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Nov 2014 · 766
T his Body, T his Breadth
Nat Lipstadt Nov 2014
this composition
(not this one)

but the p r o c e s s

a within discovery
so radicalizing

composing himself
this body, this breadth,
this work, of untangling,
slight light shapes,
enfusing, suffusing,
even parts defusing,
but all a
cold fusion,
of body,
of breadth

some, unguarded, tumbling,
some, guarded, jumbling,
all shockingly emergent,
most shocking
to himself, this
decomposing of
composing,
his body, his breadth,
t his process,
t his work,
t his hymn,
this of him,
body and breadth
Oedipus and Sam Shepard at 2:40AM
Nat Lipstadt Nov 2014
strange enough,
that word choice,
******,
for they are all,
(or mostly)
men

they get on
their knees,
so eager to please

write a poem,
newbie,
they will be your
partner pretenders,
instant followers

but
the trick employed
is transference

they want you bad
to worship them,
that being the purest
of their false intentions,
their oldest trick,
guilt,
"if I follow you,
you should follow me!"

their kiss

Pass

laden with std's,
they want implanted
in your
hp inbox

The std is vanity.
what they need,
what they want you to imbibe,
is their world view,
poetry-is-by-the-numbers

the number of followers,
(how I detest that word)
the number of reads,
oft manipulated,
by cyber techno b.s.

so understand,
this craft,
you may have chosen,
is work, so hard,
because it comes from the gut,
wrenching pressing issues
inside you

it is about everything you want
us
to understand about you,
your vision peculiar,
without revealing your rawest self
so obviously

know this in advance

each poem has a unique audience,
as unique as you

years took me,
took me to grasp
this simply complex notion,
over come myself within myself,
that self-same infection

that audience is you

write to please yourself,
be your harshest critic,
popularity
will find you

your truths,
withour pandering,
will finds the seekers,
the quality lovers,
the truth
hungerers

they will find you,
of that,
be assured

amidst the millions of words,
yours are yours,
fear not the plaintive worry,
are they any good?

for the courage to post
yourself,
is the very
self same answer to that,
the bells toll
for thee


if it pleased you,
pained you,
enough that you released into this world,
in poem form,
it is good enough

poetry is ego

no question,
but keep yourself
on the right side of the line,
separating your ego from
the egotist,
and your poetry
will no question,
forever live,
a mark of you
upon the world

let us be brothers,
let us be sisters,
David and Jonathan,
Ruth and Naomi,

but not
Cain and Abel,
no anger, no jealousy,
just raw,
refined,
truth,
the truth
of you,
which cannot be
diminished by enumeration,
cannot be counted,
only blessed
An afterthought:
thru the HP site, I have made good friends, encouraged many, and received much encouragement, affection....be open to good hearted people for there are many...trust your instincts...this is the important truth
Nat Lipstadt Nov 2014
the clock nears three AM,
and the "five minutes to" alert
pops up,
long overdue,
uh oh,
a task in need of completion,
a guilty conscience,
a simple love poem
needs to be written!

more than most,
perhaps, best,
can't be sure,
but more than most
is holy satisfying
for me

more than most,
a standard met,
perhaps understated
yet, highly realistic

for is real
not
the edge that love needs
to transcend long beyond,
far after,
initial heated intimations,
the noisy, now ancient,
initiations

real,
that place where
fantasy connects
skin and hair,
bare shoulders,
that more than most,
I kiss with simple pleasure,
best described as,
sustained, sustainable,
better than
better

real,
is that not totally,
more than most?

I love you
more than most,
for to claim,
more than anyone,
who can tell?

so now
you sleep,
your blonde tresses messes
my damp pillow,
and i am satisfied,
content to claim,
that to love you more,
more than most,
is ample, profound,
real,
and by that,
indeed,
for that alone,
is excellence unsurpassed,
a measurable measure,
that satisfies my task
well

now can rightfully
deactivate that alert,
that "to do,"
done,
unto and until
some sleepless night,
when again,
it self-actualizes,
self-activates

while smiling down upon you,
more than most,
certain,
almost positive,
but never sure,
come morn,
that you will love,

this poem,
*more than most...
2:55 AM Saturday
Nat Lipstadt Nov 2014
For Chalsey Wilder

Realizing that 'tis near five months,
that our ions, our verbal lips
have not crossed or caressed,
our words electric,
have not charged us
with current direct,
pleasured is my mind
intensely, devoutly,
to see your message
this Friday Sabbath eve

the weekly work toil,
now foiled
fair full my physical liberty,
from the tiresome and woeful.
your floral bequest,
presented as a request,
it's scent wishful and sad,
so hard to understand,
for your are a flower,
that makes this answering poem
grander

now and here, I fulfill,
this charted task,
with a poem answer crafted
by you, from me,
and entirely for you

your request, 'tis my obligation -
that is freedom

realizing that something in life,
you, being that something,
you, are that petal,
that the poetry breezes
accidentally sent to me,
by rambling, random chance

you posses and grant unto me
a freedom to love and lionize
a petal'd poetess and
heroic lioness

wish not in vain for a careless life,
care much, care hard, care so much,
as you do,
for in every poem you pen,
you betray yourself and prove
your sense and sensibilities,
the quality of caring,
the quality of human essential

well I know,
the illusion of blowing dandelions,
being envious of their
seemingly ***** nilly ways

well I know,
this experienced old
and extra foolish fool,
that the cares superficial
of a troubled existence,
woes of an uncaring world,
lay heavy and rare is a
hoped for easy discard
ever realized,
and for one
so young as you,
'tis heaviest burden of all

but look at the freedom here!

you gift me inspiration,
is that not power,
is that not freedom?

you gift me a willing to caring,
direction and harmony,
you scent me flowers,
you send me a poem,
each petal a part of a whole
astoundingly beautiful,
you, flower,
you, poetess,
you,
astoundingly beautiful

you ask me what do I think of your poem?

I think a flower
is astoundingly beautiful
never will I tear a petal from it,
and the let the imagined wind,
the image of free fall flight
tear it from me

never!
I love my flowers,
frolicking free,
breezed and caressed,
the freedom of caring
they grant,
is so easy,
yet so hard,
but I love it so,
as much as I love your poem

read this knowing,
this is your moment


------------------
Realizing something in life*

by Chalsey Wilder

Letting go of a flower petal
And the wind picking it up
for a ride to the unknown
Feeling something in your heart
as you realize a flower petal
has so much more freedom
than you do
It can be who it is
without a care while you can't
and flowers are loved for it
while you aren't

You stand there
wishing for a second,
for a mere second you wish
you were that flower petal
then you look down
then around
and walk away,
maybe still wishing
you
were that flower petal
or maybe having it
change you forever
Have you ever had a moment like this?
http://hellopoetry.com/poem/790345/realizing-something-in-life/
Nat Lipstadt Nov 2014
see http://hellopoetry.com/search/poems/?q=My+proofs

~~~~~~~~~~
Robert C Howard   Jul 23 2014

"I love this (the poem above). I was riveted to the page (screen) from the first line to the last. It reads like an existentialist credo. I couldn't help wondering if New York makes one an existentialist. Where else in the world can you live so alone in such a huge crowd"*
~~~~~~~~~~
For Robert
(Does NYC makes one an existentialist)

we live alone,
anywhere,
more and more,
not despite,
but because of the ease
that the total expanse
of the universe via
internet connectivity
today enables us to have an 
unrealized, unactualized,
but feels like an
NYC Billy Joel-undeniably-real
"nodding acquaintance"

this contradictory duality,
two parallel continuums of existence,
the flesh and the pixelated,
alone and together,
I have crossed over
in ways prior unimaginable

exist upon a single line
not just connecting
the real to the imagined
but conducting one to the other,
one existence, indistinguishable
border lines indistinct,
artifices superimposed by others

perhaps
NYC was model precursor
for our internet presumed-to-be-alive
model for the world today,
where I know not
my apartment neighbor's name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and the father,
as apt. #16D

an act of existentialism?

so many tears and poems
have I shed
for one who has
lost living treasures,
impossible for me
now to meet and witness them

nonetheless,
heard the testimony,
of disembodied voices,
read the pain
upon the pages so real,
that pixels from screen
rise up to stab my
overwhelmed tear ducts,
voiding the warranty of my tablet

only I can see
the realized proofs,
wet upon the screen/page
crossing over the
humanity divide
that invisible runs
wirelessly between us
and our "devices"

this, an act of existentialism?

Yes, the universe,
unfathomable.
I cannot confirm you exist,
even as I pinch my self..
just to be sure of me,
further I testify,
no machine wrote
this vain attempt
to spoof~proof me human

flee towards good faith,
deny never, my responsibility,
greater than this body
to act, more than exist,
never to remain silent,
the best reason to write
is to reason out loud
your choices

if I struggle to ascertain,
what are the correct choices,
never certain,
but always questioning,

this, an action of existentialism?

none of this satisfies,
is there a human voice
that belongs to you,
and one that belongs to me
above and beyond these
alpha symbols you read,
is there an existence,
sparking, elemental,
a proof-positive Nat,
could conduct himself to
where you are?

think now that someday,
after you have finished
conducting
beauty and art,
extricating sound from
metal and wood,
via the
Belleville Philharmonic Orchestra,
a man will join at its completion
the long line of well wishers,
but your hand,
he will not shake

instead, he just might

"place gentle a finger  
on your lips across, and upon his,
if electrons you sense and taste,
and yours they embrace,
as naturally as if
they were waiting
just for you,
you can almost be sure,
don't ask his name, unnecessary,
for he will face you
with these words:

Thank you, Thank you!
you are my proof.."*

I exist and you now know me by my the
taste of my lips,
just as real as the taste of
your poetry, your music,
upon mine
#http://hellopoetry.com/search/poems/?q=My+proofs

http://hellopoetry.com/robert-c-howard/
I am a musician by trade. I conduct the Belleville Philharmonic Orchestra and Chorale. I compose music and teach and play flute. I try to include poetry in my music and music in my poetry.

I have a Masters Degree in Music Composition from Michigan State University. I am married to Robin Howard who is fine soprano, graphic artist and photographer.
Nat Lipstadt Nov 2014
If a man can not earn his keep,
is he worth keeping?

If a man cannot make a living,
is he worth living?

If man cannot bake his daily bread,
how long can he live on water?

If he cannot write poetry anymore,
is he still a poet, or just formerly, a human?

If he cannot extract a profit, a sustenance,
from his labored endeavors,
why should others
endeavor to profit from him?

You who know
where your next meal
will be coming from,
write of cake and first love,
pastry poems,
sugared air,
go ahead

Those who are carried on
the backs of others,
what if you lose your grip,
your carrier slips,
are you at fearful, at risk of being just
a hanger-on or even crushed?

This is my poem of the day.

This is my poem of every day.

