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soliana May 2018
she gave me her nudes
she was bare
and naked
and so out
and open
and i willingly
accepted it
because it wasnt the nudes
that showed her body
the physical aspects
that made her beautiful
it was the words
she didnt choose
and the spontaneity
that left her
either from her lips
or her fingers
or ink

she was as bare
as her nudes
and i accepted
her for her.
10:02 PM 5/1/2018
Sahil Suri Mar 2014
Before I begin, allow me to explain,
I too loved.. once,
so think of me not as some cynic-
nor as a master in the ways of love-
but rather as a keen observer-
now, that may mean I have nothing to offer you-
no insider knowledge-
no secrets of love-

But I do  know how to tell a true love story -

Interested?
Fantastic-
So let’s begin,

True love, if there is such a thing at all,
is like the thread that makes the cloth
you can’t tease it out-
you can’t extract meaning-
without ending up deeper in the web-
and it always remains-
hidden under layers -

In the end, that’s all you can really say about any
True love story-
They don’t generalize-
They don’t analyze-
They arent found-
They just… happen.

and that’s what makes them “true.”

But what is this coveted “love” -
the emotion?-
the act?-
the mentality?-

Love, is a constant state of illusionment-

A collective agreement amongst humans-
that it, whatever it may be,  can be treated as an excuse
for recklessness, irrationality, and misplaced strife-  

A quid pro quo  between two individuals-
to agree that they are doing something-
anything-
other than mindlessly drudging through life-

Now that is not to say that what love creates is pointless-
I said before, I have felt the embrace of love
Love festers between individuals for so long
it has no option-
but to mould the physical to itself-
and alter our personalities-

Characterized by spontaneity-
by indulgence-
by risk-
to love is the most dangerous experience in existence-
the act of being fully vulnerable with another-
while promising not to hurt them the same-

Love is characterized by vulnerability-
and the constant fear of being hurt-

So you want to know how to write a true love story?
be honest-
dwell not on the “romantic” blindfolds that keep us irrationally seeking our partners-
dwell not on the on the memories of a love that blossomed-
reveal the core of love -

A true love story comes from gut instinct-
A true love story, comes from experience.
A true love story, if truly told, makes the stomach believe

So I said I loved once,
allow me to elaborate-

I too have felt the “butterfly stomach”
- where the insides of the lovestruck turn on their host and manifests the emotional significance of meeting “the one”

I too have spent the day daydreaming...
-Lost in the thought of “the one”, seeking brief breaks from reality in my mind between moments of  utter normalcy

I too have melted into a puddle of emotion….
-lying next to “the one” as we slowly spill more and more of the secrets that bound us as individuals, joining a spirit much larger than ourselves-

I too have felt... invincible-
-to know that I’ve found something more significant than myself. Something that replaces the fear of the future.. and makes it something to look forward to.

Yes, I too have fallen in love.
and I did just that-
I fell.





..And that is my true love story-
Edit: Thank you everyone. It has meant a lot.
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
Cass  Apr 2014
resilience
Cass Apr 2014
last week i told you that the inevitability of the end was near
you couldn't stop it
i am a patch of black ice and you are a semi
but we refuse to let go,
refuse to throw out what we have
just because we're young and stupid
and you can't fall in love until you have a college diploma on the office wall
and a mortgage to pay
a hundred thousand regrets
and a lost love who you gave up on
simply because you didn't believe in the resilience of young love
we fell in love in spring,
and there's something to say about the innocence of that first love
unparalleled spontaneity and discovery
that will never be duplicated
so why would you throw it away?
your forever is shorter than mine,
so i'll never promise forever
all i can promise you
is now
Just be real friend.
Be who you are,
and where you are at.
That's enough,
and it's the only way
forward.

Most of us have put on enough masks
in our life time,
to have completely forgotten
our original face.

We've become far too clad
with the heavy coats of expectation,
suffocating under the weight
of the ways we think we ought to be.

You can drop that garb.

There's always mystery
at the naked core of who you are,
and that's just fine.

It's not that we must rediscover
some definable self,
and hand that image over
for validation.
Rather, those solid definitions we
cart around with us
are heavy enough as it is,
but we've continued pushing them
despite the distress.

We've gotten so used
to that awkward play
of needing to be a somebody,
as if that somebody
were other than
who we already are.

We've forgotten how to let go
with all the spontaneity
of a flowers growth;
forgotten the beauty
of our own personal bloom.
That we are a fluid sweep
of light and dark.
That our faces,
like the moons,
wax and wane.

You don't have to be any which way,
other than the way you are.
That sort of self acceptance
is the innate flourish,
is the fluid self cycle,
is the way back into life.

Don't fool yourself
into believing
there is a better disguise.
Strip down to the bare beauty
of your authentic state
in this moment,
and move from there.
The vulnerability of baring myself fully
clenches the belly
panics the heart
stands my hairs on end.

It is truly the most terrifying thing
to stand in ones authenticity.

And yet. And yet.

