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Nat Lipstadt Mar 2015
oft on bus seated next,
every one of your senses
adjusting, modulating,
to her unpredictable
solar flaring

you don't ever risk
that first missing
           misstep,
your entirety is
sun bursted
        (un)/consumed
in unhappy joy of her
consuming presence

~~~~~~~~~~~~~~~~~~~

you laugh
years later
re the topic of
your first shaky
foot in the mouth
a classic misstep
first bow shot,
opening one liner

and each storied retelling  
is nature!s
snow and rain
refilling
the love of your
groundwater table
welling up

~~~~~~~~~~~~~~~~

you love her scent
the silly hats she wears,
her short skirts arouse,
that last open button
a misstep invitation,
angry it incenses,
her every solitary everything is
incense,
pervading a daily
co-riding
passenger's
oxygen? starved soul

~~~~~~~~~

her umbrella is a wet
selfie stick
accidentally opening and dousing
an un random next door
seatmate

just another unlucky misstep for
someone sitting next store,
oil on the fire of
happily ever after

two selfies are last seen as
one
un selfishly
toweling each other off and
on
with wet kisses

~~~~~~~~~~~

you eavesdrop on her
earbud music,
weep internally you do with
crazed jealously

The Temptations
are so unfairly
singing to her
"Ain't to Proud to Beg"
and neither are you

you heart is misstepping
to every beat,
your fingers
thrumming,
you idiot, not quietly enough
humming
in the next seat