I do not speak of
fluff or self-amuse,

I count my blessings down,
from the top down,
till there are none,
zero is the summary of
a workman's substance,
his net production

My poetry,
deadly earnest,
as is life,
earnest,
hard and earned,
until it is not

Until it is no longer blessed,
and no one wishes to  purchase 78 rpm
memories
Nov 2014 · 1.4k
Immature (parent and child)
Nat Lipstadt Nov 2014
the wine
the words
the screaming torrents
all
groove cutters

some sharp
unripened, immature,
but drag marks made
because they,
rain rutted, sun baked
features permanent,
landscape of and on
parent child
the one
the same

some seasoned
accident chanced to breathe,
some ingenuous clever,
fully formed,
immature only
in the
youthfulness of the pain
for a lifetime
always on the tip of tongue
lingering

the child struck the parent
seventeen stitches on the head

the parent struck the child,
pleading mocking begging
his life to take
charge

neither pressed
charges

for
the wine
the words
the screaming torrents
all
grooves cut

had charged them
both
had changed them
both

thirty years plus
of immaturity,
testimony,
their sentences
  are being served concurrently

nothing has changed
only the depth of the grooves
Nov 2014 · 1.7k
Subtext/Subtext2
Nat Lipstadt Nov 2014
early risen,
life's au courant
contextual issues
are all bad bus driver dream driven,
visualizations of sonograms
of erred memories,
road forks, unwisely chosen,
incorrect in retrospect,
look back notion thoughts,
and fears of the
good works in process
never finished,
these are all the best ****
too early,
highly reliable,
internal/infernal
alarm clock

waken only to plod the dark,
upon the cool wood floors,
without any slippered coverings,
closet buried unavailable
(no treasure noisy hunting
in the dark permitted,
while the party of the second part,
yet sleeps)

the floored bottom chills
do not succeed
in comforting a mind
instant awakened-enflamed
by a long lived life recalled recapped,
of inaction and interactions,
thrones lost by
choices guided by fear and not
risk,
that in summation,
too many debtors-in-possession
of rose colored
minus signs

so the companions constants,
these well-worry-worn floors,
now refuse me,
no more to repeat,
what all too oft
they have before,
wisely spoken:

too early, man,
too late, fool,
the answers
required/sought
upon our ashen wooden countenance
cannot be elicited nor derived,
go back to bed
there, perhaps,
find what you need,
somewhere,
between the day's rising orb,
the Lady Luck of
a woman's heat,
the grand canyoned
Pachelbel cannon,
the Bach adagios
soulful sweet,
the answers could begin,
the endings,
perhaps can find
you and show
the restart signs positively
new directional


yet obedient to the old nether-wisdom
of these inanimate intimates,
(that are classified now as
sourpusses &  ex-best friends),
off to
back-to-bed,
self-dispatched,
arriving amidst the departing darkness,
being infiltrated by new day
dawning light suffusions,
with coffee armed,
pillows plumped,
all done with
church mouse quietude,
lest I wake the
party of the second part

into bed returns
the prodigal son,

uh-oh,

the poem ***** stiffens

cannot be refused,
it offers me
this challenged relief and a challenged
pleasure:

Subtext

commandeering and commanding:

dispense what you cannot say,
but wish for all to understand,
teach them how to write the literary
subtext
of one man's life


his fantasies *******,
thoughts of world-over trips
upon which his poems trip,
thinking thoughts
of meeting you
first time and fittingly,
reunions of longtime knowing
mutual souls, the lovely perfection
of the guarantee of
better days past
and better yet,
of better days
yet to come,
of first embraces,
longingly overdue,
but happily
familial familiar
even upon initial conception

motioned potions notions
of what he would do
when that lottery ticket
comes true,
seeing hazy
visions of loined, coined children babes naves
as someday adults,
from a future past of
a collection of visions
happily well imagined

now in bed,
dancing (quietly) to a Strauss waltz,
all his sisyphean tasks unmasked,
and peace in his heart,
returning to supreme reign,
re-gifting it all forward,
in a subtext contextually
poem within herein

the coffee now cooled,
the mental dispensary instead,
has issued
a scrip
prescribed and commissioned

write yourself,
one poem,
overly long and rambling,
as always,
(knowingly he smiles at his own critique)
this poem
to be issued
from his ******-brain,
amniotic-bathed,
anointed and by appointment
to her majesties,
The Queen of Hearts
and the
Red Queen,
entitled:


Subtext

the scrip reads:
"take once a day,
life clarity should return
sooner than later,
which is to say
medically and medicinally
eventually,
which is far, far better
than never"

the meds imbibed
the coffee reheated,
and while
waiting for its effects,
the subtext of a man
who drinks drams
of lives of poetry
for all
sees his future dreams
and happily awaits
their completed execution
Nat Lipstadt Nov 2014
Until a man is nothing,
God can make
nothing out of him*

Martin Luther
~~~~~~~~~~~~~

instant recognition
compete cognition
slowing respiration

sanity instantaneous
weeping hands clap
weakened legs collapsing

process endless
access, risen,
only to rejoin
the fallen

father of father clock pendulum
swung swing swung
slowing rapidity
body directed onto
perpetuity road

back to nothing
from whence
the boy witnessed
the first of many of
his genesis/bereshit

from nothing to
another thing,
crowned,
enthroned pauper,
trampled down
to lowly lord,
King of Nothing

reborn reborn reborn
so many times
when from nothing
risen to an exalted
nothing
more
than ever obvious
he,
heir apparent
to himself
no thing

nothing

in the beginning
nothing in the end
nothing
in between
from admixture
water and ashen soil
remake myself a
present to Him
an accomplishment
man-generation
peaking excellence,
Dante ascent to
nothing

then struck down,
back to nothing returned,
peaks and valleys
directional interchangeable
pointers to return resurrected
same way to the previous ending

for all prior writ
better
instant recognition
compete cognition
slowing respiration

the vanity not
voyage yes is
the thing itself,
is circular
a line of points
connected

nothing
no thing
but the voyage/path is the
thing

transformation
resubmission
substantiation

there in lies the only
thing
you making
God into
something
tangible
by making yourself
from nothing
once again



11/1/14
Ecclesiastes 1

1 The words of the Preacher,[a] the son of David, king in Jerusalem.

2 Vanity[b] of vanities, says the Preacher,
    vanity of vanities! All is vanity.
3 What does man gain by all the toil
    at which he toils under the sun?
4 A generation goes, and a generation comes,
    but the earth remains forever.
5 The sun rises, and the sun goes down,
    and hastens[c] to the place where it rises.
6 The wind blows to the south
    and goes around to the north;
around and around goes the wind,
    and on its circuits the wind returns.
7 All streams run to the sea,
    but the sea is not full;
to the place where the streams flow,
    there they flow again.
8 All things are full of weariness;
    a man cannot utter it;
the eye is not satisfied with seeing,
    nor the ear filled with hearing.
9 What has been is what will be,
    and what has been done is what will be done,
    and there is nothing new under the sun.
10 Is there a thing of which it is said,
    “See, this is new”?
It has been already
    in the ages before us.
11 There is no remembrance of former things,[d]
    nor will there be any remembrance
of later things[e] yet to be
    among those who come after.
Nov 2014 · 1.8k
but that's just me
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
Oct 2014 · 1.9k
Three Vignettes of Colors
Nat Lipstadt Oct 2014
White Tissues

a thousand years ago
I had to do the shopping,
(short story, irrelevant)

angry, she,
always angry,
the ex called me careless+...
never quite remembered to buy
the no~color tissues,
white only, on the list ordered,
to avoid decorative mismatch clash
to not offend the bathroom guests's
sensibilities and refined fleshy color palettes,
and not to match thereby,
to unduly reveal
the mismatch of
two lives incompatible

she ****** the color from my life...

still now,
buy only
whitely, precisely,
always,
for the colors
in my life, of my life,
have now been returned to me

but they are best cherished,
visible inside, looking out,
painted filter to enhance,
to reveal!
the joys inherent
in the colors of a
refunded, redounding rebounding,
re-fined happiness internal

tissues white now employed
to store the joy colored in colorful tears,
re-defying re-de-finding-fining
the contrast
from the sorry past,
tears now in living color
shed while writing
this happy colored vignette

~~

Poems of Color

just too much
colorless cold,
to decamp to,
sit upon the Adirondack throne
that is by his name,
by the cold waters,
now winter coated with
white-capped amber bluewaves
arriving jack-frosted on the lifeless beach

over this weathered sanctum,
natures supremacy reigns,
no matter the season or
his faulty human body's
weak reasoning,
it rules,
despite your frail poetic absence

but without your imposition
upon companion grey,
ensconced patiently
in that rarified atmosphere,
where and when
the sea sword
knights and inspires
the benign, benighted poet,

the human in him
frets and worries

where and when
ever again,
will nature deign to rain
poems upon him and his
winter-storaged writing organs?

the poet,
through his own
winnowy window reflection,
sees the sight of
the empty chair
between him and the sea air and
pondering more,
how shall he ever write
in the upcoming months of bleak?

through the frost-edged glass,
that old chair,
now sudden animated,
sensing his poetic human presence,
it turns toward its missing occupant,
voice aged reassuring,
speaking,
rhyming, 
it chants,
somber intoning...

"the poems writ yet still  undiscovered
but inscribed upon
my weathered slats and armrests,
have your name and no other,
therefore, there fired,
perforce,
they await your return,
come spring...come summer

now is the season of your hibernation,
we sense your fearful
winter forebodings and
speculations of consternation

know these unopened poems
are in fluid stored,
when you return
to our joint station,
we jointly will celebrate their
first day of naissance

you are charged,
you sole possess the
eye colored liquid visions
to see them
in the splinters and the breezes
through to their natural
childbirth revelation"


~~~

The Colors of Life Everlasting*

blondes, brunettes, redheads,
the goodbye colors of the
street's tree choir members
and their leafy gowned denizens,

the good stiff chill upon them,
the selfsame chill,
in my anguished mind,
now hiding

those partial unclothed trees,
to me sing,
a comfort food song
heard above the quiet terror of the
noises of a winter's wind precursors

"we green,
will be again
tho old,
spring green
is signature of our almost
life everlasting

once you wee were,
free green uncaring, youthful,
presumptuous presuming
that you too were,
in possession of
life everlasting

your colors
have changed too,
the process,
your process, different,
unlike our scheduled
rebirthing maintenance

yours a continuum slide,
with no reversal allowed,
no returning
you
to your first days of
crayon drawing youth,
unlike us,
a calculus of impossibility

we will turn young again
for many seasons more,
you,
never will

new eyes will feast upon our
glories refreshed
and love our
green visor shade cast

yet special are you,
the man-poet
who was chosen
by forces controlling,
to see and to tell,
witness-write of our annualization
during our overlapping
frames in time

when to the shade of hades
your physic sent,
our limbs, our leaves, our lives,
as-long-as-they-too-shall-last,
will cover thy remains and
give your poems back to the
sultry summer breeze from
whence they came,
and the colors
of your words
will be then
the colors
of your life everlasting"
10-26-14
Nat Lipstadt Oct 2014
dreams in colors that don't exist,
and 'mares re dear sir, deadlines missed,
wrestle~arrest poet,
instant awake
in the wee time,
pouring liquidity,
fluids and words,
puddling, stinking,
coming,
from the
always dangerous,
always interesting temple inner inside,
sanctimonious no more sanctum

this particular sleep,
shortened, irretrievable,
bookmarked "closed,"
chapters,
hours too soon,
this rest business,
arrested
filed in an ugly
grey metal file cabinet,
in an unfinished manila prison
with your other unimportant poems

the dark room universe
populated by
hints, shadows, voices,
waiting, welcoming,
mirrors on the walls
unified in one voice
deep, obtuse,
demanding recognition
"hither hither come"

forced march
to a visitation,
to the the parition,
of your reflection,
clearest ever seen,
in the black pitch,
uncovered by guise, feathers
the clothes of normative pretenses,
the man-made borderlines of
preservation falsehoods

seen your own semblance,
parts rearranged,
uncanny,
the mirrors are screaming:
shameful lovely,
this, our artistry,
your apparition,
now accurate,
reflecting your under-
lying
condition,
at last,
an accurate portrayal,
of your inaccuracies

do you find yourself attractive?
this new balance,
the unregulated pieces
of you
before your dissembling,
discerning,
dissecting eyes?

feeling the valence,
an introduction,
a physical magnetism
any attraction
any resemblance
to the semblance
that writes
this s.o.s.?

answer us thus,
do you up
and like yourself
unvarnished,
grunge, swag,
truth  trammeled,
don't you want to kiss yourself
goodbye,
or better yet,
fare thee hell?

go ahead,
ask yourself now,
that one question
that prevents conception,
from your inception,
what is it that
makes you exceptional?

don't you realize,
everything about you
ends in a question mark?

how dare you write poetry?
you are the false poet,
you live on the division
tween artifice and self-deception,
this, your only precept,
and now that you are
clarified,
answer this,
knowing you know
nothing
but artifice,

**how dare you write poetry?
valence - the capacity of one person or thing to react with or affect another in some special way, as by attraction or the facilitation of a function or activity.

semblance - an assumed or unreal appearance; show; the slightest appearance or trace; likeness, image, or copy; a spectral appearance; apparition.

