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Nat Lipstadt Oct 2024
I once told my wife I was going out to buy an envelope:

“Oh",  she said, "well, you're not a poor man. You know, why don't you go  online and buy a hundred envelopes and put them in the closet?"

And  so I pretended not to hear her. And went out to get an envelope because  I have a hell of a good time in the process of buying one envelope.

I  meet a lot of people. And see some great looking babies. And a fire  engine goes by. And I give them the thumbs up. And I'll ask a woman what  kind of dog that is. And, and I don't know. The moral of the story is -  we're here on Earth to **** around.

And, of course,  the computers will do us out of that. And what the computer people don't  realise, or they don't care, is we're dancing animals. You know, we  love to move around. And it's like we're not supposed to dance at all  anymore.

Let's all get up and move around a bit right now... or at least dance.

Kurt Vonnegut
  Oct 2024 Nat Lipstadt
Jill
Eventide had blushed listless. Its once slick pink lips chapped filmy white until faded darkness claimed the screen. Crouching shelf clouds growl. The distinction between cloud and breath is long lost.

Bedroom-jailed for pre-teen misdeeds, I break out to watch the sky. My slack-jawed shutter yawns wide enough for a grateful, lithe-graceful, exit. I land dully on dust-crusted, dinner roll earth, too dry to crunch. Each damp footfall collects another coating of soft, fine flour, congealing into ghostly pedicure foam. Outside is airless, closer than my detention. There is no freshing comfort here.

As the prescient cumulus towers, the earth and I expect. We are storm-primed, desperate for the great release. We sit torrent-wired, tongues out to taste the fat rain drops. Our tardy Robin Hood will come to steal the pressing moisture from the air and send it groundward. We are alert for his redistribution. His deeds will turn flour puffs to glueing paste, and free wheezing chests in sweet, wet, relief. Low thunder is our drumroll with intermittent cymbal crashes. We wait for the splashes in slick, fuggy, discomfort.

The earth is waiting to breathe, and so am I.
©2024
  Oct 2024 Nat Lipstadt
Left Foot Poet
how I know we will make love someday / primal2

whatever you think of overwhelming distance,
thick black lined international boundaries,
no Westerly wind, snow binding, winter blinding, can forbid
the innate desired connectivity, the eye locking messaging,
the shared shards of losses cumulative, that we alone can relieve/repair

I will travel by jetliner, car, to unpack you from snowdrifts,
write quatrains upon your eyes, elegies on your lips,
epic poems using every body space possess-able, asking for nothing
in return, for living is hard enough, no need for quid pro quo bargaining

do not ask what am I to you, resist classification, place me not,
no slot, no rowed field, under closed eyes remember, recall,
better the butter of love and loss, which I’ll take and also leave,
summer spreads and relishes kitchen canned for next year’s winter

did you know, of course not, my name is Mordecai,^ the same who,
was Vizier to Darius and Xerxes I, meaning pure myrrh and
master of languages, but this is not the time/place, my secrets two,
to give away, and yet forbear, you may ask questions that no sensible human answers

honestly

but I have, and will do so again, against all odds, we will
compose original numbers, all prime, all natural occurring,
divisible, yes, but  only by the number itself and the number 1,
1,
a number that answers:

the equation, the prime ideal,
why only 1 + 1 equals:

primal 2

~
it takes one to create two
^https://en.m.wikipedia.org/wiki/Mordecai
Nat Lipstadt Oct 2024
~for Lori,
they await you~
<>
be:
of two minds, a peculiarly human
distressing and wonderful
characteristic s~trait,

straightforward and regular,
as hu-man was intended,
or
be:
truly crackling delighting
twisty like a river bend,
with a flood plain,
defying nature illogically,
here today,
and new direction on-the-morrow,

the creativity of time
making its own best laid plans
that either wash over you,
or wash you away

what you may not be aware,
as I too, was overly innocent,
that the sidewalk cracks are mini-seas,
full of overheard words, true tales,
a depository of the stories,
of tithes of titles
beckoning, becoming fables,
left by millions of
endless passer-byes
and passer~overs,
a repository of human insights
held inside them cracks,
under cover of
thin brown line
of ***** grime, soil and ****
& history

for this ugly surficial,
environmentally rocky but semi~
solid environ, is perfection personified to
retain. restore all the power memories & glories
of those who tread upon them
in flip flops and snow boots,
spilling the detritus that is all of us,
thus,