the first,
will not be
the last

smile exchanged

~~~~~~~~~~~~~

poem writing on the tablet,
amidst the groaning awful
no moving
city traffic

overheated bus
combustible with
winter snow dampness,
wet dog sweat smelling people clothes

all you want to do is get home
shower off
the daily dirt

the poetry writing pastime
is the place
where you put yourself
to better to pass over
your sour surroundings

her finger rattlesnakes,
misstepping over,
noisily invading,
the invisible boundary
constructed to hold up the
eye-averting
Keep Out sign
to momentary,
too neighborly
strangers

her red painted
pointer finger
smudge prints on your tablet,
accompanied with
bespoke words
"try this"

that smudge suggestion
won't come off

insisting on crediting
a shared authorship,
you ask for her
email and cell,
so you can share
her
forever

co jointed tangled
bus and bed sheet first efforts
on writing, all about
what you play~argue
what should your entitled poem
be titled

you think

endless short love story bus poems

but she prefers,
with red fingers persuading

the first misstep is the best

both see the merit
in each other
I love this poem. I do.

Lyrics to "Ain't to Proud to Beg"

I know you wanna leave me,
but I refuse to let you go
If I have to beg and plead for your sympathy,
I don't mind coz' you mean that much to me

Ain't too proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me, girl, don't you go

Now I heard a cryin' man,
is half a man with no sense of pride
But if I have to cry to keep you,
I don't mind weepin' if it'll keep you by my side

Ain't to proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

If I have to sleep on your doorstep
all night and day just to keep you from walkin' away
let your friends laugh, even this I can stand
cause I want to keep you any way I can

Ain't too proud to beg, sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

Now I've gotta love so deep in the pit of my heart
And each day it grows more and more
I'm not ashamed to come and plead to you baby
If pleadin' keeps you from walkin' out that door

Ain't too proud to beg, you know it sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go
Baby, baby, baby, baby (sweet darling)
Mar 2015 · 962
The Crucifixion of Passion
Nat Lipstadt Mar 2015
not a hurried act,
but a bloodied one,
nonetheless...

yes,
the residuals
are two bodies,
for the price of one(!),
that once, twice
exhumed,
give off
no trace of human
fume

what you don't know can't hurt you...

what?

that is a summary of the case;
the motive, the weapon, and
the scene of the crime, all the sane

the raison d'être...or not to be...
that is the
question,
and the answer..
the why, the how
passion was murdered,
ease on down, each other...
daily,
they ****** each other
to the death,
on crosses,
side by side,
like a semi-detached house,
with holes aplenty bleeding into
each other, their only
diminished capacity attachment

you still don't get it? ****...

look at your parent's marriage

now you get it?

a twenty year, slow bloodletting
each day a drop dripped from
a nail hole just a millimeter inserted deeper

passion is a slow dying
thing,
that two do
to each other

a sanguine sang-froid slow motion
killing,
that stretches out over the years
like black nylons used as a ski mask

pretty, and ugly and
disguising
and disgusting
and all at once,
a dissipation
a dissolving
a double homicide
by languid immolation


**a crucification of a fiction,
a crucifixion of passion
Nat Lipstadt Mar 2015
studied dispassion,
go about
the roundabout
of practiced ordinary living,
fully aware,
there are no open exits
currently available,
leading back to when,
all exits
led only bright forward

consensual distance
spaces tween
registered vehicles
but no longer
registering bodies,
legally maintained,
by all
outward appearances,
minor kisses
in a habitual habitat,
perfunctory
of the functionary,
"I love you's"
traded before
shutting off the
permanence of the
finale of the
now dimmed bedroom light

diminution
by the minute,
covertly clarifying
the ex-mission critical,
cutthroat ended
by consensual distances,
silent no speaking
empty spaces that
cannot be closed,
or
dispossessed disposed,
the sensual, desensitized

been down this
slow mo lazy path,
to slow ruin
before
the quick road to
The End

the questions
air hung but
unasked,
the words
unspoken,
they,
the ultimate
****** weapons
inevitably found,
getting at long last
a final hearing,
judgement reached
at the
reenacted scene
the finale resting place,
the grave of spaces,
consensual spaces,
the gulf of no love,

the pre-partum dénouement
Nat Lipstadt Feb 2015
~for Ketoma Rose~

money, far far easier for me
to gift, give, loan it out,
with very generous terms
of no repayment due
indeed, with my luck down,
the less I have,
the easier it is to share...

perfectly sensible to me
living with giving hands
and a
giving mouth

know that I know
that there are
a handful of you,
who read me with affection,
loyalty and a kind tenderness,
I cannot ever repay

so it makes me guilty+crazy,
keeps me up at night,
these obligations that cannot be
repaid without the hard work of
patient poem-waiting for inspiration
that comes so easily
only when it's ready

and this day I am ready
to pay down, pay toward,
please forward, give what
you have taken from me,
the pleasure of stating,
an adoration of thanksgiving,
a joining so profound,
that once found,
cannot be lost


and you dear reader,
can't fully share, or see these
gratitude-tears-I-am-currently-shedding

but voyeuring come along with the
knowing insight that I would want you too...

so you write from where your heart's
rip tides
rip you open and wider,
yet so oft it falls into the tears in
the pockets of only holes and neglect,
and you, ego-weak human
cannot understand
just how that can be...

but there you are,
Ketoma Rose,
by any and all your names,
liking my words,
and I crease wetness
upon my face tracks
wondering who you are,
and more over
the why
of who you are,
this wondering,
an agonizing
guilty pleasure,
a trouble I just
love having...

but bills must be paid,
and now this debt,
finally tiny-tad dented,
and the fact that the interest
upon it,
grows exponentially
is the
*best debt
I ever was given
Feb 2015 · 1.1k
Fond
Nat Lipstadt Feb 2015
the woman surprises,
bids me an eye~closing adieu
just a tad differently,
as I fall off into easy street,
the "sleep perchance to dream" place

she whispers a parting thought,
a quiet shot cross the brow
marking up my transference,
a hole-punched in my
departure and entrance ticket,
a line crossing, a seed freshly buried,
for my sub-mind to ruminate upon

"I am very fond of you"

puzzling this, for is this
as good as,
the pro forma
"love you"?
a lesser conditional,
a solutional mystery?

a diminution, a new dialect,
a dialectical proposition,
a homework assignment,
needy for exposition, exploration,
what means this phrase,
tween long time lovers?

I have written love poems, t'is true,
but never audacious enough
to market them as
true love poems,
too many, done before, no need,
trite indeedy, what sonnet expertise
had long ago,
youth lost


but here comes a
commentaire, remarque,
answered though unasked,
on the subject of

true fond

there are many you love
just because,
just cause,
just the effect,
of being
blood kith and kin,
or kindnesses memories from long ago,
that cannot be pushed aside,
buried in fogged cemetery dirt forgetfulness

but by now,
know clear,
just where,
I'm going here...

you can be fond of someone,
and bon mot, sweet,
need not love them,
but you, hero,
stand back and
grasp this commotional notion

you can't just love,
cross over the river
from like to can do,
that other thing,
until, unless, you
ease onto the vessel of you
into the deeps of
true fond
and take away with you,
until heart and soul now veneered,
a no rust
coating,
impenetrable

that place, that feel
where and when
the affection is infectious,
the tender is unreasonable,
the cherishing downright excessive,
the savor is a favor to oneself,
the giving instinctual,
the taking victuals
not so tasty or important

where you feel
way past the point of foolishness...
and then and only then,
with this
necessary condition,
take the rudder
be the pilot

do/if you think you can  
goodnight say,
get off/get away
with the perfunctory
eroded by time,
"whatever"

then kid,
you don't ken
true fond,
the  cornerstone, the found base,
the reality of where edges blur,
where what you feel
is like first bite of
tea and morning-warm buttered toast,
making one think
this is the way it
ought to feel...every moment,
salty n' sweet, smiley-face grinning
heat,
true fondness
a true story, of course...
Feb 2015 · 711
For Eli
Nat Lipstadt Feb 2015
a fine nine,
an eye feast,
boy of man,
a man in his
prime boyhood,
a creature-so pretty that
invokes eye smiles,
auto-no-hesitation

mop of hair
even the day
after his haircut,
wise and hungry,
an adult,
a child,
in a fine nine year old
boy body

spout, no,
his child-like wisdom
adult easy steady and sweet,
easy in and easy out,
a long strand of a sensible
sweet spaghetti softly shared smiling

this special child,
no kin of mine,
and my words
can not capture
a sweetness so sane,
so brilliant, I wonder
why to try

yet here is this
wonderful child
on a freezing cold
Orchard Street night,
surrounded by hipsters,
hugging me good night

he does not question,
does not break away,
let's you drink him,
and takes freely
what you want to feel,
a creator,
birthing companionship in gentility

days later you limbs burn
with pleasure of his young arms
kind sweet tea,
the taste mint,
on the tongue of your soul,
the brilliant sanity
of a nine year old boy
who is quietly love-perfect

wonderful to hug
a gift to me
makes me want to live
longer

in that winter garden,
we bite each other,
our Adam's apple
from the tree of knowledge
newly fallen,
each sharing a secret,
mine - you need never fear;
his-  you have done ok

and  await our next rendezvous
to exchange new learnings
Feb 2015 · 1.8k
sensual spaces
Nat Lipstadt Feb 2015
Sensual Spaces


the slightly parted lips,
beseech your entrance,
plead for a soft gracing,
a closing grazing,
a memory of
{entice consummate consume},
complete, fulfill,
long remembered far long, far more,
than the interminable sea voyage of the ordinary,
pressing drowning locking,
rinse repeat...

half an inch, less even,
much less,
separates two dancers,
a gulf, so much more arousing than
a can't-breathe grasping embrace,
an exercise to wondering
where the real pleasure kept...

be in no hurry
tarry, slowly,
seek out the
spaces between each finger,
all an invitation, all a question mark,
awaiting filling, answering...

yours in mine, mine in yours,
lock down this connection,
valley spaces tween peaks
needy for
the rain of touch,
the sun-skin heated insertions,
does not the curvatures of her
neckline,
cry out for
hands and lips attentiveness,
a space continuum
{~}
[^]
<|>
+-+
%

t'is the almost,
the last step,
to the first kiss,
the closing connection,
of that first hand-holding,
crossing over the last span of the bridge,
the lowering of the final descent
to the shock of
first insertion,
the wooing nearness of a n'ere forgot scent,
the last step
to the first step,
that first closure,
that is the
final entrance to
sensual spaces,
hallmark passage
gateway found and instantaneous
lost,
that is ever-treasured as that
door just opening
and as fast
closing
to
love ever after...
Nat Lipstadt Feb 2015
all about
how your stock of words,
the inventory of what you got,
aged and now marked down on the books,
carried over from the holiday season,
that you, in marriage to life, accumulated,
to whom you have become betrothed

your trade, no can give 'em up,
gotta to maintain their
existence
no matter how bewildering,
gotta to demonstrate
persistence
by taking last year's unsold,
repaint, recombinate, dress 'em up,
post them as all new,
even tho the words used,
pre-existed you,
still noisily proclaimed,
still advertising
each Johnny-come-lately
poem as
**"brand new"
Want to read a good, really brand new poem?
see http://hellopoetry.com/poem/1081943/a-bunch-of-folks-in-a-deli/
Feb 2015 · 1.2k
My Night with Paul Simon
Nat Lipstadt Feb 2015
My Night With Paul Simon
(Posted originally on June 5, 2013)

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance, lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet
******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
blue blood turn red,
the TNT tightness in my chest exploded
I got no place
to store these words,
the cops think I'm
some kind of
Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp
why some call me

stillcrazynafteralltheseyears,
SNL provoked me to repost it
Feb 2015 · 20.2k
"a bunch of folks in a deli"
Nat Lipstadt Feb 2015
this is a very important poem to me,
about me, and how Obama slurred my people. and never apologized

<•>

there are mornings when I wake up
in my nativity,
in my born/bred,
these struggling to be happy,
United States,
strangely hebrew-speaking,
Jamaican coffee
morning-thinking,
tallying up
what I am,
who I am,
commanded to be,
on this Earth

the labels that the
outward-looking apply,
the tags,
that you have caused
yourself to be defined,
been staked
to your claim,
in infamy and in fame,
that you have
by action and indeed,

have allow
to be presented
as entries on your
global entry passport,
with visas from the
lows and highs,
places where
your have sinned and saved,
all the acts accumulated,
and those,
in pain,
you have been a witness to

word titles that
tinge and suffuse,
summation of my presentation,
sampler of words
like
father, poet,
American,
even,
a for-real
community organizer,
and of course,
bien sûr,
a
Jew

the quality of all these life's papers,
which I grade myself,
I,
the harshest marker
of all

once a young man,
safely away in college,
under the fresh-air freedom of the
university's in loco parentis,
in the early years
spent quantifying oneself

nearly fifty years ago,
now he,
revealed and recalled
when
his college typed-letter,
lately uncovered amidst his,
recently passed mother's papers

"Don't know what kind of
Jew
I will be, but be assured,
that I will be a
Jew
all my life"

so here I am doing my post-sabbath,
top of the week,
right it down,
qualifying myself,
coffee enraged engaged,
a new Sunday tally

taking all my terms,
reordering,
re-prior-itizing,
what was prior, first,
is no longer

decades decay,
events sway,
simple words change me, stain me

nearing on five decades later,
when this
son of speakers,
son of humanists and 
son of
 writers,
son of proud
Jews
rewrites his list

today I write/substitute,
a new order,
a tag gladly taken,
a marker given,
some what in pride,
some in shame too,
first and foremost,
à la manière d'Lincoln
I am
of, by and for

"a bunch of folks in a deli"

proud member of them
that so identify,
for they are among those
that shall not perish from the Earth

those
happenstance-not,
bunch of folks in a deli,
I claim as
mine own,
as they would
have claimed me

no subtly professed,
a diminishment intended,
and now
an honorific taken,
Medal of Honor provoked and embraced,
proudly inscribed,
visible on my forehead,
in the black ink of mourning,
a Presidential Cain Citation,
a tattoo of letters,
not numbers,
now moves up to
head of the list,
I am
now and forever,
a member of that corps
(appreciate that double entendre)
I am
Je suis
JE JUIF

*"a bunch of folks in a deli"
Just google that phrase

Obama’s slur
Nat Lipstadt Feb 2015
a shredded bath mat, a Dead Sea salted bath, and a cold root beer
you want vino veritas vignettes,
color commentary, stray dog thoughts
time lapsed into a ****** single poem wood,
ha ha ha you can't handle the falsified lies
that constitute a sad man's disfigured truths

nobody cares that failure contretemps
inhabit every other thought,
his own sounds of silence sung repetitiously,
every severed second a new verse
coughed up and cursed,
emptying your verbal purse,
snorting with disgust
at your own claptrap vetted pomposity,
who gives a ****...

what I got is the ability
if you can call it that,
to cerebralize verbalize
every eye picture, inputted impulse,
knowing in the fullness of the unwell
that hash for breakfast ain't
suitable for mass consumption

a shredded bath mat,
a Dead Sea salted bath,
and a cold root beer
begat a poem of knowing nowing
a pretend poet meowing what he seen,
what he got temple pounding

Fogelberg sings Auld Lang Syne,
swig down the root beer,
thinking that is one freaking good song,
a life reviewed on the HP stage,

his lyrics modified
with only a tune he can hear

no one will like this,
as it should be,
don't like it me neither,
double negatives for rule busting emphasis,
the only point, ending circumscribed,
curcumsized  by children who don't love,
an ex wife hateful ***** man-enslaver,
this close || to losing your job,
*** is the new ***,
ain't it pc
to singalong
standing on a shredded bath mat,
fresh from a Dead Sea salted bath,
and having drunk a cold root beer,
Crosby Stills & Nash chiming in
teach the children well
their father's hell
will slowly go bye


and this is a poem

that I didn't write,
just reported the here and the there,
and the nothing in between
Nat Lipstadt Feb 2015
a stumble, a tongue slip,
a body in bed facing away,
an unintended provocation
commences a collaboration

just another unrequited disaster,
marks me as a lowly private
in the disarmed ranks of
mutilated souls composing,
while decomposing,
sad love poems,
as if the world
needed another...

a turn away needs a turn to,
a cul-de-sac rejection
needs a turnabout,
a traffic circle pointless,
with one exit only,
road signed,
"exit to a  collaboration of provocation"

thanks and thanks

a day together normative,
now marked by a
stinger singed in the early morn.
a physical no thanks,
her passing lane left turn signal
engaged

me too passing into this,
a disgorged rejection that
is to become this realized collaboration.

*only I wrote it and you
did not
read it
just provoked its creation,
our sad collaboration
Point counterpoint; wrote  
http://hellopoetry.com/poem/1080820/wake-up-hungry-for-chances-of-never/

and immediately came the opposed in opposition instigated by a stray dog thought
Nat Lipstadt Feb 2015
(for Ingrid)

sudden like,
no intermission tween
sleepy and pangs~pinging,
rested, then arrested  
no intervening leavening
proper impromptu improper

slip sleep out of bed,
water wash the eyes,
the most private part
of all of them privates

primp the tongue
rinse fresh mint,
musk the body chest,
where hands go to hide
in forests of hair shirts
so the contrast of
smooth shaven
skin fresh cut
never clearer

go down to sandy beach

look for, take the
chances of never,
overturn the stones
protruding inviting asking
for discovery

each a chance of ever
each was a chance of never
all now mine,
sanded smooth pebbles
in sea~lotion washed,
fine coolness on warm hands,
brain thought-full-ness simplify,
so beautiful so beautiful
mantra unmasking human peculiar
oils essential

she turns towards...
mostly sleeping
logic dictating queries of ascertain-meant,
time and temperature, place?
hands answer all
here and now and the heat
of jeopardy

collect the pebbles in pockets
till overflowing overturning spilling unaided,
you cannot find the line that defines
the separation of
beach and sea,
church and state,
for it has been washed away by
uncovering discovering derisking
so many chances of never,
so many pebbles of ever

with toy shovel fingers,
warming eye scalpels cutting exploration,
exploiting the workers and the queen bee,
hidden in moist sand
looking for undiscovered poems
in skin folds,
no castle building just hole digging,
treasure seeking thrilling pebbles finding
head dizzy sun hot stones overturning
finding noisy ones where once
sleep suspending breathing quiet stored

you don't waste time editing,
just dig and spill,
just laser and spit
metaphors
that lance and crash - mixing into each other in confusion,
uncaring, for nonetheless,
clarity converts chances
of never
into ever,
integrating the what ifs
into what is...
1. Homage for the poet Ingrid
http://hellopoetry.com/ingrid-1/

2. A riff of an older work, http://hellopoetry.com/poem/623154/so-many-poems-in-shallow-graves-lay/
which I rediscovered thanks to ryn who stumbled upon it, abd then inspired by a comment of Victoria.   In the best sense, a collaboration of provocation (and thus a new poem born)
Nat Lipstadt Feb 2015
if you want to make a mark on the world,
remove the marks placed upon thyself,
by thyself,
thus skilled,
then erase others.

be an eraser,
then
a bother-in-arms.

no typo,
bother the world
by your
arms,
your reach around,
arms extended.

freedom begins when first seeing the greater good.

making goodness greater,
frees oneself to free the others,
all the days of your life.

mark them how you free them well,
being a eraser,
then a re~marker
upon each other.

he who erases the marks of others,
makes his mark upon the world non-pareil.
Nat Lipstadt Feb 2015
For Helen
who wrote it first,
who wrote it better,
and in doing so,
makes me see more clearly
the why
~~~~~~~~~

