, and spread across
your face.
With deep furrows on your forehead, even a shiny
baldness shows.
The sculptor has done his work both steady and slow!
Your eyes get set deeper, with blotches on your skin.
Your face begins to shrink, with a toothless child-like grin.
Time the master craftsman has now perfected his art.
He remains surrounded by other slabs for his chipping
work to start!
-By Raj Nandy
04 July 2016
A VERY HAPPY BIRTH DAY TO JOHN STEVENS OF TEXAS &
                  WISHING HIM BEST OF HEALTH.
A poor craftsman blames his tools, though
a wealthy craftsman can afford good ones.
Read 'twixt the lines, iffin' you will.
Allen Ginsberg  Jun 2009
Howl
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb
A Slow Heyoka Nov 2019
The table in the stable
made the craftsman able.
What happens when the craftsman
Can no longer rhyme?

Do they pack their tongue in clay and cry?
Do they have moss growing on their backs?
It smells too sweet to be moss, but too sweet to be grass.
But then we said **** it, just light it up and pass.

And when the lights burnt out
So did my patience and I yelled at the moon in a rage hotter than the sun.
Then the heat dropped
And once again, I could see clearly.
Part of a collaborative project at a local writing retreat. Its not all mine.can you guess which parts are?
J C Lynch May 2014
The greeting is the same
the minutia is the difference
Point A and Point B
are always constant

Like a craftsman with
his toolkit and techniques
nothing is out of sync
with expectations

It's not a game any longer
it has become a chore
motions to go through.
Ten minutes in....

You....you threw in a wrench
into my machinations of
dialogue and movement.

You....you don't bore me.
It's a game once again,
and we both intend to win.

Let's play
To the ones who've held my rapt attention
louis rams Oct 2012
(3/6/12)

His future had been laid- for he was a carpenter by trade.
Just as a carpenter can mold anything out of wood
He could mold mans hearts and souls into good.

He would mold mans hearts with accurate precision
For this was his fathers decision.
He came to mold all the hearts of mankind
And open the eyes of the blind.

The world would come to know him as the king of kings
And see all the love that he would bring.
Throughout the centuries it will be told
He is the master craftsman of the heart and soul.

Now when we feel a tingle of  sensation
And a wanting to get more of inspiration
Look for the craftsman who could mold
The hearts and souls of man
To give you a helping hand.

when he made the heart of man
He left a corner deep within
Where the love for him can forever grow
And his love you could show.

Let all who know you - know this carpenter man
Who from evil he took his stand.
He has entered in you to mold you from the inside out
So you would know what loves about.

© L .RAMS
sapthepoet Sep 2012
Distill water is healing.
The moons voice manipulates the ocean,
By reaching and pulling away from the sand
the suns smile equips us with Vitamin C
The Water cycle is a universal enigma.
She starts of as clouds quenching our planet with:
Oceans, lakes, rivers, and water puddles
she evaporates into mist of waves
Camouflaging her family recipe in the sky,
While cooks up new baby clouds
its starts all over again like the tadpole evolution
even though we all take water for granted sometimes,
She still supplies our needs.

By Shannon Pollard
©Summer 2012
louis rams Mar 2012
(3/6/12)

His future had been laid- for he was a carpenter by trade.
Just as a carpenter can mold anything out of wood
He could mold mans hearts and souls into good.

He would mold mans hearts with accurate precision
For this was his fathers decision.
He came to mold all the hearts of mankind
And open the eyes of the blind.

The world would come to know him as the king of kings
And see all the love that he would bring.
Throughout the centuries it will be told
He is the master craftsman of the heart and soul.

Now when we feel a tingle of  sensation
And a wanting to get more of inspiration
Look for the craftsman who could mold
The hearts and souls of man
To give you a helping hand.

when he made the heart of man
He left a corner deep within
Where the love for him can forever grow
And his love you could show.

Let all who know you - know this carpenter man
Who from evil he took his stand.
He has entered in you to mold you from the inside out
So you would know what loves about.
Marcus Lane  Mar 2011
Lost Link
Marcus Lane Mar 2011
A proud man,
Upright and unshakable
In belief and morals,
Once only I did I see him
Without a tie.

A child of Edwardian England,
The links Of his watch chain
Glinted
As they hung
With formality and elegance
From his waistcoat pocket,
Yes, even as he worked.

And work he did.
Patiently,
Brilliantly and tirelessly
With ingenuity and imagination.
A craftsman from a bygone age.
A master of his tools.

Grandfathers are soft,
Playful, bear-like in their
Gruff-whiskered familiarity.

Not Poppy.
Unwittingly aloof from his grandchildren,
We avoided the need for directly addressing him,
Unsure of where we stood.
He’d probably have secretly
Loved the informality
Of our secret nickname.
I hope he knew.

The chapel piano did for him.
Too much weight for his work-weary ticker.

Grandma gave me his pocket watch to keep,
And for a time I treasured it,
Measuring its weight
Like a smooth round pebble
In my palm.
A workman’s watch;
Practical.
A yellowing face
Behind a scratched
And hazy glass.
But accurate,
And precise.
Reliable as the man.

Detached in life,
I liked to hope that
Gazing down,
Watching,
He just might have
Laughed
In loving acknowledgement of his
Grandson’s curiosity
And foolishness
Sitting cross-legged on the carpet,
With heart-thumping nausea

Adrift in a sea of springs.
© Marcus Lane 2010
mark john junor  Aug 2014
teacher
mark john junor Aug 2014
the skilled craftsman
he labors pen on page in nights silence
the names and faces of his students
vividly painted to him in small ways on each page

the girl with her flourish of drawings
in the margins of her work
a bird delicately drawn to appear to be dropping
the words onto the page
in amongst her arguments that shakespeare was a charlatan...
the young man from the morning bell
who dose not write as much as he carves and hacks
his words into the dull instrument of the page
crafting it in his way to resemble the angry face he wears within

this quiet man
teacher
he learns too
from the patchwork quilt of humanity
that passes year by year through his world
some shine brightly
others faded away into obscurity's cage
see him sitting in nights silence
pen in hand
a master craftsman at his labor of love
(for my brotherman kristian...get well kid :-) ..........)

— The End —