10-22-14
Nat Lipstadt Oct 2014
still Sunday autumnal,
hymnal seasonal dark
at 700 am

the grand kids
going apple picking,
under parental supervision...

so the day looms small
with largely nothing,
nothing scheduled
according to Siri,
Goddess iPad
who loves all
in the same colorless voice
equally

poet quiet plays
with the pink plastic wristband,
his workplace awarded him
as a signature that
he was a
green donor
in a cause
that should not
even be anymore
a causal giving or taking,
but a once-upon-a-time,
just another busted,
another eradicated evil

rearranging the pillows
most quiet like,
the woman sleep slips,
exhausted from
prior eve's fierce exertion,
heroine worshipping
a fellow dancer artist extraordinaire
bidding her adieu
after three decades,
to standing adoration justified...

the yellow/whiteplaybill, ticket stubs,
just this once,
just this one,
will be preserved,
a bracelet
of achievement honorific terrific

(if his truth be revealed
this very last performance of 30 years
of creative perfection,
made this flat footed man
weep as well,
leading his mind
directly to composition)

thusly,
set the setting and the
variant,
nay,
the deviant lyrics
coming fast,
sleep sliding
from intangibles of
a waking mind
to pink resurrection,
as intangible electronic impulses
herein shared...

his recollecting,
deviant lyrics,
for they deviate
from the most tiring truth
that life is mostly drudge,
many defeats, few victories,
but they come with patience
and ****, hard work,
and a rainbow primal color
some call luck

so begins the deviant...

If pink is for breast cancer, what then...

*are the hues and tints of the
multiple myeloma invaders that
destroyed the soft marrow
of a poet's fathers bones,
a man so kind,
that all children who knew him,
honored him
walking slow behind his hearse,
so deserving of a longer life,
a far better, better end,
can you not see the tear grooves
his absence has gifted me as
his pink flesh colored-bracelet

what then,
are the shades,
or just the
color unique
of the slow dementia
that consumed
a woman, happenstance...his mother...
writer, art lover,
a verbal expressor,
a most in/appropriate disease,
robbing her of the
greatest human right
to articulate,
so I wear this poem
as her her gifted headband,
an inheritance
upon the poet's
pink proud forehead,
worn evermore

do I get a pin turned
ceremonially, right side up,
having made it this far?
will they take it away,
when I quit claim
this existence,
or if the poetry ceases...

and he wonders
when is the deviant course
the exact right one,
what color,
what instrument, what jewel
should he chose
for just opening his eyes,
on this,
his 23,378th day of existence

unable to sort
identify the days,
sign each one
with the color apropos,
how to mark rightly what matters,
how to signal that life tenuous,
is worth recording,
and giving quiet thanks
for the few colors and memories
and words,
the instrumental
symbols
that lyrically
variegate us each,
and let recall
our unique
deviations
10-19-14
for himself
Oct 2014 · 2.3k
For TM: What Would Eryc Do?
Nat Lipstadt Oct 2014
<> for the love of friends<>


How does one write
of one he knew not?

the ancillary evidence
mounts relentlessly,
the double toil and trouble moments
edged now, slow vanquished by
steady accumulation
of the evidentiary

a man who lived his life well,
will be inevitably,
nay, justifiably, deservedly
be well remembered...

one examines the evidence with
eyepiece lenses calibrated
to one's own soul,
for this is the natural condition
of humanity

yet wonder,
what manner, what scale,
does one rightly employ
to judge another's  
plantings in the soil?

rightly judge another?

then you hear
a woman say,
she knew not knew
this man Eryc,
revealing an honest tertiary,
even cursory knowledge
of an anecdotal life well lived

our shared quandary,
yet she solves
this judicial issue
by asking of herself
a question
so stunningly elementary,
which both
asks and answers
the double risk
you have imposed,
to write of one you can never behold,
and in doing so,
judge thyself...

What Would Eryc Do?*

this crystal rapid current question
erodes doubt, the fear to tread
where one knows not
when a stranger says to another,
indeed to many others:

heard tell of this young man,
and know now to ask myself
when I too am junctured, in doubt,
What Would Eryc Do?

there is no doubt, no juncture,
just a provident question
a makers's mark
of and upon a man,
whose future shortened,
will live far, far longer than most,
if one simple applies
a standard to one's own life of

What Would Eryc Do?
Heard a woman who knew of this man,
from family and his character.

And began to ask herself in troubling situations,
What Would Eryc Do?




for my dear friend
Nat Lipstadt Oct 2014
"the sacred geometry of chance,
the hidden law
of a probable outcome"^

so many days,
composing years of a book
of empty days
unlined with lines,
white on white pages,
subtitled
no joyous fear
of the
life changing chance taking

wrenching a thing past,
mostly forgot,
except for periodic
ache stabbing

you can't recall
the choices
that you didn't take
that got you here,
nowhere

the road split,
highway and river path,
always chose
incorrectly,
now
so past the younger days
question the lack,
no courage flaw,

what does it matter
anymore,
safe until death,
death having arrived
early on

always bore right,
when left was
the soul
go go
the chance right
un un taken

wanted needed accidents,
trip wires,
incendiary kisses
that rebirth
you one more time,
over over to
alive confirm

but fears of
breaking pain,
made you a broken man

the angles of life
obtuse,
the planes of life
flat fuzzy,
irregular, smudged,
flatlined

days drone by silent,
not a single word
out loud uttered,
three hundred and sixty degrees,
volume measured and
zero summed value

every normal distribution
has a tail,
some fat, some skinny

even this lonely man
has a tale
where the
improbable
is the most unlikely
day of likelihood

his days
were numbered,
they were,
each one had a number...

that day arrived,
calendar unremarked and unremarkable,
when
the hidden law of a probable outcome
saved,
the sacred geometry of chance
was rightly computed,
his number chosen

don't know this man personal,
heard the story from a mate,
third mate third
so third hand,
cause the other two were busy
one, holding her hand
and the other occupado
writing this poem
-----------------------
A lyric from "Shape Of My Heart," as sung by Sting
0ct 18 2015
Oct 2014 · 637
You Kidding
Nat Lipstadt Oct 2014
You Kidding (resubmitting for your consideration; posted here one year ago, today)

For Ian

Lived a long time coming,
Picked up yesterday my three year old grandchild boy,
Third of a third of a third of a third
Of a half of me,
Who I only see once a year,
And we fell in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion,
Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to his Nana's, on Long Island,
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clear, spoken, sabered-wisdom,
In the juvenile voice of
soft sleepy, of a babe of three

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When serious and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.**
~~~~~~~~~~~~

Columbus Day
Oct. 14th 1492/2013
When I "discovered" the Americas.
You kidding?
Maybe.
Nat Lipstadt Oct 2014
little pockets hid inside big pockets,
storage units with keys
purposely misplaced,
envelopes of documents,
labelled, saved for a purpose
that is no longer memorable,
but still instant recognizable

scenes from a marriage
violent hatreds so great,
that years of a single silence
were successes celebrated,
secrets never secreted

the taste of them
from your gorge
can't be easy erased
once the bile comes up,
you can't stomach the notion
of choking it back down

well past
the limits of inane,
voided arguments
left your bowels cleansed
but your mind throbbing pain bombs,
your body
floored in an exhaustive state

the limits of inane,
voided arguments,
left your bowels cleansed
your mind lobbing throbbing pain bombs,
your body
floored in an exhaustive state
and you dd this to yourself,
so no one helps you up

caches of glimpses of video snatches,
trailers of a life woeful misbegotten,
sudden asunder ripped to the fore,
you know you were there,
know you took part,
is that a younger sadder version of you?

the backyard of your brain
where the cache was dirt buried
kicked open foul odor and
well you smell the screaming hatred fights,
and the reel to reel breaks but you see it
anyway in the orangey brown colors of
time decaying, burnt-edges of video tape

you think your life is tough.
*******.
did hard time, 30 years,
in a prison with no air or light,
a cell the size of my brain

just when the stench is mostly gone,
the cache ripped asunder
and stink so profound
you gotta lie down,
cause a reflection in a mirror
is ample excuse to put your
head or hand through it

and all you did was go see a play entitled
scenes from a marriage,
and afterwards you keep both hands in your pockets
lest you start choking yourself
10/12/14
Oct 2014 · 2.0k
You Phony Us
Nat Lipstadt Oct 2014
Euphony* * the quality of being pleasing to the ear, especially through a harmonious combination of words; making a phonetic change for ease of pronunciation

Hickory, dickory, dock,
The mouse ran up the clock.
The clock struck one,
The mouse ran down,
Hickory, dickory, dock

Trickery, diddly, rot,
This Diddy's life poems rhymed not,
The boys and girls all booed,
Your poetic life thumbs-down *******,
Trickery, diddly, rot

sipped his morning coffee.
thoughts about mortality and mean
saw what wanted not to be, the unseen,
trickery, diddly, rot,
brain refrain, relief not,
the **** clock ticking,
the mouse laughing,
at his euphonious nonsense

he wept for being found out,
the noises in the house
joined in
all mocking with accusations
you phony, us,
you, phony us*



another work day ended as it begun,
or began to end
teach felt
herself
for felt
tipped pen reach,
inky dinky in the dockers it  flowed,
now I am red-tro-graded,
bold letter, no fading,
F
for failing
to phony us

slipped his head under the water,
but the words auditory
and most un laudatory
feared not a drownery,
followed him down
under
a bath poem
Nat Lipstadt Oct 2014
when the poems don't come,
where do they go?

silly notion,
what's the commotion...
don't they just wait,
gestate,
till the time is right,
till one fires the starter's pistol,
they come when they come,
right?

no.

poems are journeymen,
cover bands,
looking for work steady,
airborne, breeze borne, atmospheric,
looking for a ready, willing & able
host and hostess

a recognizer of their properties,
willing to offer themselves up,
by adding the final touch
to a project that has
its deadline passed,
needy for a Caesar,
cut it out,
to come and get it

are you willing to add
your name to it,
cutting its chord,
let it pass from the airs of heaven
down the stairs
to an earthly audience?

are you willing to own it?
Oct 9 2014
a taxi poem
Oct 2014 · 926
Neuropathy
Nat Lipstadt Oct 2014
taking in early October
Vitamin D naturally,^
another too-oft-writ pretense that
Queen Summer yet smiles upon this
erstwhile, part-time,
nerve bundled human...

though facts contradict,
in summer uniform
he still emerges to bay and chair,
his confessional, his holy temple,
his Houdini escape chamber,
though the temperature
will not top 60 Farenheit

duplicitous as long as I can,
in this simple and so many other
lifetime items far-less-than-trivial,
incapable of obeying my brain's map
orders to cease and desist,
(or dress appropriately at least,)
to see the entirety of oneself
in the broadest of spectrum,
all colors unvarnished, fulsome,
truths rawer than any fictional 3D horror film...

what you do not know,
what you shall now know,
is Samuel Barber's Adagio For Strings
plays once more,
this time the strings
pleadingly command that now,
this time I write
unobfuscated and obtrusive...

(Ah,
those thrusting O words,
so employable, making a face shape surprised
into a rounded, somewhat circuitous
O)


decline to describe the decline,
the angle, the steepness
to-be-determined,
not to be denied for the extremities advise
the battle internal has commenced,
and without a band of brothers,
a solitary, wandering, knight-poet errant,
in search of a battle not,
for the embattlements within are
under attack...

yes errant,
off course,
of course,
the errant bay breeze
speaks to me one more time,
chiding the me-child like a goodly parent,
firm but gentle, modulating tween
just cold enough to make me shiver,
but enough not,
no, to drive me inside...

not knowing, that my inside nature
presently rebellious, all manner of riotous
transmissions beseeching pain medication

foolishness all this temporizing diversionary tactics,
the commencement is the commencement,
the beginning signal fires an ending,
a landing on runways unknown,

fear is not present,
how could it be,
I was warned once and then repeatedly,
so the brain begins yet another remapping,
contours of misshapen sensory inputs
distorted and then the  breeze
over my shoulders reads these words, and
disappears to comfort me by
unopposing the sun vitals,
letting them enter unimpeded...

so
smile creases appear
across poet's tempest face,
for though his hands
splayed and warped,
the trigger fingers stuck
and cannot pull,
the nubs obey the eyes
and solace him,
for as he promised himself,
to himself,
those poetic nerves
will write on
long after all the physical ones,
with errant breezes,
and summer peace,
gone, gone, gone...