no poem should ever be untitled-
every face needs a name-
every poem needs just
one read for completion

but more than that, it is
a orphan still,
deserving of the due,
the entitlement to be titled,
a parenting of sorts

what was the thought that born it-
what was the emotion that conceived it-
what was the sight that demanded sharing?

this is the age of summary and synthesis,
140 and not one more,
so give direction, enable me to make
snap judgements, with so much on my plate,
we must predigest your concepts,
my multi-tasking slowed to levels unacceptable,
so I can adjudge you,
you worker poet,
before or never reading
after all,
why read anything untitled?

more than this however,

for the few who chew
each morseled vowel,
ken each constant consonant,
celebrate stanzas that halt the breathing
and then,
god bless the whole child,
flaws and all,
they more than anyone deserve
your consideration in return

for the title is the essence spark
of you-
and all the more so,
of what you have chosen to share,
  your essentials honored
Feb 2015 · 730
Stem Cell....Words
Nat Lipstadt Feb 2015
stem cell words
from the cellular wall of the
poem birth canal
narrows, twists,
even double helix's,
doc-prof diagnosis
with perfect, absolute uncertainty,
denotes the presence of
stem cell words

"all your writes,
gestating make-believe,
word smythe
premium cocktail concoctions,
gospel soul post-viewed
rocked and roiled
still and always,
unflinchingly personal

singing and simulcast
the unique
internal combustion,
that removes the pollution,
of your
unflinchingly personal..."


mother necessity
delivery of a
Caesarian cut-them-out

says me
cut, excise them,
take them,
them newborn-baby stones
give them
a good home,
my DNA upon them,
my only Jacob blessing,
that they get
goodly tented taken

let them spawn
more and others,
will love them
better just for knowing
even never seeing them again,
still and always,
whatever they
write on,
still and always,
I'm in them,
they will be,
unflinchingly personal,
even if signed by
another's name....
Feb 2015 · 2.6k
Pen Man Ship
Nat Lipstadt Feb 2015
Feb. 2015

this writ,
content so obvious,
it begs,
why even bother...

Pen Man Ship

this is who you are,
this is your scent, scripted,
the parfume that memory triggers
declarative self-examination passing grades

if pen and paper
are your skin and blood,
then you, man,
ship to shore,
skinned alive,
in poems verbose spill all

ship in ship out,
the glories and the dreads,
expel ink oceans glorious India blue,
rivulets of tributaries,
spillages of what~where,

you are pen
you are man
you are ship

where intersect these routed things,
one is voyage~bound
for parts unknown

the pen be the oar,
and the man, the ship,
and when the sails raised,
the wind never fails,
only there is no
dead reckoning -

for there are no
landmarks observable
when sit~stand
to commence sail~writing

each writ a latitude recorded,
each poem a longitude drawn,
all together, a
body of work,
all together,
your life's coursework
is the captain's log

Pen is the Man is the Ship

in everyday words
he answers
the questions life poses,
in everyday words,
he realizes
the answers he (doesn't) posses,
with each passing poem
the ship, righted,
though the heading
remans unknown
Nat Lipstadt Feb 2015
read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of these matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation
Feb 2015 · 898
Sorrowful Fluid Swapping
Nat Lipstadt Feb 2015
meet me
where the broad teary rivers
both empty and fill the oceans,
takers and givers,
swapping sorrowful fluids constant,
these loyal thieves,
from the sky,
robbing a soul's invisible moisture,
selling what isn't hisn't
right back to the heavens

for this is the
human condition,
the foaming eddys where
life becomes words
becomes life redux,
infinitum swapping
sorrowful fluids*

~~~~~~
http://hellopoetry.com/poem/1052415/a-personal-god-wailing-and-complaining
Feb 2015 · 2.3k
pen-is envy
Nat Lipstadt Feb 2015
winter's after-the-noon shadow lights,
fused-tinged with early-onset grays,
harbinger of one for whom death
detaches the answer from that question
too soon asked, so long unanswered,
why me?

those gray lights, a violin accompaniment,
mourning pitched wailings unasked for,
yet always in attendance, court courtiers,
feelings of insufficiency, angry angst insects

envy days when simplistic unknown fears
were the worst enemy, never lingering,
for unknowns have no answers and
cannot obtain permanent resident visas

but reality, another matter, mad hatter,
asking repeating what is this, why is this,
even comprehension partial gives
no comforting answer satisfactory logical

envy innocence past, for newer questions now *****,
comfort by the lies in the essaying, trialling,
if, but, for, the distractions most affordable,
so grasp the pen that is the envy of thy companions

let the ink wail louder than you,
make paper shed what you have used up,
let envy of lost and found, found, yet still lost,
salve, but not solve, soothe, but not save

in the winter afternoons, those shortest days
of indeterminable longevity, words received,
offer little, but words self-conscripted,
a mortal transcript of pain immortalized by pen, relief will yet be,

for the pen is the envy of all
>~~~~~~~~<
For my friends who suffer in silence
Nat Lipstadt Jan 2015
dying and living in a pantheon
~


a dusty storage place
for basement keepsakes,
somewhere out back,
full of emeritus stocking stuffers,
an ex-trendy,
royalty-dethroned room

where kept
ancient scriveners,
last year's flash frozen princesses and
plastic wrapped scribes,
cloud stored,
on soft decaying hard drives

prior renters, leases unrenewed,
now pushed aside,
upcoming upstanding upstarts,
looking to trade up,
let bigger quarters,
an existential reminder,
that in the word game,
no perm-press recognition,
in today's poetry biz,
it's what ya done lately

deaf dumb blind,
unsung former idols,
talk to mirrors
that no longer answer,
dial 1-800-pantheon,  
sorry, number no longer in service,
so you voyageur-visit
the other side of Styx,
a bluff overlooking
a body's work,
where glory fleeting
comes to rest,
where time judges well,
partiality impartial,
selects thy best

author an audience of sole one
that be more than
good and plenty,
a heaping teaspoon of sufficient,
glance back at discarded, outdated maps,
glory may transit
but satisfaction eternal,
when you read the old writes thinking
****, did I write this?
"Yes," answers a creased smile
cracking crusted lips

~~~~~

then blood of pride and satisfy, rejuvenates

chest warms, heart thumps,
quill beckons, tablet charges - jot hot

write for whom the bell tolls,
knowing full well
this raucous bell tolls for thee,
you re-become an
irrational ill-defined room possessed

heat,
this realized, fevered and fervent, physical pleasure,
sensory gladness,
the fat fullness of creation,
flooded breathable sunlight,
stormy uncalming indigo waters,
a natural disquietude beckons,
arousal of an old-friend welcoming

this encompassing emotion,
no-direction-known fearful commotion,
your mind, all skin,
tissues enflamed,
your ears speak,
your tongue listens,
five senses unified in
disheartened happy discordant perfection,
this you recognize,
this familiar,
is not a storage place
this, your true everlasting pantheon


glory glory - expel thy word works,

*the burnishing of fain fame
is not walled jailed,
but in-deed
actionable and transitory best honored,
peaks of mountainous-emotions, homeland, motherland,
recording, recoding in words-vision notions,
this is the one,
the inky clarity pantheon place
of the living poet
Jan 2015 · 1.2k
may poetry be our salvation
Nat Lipstadt Jan 2015
"May poetry be our salvation,
liberation and Nirvana"
Bala

so many ifs* in our daily lives

the ifs that pockmark lives individuation,
look-back crossroad regrets, daily harvested,
road poorly chosen, the kiss not taken,
a brother, for a petty sake, forsaken,
a sister, sea-drowned, left undefended,
by foolish parental expectations

many are the global conjunctions,
commencing and ending with an "if only,"
today's state-of-the-world curse,
uttered when reading the front page's
mayhem and senseless,
never-aging, new and old excuses raging

so many palliatives on offer,
what matters yet one more,
none seem able, none proven capable,
of essencing a humanity so simple basic
when the moment at hand needs a
redirection that a loving rhyme can sway

but in my inbox from India
comes a hope, a wish,
that leads a man to dream,
envision societies that could
surround-sound itself with wisps of words,
in the oddest places,
throwing us offsides,
in a make us see ourselves
in better ways

a morning poem before the TV weather,
a verse insert
tween news reports
of who murdered whom this day,
subway poems, a Super Bowl commercial
recitation that makes us lick our lips,
poetic literacy in small things,
a minister or president's speech
a recitation of a nation's verbal wealth,
instead of rejoinders and accusations

ah just a foolish notion at 4:22am,
there is no money in poetry,
thus its possibilities to soften and stem,
cure and elevate
enhance the perchance
of a different way to,
salvation, liberation, and nirvana,
seems so unlikely

but there is that small step
one could take,
leave a poem on the night table,
a first thought, a morn pill of humankind,
be a softener of a day just begun
Nat Lipstadt Jan 2015
weary of mothers and friends
losing their children,
before their time,
weary of failing
to achieve reconciliation
with whatever one nominates
the force that regulates,
fate, Name-Your-God,
deity of your choice,
nature, laws of physics,
the "whatever"
that controls, interferes,
that you think to believe
wills these event's occurrence
non-randomly

cessation of formalities,
one sided truce
signed and delivered,
unafraid to call this
what it is,
**** and damning fate,
for no god
could be so cruel...

