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AAron Roz  May 2018
Sound
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
SassyJ  Jan 2016
Bhangra Dhol
SassyJ Jan 2016
I am like a baby in your bay
You hum as I play the tirkit
Based in your basic base
I heat as your beats explode
I’ll hold you as a hungry lover
An angered one waiting in line
I’ll suckle your filled bosoms
Caress your hide in ecstasy
I’ll put you in my mouth to ****
My idea of a realistic performance
A subtle pitch, altered frequencies
Among my dozen of reigned rhythms
A 15th century Persian marvel
Now musing Punjab, Assam,Goa
Maharashtra,Karnataka and Pashtun
Amuse me in another foreign soil
Trance and ****** me to an addiction
I bought a Bhangra Dhol and learning the basic tirkit rhythm.

History of Dhol Drum
The Dhol is most commonly associated with Punjabi music and dance. It was used in war by the Sikhs and later to celebrate successful harvests by the landowners. This drum became the ground roots for modern Bhangra music. The Dhol drum is a very common instrument in the regions of Punjab in India and Pakistan. From north India the Dhol spread to other parts of the Indian subcontinent as well.

The Dhol is a double-sided barrel drum (straight barrels also exist) played mostly as an accompanying instrument to the traditional Punjabi dance of Bhangra and the religious music of Sufism, Qawwali.

The drum is played using two wooden sticks, usually made from bamboo and cane wood. The most common rhythm played on the Dhol is the Chaal, which consists of 8 beats in a bar.

Though primarily it was meant to be played in festive occasions of - Lohri and Baisakhi and family get together's like weddings etc, today it has gained remarkable acceptance and popularity. A typical Punjabi song cannot be without Dhol beats.
PNasarudheen Aug 2013
On  watching  Indian Polity
Such was my country twenty-one Summers ago
In a starry night I ,with my wife Prema young
Walked along the road of midnight Mysore slow
As snow veil  clad chilling  breeze rippled along.
No ****** , drunkard, rowdy, as hyenas  did draw
No clique with camera   to strip or **** did throng
An auto -driver so friendly took us  to a lodge; so
Gladly with son Sudev  we enjoyed Dassara song .
          
Now, in every city , I fancy , Sahasralinga’s attacks
From Bars with bars such barbarians may pounce
As executive dread  such law-breakers to  punish.
Political aspirants  languid sit in and pronounce
In Parliament to protect  the culprits  from barracks
Deceiving  democrats  and putting them in anguish.
======================================
Note: Prema: name of wife; Sudev: name of baby(son). Sahasralinga: nickname of Indra /Devendra.(King of Devas who live in luxury. Parliament: the legislative building. Mysore: the city in  Karnataka,India former capital of Mysore kings. Dassara:a  state festival in Karnataka,
==========================================
Kuzhur Wilson  Sep 2016
Luna
Kuzhur Wilson Sep 2016
one morning
Sunilettan came
with a puppy.

i was writing a grand thesis on the orphaned existence of discarded people.

when the tether was removed
i gave her a dry fish.
did not eat it.
gave a fulsome bone.
did not touch it.
gave the milk from the ad.
did not even regard it.
kissed her.
did not show any reaction.

because she came on a monday
i named her luna.

whenever i called her
she wagged her tail.
wagged her ears.
luna luna luna
i whispered thrice
in her ears.

like the golden peaks
of mookaambika,
he sharpened his ears.
me and he did not play
any game.
before we could,
she came under the wheels
of a vehicle.
without autopsy
without a second look at the body
i buried him
under the hibiscus tree
with many blooms
falling to the ground.

two of the flowers
went to a  karnataka guy’s
father’s death rites.
some turned into hibiscus juice.
some were visited by butterflies.

frequently,
the earth where luna was buried
forgot her.
me too.

another noon,
a german dog named adi
was found playing a game
of placing fish bones
on luna’s tomb.

no dog will
cease to play
till the question hung in the air
“my little sister, you have forgotten me?”*


Kuzhur Wilson
Translated by Ra Sh



(( To S. Sithara who memorised  Khasakkinte  Ithihaasam (The Saga of Khasak) when she was still a kid)
*This is an original
reference from the novel ` The Saga of Khasak’ by O.V.Vijayan, translated by the author.
A seedling tiny of good remembered still
transformed uniform in vastness wavering
roots small of succor turn trunks huge sprouting
back from joys earthy,seeking skies many above
rejoined both, re rooted in mother earth eagerly,
hands and feet merged indistinguishably stoic
in an existence pure, to one being impervious.
a sapling soft now time twisted,gnarled,knotted
to an entity unique, massive of heart fused in soul
then just a being existing simply as one ordained so
by time!

sweet birds in me sing
on me your kids swing
around me in a ring
the gods now impinge
to them maidens cling
for a nice manly thing
under my cool wing
do elders advices bring
I amidst stand like a king
impassive to everything!