~~~~~~~~~~~~~~~~~~~~~
^*(Oh! how that word personal,
Naturally, naturally
doth haunt me,
for mine own nature be the
leader of mine enemies allied)
Oct 5, 2014
Oct 2014 · 1.1k
Be tender of words
Nat Lipstadt Oct 2014
be tender of words
and
tender of hearts,

be strong, be kind,
forgive us, them,
forgive them, us,
yourself as well,
for ours are walls
needy for overcoming,
and yours are too oft
too high

lives of tasks and taskmasters,
these oft self-appointed,
responsibilities - rocket-******
upon shoulders of mortal materials
uneven for and unintended
for the job
of carrying the world...

and yet,
we do
carry you, carry the world,
imperfect and scourged,

those self-righteous,
beheaders be wary,
I will not atone for you,
I will speak no tenders for you,
on this day of forgiveness,
there is none
Nat Lipstadt Oct 2014
yesterday may have been my birthday.

you need two hands, two feet,
a multiplication table
an abacus to count my years,
each finger, worth a decade.
each toe, perhaps, a century.

birthdays.

a point of inflection,
a point of opportunity,
a present presents itself,
to rewrite history.

a second coat of paint,
gift-wrapped in weak excuses.
how I lied, how I ain't,
grimm-fated fairy tales
somebody else created.

invisible suits of gold-cloth
worn to my party of
past rewrit and
future foretold.

one single thought,
memory,
seizes my heart,
as I fall to my knees.
cracks my temperate ease,
renders open the
woof and weave
of recycled deceptions,
causing all to be revealed
when asking myself

what if the poetry ceases?

you know prostrate?
you have tasted grief?

have you not but
a singular pain,
one act,
one deed,
one memorization,
act of cowardice,
act of desertion,
mistake made, taken,
for which
forgiveness
can never
be given,
be faked,
attained?

do, does, did.

let me then this day,
win the birthday lottery,
let floods of relief from
daily chores not drown me,
chauffeurs to drive,
masseurs to massage,
cooks to cook,
les délicieuses friandises to sweeten life,
please keep theologians, logicians,
philosophers on retainer,
even historians, those future fortune tellers,
if needed, unnecessary explanations -
or just satisfactory rationalizations.

none know,
or can provide,
still and yet,
a year round
a priestly sacred chord,
to grant relief,
absolution,
songs of hallelujah,
erasers of the ache of
perpetuity worry.

those ancient pains,
grow fresh daily,
the loss of one element
of my body,
prevents my primal knot
reasonably to be untied,
everything should be permitted
on my birthday, no?

this day, these days
breathe through words,
molecules of vowels,
stem cells of consonants,
the fabric, the tissues of life,
veins are a dictionary
of corpuscles,
red blood cells are
nouns of nutrients.


this day, these days,
the infection of my soul
is tempered, kept at bay,
tamped down from the
full flowering
of white blood cells
of rhyme, verse,
and asking myself

what if the poetry ceases?

though the bones creak,
snap, crackle and pop,
the body they carry, the heart
eccentric~centric: tire shop patched,
yom kippur white resurrected this day,
for morning, afternoon
and evening prayers,
and the last one special,
spoken standing.

thrice daily poetry I recite,
roses red, violets blue,
my marrow transfused.

though my prayers likely refused,
the poetry act immolates
the fringes of my disease,
for which the common cure
is not currently invented....
so I ask myself

what if the poetry ceases?

be assured, I am told
scientists hard at work,
on the forgive n' forget drug.

meantime,
take a bubble bath in
rosemary and mint,
trap and tap some words,
into your cell phone bone,
the poetry heat, scented waters,
provide aspirin relief.

through this poem,
on one day annual,
I am relieved, relived,
the muses, the Devils
all herein, feted, and sated

gone for few moments
concerns, worries of
exposure today,
agnostic's foxhole of hell
is dis-remembered,
the gloss returns,
the faux dispatched,

ain't birthdays grand?

yet, I cannot help but ask

what if the poetry ceases?

what rhymes with
Sorrow?
mmmmm.

could it be
Morrow?

bath drains,
rosemary and mint odors dismissed,
the Argentine disparu,
the Spanish Medievalists,
the Neo-Raphaelites,
all dispatched,
didn't they have birthdays too?
didn't you know,
Hey Michelangelo!
the Renaissance come
and gone,
nobody tole ya?

t'is the day
my sweet city recorded my
naissance in the
Hospital of the Flowers
on Fifth Avenue.

the 'crats put the datum
in the bureau with the
night creams and
the statistics
as follows:

on this day + a few,
seven or twenty decades ago +
a few centuries, some blackbirds,
a question was born,
and an ache that is
sometimes relieved,
by a poem~song.

though do not celebrate,
t'is a day to calibrate,
review, edit, tinker,
rewrite, often a stinker.

yet, but,
always one thought recycles:

**what if the poetry ceases,
how will I breathe?
Written years ago. Tinkered and edited once a year.
Nat Lipstadt Sep 2014
for Kitty Prr*

there is no boundary,
Mason Dixon Line, 49th parallel,
uptown, downtown grooves,
separating human from poetry,
but there is living, daily scorekeeping,
push/pull of taking each breath
in a right mannered way

sometime you gotta dig a ditch
to learn to climb a mountain,
pay dues and even get paid back
for living in a wrong mannered way,
which requires laying down of the pen,
doing shovel ready projects
needy for completion,
yet-to-be plans needy for
formulating details,
forethought and caring, putting the
poetry aside,
on top of the dusty piano

sometime you gotta drink it black,
pass on the milk, cream and the sugar,
even if the waitress just brings it,
pour ice water on top.of your head
just for yourself alone
the how-to-cleanse the eyes and head,
sometimes you got to let the
poetry stand aside

sometime you have to open that
black briefcase^ treasure hoard of
all things soured and soliloquy of
missteps and judgement errors,
letting the
poetry stand aside

sometime you gotta do the laundry,
rediscover the bottom of the sink,
watch the washing machine movie screen
picture making,
asking for its very own poem,
but you know this day,
gotta let the
poetry stand aside
and you stand up
and climb,
straighten up,
back creaking,
joints cracking,
first find the place to rest the body safely,
and when the chores of living crossed off,
then only
ready and somewhat good,
dust the piano,
dig out pen and paper
from the kitchen drawer of miscellania,
and let the reign of poetry
rekindle the Phoenix's ashes
Sep 2014 · 1.1k
Dreary, Overcast Sunday
Nat Lipstadt Sep 2014
These are the words and the actuality
that in conjunction,
drive mothers of young children
to depression and distraction

Poets to look inwards yet once more,
for sources of olden inspiration,
finding only
been there, done that

Warmongers to chop lick lips
in eager anticipation of
past and future smokey glories,
gun batteries sparking and
other men's children dying

Overcast and cast out is loveliness,
only words of ancient, somber lineage,
populate, pursue and expectorate,
sunny notions and love poetry none,
dried up, to fallen leave piles dispatched

For on this day of rest, the foggy sky
grants no permission slips to draft
smiley faces and upbeat tempos,
comforts foods perhaps, but nary a
comfort word to make us cheery

Enslaved to nature this day too,
my exteriors reflect inward and my
mirror'd observatory of starry images
no longer available on any
of my two thousand TV channels

I have checked each one in a
be-quiet-you're-too-noisy dismay groaning,
as well as my ordinary, toujours,
quiet desperation

The sun tantrum tantalizes for I see
it's bodacious attacks repelled
by cloud banks rich with deposits of gloom

Slip into a mystery, an old novella
of Stephen Kings, an homage to the
drama of the four seasons, but this old friend
is elementary ancient, for its tales
are deep sad, writ upon weary worn pages
and tho apropos, grant no comfort

The sailors all to bed have gone,
plowing pillows instead of waves

The squirrels and other homeowners,
in view of the absence human,
are cheek to chop, jowls acorn full,
doing "Storage Wars" of winter prep,
in HD, in broad daylight arrogance,
mocking the summer man, adding their
sauciness to his moody blues
meal of melancholia

Am I such a creature of nature,
that I am captive no matter
what the sky color be,
is there a moody madness the
psychiatrists have labelled
that best describes a nature slave
most unnaturally?

I repair to the couch and chips,
reruns to pretend distraction and
poetry to record my inaction

The weather lady, a fresh faced blonde,
smiles white and exclaims that
the work week commencing tomorrow
all sunny all unseasonable warm,
and my groans so loud,
I am banished to parts bedroom foreign,
where I am ordered to write
perfunctory odes to gloom,
in silenced doom
Nat Lipstadt Sep 2014
Now an annual autumnal literary festival visit
to our island redoubt,
the snow geese come honking down,
in linear formation
warning itinerant human beachcombers
of their arrival on the beach runways
of our sheltered island

This TripTik recommended diversion,
is a pleasure long anticipated by them,
seen as an intellectual rest stop,
with excellent sea snacks cuisined,
flying down the Eastern Seaboard
keeping Interstate 95 on their right,
an avian version of GPS

Our birds,
follow a minor route,
commencing in Nova Scotia,
the farthest north of all the species,
never making it to Mexico,
ending their travelogue in Georgia,
lest their true species be confused
with other kinds of Floridian snowbirds

Sit by my side they do,
one by one in assigned seats,
on the now scrawny grass blanket,
their attention span famously long,
unless a school of striped bass
seen on radar in the vicinity

I, on my Adirondack throne,
a poetry reading to intone,
with more-than-occasional audience input,
considered their right most fair

Critics one and all,
animated animal devotees of the arts,
unafraid to express their thoughts,
oft in unison or in
unharmonious John Cage
cacophonies of disagreement

Sadly, I only speak local seagull,
thus their effusive exege(e)ses and criticisms,
either damming or acclaim, indistinguishable,
their only "tell" is if
they stick around for
just one more...day...