If only there was a
Dislike button
for life and the poems
wrenched from death

at 5:00 am
this thought is my
sole inhabitant

once again,
nature's bosses distort,
another friend's grief
asks, cajoles me
to betray my/thy belief

banish it or me,
for we both cannot be
cohabitants
under the one roof,
of this limited mind,
where flailing
poems
never good enough,
failing
to express my
sorrowed rage
also see part one, so to speak

http://hellopoetry.com/poem/1052415/a-personal-god-wailing-and-complaining/
~~~~~~~~~~
meet me
where the broad teary rivers
both empty and fill the oceans,
takers and givers,
swapping sorrowful fluids constant,
these loyal thieves,
from the sky, robbing a soul's moisture
selling what isn't hisn't
back to the soil

for this is the human condition,
the foaming eddys where
life becomes words becomes life,
infintum
~~~~~~~
Nat Lipstadt Jan 2015
I know a bad poem when I see it
yet strange enough
never seen or read one,
my tablet refuses me,
my writing hand shakes
incontrovertibly
the dictionary confirms,
proper usage forbids,
the conjunction of the words
bad poem,
t'is a linguistic impossibility

every poem ever writ
resides inside my customized
pantheon,
tho spell it a tad different,
Pantheone

every poet/poem lives forever
in a
pantheon of one
for the courage to expose,
deserves the honor
accorded by their fellow immortal muses
Jan 2015 · 1.5k
Written in January
Nat Lipstadt Jan 2015
season of resolutions,
new year's first born,
even quicker, first to die...

written in January

bad companions,
bare naked lady trees,
leafless branches upward pointy hands,
prayer-poking gray cumulus suffocations
that brandish distempered depression,
but disembowlment,
alas fails

awake to January snows,
a few days happenstance
quick to mortify in hours
to city-blackened slush,
from the winter's seasonal menu
fast removed,
spoiled come-on appetizer

lament the cold,
the quick passages
of stern resolute aspirations,
laying on lying sweet snow coverlets,
all of sugar made,
rapid dissolution
as expected,
momentary melt in your mouth
not in your mind

written in January

dreams of summer rejuvenation,
season of asking for nothing
for cosseted by nature's free bounty,
ask for no more than my
stern but comforting
Adirondack pillow chair coat wrapture,
the summer elements teamwork
salve save safe sundry effects
tan the disaffected interior most

wiffy cloud-banks to safe deposit
January weariness and dismay,
face-stroking downy breezes
deftly engineer a physic
another, yet once more,
summer soul
forgive-thyself-salvation,
unasked for but
answer-granted nonetheless

written in January

sum sum summertime
easy eyelashes love licked
gentlest happy bay waves,
rocked body forgiven a
winters pounding and poundage,
rolling down now on sunny easy street

written in January

living room fireplace-glow ignored,
unneeded, for t'is the season of
whole rooms food fed sun-suffused arias,
bathing brain in sundown's
late afternoon long languid
indefinable colors of providence's provided
uncommon normal natural spectacular

written this January

troubling majors mining minor discomforts surge,
distractions fail,
memorization of growing up
a lonely long bike-ride mile from the Atlantic,
genetic makeup says
amidst the
written in January
nightmares
therein exists a seeded summer sensuality
that pleasure grants
poems written ***
summer-life-dream schemes,

happily
betrayed by my inner owned,
I am still a summer man,
writ larger when
written in January



~~~~~~~~~~~~
by Wordsworth
http://m.poemhunter.com/poem/written-in-march/

by Nat
http://hellopoetry.com/search/poems/?q=I+am+a+summer+man
Nat Lipstadt Jan 2015
for my friend, AJB, mother, artist*

why
would anyone believe in invisible...
coordinator of billions of trillions
of interactions daily,
the microscopic
the telescopic

at what level
is there intercession
where is the
intervention,
rhymed reasoning of
impoverishing failing-me inadequate comprehension

so here I am
at 4:00 am
wailing and complaining
not so much at life's happenstance,
not even a foolish why me uttered,
talking to invisibility,
demanding culpability
at the very least
an apology

by that act
admitting the fact
that in conversation with parties
invited and drop-ins welcome,
in the silence sewn
in the residence permanent
of my mind's lobe of disquietude

logic forgone,
I am a believer,
no understanding
nor forgiving
at the illogic
of my tragedy
mine,
not so divine,
wailing and complaining

this my diatribe
knowing your silence
is a listening signature,
my complaining and wailing
my curse my blessing,
my transmitting frequency
of a multivariate equation
demanding a solution

too busy mastering the universe?
your data base
endless and unfathomable
file this under
audios of
YouTubes of
complaining and wailing,
hoping you cleanse yourself
with a good long listen
I am weary of mothers losing their children,
I am weary of failing to achieve reconciliation,
cessation of formalities, truce delivered,
unafraid to call this what it is,
damning fate, for no god could be so cruel...

If only there was a Dislike button for life and poems
Jan 2015 · 1.7k
Threesome
Nat Lipstadt Jan 2015
~for you~*

me you and this here
writ somewhat clothed
pretty ****, imaginative
words, six-pack abs,
sheathed in black lace thigh highs,
a verbal escapade to reality

lick the screen
dare...
lick yourself,
dare...
only fair,
words so fluid, so sensual,
when shared...
best, stupendous
commemorative

come to my bed,
come inside my tablet
thrive on pleasured kisses,
exchange of the essentials
bean~genes of threeselfs blended

what glory glorious
that moment,
can relive it,
with eyes contacted ..

where to here now hereafter,
when to here, poem return come once more
knowing we have jointed,
acknowledging the creation of a
co-memorizing-tionary diction,
recycling this one poem,
our commemoration coin
that only goes up in value
I love you...
A year ago...
http://hellopoetry.com/poem/568736/things-to-know-bout-me/

eat my cinnamon raisin bread
from the inside out,
so if you follow the trail of
crust and crumb to my bed,
swear innocent but not one
cinnamonized raisin will be found

put on my slippers with
trepidation,
for slippers so named,
slip off my toes
at the worst moments,
that my life insurance
expressly forbids our
cohabitation

Well gifted and well returned,
my parents taught me to love
words and the human voice enthralling,
voyage never ending,
love of words

If our issue be our mark,
then mark them well
for you reputation recedes
with them

so as I ponder the why and where,
of the last poem I will write,
issue a tiny prayer that the notes
be cinnamon raisin sweet
and that each letter
slip from my heart,
and let these marks of me
come with smoothing ease of
a welcoming finality
Jan 2015 · 845
Quill, Regain thy Composure
Nat Lipstadt Jan 2015
~for mark john junior~

the spigot turns counterclockwise,
oft I wondered why,
is it the magic way to make
things rise...

'pon occasion, the water shuts off,
turn left to right or vice versa,
no juice no bath and life starts
to stink, especially under armpits

and you think
how many love poems does one soul
in his lifetime possess,
and can I do better than my last...
if at all

sometimes you stare at a blankenship
ocean adrift, pirate hijacking victim,
no grub, no paddle or map,
but an empty water bottle

baffled you ask it
to point north,
laughs at you, asking,
"am I a compass,
or you,
a complete ***,"
a seismic groan out loud,
registers on
Florida's hurricane wind watch

how come this to be
meteoric loss of metaphor bridging,
search the Internet for the ******
of poetic inspiration, and an
error message delivered:

"plagiarize, or better luck next time sucker"

patience, football, thy women,
will in time realize the artful truth realized:

"Creativity is allowing oneself to make mistakes; art is knowing which ones to keep"

Scott Adams (creator of Dilbert)

so
go forth,
make mistakes plenty,
keep some good,
the pink ones fyi, my fav,
look that quill in the face,
and give the lazy ******* some lip,
reminding it,
it gets paid and ink drinks,
by the word
Nat Lipstadt Jan 2015
left, sinistral, left sided, left out,
left behind,
gastropod sea shells,
coiling counterclockwise,
when viewed from the apex

when that all alone,
left-out feeling pervades,
to the party uninvited,
for the team, unchosen,
stand out for not standing in,
invisible moat surrounds and suppresses,
life's outward bound sounds,
vision best,
when only looking inward,
remember this too well..

this world, this work,
was created by an
ambidextrous soulbeing
his soul,
favoring neither right or left,
favoring doing right,
and no one
left behind

cognizant that both sides now
are necessaries
for human and seashell existence

proof be that
the creator,
his perfection, at the very least,
in his design motifs,
unquestioned,
made us all
sinistral shells

and sinistral poets


those apex corkscrewing left poets,
the leaven of human fermentation,
you and your sinistral tidbits
are the influencing spice
of an average world,
keeping the world tilting
on its proper axis

make us and
our daily bread rise,
sinistral yeast,
vive la difference,  
you are
the best of us
Jan 2015 · 514
The Spigot
Nat Lipstadt Jan 2015
someone, not me,
turned the spigot on,
let the poetry run and run...

been awhile, reasons many

breathless at discovering
so many master mistress
poets trumping the
best I ever read,
best I ever gave,
happy pushes me
to give it a rest,
800 plus, fairly spent,
but someone,
probably you,
turned the spigot on,
made my poetry leak,
then seek
to float to the top,
this, trite not tight, missive,
just a remarque,
on the dangerous side of
poetry reading,
it leads you down the street,
where the dealer offers you
multivitamin treats,
**** the writing addiction
just comes back full flushed

shoot. soon enuf
be writing love stuff,
can anyone shut that
spigot off....
For Deborah, Brittle Bird,
Ieaun, shosho Rea, Ocean Blue, GitacharYa, and my old beloveds,  Bala,   Ded Poet, Pradip,  Olivia, Rebecca Askew., DWE,  the SEY hey man, and countless others who  go  back when   There was no difference between breathing and writing  and loving thy fellow poets,  and never mind the    BS numbers
Jan 2015 · 286
Just Be Just Unto Yourself
Nat Lipstadt Jan 2015
just don't care,

point passed,

permission slip

self-granted,

signed by no one.

just,

my main word,

left embarrassment

in the shadows,

the shadows,

are now overlooked,

laid them down by the wayside

staying there,

but staying no longer.

not in my heart,

weep freely,

me being me,

excuse me for not excusing me,

busy paying attention

to the

gifts within,

so long to the hallelujahs

that have come and gone,

not waiting around

for their
return trip,

new enterprises

beginning with me,

my only principle,

just

be just

unto yourself


for you

are a genre unique,

a life worthwhile
Nat Lipstadt Jan 2015
~ for my friend and fellow poet
Rebecca Askew~

wherever that bench be,

I be

oxygen sweet, sharing mine,
preserving you, a necessary for me

for are you not
my very own Canadian
wild shorebird daughter,
my wailing
wild woman, kicking up dust trails,
driving across wide plains
with no-eye boundaries,
whose prayers and lamentations,
take me into mourning places,
and lift my eyes skyward

what is this,
the third, the fourth,
the nth,
poem you have extracted,
from oil drilled within me,
dug in my inky deeper places,
my tarred but oil rich sands

though our eyes have not yet crossed,
our embrace completely incomplete,
a millennia of words exchanged,
borders crossed oft,
no passport ever shown,
no visa needed,
when this will not sufficient prove,

I do not know

but with calm certitude

Michaelangelo finger extended,

when that last traverse

will be spent, at last at lasted,

the when or the wherever

this will be, a commencement ceremony,

I Know

that my spirit

you so well possess,

will come upon your request

bring your near,

no marble bench memorial markers here,

just life giving

empty Adirondack poet's chairs,

needing jams and jelly filling,

your name dedicated,

inscribed thereon, upon one,

be by my bay,

(forgive but forget cold, unforgiving Lake Michigan,)

by my bay, seagulls wail and squeak

airborne inspirations,

acting soully as watch-birds over poets-in-residence,

where words lap upon the simple shore,

for free-taking, warm lived life contained,

no talk of death, only cheating it...

This I know,

as well as the colors of

my blood, my guts, my words,

yours, the first words my eyes read this day,

this, my last belief, as my heart beats,

come summer,

we will write together side by side,

the windy invisible, indivisible

words composed,

be, that, our true *
benchmark,

of lives well lived,

forever preserved,

death defeating,

you,
help me to
see too well,

so laughing shouting,

fine woman-poet,

**I know thyself
Jan 2015 · 1.1k
I dreamt a dream about HP
Nat Lipstadt Jan 2015
that the trending tags,
for but a single day,
banished the perennials,
all celebrated the occasion
with a rousing wake and
an indecent burial

out **** spots,
sad, pain, heartbreak and depression,
in the closet, once a year, annual,
as for death,
it's ugly head,
cutoff, spiked and disliked,
in the tower displayed

for twenty four, de minimus,
on a day mutual selected,
we compose only
of the beauty, and the kindness
in each and all of us
In honor of Pradip
Jan 2015 · 1.0k
An Emancipated Poet
Nat Lipstadt Jan 2015
for the sey-hey man

word bird droppings
scattershot sent
disguised neath flora,
a name by any other,
sally sent forth,
never looked back upon

untenable pursuit
GMO words planted in an
untended garden,
man-made wild sent seeds

purée of amputated lesions,
a divorcées convention,
bon mote note comparison,
freely shared, plagiarized,
by-product of a man's waste,
bidding adieu,
but never
au revoir

*let them spawn
more and others,
will love them
better just for knowing
even never
seeing them again,
still and always,
whatever wherever
they ride~write on,
still and always,
I'm in them,
unflinchingly personal,
even if signed by
another's name...
I write here under many names, freeing me of the burden of counting my words
Jan 2015 · 694
Incidentals
Nat Lipstadt Jan 2015
returning home from an evening out,
I'm in bed never later, than 5 minutes after,
which never fails to provoke a
"How can u be in bed so fast?"
same reply, every time,
got you women, got you girl,
to do the nighttime girlie stuff,
so you can kiss your fast asleep man,
a tender good nite...