*A thought in my mind as I see the ancient tree in my village."Hemmara" in my native language of Karnataka, a state in India, means literally an ancient and massive tree.Normally and in some mysterious way this invariably will be a Banyan tree in the village center which has its roots growing out of the earth and joining the branches and branches stooping down and joining the earth to become roots! Around the tree over time idols of innumerable Gods spring up,Elders convene and advise the folk,kids play and village belles flock to pray for a good husband!!
Àŧùl  Oct 2018
MY MOTHER
Àŧùl Oct 2018
My Progenitor along my Father,
She loves me as if She'll take care,
Of me and my needs today & forever.

My Mother is an inspiration for me,
She has tasted success after toiling for it,
Harder in nights than in days totally.

My studies were Her priority in my school days,
She is no different in these different college days,
Never does She let her mind divert Her gaze.

My language skills, I inherited from Herself,
She taught me Hindi, English & Kannada,
I learnt and honed the Sanskrit by myself.

My German & French are elementary, but,
She never discourages me or calls my efforts,
To learn them both, with passing time, rudimentary.

My health has been Her top priority,
She ignored Her own & there was a difficulty,
Her knees gave away and needed to be replaced.

My Father loves me too but my Mother is special,
She left Her beloved Karnataka to marry my father,
Now She looks after my Father as I am alright.

I am lucky, very lucky indeed, that I have them,
She is a living legend married to Another,
This poem is more about Her and a bit about my caring father too.

My Mother taught me how to speak,
How to speak and how to live, not just once,
But along my Father, she taught it all twice.

My Mother, along my Father, defines God,
Probably this is the case with everybody,
But few realise it when Death makes a ****.

I have seen her weeping for me when I was unwell,
Now it's my obligatory duty apart from a natural one,
Her I shall make proud along with my father, not just once but always.
A slam poem that I wrote on 25 October 2018.
Place: Exhibition Unit, National Dairy Research Institute campus, Karnal
My HP Poem #1725
©Atul Kaushal
Geetha Jayakumar May 2015
Finally a body lay restless fighting against all the odds.
Lying immobile in a bed of thorns and pains for four decades so long.

Where she should have been
And where did she reached today.
Once she was blessed with beauty and intelligence.
Blessed with a beautiful life to live upon.
Could she live that beautiful life, as it should have been?

Helplessly she watched,
when cruelty gripped her from all the sides,
which never gave even a chance to rise up,
Even though a new day began.

How many dreams she may have had?
She fought the pain till she breathed her last.
She lay motionless in a bed of shattered dreams,
With a pillow of bed ridden thoughts and tears.

Lying in a bed around decades of four
Hardly she may be two and half decades born
For years she lay crippled and helpless
fully dependent on others.
Indeed some blessings was there with her
Thankful to the people who stood for her, who loved her,
Took great care of her and travelled along with her till her end.

A fateful day took away all her dreams and twisted her life so cruelly.
From there her life hanged in between if and not, till she breathed her last.

Tears do we shed but also feel relieved,
Finally a soul was freed from all the prolonged pains and grief.

Till the last moment she fought bravely against all her pains
before sinking eyes to death!

May Her Soul Rest In Peace!

Hats off to all the nurses who went on adding
Drops of priceless contribution each day
as a part of their dedication to humanity.
In what better they could have shown!

PEACE!

All rights reserved by Geetha Jayakumar.

Note: (Courtesy: Google)
Aruna Shanbaug an Indian nurse, then aged 24years, from Karnataka, died after living in vegetative state for more than 42 years. She worked as a nurse at the King Edward Memorial Hospital (KEM) Mumbai. At the time of attack she was engaged to a doctor at the same hospital. On night of 27th November 1973, Sohanlal Walmiki, a sweeper at the same hospital, sexually assaulted Shanbaug. He attacked her while she was changing clothes in hospital basement. He choked her with dog chain and sodomized her. She was discovered with blood splattered only at next morning. Since then she lay in a vegetative state. Nurses from KEM hospital took entire care of her till her death in the same hospital. She was born on 1st June 1948. Finally she died from pneumonia on 18th May 2015 at the age of 66.

— The End —