That my poetry they did favor
was a conceit I feigned to believe,
loving their attention even if not deserved,
for in their service, and nature's too,
I am now trained to sit and wait,
a minor stitch in a famous tapestry,
for well I recall Milton's words:

*"God doth not need
Either man's work or his own gifts: who best
Bear his mild yoke, they serve him best.
His state is kingly;
thousands at his bidding speed
And post o'er land and ocean without rest:
They also serve who only stand and wait."
Sept. 21, 2014
Sep 2014 · 2.4k
The Colors Inconsistent
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
Nat Lipstadt Sep 2014
je pense bien à toi
(i think well of you)

Have not chatted in awhile,
me rutted in NYC,
a city of constant tear down
and sometimes flashy urban human
renewal...

While you,
you getting on with life,
growing up, growing down,
buying clothes for a new school season,
or growing children,
or boxing up now grandchildren memories of memories...
falling in love, writing poetry all about it...

You,
in Nepal, Malaysia, India,
Seattle, Portland, and the Florida's panhandle,
the US Midwest sainted hinterlands,
the South, that makes one love water,
water that has travelled from the faraway,
island continent of professorial Australia,
Did I forget the Philippines?

worse sin committed,
is that in
your poetry
I have not toe dipped,
quite the long erstwhile,
after loving it with
obsession devotion...

so just a Saturday afternoon
note penned just to you
and you alone...

je pense bien à toi
(i think well of you)

So by way of apology,
craft a poem for you exclusive,
more than each word, letter,
every syllable, tongue tasted
for conjuctivity,
breadth and thus discovered
notes of red soil, raspberry, lemon,
even a hint of sweet masquerading as a
salty kindness in our veins,
our unique vintage of connectivity

Your hand to my lips raised,
grasped twice, by mine both,
slow lifting with stature, affection and respect,
kiss it and whisper just enough for
we two to hear...

je pense bien à toi
(i think well of you)

even this seems weakly insufficient,
but care taken nowadays,
a new economy of words,
write less, think more, and
give up the truly deserved words only
as a mark of my fondness and respect

these come on no schedule,
often months in the making,
so forgive-me-not my unsweetened silences,
accept them with easy knowing that

je pense bien à toi
(i think well of you)

the summer man wintered in discontent,
his journey now disrupted by forces exogenous,
stealing his vision, jailing him in between
walls of indecision, knocking down
his own twin towers,
but carelessly not making provision
to tell you well and often enough

je pense bien à toi
(i think well of you)*

Sept. 13, 2014
Thank you SALLY for reminding me of this long ago poem 6/21/18
Sep 2014 · 814
Brokeness
Nat Lipstadt Sep 2014
upon being invited to add to a collection here called Brokenness
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

He he
** **
Ha ha

it has been awhile
that I recv'd an invitation
to add to anything
or join a club,
just like Groucho (Marx)
worth being invited to...

but when yours arrived,
I chuckled and jived,
for this broken biz
be an area of expertise,
about which I gladly can opine,
since most of which I contact,
is inevitably in that state demised,
marriage, children and other trifles

so to the topic at hand, let say but this,
if not eloquently, then perhaps,
gravely, for that is where the
broken pieces oft call home
or cemetarily. a final resting place...

perhaps you were unaware,
there are 449 poems in attendance,
where the word brokenness
doth appear
in this sanctuary of broken children
and adults too,
easy discovered in the memory of
Hello Poetry

but this will not be, I hope, the
four hundred and fiftieth
as I decided to nomenclature this oeuvre
as Brokeness, with but a single N,
since a good N
can be hard to find,
why use two
when one will do?

if a faithful ecrivant thee be,
you won't be shocked that there are
so many Brokenness in this world,
the dictionary doth recognize its multiplicity
as a word legit, accepting as a plurality*

brokennesses!

which is a whole lot of broke

so let us poets to the process repair,
with a tikkun here, a tikkun there,
a tikkun everywhere

so that the healing never ends
and that someday we will delete
all words of humanity in disrepair,
let the broken be the unbroken,
and let's all say amen
and get started...

Ogdiddynash
Wikipedia
Tikkun olam (Hebrew: תיקון עולם or תקון עולם[1]‎) is a Hebrew phrase that means "repairing the world" (or "healing the world") which suggests humanity's shared responsibility to heal, repair and transform the world. In Judaism, the concept of tikkun olam originated in the early rabbinic period. The concept was given new meanings in the kabbalah of the medieval period and has come to possess further connotations in modern Judaism.[2]

9/11/14
Sep 2014 · 850
Sept. 11th 2014
Nat Lipstadt Sep 2014
I don't like deleting certain emails
for the simplest of comforts
seeing the sender's name provides,
they are...

a hot tea on a "still sick"sick day,
an unexpected "how are you" inquiry,
or a late summer blossom,
a lavender Rose of Sharon,
shockingly discovered through a
country kitchen window on an early fall day,
or a poem born effortlessly,
it's existence unbeknownst to its creator,
just minutes earlier, unaware of its arrival,
just like this one...

or not deleting a newly gifted photo,
uncovered while closing one's eyes
past the midnight hour when
the old day hands off to the newly born incoming,
sending yourself off to bed
with a smiling chuckle;
of a young child's first day of school photo,
her plaid skirt and black patents,
a cherry-topping smile radiating hints
of both a pleasured future, a happy home,
and a growing-up maturity earned
from a third summer marked upon this planet...

so I keep that  email and that photo
handy-filed so they are stored,
fresh faced in my inbox or screen,
a friend's name, now a symbol of caring,
a child's photo, emblem of a kind of love,
that parented this poem, so that happily both *****
the armor of the commonplace
of both the everyday,
and the unforgettable world weariness
of having been there years before when,
when the mind sudden recognizes the new day's
sad refrain, sadder name and its most
saddest anniversary and these
disparate comforts,
both say, rest easy friend,
and now off to sleep...

2:31 am
Sept. 11, 2014
on 9/11, I was working in very tall office building at the very tip of Manhattan, about a mile as the crow flies, from the World Trade Center buildings, with "perfect" views of all that transpired that day...
Nat Lipstadt Sep 2014
Two men, one poem
Two men, one poem.

This day, on this site.
Two men wrote to me.
One called me brother.
The other, an arrogant *****,
Called me little.

One shared his life,
With humility and gratitude,
That I lost it. Wept. Baby like.
Honored me with trust.
Swapped spit stories
That bled into my brain,
And a tattoo appeared on my
Writing arm, one word,
Humility.

One boasted of his beans.
His bean counting reads.
Analyzed his trends,
Predicting by Christmas (!),
He would have this many.

His **** poems he informed,
Would be published.
What need did he have
For punk-u-ation,
His rants, his **** stream of words.
Better than mine,
Just cause his stuff I said,
Not my cup of tea.

What a crazy place this place.
Holy and *******, sided.
Humble humble, always humble.

He invoked, this arrogant one,
God's name.
Not knowing I talk to Him.

So I rang Him up and said,
How did a little peenus-genius
Find his way onto this
Holy Place, HP, of kindness.

He smiled in brevity.
Did I not create both,
Angels and devils?

I love God's brevity.
His commas, his question marks,
His pointed punctuation.

I love that He could create
A man whose sight of
Me, unseen, but found capacity
To love me in ways
Undreamed.

Because I peered in to the man's reveal,
Saw quality, value,
Saw humility.

So of arrogance, I said,
I would write.
But it is of humility
I will sing,
Of loving human kindness extraordinaire.

Of weeping endless.
At the joy afforded me
To read so many lovely poems,
Here.

If my poems never see the
Imprimatur of a publishing house,
It matters not,
For I have seen a human being
Weep real tears reading mine.

I have shed rivers of my own
Upon discovering yours.

Humble, humble.

If it is glory you seek,
You will find it,
All alone. Mastur-bating.

Me, I live here, in the midst of a
Good Company.
Sept. 7th, 2013
Nat Lipstadt  
I appreciate this, but it does not connect for me...many beautiful phrases and images, but I am left confused other than the general tenor...just not my cup of tea. Sorry


Unnamed:

Well friend I guess I will take comfort in my writing being published through the University of Arizonian and being invited out to the winter and spring release parties. Then I have two hundred and thirty eight thousand reads on my two writing sites that will reach three hundred thousand by Christmas I will try to go on God bless you.
Nat Lipstadt Sep 2014
(For Sia Jane)

once he wrote:

"Writing is more important than any of the individual senses that feed this (writing) addiction. Without sound, sight, touch, smell and taste, I can (still) live quite well."

and she loved this,
for well she lived this ideation

so textual emendation
for this girl,
one of god's human poems

irony kick in the head,
truth driven home by body of late,
crossed and staked,
weeks pass, I cannot taste or smell,
eyesight distorted by streaming eyes, no matter,
sight, sees only a decrepit man lousy
repeating repetitiously older spasms of writing,
all this time he is one
who touches nothing lest he infect the world,
with something other than joy...

all thanks to some insidious bacterial invaders
and one or two Lifetime Movie Channel dramas
playing out in full color in his own sad reality

so let me amend my prior write,
for this time, I make no overly boastful claims,
for I could pen nary a verse all these hours,
that was deserved of your affection...

write I could with any one of the five,
if four were repleted, deleted, none elited,
but one is
this man's de minimus

need at least one to function,
to master the bronco impulse to create...
don't matter which one,
which orifice writes the code,
all sensory inputs end up residing
in your heart and soul

but gotta have at least one in order to
express my love for love...

and if I can't do that,
then experience shows,
no way can the being supersede its
thrumming, hum drumming, existence,
motoring along highways circularized
of watching old tv shows

if I lose my hands I will write with
elbows, nose or toes...

my tongue cut, my mind will love more,
its recollection of your taste, delicious twice over

blinded and bereft, my mind's eye
will do double shifts, get paid overtime,
for reliving connecting your birthmarks

my jesting muted, my seers closed,
my nostrils sealed, even terminated,
dare you think, that I cannot hear or
smell my thoughts,
of the pleasure of a world in which
loves existence demands we heal the sick at heart,
so we can
extend love to ourselves and others
beyond the mere limitations
of our corporeal senses....

one, but one, all I need,
any one,  in order to
sense who I am,
to love, and be loved,
therefore,
to write
Sept. 7, 2014
but what if forced to choose one sense above all?
Once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Sep 2014 · 657
A New Poem: 5 x 5
Nat Lipstadt Sep 2014
5 X 5

sitting in that chair, once more,
that chair that is my picture of me...