~~~~~~~~~~~~~~

puttering punches

woke up energized,
called to muster,
dishwasher emptied,
the fresh grape vine scissored
into manageable bite size clusters,
coffee machine oiled and coiled,
fresh beans and water, dregs downloaded,
if we had a lawn,
I'd rake the invisible leaves

she later arrives,
sees my puttering efforts,
cowgirl mounts me to squeeze the bejesus outta me,
then punches me in the arm
to express her unmeasured pleasure
as is her wont,
me, don't say nuttin', just smilin'
cause I kinda punched first...

~~~~~~~~~~~~~~~~~~~~~~

paid bills

paid some bills this morning,
the kind that don't come in the mail,
but eyes read and and the heart knows,
these are dues you need paying,
no questions asked,
no answers given,
checkbook lighter,
but then again,
so is the heart,
the day starts well,
maybe even the year,
a lighter start
for the new year..
Dec 2014 · 451
Of Friendship
Nat Lipstadt Dec 2014
A whimsied notion, a full scented but invisible imagery,
a passing by, vagrant sensation, a distinctly indistinct memorization,
never certified, never was, yet always will be, stolid as mahogany,
two men
armed, engaged in, by, full embrace,
brothers but not brothers, friends in skins that never touched,
citizens of one continent united, yet each on a separate distant edge,
thus divided, thus impaired,
two islands,
both born and torn from one firmament,
each man,
firm in demeanor, infirm in wearied body,
their words were handshakes that bridged mountains and rivers
ranged and arrayed, as if the Creator created but to split them,
though clouded mists and rain squalls
from time to time obscured their vision,
belief was, that like the granite schist that bedrocked their common soil,
though quaked and fissured, the heat that united
and sometime cooled, their ardor, their pledge unspoken,
yet permanent and fixed like celestial combinations, the expectation,
their friendship
**shall duly flame again
Continuities

by Walt Whitman
(1819-1892)

Nothing is ever really lost, or can be lost,
No birth, identity, form--no object of the world.
Nor life, nor force, nor any visible thing;
Appearance must not foil, nor shifted sphere confuse thy brain.
Ample are time and space--ample the fields of Nature.
The body, sluggish, aged, cold--the embers left from earlier fires,
The light in the eye grown dim, shall duly flame again;
The sun now low in the west rises for mornings and for noons continual;
To frozen clods ever the spring's invisible law returns,
With grass and flowers and summer fruits and corn.
Nat Lipstadt Dec 2014
(for the love of Yocum...who may shoot me yet, someday...)



most like 'em
simple, short,
bite size sweets,
easy to please,
a mouthful of amusement,
even if taxing,
tax me only briefly

a small remarque,
a tiny tingling digestif,
easily consumable,
easily forgot,
a couple of lines,
one ooh, one aah,
minimum is the maximum

never been that way,
**** hard to write
what ya ain't,
so keep on scribbling
a pack of stray dog thoughts,
long, loud, and sometimes
subtly & dangerously straightforward