The courage it takes.
The great tender strength.
The spine tingling elation.
The heart swells, and magic.
The naked beauty borne, in feeling you have nothing to hide.
The spirit touched ardor of a bare approach to life.
The openings and the mystery.
The expressions: tripping, falling, incomplete, misguided.
The wonderful mistakes, elucidating lessons.
The perfect imperfections.
The easing of honesty.
The engendered humility.
The profundity.
The sense of being touched, touching, and in touch with life.
The unmasked revelations, of full spectral undulation.
The this. The that. The I can accept it all.
The dropping of shame.
The incredible liberation, in shedding that shame.
The finding forgiveness for self, for other.
The quiver of unknowing.
The sweet caress of potential.
The dread. The sorrows. The uncertainties.
All making room for, in their acknowledgement:
Room for what else is there.
Room for laughter, and joy, and luminescence.
Room for flirtation, dancing, spontaneity.
Breaking open.
Melting into Love.
Soaring on the wings of Truth.
The hush, of anxious worry.
The Goodness bestowed.
The empathy.
The compassion.
The connection.
The holy restoration of creative flow.
The fires of real passion.

And everything.
And everything.
And Beauty.
Tommy Johnson Mar 2014
We are all human beings
We all have our own lives
And different ways we live them
But each one of us is a writer
And this poem is for all of you

All of you who have virtues and use them in your writing
Those who use flashbacks and revisit mental photo albums

Beginning the story from the middle for that’s usually where you mind is at
Looking back then looking forward
Studying the past so you can be ready for what is to come

Recording catastrophes with a number two pencil

Tales and blurbs of tragedy
Caused by love or the lack there of

Rewards and punishment
Self-reliance and self-fulfillment

We are mere narrators
Humble, maybe unreliable
Equipped with numerous devices
Ironic Paradoxes
Red herrings
Fortuitous plot twists
Metaphors
Allegoric hyperboles
Analogies
Oxymorons and onomatopoeias

We sling Chekhov’s gun like bandits of literacy

We’re visionary revolutionaries
Revolution of the mind, body and soul

Changing ourselves and examining who and what we are
To become what we are destined to be
The best

Rejecting convention
Building our own paths
That lead to cliffhangers

Romantic lust
Comedic affairs
Dark massacres
Spiritual healing

Religious speculation
And the questioning of the way we, the people are being governed

We use the tools we are giving to sculpt new art that the world can stand in awe of

Personification
Symbolic imagery

Practicing pastiche with respect
Dionysian imitatio

Surreal reality
Defying mortality

Reiteration and retort

Using nature to express emotion and thought

Doubts and fear

Opposites
Morals and ethics

Satisfying curiosity

Parodying what we see
Embellishing just a little

We us word play to dive deep into the topic of conscious, subconscious and unconscious thought

Using satire to poke fun at the human condition,  its senses and perception of the universe to get readers thinking

Expressing our anger, our boundless joys
Desiring unknown pleasures

Seeing past the fallacies put before us

We write with great candor about war, personal conflicts, and self-abuse

With hinting undertones to give these ideas a second thought

We write of the supernatural, metaphysical mysteries
Outlandish, obscure mind boggling theories

As the clock ticks too fast for us and the characters we’ve created

Demolishing the fourth wall with a sledge hammer of defamiliarization

Epiphanies in a parking lot
Speaking in the 1st, 2nd or 3rd person

Using fun things like anagrams and palindromes
Candy for the lovers of such things

Spontaneity is an understatement
Nonsense is an insulting overstatement
Absurdity seems to fit just right

We are chameleons
We can write in various forms
Streams of gratifying consciousness
Brilliant prose
Beautiful poetry

And chose to use or merely acknowledge the ways to achieve these forms
Rhetoric, rhythm  and rhyme
Meter and mora
Conceit and consonance
Assonance
Intonation
Working with phonaesthetics  

And accenting aesthetics

A poem can or could not be organized as such
If we want to get technical about it

We have a poem
With a number of verses
And in those verses
Are lines
And those lines might rhyme
And have a meter or rhythm
Stressed or unstressed syllables

In contrast to that we may write
Without all of that and use emotion
Feeling and structure our work with what we feel is the best way
Line breaks
Pauses and puns
Silly similes
Ambiguous antonyms  
Intonation, linguistics
Fight against the fascists of grammar and conservative correctness

So, in the end we are writers of a rainbow kaleidoscope forms, devices, ways and ideas

But we alone are the ones who make the world think
Make it move
Revolt
Renew
Learn
Look back
Remember
Cry
Smile
Forget
Ease

Write my friends write until your mind explodes and your fingers bleed

Read, read and become inspired
Even if what you’re reading is bad cheese

Forget getting published it’s the writing that matters
Disregard the off-putting, critical chatter

And if you think no one reads
Than be the seed and sprout a tree of astounding artistry
And let’s begin a new movement composed of ideals that will hold true forever
I might be preaching to the choir but it must be said that poetry; literature isn’t dead
Jenny Cassell Apr 2011
You are the practicality that keeps me grounded;
I am the spontaneity that drags you along.
You are the reason to my irrationality;
I am the tumult to your calm.
You are the answer to my questions;
I am the words to your quiet deeds.

You are the engineer I cherish;
I am the bookworm you esteem.
You are the chef I rate as top;
I am the baker you adore.
You are the handyman I can count on;
I am the seamstress you prefer.

They say opposites attract, and it seems that might be true.
Like two pieces from the puzzles we both love,
We fit together seamlessly.
To be cliche, you complete me,
But in ways I never knew weren't whole.

— The End —