One:
The bay laps quiet rhythmic hellos
knows better than to ask,
just graciously accepts,
one of us says Hallelujah,
and the other, Selah!

a torrid summer of morose and illness,
lingers still, and here I am, cosseted,
comforted by familiar comfort foods,
baby waves, the gentlest of precision-crafted currents  
of air, all together a baklava so sweet,
one could forgo forever eating,
but never, writing of them, to you

Two:
Crumpled tissues,
absorbers of ****** fluids,
crumpled poems,
absorbers of mental fluids,
evidence of a body and soul's
dismal anguish, creativity extinguished,
weeks of weak, months of morbid,
were the pretense that a lovely physical shelter exterior,
could ever successful well-mask the human upheaval within,
as if a summer tan could disguise the illness exposed in his eyes

Three:
Sun of moderated fall heat enters via the nostrils,
crimping the bacteria of depression,
that come from an overrun immune system,
a summer of discontent for the summer man,
who has been encapsulated by the suicide
of a man he knew only from his humorous artistry

am I better? some. healed?  of course not...
but here I begin a summation of my silences,
that came with no explanation substantive,
for which I formally apologize

Four:
Four is for me, a self-addressed postcard,
way past the point of clean slates,
I am a blackboard with years of dust cumulated
from scrawls, equations, mistakes,
and here n' there a teachers favorite,
a large exclamation point!

decide that it is perhaps time
to relearn how to write poetry for pleasure,
wipe that chalk dust off some,
not for pain disclosures hall marked,
though the pain must be played through,
today, a new season starts and my record,
unblemished a perfect 0-0

Five:
Why 5 X 5?  No idea!
this is how it starts for me,
a title, a notional emotion,
a horse rider with a head,
but no body attached,
no direction home,
and the words, disassociated,
pulled together and now there are
five babies tendered for your
care and consideration,
perhaps even,
for your pleasure...
Sept. 7th,  2014
if I had to choose one sense, then, once he wrote:
what then, weary reader,
is the supposed Laureate's approved analytical tool?
(How to Read a Poem (Hint! not with your eyes))
Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Nat Lipstadt Sep 2014
Blessedly, funerals,
don't have to go to too many,
though went to one
just this day,
for our next door country neighbor,
the nicest dour-looking,
rascally dearest man

The Catholic church full,
the hymns lovely,
the priest spoke
simple and beautiful,
about the paschal lamb
and the
Judeo-Christian Heritage
and
Life Everlasting,
an interesting concept,
that I had long forgot about

Must have conjured up
three minimum ideas
for poems,
not even including
this reportage

maybe I will write some,
tho the normative jelly of
Manhattan bus shaking
mine own recipe for inspiration,
when combined with
my peanut buttered
sheltered island by the Great Peconic Bay,
both, will be my swirled
inspiration everlasting

Can't write about
moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies,
the way I write is
just the way I think
writ out loud

so to the essay at hand,
funeral of a man,
mine all planned,
the invites ready,
awaiting the correct postage stamp
of a future time and place

the date, more or less sketched,
the poems, selected, notated
for whoever shows,
pick a read,
win a free trip to the cemetery
and maybe one back to his "parlor"
where food, drink and bon mots are
vous parlez'd and his spirit,
now a parolee, will be watching

smiling, for funerals are camaraderie,
so longs and fare-thee-wells,
and the hands of friends embracing,
celebrations in their own way,
and a time to tell stories of what
treasures they have left you,
silver linings of a life well writ,
and tho someday,
they'll be time-tarnished,
even half forgot,
the stories and the love poems
are the seeds of life everlasting



Passover/Easter
March 2014
written a few months ago, but fermenting till this fall day on my sheltered island.
Nat Lipstadt Sep 2014
Writ and posted here,  one year ago today, and one ego later, progress made...




The time, the place, the setting:

T'is some hour for sleep, prescribed,
For me, the reality of sleep, proscribed.

The strains of Bach's
Orchestral Suite No. 3 in D Major
Haunt.
Richard II's words
Give pause, precision refinement of my cause courant.

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the ***** of the earth”


Two am in New York, sleep,
As advertised,
Literally, a passing acquaintance,
Doesn't make it to
The side of the bed occupied by
100% of me.
Seems he went
From chimney to chimney
This past Sunday morn.
Not having a chimney,
He flue right over me.

No matter.
Company aplenty,
Ego and moi,
We, had a long talkie.
A bit of a wrestle, a staring contest
In a mirror, we watched ourselves,
In the pitch black
where clarity is perfect,
For nothing else exists,
But ego and me,
To distract us.

“I'll read enough
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Give me that glass and therein will I read.
No deeper wrinkles yet? Hath sorrow struck
So many blows upon this face of mine
And made no deeper wounds?
O flattering glass,
Like to my followers in prosperity
Thou dost beguile me!”


Called my lawyer just now,
ordered her to commence
the divorce papers, serve them ASAP,
I need to rid myself of
My oldest nemesis, my oldest friend,
Mine vanity, my ego.

Let me explain
myself to myself.
You may tag along for the ride.

Writing is more important
than any of the individual
Five senses
That feed this addiction.
Without sound, sight, touch, smell and taste,
I can live quite well,
Thankee.

But ****** boy mind needs to write
Simple survival.
No write, no life.

But ****** bad boy ego is a curse,
A contaminate of each and every
Line, stanza,word and verse.

"Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin”


At first, for an audience of three
I performed,
Me, myself and I.

But the suckiness creepeth in,
and etches my distorted face,
Salutations and gradations,
demanding confirmation
Of Shakespearen magnification.

Do you like me?
Do you love me?
****** all.

Curse ye King Ego and your vainglorious occupations,
Divorce me, from the sad isle of
Self
Self worth,
Pride, vanity insurance,
The most deadly of the seven
Deadly sins.

Ego desperate in kind responds:

"I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?”


Slime and slippery, want is what you feel,
Taste grief, need friends,
Sly devil, you twist thy cunning tongue,
The reverse, your plain meaning!
You need nothing but subjects,
In earnest and forever praise,
Absent them, you mood and whine,
A pretender, a poseur, a drug addict cursed!

Let us purpose to dispose of thy spirit earthly,
Slow starvation too good for you,
Poison, arrows, the hilt of my blade,
The neck, thine bowel,
Let me embrace,
Prefer your steel hot or cold?

If we both must expire, then it be so, for
My honor taken, my life forsaken,
My poetry in disrepute,
Until that day when I write for me alone,
And ally my scripts, in coffin, with me interred.

*"My dear, dear Lord,
The purest treasure mortal times afford
Is spotless reputation; that away
Men are but gilded loan or painted clay...
Mine honor is my life; both grow in one;
Take honor from me, and my life is done."
PostScript:
Number me thus, in the company of
The good but the forgot,
Still will be of cheer goodly,
For tho ***** could not be saved,
Not one good man found in the ****** lot,,
Except for one, the truest audience of one,
Thus I will be saved, thus, call me, Lot.

-----------------------
My battle to destroy my ego is minute to minute hand to hand combat.
Nat Lipstadt Sep 2014
Past the green copper bell-ed,
Thru the the single trees, un-felled.

Do you see that solitary-sentinel chair,
Empty? No, not.
Can you not see the sweep,
The vista, the poems hanging about,
Ripe for the plucking from the quiet,
Nestled in the soil, on the wings of gulls,
Who do not fly, but let the wind keep them
And their cargo, standing-still, in place,
Awaiting my attention, my need.

You read less and less,
The more and more I write.
It's ok, I understand that.
Blessed to have found the spot,
Where the poems make a crowd,
And the giving is good and healing, easy.

A long as there be ten righteous,
The Lord acceded to Abraham's plea,
***** would not be destroyed.
I am less demanding,
For I am just human.

As long as but five,
Acknowledge the caring,
Lick my wounded words like vanilla,
Is that too much to ask?

If but one finger points and marks it
Read, is that not sufficient to let this
Battle be ended, tween ego and truth,
Pride of craft, and, weak craving for attention-no-deficit?

If it be, that only the sea grasses, rooted deep, sway,
On the beach, a few feet from where, the chair spends its days,
Clap their hands silently to
Acknowledging the harvesting of the words,
That too will be noise enough to satisfy
The Lord who tendered them, all this, to me
For safe keeping, and giving me no choice but to write,
If but to honor all words, and their creators,
Each and every one.


See my photo, to better undertstand...
Writ a year ago, when I picked poems from the air, there for the taking like fallen fall leaves that decorate the world, this September   chilly and chilling Monday...bless y'all for liking this so much...really physically and mentally blocked, for many reasons so I repost the old ones when appropriate...
Nat Lipstadt Aug 2014
by Derek Walcott (1930-2017 ) / Nat Lipstadt (1950- )

The time will come
Cruel messenger, bastardized time, come back! unwelcome visitor
when, with elation
bringing only dreaded D-words,  despair, disgust...deflation
you will greet yourself arriving
departing or returning, matters not...there is no greeting
at your own door, in your own mirror
visible in either cracked devices, where lies and truths indifferent
and each will smile at the other's welcome,
welcome smile, wry smile, each an artifice alien smile,

and say, sit here. Eat.
speechless, floored, consuming flesh. Eat.
You will love again the stranger who was your self.
Love the étranger, estranged parts, how
Give wine. Give bread. Give back your heart
Give whine. Give mold. The transplant rejected
to itself, to the stranger who has loved you,
by the stranger, now an it, who cannot recall himself,

all your life, whom you ignored,
all your life, ignored your choices's ever-mounting losses,
for another, who knows you by heart.
the split, the other knows not how to grant forgiveness.
Take down the love letters from the bookshelf,
Take down the historical despair poems, for fresh decomposition,

the photographs, the desperate notes,
notes that never age, born desperate yellowed,
peel your own image from the mirror.
peel the skin, undress the delusionary, expose the interior accurate.
Sit. Feast on your life.

**Sit. Life has feasted on you
Love After Love
by Derek Walcott (1930- )

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Nat Lipstadt Aug 2014
throughout the day,
most oft at night,
start to say,
stop short,
painful for crying out loud thoughts,
shoutouts to any passing god

things that need to the air
be exposed,
but not to ears that
well, what could they say...

so stutter-stop
the bottling inside,
periodic fizz escaping,
and even poetry
cannot help
for it does over and over again,
end up as crumpled papers,
litter of the head,
halves, this's and that's,
even this one dies here and now*

~~~~~~~

irony delicious,
that litter sounds so literary,
so added débris,
lest my mangy constructions
manage to confuse you

the litter in question,
is your host's hors d'oeuvre
nibbles of works,
half-started, half-finished,
like rooms to let,
that come only half-furnished,
not a single morsel worthy
serving up,
all half-satisfactory

poems, of course...

the wrong write ***** clogged,
resting in peace,
Works In Progress (WIP)
unlike the poet,
who's just plain whipped

un-crumpled awaiting
an episodic finale,
if ever they should be televised,
they are needy for cumberbitches,

a birth or death certificate
sore lacking

pick up put down
new titles pop,
essays in need of love,
naught fruited, dead pits,
hanging on the tree till
gravity takes them prisoner

on and on for weeks
the side stitch does not
disappear, but does grow
aching familiar

perhaps the topic offends
you the most,
cloying, suffocating
self-pity
of your own hands
around your neck wrapped...
Nat Lipstadt Aug 2014
Dog Tired, Bone Tired, Dead Tired.

all in, beat, bored, burned out,
bushed, done in, drained, drooping,
exhausted, ******, fatigued, fed up, flagging,
just about had it, indifferent, knocked out,
out of gas, pooped, punchy,
ready to drop, spent, taxed,
wearied, wearing, wiped out, worn out
plain old zonked.

there are only two words, for which there are no precise, exact, synonyms.  

To mind, they flash instantly,
For they are the constants in the equation of life.

Love

Responsibility

Man, can they make you tired!

But they are constants, so we accept and pray for ourselves
To accept them both with

Equanimity.

5:45am
August 24th 2013
Completely struggling to write, so reposting this on it's first anniversary.
Aug 2014 · 872
Love After Love
Nat Lipstadt Aug 2014
by Derek Walcott (1930- )

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Trying...
Nat Lipstadt Aug 2014
for Joel Frye

whose bear roar will n'ere be diminished,
for one who  has the good sense to laugh at himself,
is destined to live in the permanency of the place where memories smile and our
hearts store our affection unlimited,
for this earth, better for him

Deities and Muses!
you are herby responsible to guarantee this quality will never be lost from him and his residence, his near and dear, or else!