~~~~~~~

(feel free to stop here)

~~~~~~~~

easy are the chocolates of
loves disputations
pained morsels of remorse,
lovely to be found,
even lovelier when  lost

cream fillings of twinges of regrets,
violence wrecks the heart,
what might have been, or once was,
subjects that guarantee the
affection of the great unaffected

writ my fair share,
stage three, t'is methinks,
of the ten step process
getting more n' more
writing-addicted,

don't begrudge
the overly simplistic,
still I am, hard aside,
rough adjudging,
tiresome trite are the
dust mites of poetry

as for my own mixture of
mostly mutt and purebred
stray dog thoughts,
ones that chase
solitary strangers down
late night streets,
see you hiding from the lamplight
in the in-between shadows,
when we tender invites to
all loonies & loneliest,
join up!
with this ragtag pack of
estranged poetry dogs

maybe they don't tickle your fancy,
our words, abstruse and direct,
dictionary lookup dignified,
observations of a man
looking outward,
after looking caustically inward,
every thirty seconds

the tint of his glass enclosure,
modulating the tenor and timbre,
of his singing voice,
the changing light complecting
his visage, his visions,
his hell-howling versions of
packets of stray dog thoughts


the individual words,
constituent members of
roaming, stray dog thoughts,
sometime silent,
usually growling,
once in awhile,
roughhouse barking

but what I got is
what I get,
what I give,
scraps to eat,
raps of notional emotional
stray dog thoughts

so if ya hear those footfalls,
words that just can't be refused,
run for places where the crazies
can't get in, the packets locked out,
unlessing you wanting
to howl along side,
an appreciative audience
who can't get enough of,
consuming whole candy boxes,
in one sitting of
words that keep coming,
I will howl mine
own stray dog thoughts**

you can always shoot that **** howling dog
you like 'em short and sweet
someday when I run out of notions and emotions,
and a love for words,
I will write fewer...

I will not bastardize myself on the altar of popularity, fk that *****...
Nat Lipstadt Dec 2014
maybe '14 wasn't so great,
maybe indeed,
it was just
******* awful,
a year out of sequence,
come fifty, seventy years too soon.

here I am
alone at home,
laying about,
and A riddler wishes
me a marvelous holiday,
a merry Christmas,
interrupting my umpty umpth
viewing of Ralph's seasonal quest
for a Red Ryder BB gun

another poem, gestating,
suddenly borning,
kicking my guts
get out here and now,
nine months, of nine minutes are up

another story,
needy for retelling,
another riddle to unravel,
another itch, this day is now stuck on
a poetry assignment, way way too big,
high school football and a good novel,
put far aside and from a
watery weeping state,
here he goes...

ain't no hiding this day,
ain't exactly mine,
a nice Jewish boy,
from the skyscraper city,
brine bred on family lore,
that starts with an escape journey
from the Spanish Inquisitors
some five hundred some years ago  

clueless where to take this travail,
absent answers, questions unanswered,
why do I do this to myself,
looking once again
at the places where pain
comes from,
knowing that my human answers
just a salve of paper thin digital words

how to crossover,
from distressed days
to peace on earth,
when  I ain't got
no talking relationship
with Jesus on an
average bad day,
let alone his manger birthday

this year was not my best neither,
double negatives purposeful employed,
but my bad ain't even close,
to answering riddles and questions
taken as my very own,
making a bad year
that much worse

head butting,
no answers coming,
when my own spirit in the sky,
does it again,
via Pandora,
plays another
nice Jewish boy's answer
to my dilemma,
as if my mind read,
Norman Greenbaum sings his answer
from way back in
1969

well my prayer
sorta exactly answered,
whom am I to disbelieve,
here's another tribe member wrestling
with the exact same interrogatory,
invoking Jesus's intervention
one that sold millions of copies,
to ever question the
unfathomable wisdom of
the spirit in the sky

but my work made even easier,
the question riddler
clues me in
with her answer simple,
and unafraid:

"celebrate the present
and
remember the missing
then celebrate both together"


there is no divide here,
no north, no south,
call your spirit by whatever name,
and
where your story begins,
how it ends,
it's your own poem~composition,
mostly writ,
but not all,
by you,
that cannot be forgot,
for all humans are poems,
past and present
are forever

when at a loss
for the salve of digital words,
well remember Abraham told his only son
some plain words:

"the spirit in the sky,
will provide"

celebrate our portion,
larger or smaller
for are we not family,
one family,
one portion

Riddle solved

-----------------------------------------------
Norman Greenbaum - Spirit In The Sky Lyrics |1969

"When I die and they lay me to rest
Gonna go to the place that's the best
When I lay me down to die
Goin' up to the spirit in the sky

Goin' up to the spirit in the sky
That's where I'm gonna go when I die
When I die and they lay me to rest
Gonna go to the place that's the best
Prepare yourself, you know it's a must

Gotta have a friend in Jesus
So you know that when you die
He's gonna recommend you to the spirit in the sky

Gonna recommend you to the spirit in the sky
That's where you're gonna go when you die
When you die and they lay you to rest
You're gonna go to the place that's the best

Never been a sinner, I never sinned
I got a friend in Jesus
So you know that when I die
He's gonna set me up with the spirit in the sky

Oh, set me up with the spirit in the sky
That's where I'm gonna go when I die
When I die and they lay me to rest
I'm gonna go to the place that's the best
Go to the place that's the best"
For my Southern cousins, the Riddle family,
Christmas 2014.

thank you Ashleigh...

That this poem would be  written was strangely foretold two days ago:

"children
foreign born,
here & passed,
whom I have never met, but,
who are poems
dearest in my breast,
as if, no,
as they are mine own..."

From
http://hellopoetry.com/poem/1007636/our-verse-into-psalm/
Dec 2014 · 1.1k
Our Verse into Psalm
Nat Lipstadt Dec 2014
Our Verse into Psalm

"who massages our words
into a masterpiece,
our verse into psalm..."

sourced from a dialogue one year ago: http://hellopoetry.com/poem/548741/the-contriving-is-all-that-remains/

~~~~~~~~~~~~~~~~~~~~
humbling words,
just now discovered,
a reflection invitation,
commenced and ended,
an essay of simple facts

two topics theme,
revealing a man's evolution

a confession oft repeated,
he writes too much, (used to)
a readily apparent truth

but when the self-soul-peering
hits bottom,
forced to reflect
back and up, and around,
acknowledging self is a four letter word,
a poking from reviewing
a year ago gone prior scribbled response,
leads to a conclusion
to answer his puzzlement

easy acknowledges
he has prior peaked,
certified and certifiable,
his best words gone by,
bye and bye,
so how now antiquated,
this tiresome task
of endless interior internal examination,
once more
he asks of himself
the Psalmist's question (121:1)


"I lift my eyes up to the mountains:
From whence shall my help come?


from you,
y'all

my poems are now and will be
just stories told,
stories of you

of a lost wedding ring,
of a young woman's striving
to answer her most essential question,
reflections on being four years old,
on Eastern Seaboard geography
Thanksgiving Day air turbulence,
a young woman's sobriety celebrated,
her poetry, richer and health effused,
of lovers who cannot ever be,
of jobs lost and freedom gained,
physical pain that knows only
the optics of poetic relief to salve,
aching and unrequited awed and flawed love
that has no remedy defusing,
older schemers, puppy love rediscoverers,
of special young men
who see by their nature,
far better into
nature's window that answers the human soul,
children foreign born, here & passed,
whom I have never met, but,
who are poems
dearest in my breast,
as if, no,
as they are mine own...

and on and on

could travel and travail,
but the clickety clock says
bread to be earned,
wistfulness hour over,
all that's need is a conclusive,
one octave,
a summarizing single note,
a lady last rinsing of the soul

your stories are my psalms,
your heartache and triumphs
my masterpieces,
thy foibles are my filament,
your stories, my revelations

turned my eyes to the mountains,
seeing only my own mountains,
that engulf and surround,
hearing a single,
simple voice answering,
it is their mountains
that deserve written attention,
and therein and thereby
can you write humbly
and walk upright
^
^Psalm 37:37
Nat Lipstadt Dec 2014
for Stacy B.,
who is both, of course*



a third floor
walk-up,
to wake
us up,
really up,
perhaps obtain
a provision
to a question,
someone knew
needed answering,
needed us,
also,
to witness and testify

is the dancer,
a diplomat,
or is the diplomat,
a dancing naïf?

hard by the East River,
in a building unheated,
the Brooklyn Hipsters
patrol the streets,
drinking hard,
their homegrown lager,
against the
December winter chill,
all wearing their
very long or very short
hair heads,
in unisex
watch caps

so too,
we have come to watch,
but we are,
uncapped,
open minded,
needy to get it straight,
once and for all

we crossed an
olde Dutch bridge,
having come,
to a land almost overseas,
traveling recklessly,
without our Manhattan
diplomatic immunity pouch

looking for answers for
questions long lingering
in a tall women's New Orleans soul

no biggie -
be both
says the rational fool

irrationally
failing to understand
the logic that
dancing
is more than
just a
single daily, caloric rich,
ration,
but a
blood type,
that doctors
don't easy recognize,
needy for
constant spice transfusions,
perpetual transformation

is this your answer then?

the diplomat departs soon
first, and not before,
having danced in a black hole,
where all is annexed, animated,
but also, annihilated

a dancing metaphor message,
reflective perfect,
of a too oft,
cruel world,
to our official
US of A messenger
of, by and for,
we, the people
of our mutual states,
her audience and employer,
nota bene:

Morocco and Tunisia
beckon you,
lands where dancing is
not a shouk spice for sale,
but we,
our country,
needs someone who can
nonetheless fluently teach and speak,
dance interpretively,
a précis of
how to dance to
reveal our best,
American song

so I have my answer,
and perhaps,
she does too

a dancer first,
a dancer always,
in a national troupe
that I am a member of,
even though I can't dance a lick,
and my Arabic is but
a few healthy and choice curses,
a linguistic skill of mine,
from traveling in many unfamiliar climes,
always, a handy tool

proof positive,
we need specialists,
who can cross boundaries,
real, or cartographer-drawn,
artifice dividers that demand
diplomatic dancer skills in overcoming
a resistant world to
American ideals

so we train our dancers
to be diplomats,
our diplomats
to be dancers,
flexible, but all possessing
that mark of a ramrod carriage,
the upright walk that
is the passport of joy,
of those who dance
for all the world,
an answer so good,
it simply makes
good
a true story of our friend, who took a year off in her diplomatic career, to come to nyc and live her true dream of being a dancer.  She performed last night, in Brooklyn, in a small dance "theater" and is in a few days, off to Washinton D.C.,  then Morocco, then Tunisia...having served in Iraq and places I can't pronounce...
Dec 2014 · 3.2k
Are You My Poem?
Nat Lipstadt Dec 2014
t'was not so long ago
in simple human years,
but eons, in poetic ones, that...

visions of fruited plains,
dimpled mountains,
candied wall-nutty natives,
easy lifted from his
eye's casual glances,
reformed to scribbled essays,
while daily walking on the
concrete steppes of his city,
gems of glass shard sidewalk sparkles
and bluest mailboxes were
raptured word tableaus,
rupturing easy with
volcanic force,
his body's planet,
mantle breaking,
crust-conquering poems,
breakout pimples waves,
molten and easy flowing...

he knew not then
what well now he knows,
the exhausted trembling
of asking,
the slowing wearing pace of
heartbeats of constant query,
the wonder of
wondering incessant,

Are You My Poem?

awoken by the body clock
in the wee, streaming,
rem sleeping hours,
asking the no longer
faithful friend,
his bathroom mirror,
is the accuracy of this
stubbled mess,
the white crusted lips and eyes,
is that my, my nowadays,
answer to

Are You My Poem?

he waits,
he, a red taillight speckle
among many, wait watching,
on a Brooklyn minor bridge
over a minor inlet
one of many, on a longer isle,
as the bridge lifts its arms,
opens its middle belly,
waving bye to a
passing-through freighter,
perhaps
destined for
happy springtime Morocco,
perhaps,
the Malay's divided isles,
wandering wondering
one more time,
if that's his etching,
line drawing poem,
passing by, bye, bye,
so each breathe forcing,
escape-asking,

Are You My Poem?

sometime ago,
a grown man,
his voice changed,
like a teenager,
writing now in but the
simplest terms,
plain jane poems,
in the cadence
of spoken words

for all the fancy phrases,
exhausted,
the sewing box of
precious alphabets,
emptied, leaving only
the tyranny of
hello, have a nice day, how are you feeling,
that's nice, goodnight sleep tight...

