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 Apr 2014 Reece AJ Chambers
Molly
Sand burns red, sunlight hits the little
waves, dappled Connemara coat.
Berries form. Sweet orbs,
sweet life, Spring ticks over.
Time's a running clock, silent
and unnoticed. May dances in
on a breeze. No ribbons, no pole.
The dandelions roar in the field,
in the garden, daisies blush
and whisper to the trees
the hawthorn blushes too,
what giggling conversation
takes place on the seashore?
 Apr 2014 Reece AJ Chambers
Molly
Your car came through town
a queen on her chair
with a silver spider web
smashed windscreen
and no door
on a scrap truck.

I didn't call you.

Told you in the pub last night
it was none of my business now
if you died or not.

Did I kiss that boy on the stairs?
I can feel myself falling in love already.

I stole prosecco off the kitchen counter,
drank the whole bottle.
It fizzed like stars and hopes and dreams
in my belly and
I started walking when the sun came up.
Crack a hole in my skull
to let some light in
I’m walking around confused
checking out the numbers
on the side of houses
I’m walking around whistling the theme tune
of a movie I never saw
in light tinted green through newly sprung leaves
I bask in the holy midday sun
everything so fresh and new
it makes one forget about mistakes
and tomorrows
and consequence
pour me a strong, cold drink
I want to live life
on an endless back porch summer night
where the insects and the trees make their music
as we slowly let go
of the parts of ourselves
which hold no real weight
cut me to see if I bleed
I bet the blood would never come
too thick from the sweat induced
dehydration
I’m drinking iced coffee
on an infinite stretch of broad street
I’m climbing the trees of my childhood
to pick the fruits of my memories
they taste like nostalgia
and they taste like you
how I imagine you taste
if we were cast together
outside of time
these are the musings
of a mind riddled with growing up
We're on a train
in London's subways
and everyone stands
with a dead-eye peer
down the carriage, so
please, hold my hand.

They're all like apes,
hung on bamboo poles
and strung vine-straps,
hunkered over the small
space I have to myself, so
please, hold my hand.

I think you've become
just like them, Daddy;
a ringed-eyed orangutan
or narrow-staring lemur.
You've become much less
human it scares me, so
*please, let go of my hand.
Was on a train, mind on poetry, and came up with this brief idea.
Coming home from a fair,
cusped between your lap
a globe of darting eyes,
your hands rested atop
the thin film of a world
as you endlessly peer in.
Are you scrying over
your future career?

Here a tungsten bulbous
body, a chunk of flame,
swills itself in spins
and mindless dances,
as you think you could
be so careless like them
to live hazily in a framed
bubble of treasured youth,

fed by some divine fate
looking over you. Golden
scales make your skin,
binds you as if you were
a chocolate in a wrapper
for people to circus over–
every flicker being edible.
Or maybe you're like

those tinned peach slices,
posing in a cage for all  
as a marvel to feast with
until you end up rotting,
there in your tomb-space,
muttering an open mouth,
“help me” before they serve
you up on a silver-lined dish.

I assure you, you'll forget
these childish thoughts
of aspirations and dreams
sooner than you think:
no matter how much
you think they want you,
I'll bet they'll let yourself
drown in coming weeks.
This one's a long one, and I apologise in advance for the kind of depressing topic.
What went from the subject of children getting goldfish from a fair (that, as everyone knows, don't last very long) became a critique about the aspect of female sexualization that some girls may grow up to want to employ the use of.
The first pair of shoes you wore were black,
velcro straps sat atop your pair of dollies
to make it easier to put them on for the park.
They were meant to be smart, but you laughed
as you wore them against the ground so free
as dad slung the swings, smiling at his child.

Our mum told me I was a creative child:
I didn't like to wear anything black. Red
suited me in how I stood in puddles, free
in indifference to how brown my wellies
became. If I was asked why, I'd shout,
“I'm pretending we're all at the seaside.”

From there we made our way to beaches,
where the wind was crisp and the children
we could see around us acclaimed screams
of emphatic joy at how the sea was so blue
and big. We had to wear pairs of sandals
when we went, but being barefoot felt free.

All that time we had at being young and free
soon went with the summer ending in school,
the arrival of my freshly polished black boots
was identical to almost every other child's-
a lather of paint dripping over in mud yellows
proved who I was with a mother's groan,

and this wasn't the only time she wailed.
As we grew older and wanted to be free,
my sister started to experiment with pink
highlights in her hair as I visited clubs
with fake ID. We were adults with childish
personalities in how I wore my Docs

like a religion for feet, my sibling in high heels
that you could hear in Sunday morning claps.
The arguments broke out: she wanted a child,
mother saying was too young, needed to free
herself from lazy culture and find a workplace.
I'd never seen both their faces so gushed red,

just like the red richness of those wellies
I had worn in the park. I pipe up and say,
“The best freedom is our time as children.”
A *colour*
B *shoe*
C *place*
D *sound*
E free
F child
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