~~~~~~~~~~~~~~~~~~~

in my mind a thorny paw
is irritating my most private
mirror-revealed thoughts,
asking me to fulfill obligations

oft have I writ of our chosen crew,
daily do we cement bonds,
with winks and nods and
meet away from the
glare of likes and reads

we exchanges vows
with stronger than the strongest words
for
there in not a single letter,
A's, B's or
even C's
that give us pause, no terror,
we bend them to our will


Betterdays wrote:
"i am a word written down.. any word, any word.
i am undeniable, desirable often incomplete
always open always waiting
for some one.........just like you ...
to open your heart let me in
to recognize a new start
to have a play, a scribble,
doodle, pen jive. to become
alive.... to thrive, just begin with a single letter.....then another,
go on be brave.............grant me liberty......"

the alphabet,
is the grantor of freedom,
for the component integers,
sum of the words
is greater than any all of us...

your words, her words, my words,
all of the crew's speak spokes
a language common but peculiar,
we transpose and borrow,
transgress and combinate,
all the better for interaction
that allows the *******
to the places we want revealed,
indirectly, we shine the light on our
recesses and are unafraid for it,
indeed we are better for it...

these poems are the streams and
wellsprings you know well,
lay your body upon these verbal waters
and float forever, though deep,
they are the fluids of your soul,
permanent poetic nourishment
and your claim upon them
all the greater for having three years plus,
added to and lived their pleasures...


for did you yourself not write your place is where

"The ocean's pulse, the ebb and flow
of constant waves' re-nourishment
bespeaks to me of life, although
an undercurrent message sent
in whispered sighs of Gaia's breath
upon the shoreline where I sit
relates a tale of bounteous wealth;
the wind, the rain - that we exist
at all is purely by the grace
of Nature's cycles. Also heard,
a gentle, soft, disturbing voice
reminding me without a word:
when we have come and we have gone
the ocean's pulse continues on"

perhaps you forgot!
you are part and parcel
of that ocean's pulse,
waves of letters forming and reformed,
your simple words above
re-nourishing me constant and even,
perhaps,

*
their author?
Nat Lipstadt Aug 2014
one more for Pradip...
"Poems...are never short or long, they're only more. Thanks Nat for ever filling the less."



firing up the poem kiln,
this intriguing provocation
insistent of deserved consideration,
after all,
it is thy stories that these days inspire,
my own stories are relentless
grey, old, cold, and to my eyes,
coded repetitious...

neither a chaster or a chastiser,
(You could look it up!)
confessing readily to sinning against humanity
by ecrivezing poems of length considerable,
the Mexicano from Indiano
releases a shotgun blast
to all those whose attention spans last,
to ten words or a single stanza...no more...

but this not the matter of import,
no, no, it is the
more and the less
that makes poetry the best,
no matter the length or the heft...

in each of us
there is a more and a less,
in cycles individual that are not bound to
tides, weather, or any effect natural,
but product of our own amber waves
of chemical imbalances and mental auras...

all my days have I rode waves of
well hid hills of mania *** depression,
contented moments surrounded and cosseted
by wails of worry, sorrel colored sorrows,
making the scientists amazed at the correlation
of the macro and the mini,
the precision of my indecision...

in sixty seconds, in sixty days, in sixty years,
have I battered and battled the disequilibrium
of more and less,
disallowing a pilloried intervention,
will likely do so until
that day when my pen
has bled its last...

this theme haunts,
for but a day ago,
a bus poem was blurted out,
that concluded thusly:

to survive,
to justify,
to mediate
between these un-counterbalanced weights,
I write poetry


here I am stunned that Pradip
with but a handful of seeds,
exactly isolates the genetic implanted notion
that I struggle to define,
knowing only that my poetry fills my less,
when the all the rest is just
another fine mess

we fill the less with our wit,
we top off our souls with writs,
we are more for having scribed,
one read or ten thousand,
it mater matters knot!

look upon the pages endlessly bearing
the ephemeral heavy-handed weight full of well crafted words,
the good, the plenty,
the sad, the sorry,
the trite and cranky,
those misted musty,
the light and the careful,
the bad and merely awful,
even the drip of torrential love stories gone dry

what matters not
any of this over sighted analytics,

each and all and everyone
a success,
for each poem makes someone's less lessened,
and someone's more, more,
and by this

**ever filling the less...
this is also about Robin Williams suicide which impacted me deeply but could not find the words...a bus poem is one composed on my trip home from work in thirty rocky minutes on the M31...you could look that up too! The one that goes to the Andromeda Galaxy, and not the MTA 's midtown local affair....
Aug 2014 · 628
The Daily Prayer
Nat Lipstadt Aug 2014
For Sally, who loved this the best*

Be forever young n humble;
Feel ancient and royal;
Ride tall in the saddle;
Do something nifty;
Take someone's hand unexpectedly.
Drive home in the slow lane;
Do the minimus;
Do the maximus;
Leave a book on a park bench;
Use pen n paper, write a letter;
Take a chance, make people laugh;
Barrel into contention;
Show mercy to the confused,
Show anger to the abusers.
Bless a child with both hands;
Grasp your soul, throw it down,
Raise a child to the sky
Straight up,
A continuum, you and they,
A ladder to heaven
An excerpt from a long ago (August 21, 2010), a very long poem. The best part of it, here in gifted and given to Sally Bayan, who loved it best, and understands it even better than me...the original is http://hellopoetry.com/poem/443263/the-continuum-prayer/

and was written when words were playthings and not as costly as they are today..
Aug 2014 · 1.4k
The Quality of Conversation
Nat Lipstadt Aug 2014
perhaps we do not wish to admit,
that the majority of the words we speak,
the conversations overheard, even without intent,
leave us not awash, not suffocating, but
mesmerized in an awful way

squelching tirades of banality,
humdrum housework life's tirades of
meeting basic needs, functionaries of life,
bureaucrats of our domestic affairs,
accountants calculating marginal cures,
overridden by the occasional impulse,
which delights until it too
is humdrum-ed out of existence

a passing blazing ambulance
begs to contradict,
reminders that there are
crevasses on the city streets,
that in minuscule moments,
life becomes twisted making our lethargy,
a course 101 introduction to tragedy

but this is not the norm,
this imbalanced equation,
1X = 99 whys,

to survive,
to justify,
to mediate
between these un-counterbalanced weights,
I write poetry
Nat Lipstadt Aug 2014
ex libris,
from the library
of my vocabulary,
draw a slender text,
old, yet untitled,
needy for a birthright,
transforming unlined, unwritten,
into a flesh and bloodied word concoction

there are many similar such,
empty volumes,
on my mental bookshelves,
literary clocks that
have yet to commence ticking
from floor to ceiling,
from soles to mind sight,
their patience untested

this book, these words,
are ex-me!
for they are a
welcoming,
a thank you note,
a hello,
all of which can only be extant
if in the mind of a receiver

as I compose, I own,
as I post, I disown


they are more than shared,
more than gifted,
they are ex libris:

briefly my own,
but now wholly yours...
originally posted elsewhere.
Nat Lipstadt Aug 2014
"Nothing is so healing as the human touch."


Started:    June 21, 2011
Finished:  August 14, 2011

"Nothing is so healing as the human touch."

Purportedly, the final words of Bobby Fischer, the reclusive, oft bizarre-acting Chess Grandmaster, whose life deserves your examination.  

I wasted decades of my life in a loveless, sexless, miserable marriage. I read his dying words, and the poem~notion was born, but the words had their own timetable and it made me crazy.

All the facts you need to read this old poem are now in your possession.
~-----------------------------------------------~
Mos­­t poems used to just tumble out,
Sudoku words combos,
Gunslinger I was,
poetically licensed to shoot
from the hip (the lip?).

Then you go mute, until that second,
When once again,
Machine gun stanzas fall like
Cheerios
Spilling all over the kitchen floor,
As they always do at Two Am
When quietude is in high season,
And the whole house is sleeping.

Once in awhile,
The title~idea recorded,
But the poem unwrit,
just won't come.
*** but no ******.

The words smack you,
Write me, I deserve it,
A challenged duel glove
Goes kissy kissy on your face,
But the words,
The choice of weapons
Eludes for weeks, months.  

So Bobby,
Your challenge
Long ago accepted,
But my reply imperfect,
Has lain bound and gagged,
A poem-in-progress
Hid in the trunk of my heart,
Unable to escape, even when
Escape attempted, unsuccessful.

From June till August moon,
Your dying words have been
A cancer growing, within,  
Hiding from my bullets
Invented to radiate,
Your final words, explicate,
Explode and expose.

Your life,
An essay on life in solitary,
Anti-social would immodestly describe your life best.

How came you then to exclaim,
Re the glories of human touch?

Ah a dying man's last regret,
A simple cri du couer,
Nothing extraordinaire,
A basic 101 shoulda/woulda
Of "I coulda done it better,"
What's the big deal?

Until this exact second,
Sunday rain jolted body from bed
Do I instant understand my obsession,
The import to me,
The need to capture
The haunt of the healing
Of your dying words.  

Life is small, miniaturized
When numbered in decades -
Five, six, seven,
Maybe,
Eight nine or even ten.  

How came I to pass so many,
Discarded whole decades,
Of the few we garner
Without the sustenance of
Human Touch?

How came I to allow this disaster to pass?

How did I advance to the next grade/decade,
When a failing grade was scarlet tattooed
In ****** scars upon my chest?

Would be easy to dismiss as just another whiney rant
That is no longer relevant to you,
Lies I told myself, no longer resonate, over, now.

Never.  

Everything matters.  

Summation.  Accumulation.

Day Counter Totals  reveal gaps of years
That cannot be refilled so your accounting
Must include a retelling of the
Wasted days and acknowledge with your dying breath,