there were fewer poems
therein contained,
ceasing to fear,
no need for constancy of asking,
but failing in crafting to craft
even then,
trying but no one answering to

Are You My Poem?

one or two true,
asked,
are you busted,
the nib nub rusted,
your silence, long pauses,
worry us, your poem lovers,
if spent,
how deep is thy rent,
let our concern heal,
patch n' fill,
the cuttings,
the empty grooves that pockmark,
hope wishing asking,
sir sire man,
are you still hopeful,
interrogating,
asking the world,

Are You My Poem?

weeping from the
believed warmth
of their caring,
they too, knowing,
that life has its ways
of choking your voice off,
compelled to advise,
still and then and now,
the constant in my equation,
extant yet,
extant yes,
a voice that still rises
at the end of the
periodic element interrogatory of

Are You My Poem?

the poem answers,
muddled, muddied,
everyday life eats you up,
instead of you feasting upon it,
the tempo, the style,
all now humbug static interference,
but every know and every then,
a long winded answer dances
it's way from the core,
answering well
the question less asked,

Are You My Poem?

spent,
the poet
lol's,
for his truest friends here,
answer the pondering,
in deed, indeed,
you, near and dear
poet brothers and sisters,
you are the answer,
to words looking now,
a tod-toad-tad silly,

**You Are My Poem!
I am alive, not kicking much, but present....and this is my thank you present to those who ask, where are thy poems hiding?
Nat Lipstadt Dec 2014
I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech... Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie (a character in the play, a would be writer) knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.
Dec 2014 · 781
Worth (A Lost Ring)
Nat Lipstadt Dec 2014
for Laura and David

so the story goes...

of a long ago silly fight and
then a Boston Bay boat ride,
magical moments of a simple interrogation repeated,
that recalled a man beach combing for what,
he knew he,
already possessed,
a permanent bezel for his love
that secured with human strength
their togethered life

You! You Two!

recall best
the forest,
not the trees,
not the ring,
the freedom from a symbolic beeper drowned


recall best
the ring's tale,
your unfinished yet-storied,
mid-trip bay borne voyage of denouement,
a retirement and a reaffirmation,
marked best not by any stone,
but by
the knowing  women,
all surrounding,
with righteous exclamations of envy for

his loving words,
his words!

the value of living,
raconteuring memorized mutual wisdom,
no diamond could ere cut a deeper groove
than his spoken words

words etched in flesh,
immutable and undying,
far exceeding
rubies and diamonds,
their gain, their loss,
merely pecuniary,
could never speak or prove
a love far better
than those special holy words
a spoken capstone,
tribute gladly given
to his shipmate,
his fellow voyageur,
his story of them delivered
but happily incomplete

of this I know
with utter certainty,
for more than twice,
with his eyes cast down upon
igneous ankle-twisters,
while overstepping
lazy sea lions,
invisible iguanas,
heard him tell me,
the frigates and the *******
and the head-popping turtles,
all who came
to see and hear as well,
them too,
all jealous of
what he spoke,
even then...

for well they and I
heard him say,
in a whisper
intended just for me,
but overheard,
and legally witnessed and thereby,
and herein attested hereby
by many citizens
of the Galapagos and
even one from the great
State of New York

those loving words,
those words

without her, I am lost,
with her, I am gained,
repeating in his way,
Proverbs 31:10:
A worthy woman who can find?
For her price is far above rubies*


so accept this as a free release
from one who listened to the
poetry of a ring's story,
and though he cannot recall the
appearance of the accoutrement,
the words, the words
they spoke,
the whispery smile she let escape,
never left, never could,
that being the thing of greatest
worth
the poet
deemed most worthy
of recording for posterity

__________


this expert poetic witness testimony
in the matter of matrimonial affairs
now entered into permanent part of the record of
Laura and David,
notarized, signed and sealed,
and internet delivered,
truthfully writ this day,
December 20, 2014
Nat Lipstadt Dec 2014
blondes, brunettes and redheads,
the goodbye colors of the
street's tree choir members
and their leafy gowned denizens,

the good stiff chill upon them,
the selfsame chill
in my anguished mind
now hiding,
sing a comfort food song
heard above the quiet terror of the
noises of a fall winters-wind precursor

"once we green,
once we were renewal,
life everlasting emblems
once,
you were wee,
green uncaring and free,
presuming that you too,
were in possession of
life everlasting

your colors have changed as well,
endless is the process,
only slower than
a tree's scheduled maintenance,
moreover,
returning you to your first
crayon drawing youth
unlike us, an impossibility

we will turn young again
for many seasons more,
you
never will

new eyes will feast upon our
glories refreshed and love our
cast shade cast

yet special are you the man,
poet who was chosen
to see and tell,
witness to our resurrection,
during our overlapping,
parallel continuum in time

when to the shade of hades
you physic sent,
our limbs, our leaves,
our perennial lives,
for-as-long-as-they-shall-last,
will cover thy remains and
give your poems back to the
sultry summer breeze from
whence they came
and the colors
of your words
will be the colors
of a free life everlasting"
Nov 2014 · 1.2k
Return Voyage
Nat Lipstadt Nov 2014
return voyage,
window seat,
trapped but nonetheless neat,
the views anticipated,
the route, north/south,
Eastern Seaboard, on the right,
don't need no GPS,
just a flotation-in-case device
under my **** cheeks

the local barge pilot
sent back to port,
now, the pilot~poetry commander  
in charge,
now piloting
this body, this ship,
over interstate global waters

my censorship overridden,
watching words flower,
in a daze of self-formation,
my input,
torn-out by force,
brain clamped,
seceded unwillingly from the
united state of the brain~body
of my republic

off to the far right
thru white haze,
the coastline, pointing,
an arrow head directing,
homeward bound

see further the water's edge,
wide but still bounded
by a somewhere-out-there horizon,
a glazed vanilla cloud bank
demarcating the end of the world,
for surely,
this cloud line thickened
over shadowed by
rainbow shades of only blue,
for this is where the cartoon sign is
perma-posted,
the one that appears always saying
The End!

beneath a complexity too much to explain,
lies a jigsaw puzzle incapable of ever being
disassembled and reassembled,
so fine are the parts and pieces,
of this land

roads like capillaries,
over and through fall earthy browns,
connecting mini homes,
an occasional clustering,
all set down scattershot,
randomness of guard-posts
over endless cultivations,
some linear, most not,
but all irregular,
as if the toy designer,
drew a landscape with
intent to cause or replicate
human madness at its tiniest,
its finest

periodically, the sea
invades the land, net casting,
subdividing naturally
the subdivisions human,
into islands and lines
of rivers so bent and curlicued,
they too,
cannot be conked,
their single hair straightened

where I am I so do not know,
guesses are hazardous,
so I make one,
Virginia perhaps?

Of course, I am incorrect.

from my perch in seat 12F,
I see a noon-day moon, halved,
observing me and vice versa,
sneaky uncensored notions
periodically sneak in,
causing poetic commotions

does the moon write like me
of what it sees,
or it is an inured sophisticate,
the daily astounding of earth's
mysteries innate, just commonplace,
a regular, serialized TV show?

below clouds cumulus, cumulative,
the kinds superhero's rest upon,
a white blanketed shelf of
fluff obscures the land,
the irony for those flying above this
delish
most relished,
blue skies above me,
a white wonder of
fuzzy cotton ball
underneath me,
which to those hapless earth creatures
is just
but,
another cloudy day

all is lost.

the captain speaks,
descent imminent,
control soon to be
returned to the
fool in seat 12F
the guy that did not write this poem,
but that other fool,
some dumb doppelgänger thinking,
a vista was his and
needed sharing

soon he will be concreted,
his flesh moved like a chess pawn
gliding in and on mass machines,
to move his essence to a specified
confinement cell,
from which
this essay will be reviewed,
wonderment,  who,
who riposted this travelogue
while his hands were tied and bound

for only an innocent can be so
wildly moved, wilderness bewildered,
natural emotions run ramped
from ends to endless,
only hopefuls see horizons,
and what lies above
cloudy grey ceilings,
while below,
in land of
asphalt green and work,
where bills due, obligations a must,
responsibilities that crush,
and so

his innocence is shelved,
wonder is a child's task,
not his,
his are chosen by
clock and calendar,
and flying is an excuse,
to get away,
not a place to get to...

and he wonders who wrote this eloquey,
while he observes rows of rows of
single family homes,
tall buildings and a Brooklyn Bridge,
a Central Park and even his home,
hard upon the East River,
while landing,
finally,
he espys

this place,
this isle,
Manhattan

it  is his brick and mortar,
the stuff of what and where
he lives,
like everyone else,


*on just another cloudy day
http://hellopoetry.com/poem/961704/a-prayerpoem-of-air-turbulence-and-thanksgiving/
A Prayer~Poem: Of Air, Turbulence and Thanksgiving
another Thanksgiving,
another voyage in the rareified
l'air au-dessus,
the air above,
next to, amidst
the satisfying but untouchable still,
the gray-white of the clouds of which we so oft
exclaim, and always fail,
to do justice by

this time the
turbulence
within
compulsion beating
compels this thanksgiving addition
to the compilation of airplane poems

the pointer finger tapping
out this journey's record,
a priori, gold leafed,
added, inscribed,
on the priory wall
of other journeys,
even before
it was conceptually written

the pointer finger tapping
upon your own chest,
calming the beating turbulence
ever present, a giving present
to me,
red wrapped

no whining!