Nothing is so healing as the human touch.
~~~~~~~
Happy 3rd Birthday poem.
Thank you my love
Aug 2014 · 1.5k
Long Term Planning
Nat Lipstadt Aug 2014
for M*

never been good at it,
picking jobs, careers, wives,
was not one to
outline the steps,
to goals I could not
speak or define

so I bumped this way and that,
knocked down, dusted off, and
meandering, restarted and may,
unexpectedly,
have to do it
once again

once grooved,
let myself be fooled
by myself,
the best ole fooler I trusted,
that my track,
breeze to the back
was bumble free, straight,
planed and planned
and though accidentally,
what the heck

of course it never is...

you could write it all down,
the before, the softer,
the after, the harsher,
and the middle muddle
of visions hazy,
when you are too lazy
to engage

and to those of you
who see it clear,
on yellow pads and blue lines,
write down step one and two,
god bless you

Know though

there is no such thing
as free and easy
from the curves
that come up fast,
so fast that they
strangle you
near to death
or even past it

you can't imagine it,
I know, you can't,
and those who can,
likely no longer need to imagine it

but when you dare do,
clench eyes and make that ugliest rare bird
come to front and foremost
come to mind, you make it
fly to disappear,
to rarefied air,
where it,
you beg stay

and you do some good,
stupidly think you've collected
celestial brownie points that will
preserve and protect,
but in a flash bang
they have expired
just before the when you
needed them most

so go about your business,
but make no mistake,
others are going about it too,
their surprises the kind that
long term planners call disruptive

sure be sensible,
have a nest egg, a will,
good neighbors if you can,
top off the liquids
that life requires to
make the machinery run silent

work hard, pay attention
to the subtle changes
in your environment,
even hurricanes have a season,
and may you have a
go-bag in a closet,
gas in the tank,
for those days that are the
inevitable
works-in-process

but the only long term plan
that will you true require,
the one thing that will
save your neck,
chance you a chance
to defeat the unforeseen,
is not of paper, steel,
or money green,
it is character

I won't define it. You know it,
You make and or destroy it.

every day set some aside,
climb into night bed,
and recall the empathy
granted and given,
and from that,
build your own storage unit
for it won't be a mere rainy day,
but hail and volcano that will
leave you questioning existence

justify why you daily breathe,
and then exhale,
and say,
I go on
for I am of worth

this is long term planning,
survivor's insurance

This the only way to survive,
the days of reckoning
that you cannot reckon,
the days of wreck and tumult

but if you possess
character,
you will go on

ok, ok
what is character?
why it is that exact moment
when overwhelmed by the tumult,
you acknowledge that nonetheless,
you have the what and the wherewithal
to make it better
for someone else.
Nat Lipstadt Aug 2014
Sittin' on the dock of the bay,
Watching the sun slip, Simon-says, slide away,
Cheeks blushing flushing from orange ray-guns,
Drinking blush rosé to oil our eyes
For the subtle story the sky shortly will reveal,
For the subtle story the sky shortly will revel.

Grievous judgement to make,
Thinkin' skills possessed to praise,
When but yesterday I easy confessed,
When at the Blue Canoe (another poem),
I did not.

(The clouds were magnificent. No, I cannot write a poem about the cloud colors. Their shape shifting inexhaustible.  Mine eyes high on their creativity.  I'm just not good enough a poet to tamper with that sky.)

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.

No impulse. We pledged that tonight, ours,
One hour of sunset over Silver Beach.
Brought the wine, forgot the pillows,
So Abraham & Isaaca went prepared to sacrifice
All feelings in their butts for the greater glory
Of love and one of nature's great poetic challenges..

The conundrum~miracle of every sunset
O'er bay, lake or ocean, is its special,
Only-In-Nature unique way of customizing
Its descent just for you.

No matter where one observes,
No matter where you worship,
Wherever your temple, mosque or church situé,
Tennessee, Rhode Island, the Philippines,
Germany, Colombia, even in the ole U.K.,
(yes, you, know it, yes you)
The very same setting sun we all see,
Sends a magic dazzle gold orange path invitation
To the exact spot you are voyeuring,
One sun, all destinations equal before human.

How can that be?

Trepidation and tremblingly,
The clouds.

She leans on me, a perfect fit,
My back resting against a pylon,
So we see the clouds
With common exactitude,
But it is a quiet time, silence only shared.
Images stored silently within ourselves,
For we see the formation, man, woman,
Precisely and exactly, totally differently.

The clouds.
An armada moving imperial and imperiously
At a stately speed, saying I am awesome, fear me.
The largest cloud bank is an aircraft carrier,
Miles long, painted horizon blue-grey unsurprisingly.

The small white wisps, fast destroyers, stealthy submarines,
Moving fast to protect the mother ship,
Running random to confuse enemy radar and the
Pathetic, limited, human eye.

The colors.
Here I fail willingly, unashamedly.
So many sunsets, so many hearts,
All different, all the same.
Lacking knowledge, I cannot tender,
I cannot offer you tenderness to love
Enough,
The variety of oranges, gold, varietals interspersed
With pinks singeing the cornea,
And mock myself for all my meager brain yields is
Good Humor creamsicle...a delicious irony

You who write after midnight
Of razor blades, pills and shotguns,
And not marked two decades even, on this planet,
You want hard,
Write a poem about a sunset in ways never done before.

You, who are wracked with despair
Speak to the man with no job for months
And mouths to feed and a life insurance policy.
Speak to me.

I want to tell you to get over yourself,
But you reject that old saw.
Ok.
Get onto to yourself.

I have walked the hallways of deep despair,
Heard the bells ring between periods that signal only the next
Hell,
And to this day, still do,
But still I try to write external of sunsets and greater glories.

How many lives depend on you? Are you proud of your weakness?
Do you hate me yet for acknowledging out loud,
We are both cowards?

I have five mouths to feed,
Before I parse a morsel.
One less than two times three,
What do you have but to
Grow yourself?

Yeah coward.
Too yellow to write about a
Yellow sunset, cause that is hard in a way incomprehensible
Until tried.
Or the passing of your mother who could not speak clearly
But you, thru her eyes knew that she had poems to yet recite.
Run away like I did ashamed with frustrated failure.
Why should I coddle, give you easy soft?
.
If you come here to share, well and good.
If you come here to find comfort, good.
So gaze upon these words and feel
The love that only experience has earned.

What do you know of heartbreak?
Imprisoned for decades in a loveless life,
I walked by the water nightly, so tempted
To stay, to not pass by but pass on,
Yes, the same waters where I CinemaScoped
Yesterday's sunset, and walked away.

You can read about it if you look,
Look me up, look here, the story is in my poems, but always,
Look up!

So do something hard, something external.
Fail but love yourself more for just having tried.
Then try something else.

The saddest poem ever wrote
Was not yours, where you titillate with daring words
Razors, pills etc.,
The saddest poem ever writ
Was this one, a meager vanity to capture a
Sunset that keeps trying every day to
Surpass
Supersede
Its previous glorious failure,
Like we should too.
Keep trying

Now, I shall rest,
For I know that soon I shall see, feel, think,
Of something new that will make me eager to
Write a new poem.


August 3~5, 2013
Written and posted here one year ago today. Strangely, it fits my mood exactly, again, today, 2014. Edited for clarity here and there...

*If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.
Nat Lipstadt Aug 2014
There was never a time
that he could not love,
only long periods of years,
decayed decades,
when the could
could not,
for he had forgot
from lack of practice,
daily vitamins taken of soured love,
which is a polite way of saying
sneering hate, distrustful makes,
and hard calluses and body armor
make any human tin man rusted and
cowardly lion afraid

and later,
after loneliness turned him
sweet and sorry,
when many wanted him,
to love them for
why not!
he was a desirable object,
in possession of a fast red jaguar car,
a job that left him money for gas
and summer trysts,
a ruggedly handsome face,
which he shaved daily,
and the right kind of patience
in things that woman love,
like Joni and kissing
head to toes,
on a
round trip ticket
with unlimited stops in between

and

using words that seduced,
that were intended to ******,
though he did not intend to
make them love him more than more,
yet they did....

he appreciated them,
with kind and cherish,
and just happy gave just enough of him for them
to take as their own,
and they loved him for that...
but it was hollow bridge in spaces that
needed filling, denying completion,
or safe passage

gave them gifts unasked,
jewels and poems unique,
valued them in the ways
they so wanted,
and deserved,
but could not love them
free and clear,
which is all they wanted -

for he was not
free and clear
of broken memories...

one by one,
they left,
no one to blame,
broken is broken,
Oz was a bridge too far
for him to cross

years later,
muses buzz like flies
around his head
asking buzzy questions,
demanding poems of clarification,
apologies of sorts for his inabilities,
dissatisfied with rationalizations,
payment for adoration given
and taken but inequality in love
is still a crime of sorts

and he tenders this in consideration,
years too late,
not an apology, but a thank you,
for those who said you are a
good sort, worthy of love,
and restored him in ways
that gave me the confidence
to let the whole later be filled in....

He was abused, but never a user...
now, clear and clearer yet,
his poorer faults were later his greatest riches
once gained, easy shared,
yet
here he is years later,
tinged with regrets and mea culpa's
and asking himself
for forgiveness of those for whom,
he
could not be enough

did not know what to title this,
for it is an explanation and a plea,
a thank you note written on bended knee,
many titles came and went,
some with guilty, never and could not,
prominent in their bookends

but then it was instant clarity
for it was a tale of how,
he rebirthed an ability to love a
woman true and total,
and thereby
himself,
thus celebrating those who gave their teaching trust
which he cannot ever properly
repay
except to note that it is 3:00am years later and
I
write of thee,
and how you taught me to speak
a language glorious
Nat Lipstadt Aug 2014
First posted here on August 22, 2013
~~~~~

Every summer, I relearn a new language.
Every winter, it departs for warmer climes,
And its charms and naked arms,
Its own alphabet,
Clean forgot.

Multi-lingual in the summer's peculiar
One language, one aleph bet,
But mega-millions of dialects,
Know them all cold, know them all, hot.

I speak Woman.

Summer is soft, shapely, sweet,
Clean, bare, lush in a sparse way,
And Woman is spoken thusly.
There are no harsh sounds,
Guttural exclamations, nein!

I speak Woman.

There is no ugly in the summer.
Ugly being an ugly word.  
It cannot exist in an atmosphere of
Sun, greenery, sand, carefree days, vacations, no school.
There are no ugly women in the summer.

I could take this writ many places,
But if you are sputtering sexist or other labeling words,
Could not give a good *******, because in the summer,
There is no ugly, there is no prejudice.

And I still speak
Woman with an almost perfect fluency,
au naturel.

Gym clothes, short shorts, A-line skirts swishing in the breeze,
High, god, so high the heels, flats clip clopping, flip flopping
all over my heart,

But, it is the bare arms and the hints of summer
Cleavage, the short skirts, body hugging one piece fabrics
stretching from here to down there that do not
Hint,
The shoulder strap of the underthings that asks,
That commands me:
Wonder where it leads too...

Even the light shoulder wrap
Casual over bare shoulders slung, at night, mocks me,
Like gift wrapping with a smile demure...a teasing blindfold...

All these say:
Write us poetry in our very own tongue,
Woman.

Will oblige.

I curve with curve of the ***** and
invert with  S arc of the waist,
Mystifying, how it is the designed place
For my hands to grasp, and never fails.

The crayola colors of flesh variations,
Boggle the senses... How can tan and pale,
Dark and Light
Have so many
Symphonic variations?
Adagio, slow and leisurely, a pas de deux
For two eyes, then a
Timpani crash and thunder,
Just as Byron wrote:
"music arose with its voluptuous swell,"
Yes, swell...swell...voluptuous swell

Enough.
My eloquence, no match for my
Fluency.

Late August, and my vocabulary is already
Diminishing.
I forget how to say in
Woman
Without you I am nothing,
With you, I am more than everything,

Tho I can no longer say it well,
It is is still true and
Beyond belief.

August 2013
Nat Lipstadt Jul 2014
Let us assume,
that in this life
we obtain about
ten thousand different words,
employable and reusable

the exact number matters not

this accumulated list is your
Outer Structure

the how and the why we write,
the compulsion and the illusion
is DNA at the cellular level modified
by every second of our lives,
every word tabulated and stored

this is not an essay,
this is a poem

This is a 2:42 in the mid of night poem

when the the basics rule,
when the questions get asked,
and the answers (for me)
either
don't come or are
not oft to your liking,
but good for you,
good for us,
that the asking of the questions
is our poetry

so let us confess,
so let us address,
the primary screen,
the essential filter
the place where all poems begin
is the me

most of me is given,
but you add words,
you pick and choose the vocabulary,
that refines your me

sometimes your me excels,
you use your me words
so so well,
but sometimes not

this structure
is where we all begin
but should not ded end

move beyond,
translate your me
into us
find the way to comprehend
that you must pass over the line
of me and
excel anew

write a near and new me,
take your own vocabulary,
your own DNA a given
super duper impose your word~life structure
on me in ways that
gasp me into a new seeing

give me your genes, your word cells,
teeming with new connections,

then happily
will I take  
your poems,

delete the Y,

make it
our poems,
add it to my cellular vocabulary,
by doing so,
establish a physical genetic connection

truly then our ink is our blood,
and we are poet brothers and poet sisters,
cousins of the words
for the living poets whose genes and cells teem with words
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