I promise myself,
to promise you,
cause if this be,
the best poem
I ever write
(why not, could it not be this one?)

a small prayer shawl supplication,
shall not be marred,
with plaints and requests,
visions and incisions,
the beseeching distaste of
be and re quests,
this one simple,
even, and as always,
a tad odd like me

I am just an ordinary Joe,
flying over the middle,
the country, the real one,
no megabytes
amidst the real,
a few hundred other supplicants,
gaily glad on a mostly
head-phoned, protected silent passage,
over water, land, rivers, and family clans,
all engaged and presaged by
calendal X marked to make ,
a Mecca trip,
a Jerusalem western walled, holy mount,
which ironically is for me is
direction relative,
that bastion of flesh and sinners,
the city of tan men
and salt pillared women,
the City of Miami

whoa, real turbulence
makes the typos egregious, plentiful,
and the body sways,
left to rightly,
the poem is compulsed
urgent flown to completion
(amazing the shaking and the stirring,
to the point of locating the airbag)
perhaps, he thinks, someone in this
airy residence doe not want this prayer
finished

enough.

"The Prayer~Poem of Seat 25D"

Dear Deity of Whatever Name:

We humans peculiar to some places,
set aside a day, this week
for being superlative,
for looking inward and do
quiet summary addition,
employing organs,
as many as necessary,
noses and toeses external,
organs invisible internal,
a counting to make,
to number what we are,
isolating the better reasons,
why our existence justified

we do it in
foolish human ways,
as is our nature,
human and fools interchangeably
one and the same

So this one man counts
his words, ever careful,
ever plentiful,
and utters grace,
the Bene and the Blessing,
quiet inside,
his fellow airplane passengers
holy unawares,
that he is praying for them
simply saying this

May each one pause,
even for a second,
and collect the moment,
understanding,
that thankful is a
but half a notion,
incomplete unless
it is given
away to another,
by making it
selfless



in the air over the Georgia/Florida border
Seat 25c
Nov 2014 · 3.9k
On Being Four Years Old
Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
Nat Lipstadt Nov 2014
another Thanksgiving,
another voyage in the rareified
l'air au-dessus,
the air above,
next to, amidst
the satisfying but untouchable still,
the gray-white of the clouds of which we so oft
exclaim, and always fail,
to do justice by

this time the
turbulence
within
compulsion beating
compels this thanksgiving addition
to the compilation of airplane poems

the pointer finger tapping
out this journey's record,
a priori, gold leafed,
added, inscribed,
on the priory wall
of other journeys,
even before
it was conceptually written

the pointer finger tapping
upon your own chest,
calming the beating turbulence
ever present, a giving present
to me,
red wrapped

no whining!

I promise myself,
to promise you,
cause if this be,
the best poem
I ever write
(why not, could it not be this one?)

a small prayer shawl supplication,
shall not be marred,
with plaints and requests,
visions and incisions,
the beseeching distaste of
be and re quests,
this one simple,
even, and as always,
a tad odd like me

I am just an ordinary Joe,
flying over the middle,
the country, the real one,
no megabytes
amidst the real,
a few hundred other supplicants,
gaily glad on a mostly
head-phoned, protected silent passage,
over water, land, rivers, and family clans,
all engaged and presaged by
calendal X marked to make ,
a Mecca trip,
a Jerusalem western walled, holy mount,
which ironically is for me is
direction relative,
that bastion of flesh and sinners,
the city of tan men
and salt pillared women,
the City of Miami

whoa, real turbulence
makes the typos egregious, plentiful,
and the body sways,
left to rightly,
the poem is compulsed
urgent flown to completion
(amazing the shaking and the stirring,
to the point of locating the airbag)
perhaps, he thinks, someone in this
airy residence doe not want this prayer
finished

enough.

"The Prayer~Poem of Seat 25D"

Dear Deity of Whatever Name:

We humans peculiar to some places,
set aside a day, this week
for being superlative,
for looking inward and do
quiet summary addition,
employing organs,
as many as necessary,
noses and toeses external,
organs invisible internal,
a counting to make,
to number what we are,
isolating the better reasons,
why our existence justified

we do it in
foolish human ways,
as is our nature,
human and fools interchangeably
one and the same

So this one man counts
his words, ever careful,
ever plentiful,
and utters grace,
the Bene and the Blessing,
quiet inside,
his fellow airplane passengers
holy unawares,
that he is praying for them
simply saying this

May each one pause,
even for a second,
and collect the moment,
understanding,
that thankful is a
but half a notion,
incomplete unless
it is given
away to another,
by making it
selfless
in the air over the Georgia/Florida border
Seat 25c
Nat Lipstadt Nov 2014
When I enter,
the black holes of myself,
they are located,
transcribed upon the
blackboards of our
unified bodies,
the magnification of energy
transversed,
principles demonstrated
by the unconcluding
conclusion of the expansion of
creation,
the rebirthing of one universe
never ending

When I enter a woman,
the discovery sought,
the definitional needed,
the proofs equational,
the factors constant,
not the variable
truths,
the demonstrations positive,
the constants of the universe,
combinational, all within,
a single point glistening

to gentle comfort this
knowledge of my wasting,
the foresight of my limitations
from the day of birth
my matter,
matters,
my energy
neither destroyed or created,
illimitable,
my decline inevitable

and yet

cannot alter my atomic structure.
my future guaranteed,
my inner light,
traveling so fast,

it has yet

to arrive

When I enter a woman,
the laws of physics
become special theories
of relativity,
we are motion in time,
force and energy
nucleotides rawest refined,
elemental and particle nuclear,
packets of light
exclaimed

When I enter a woman,
organic, chemistry,
interdisciplinary
my body and its life force
shaped as
electric current transceivers
crossing galaxies,
there can be no deceivers,
there but and only
the birthing of heat,
a byproduct of
interjection, conjunction

she is my proof
long after the
log normal of my nerves,
now parceled to the
invisible of an oscillating
log natural,
fertilizes the sea grasses
that so intoxicate,
flying, carried,
by the invisiblity of the winds,
all-where I have chosen
as my shifting shape,
when this container
leaks and crack'd,
rentery orbit,
the nearest garbage strewn
construction-dead
lot

When I enter a woman,
physics far beyond
the commonplace,
physical transition
to knowledge
of life ever after

death and fear are
time sensitized
passing notions,
crushed by the
consolation of physics,
the eternality
of a time
once begun,
cannot end,
and therefore
this,
my one theory of everything,
is the God
I worship
The phrase "the consolation of physics" was taken from a novel,
City of Thieves by David Benioff. The other nonsense is all my fault.
11/23/14 8:30am

for my blonde Big Bang theorist
Nov 2014 · 499
Al has passed
Nat Lipstadt Nov 2014
Al is dead.
Saturday early ringtones
a warning signal,
an unexpected call,
harbinger of no good at all

Al has passed,
felled in the lobby
of a movie theater,
by sudden heart attack

did we want to come, he asked,
but I demurred
on our behalf,
having been out
every night this week

so now I have to think about that...
shoulda woulda coulda
but didn't

she sobs on my neck.
he was a good friend
to my woman,
for many years,
years of loss and discomfort

she pauses her weeping,
to punch me in the arm,
as is her wont,
warning me to lose that weight,
or else she'll **** me

more likely
says I,
to die
from repeated blows
to the right arm,
than from
my accumulated excesses,
thinking all the while,
I'm a **** good liar

so now she laughs and sobs
intermittently which is why
someone invented the word
blubbering

tears of diminishment,
a lessening in the world,
part of me expunged twice,
now that Al is gone,
in part predicted,
in part foretold

you didn't know Al?

Oh yes you did!

"Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me."


4:38 AM
September 8th, 2012

http://hellopoetry.com/search/poems/?q=With+each+passing+poem
http://hellopoetry.com/search/poems/?q=With+each+passing+poem

With each passing poem,
The degree of difficulty of diving ever higher,
Bar incrementally niched, inched, raised,
Domain, the association of words, ever lesser,
Repetition verboten, crime against pride.

Al,
You ask me when the words come:

With each passing year,
In the wee hours of
Ever diminishing time snatches,
The hours between midnight and rising,

Shrinkage, once six, now four hours,
Meant for for restoration,
Transpositional for creation,
Only one body notes the new mark,
The digital, numerical clock of
Trillion hour sleep deficit, most taxing.

Al, you ask me from where do the words come:

Each of the five senses compete,
Pick me, Pick me, they shout,

The eyes see the tall grasses
Framing the ferry's to and fro life.
Waving bye bye to the
End of day harbor activities,
Putting your babies to sleep.

The ears hear the boat horns
Deep voiced, demanding pay attention,
I am now docking, I am important,
The sound lingers, long after
They are no longer important.

The tongue tastes the cooling
Italian prosecco merging victoriously
With its ally, the modestly warming rays
Of a September setting sun,
finally declaring, without stuttering,
Peace on Earth.

The odoriferous bay breezes,
A new for that second only smell,
But yet, very old bartender's recipe,
Salt, cooking oil, barbecue sauce, gasoline
And the winning new ingredient, freshly minted,
Stacked in ascending circumference order, onion rings.

These four senses all recombinant,
On the cheek, on the tongue,
Wafting, tickling, blasting, visioning
Merging into a single touch
That my pointer finger, by force majeure,
Declares, here,  poem aborning,
Contract with this moment, now satisfied.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.
_________________________________

4:38 AM
September 8th, 2012

Greenport Harbor, N.Y.
Nov 2014 · 1.2k
write like Joni
Nat Lipstadt Nov 2014
all my life
wanted to write just
the way
Joni (Mitchell) sings

seesawing
rising unexpected,
write the changing temperament
in the pitch,
of now

yawing, oscillating,
speedy slow,
enunciating the whip of
love crazy

twist to fall into a
double-time
bass baritone insane
from and into a higher pitch,
switch on the
en garde,
blue ink
onto cloth napkin poetry

plain plaintive,
rendering the scene,
rendering my heart,
it's crazy high-lows,
emotion backyard
swing set

Oh Joni!
I could drink a case of you


that is was what I
told the single girls
when I was a wooing man

send me home,
high and crying,
thinking uneven,
creatively,
drinking you,
pounding the dashboard,
sing our palpitating poems

thinking up
the in-between
songs of
till next time

that they loved so much
they begged,
sing it again and again

I drank them all
and think now of poem love songs,
vintages that never caged,
never aging,
those songs I wrote for them,
back in the day
when Joni
taught me how to
see life in verse
6:05am
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