a gold mine of poems for  asking,
a vein of jewels for simple taking,
no secret word, no library card, just a
few taps of the shoe’s soul, will kick up
the dust of disorderly unused words,
to be easily inhaled, or cab~hailed, and then
by gum, yous for the making


so walk with me, eyes open, nostrils wide,
ears keen, tongue open to lick up the dust,
impress them upon you skin,
do so!
so they be
not forgot,
nor slip away to a new street line,
and be lost again until someone else
comes along to use
what was rightfully yours
for a moment of seconds


bring your sheaf of blank memory sheets,
scribble madly for the volumes are supersized, stupendous, and you
will never lack,
wander for hope,
nor
wonder too long
for the whereabouts of that next poem,
for lives-it, beneath you,
awaiting and aging,
pry it out by by fingernails
if too well hid,
but trust an old fool,
thee best me-kind there be,

the grimy grinning grungy pallor
is the best camouflage extant,
the dust is gold, a miner’s delight,
speckles of glassine letters
sapphired and rubied,
all yours, when you fall to your knees,
and finally witness, finally see
wide eyed
a new flood plain
of satisfied tears pooling,
*****, hard earned,
falling, forming
from your own
flood plane
5:09am 10-22-24
~
4:21am 10-24-24
Nat Lipstadt Oct 2024
seethe ~ bubble up as a result of being boiled,

<>
sunrise was 714 am in nyc
this perfect fall day,
chilled to perfection,
a white wine of a day,
so imbibe,
only later does it
heat up up and onwards
to the temp where the
walkers/joggers/runner recite
hallelujahs and hosannas while
moving at their own chosen pace,
in a state of warm southern comfort,
never a racing

lest
the poems
now seething, boiling-burning
bubbling up inside
into the atmosphere explode!

all of these
early warming~warning inspirations,
now~expressed,
realized flickers of
original ex-impressions,
cannot be contained in
an open field unsupported,
these
breech babies each,
in a pediatric ICU,
demanding an
instantaneous airy concoction
to Earth’s atmospheric
literary intoxication

they use:
up hard, a dice roll,
who lives
who wilts,
that docs cannot but
obey
the fetus’s insistence,
many instructions,
push pull breathe,
must the. be given forthwith
through to our
servile waiting
uterine fingertips,
for we human are just be
~ings,
nurturers of
verbal artifacts
that never die

in
an~always~at~the~ready,
in service to
the great conceptual,

poetic in/justice
what happens when I walk the streets
assaulted and assailed
by rapid fire poetic insights
exploring, exploding
inside
  Oct 2024 Nat Lipstadt
onlylovepoetry
the raw confusion of the nucleotide fusion,
the great concoction of recombinant DNA,
when we cross over our own boundaries
and subsume, integrate, reformulate our
very selves, with inhalation complete of
another human being; the danger’s inherent,
absorbing a foreign body totally is the creation of a new being entire, vulnerable
despite the new totality of the resources of
two hearts acquired for mergence

and the rush of two different bloodstreams
now circulating, stronger by far, and equally
vulnerable to diseases never prior considered,
these tissues patches, interwoven skins, two
fabrics, silk and wool, a smooth itchy, that
makes us stronger with yet unknowns of weaknesses, and then we encounter what
cannot easily be digested, comprehended,
for even new cells split apart, and the terrible
terror of dividing division that is the side effect of integration, new subdivisions never
ever forever foreseen cause volcanic tremors
and trusting your other half is awful,
until the fear subsides

this is the why
I write of
only love poetry,
the study of this process
so poorly and powerfully
misunderstood
is the atom bomb
of the human psyche

in rivers dark we travel,
oars with cotton muffled,
for there are dangers on each bank,
and in the waters beneath
the salt and the fresh
excitingly & violently blending,
different weights
somethings fall to the bottom,
others rise to the top

and when the process is nearly resolved
(for never ending,
by default defined,
for end is a conflict
constant
interrupted by truces fraught,
fragrant and vulnerable)

this then
is living,
this physic of the
bio-il-logic process
called love,
and the endlessness
that it requires

the inconstancy
of the
constancy
of the
deepening well,
and the
redemption of
redefinition
of what is
well


<>

2:10pm
nyc
10/21/24
music
———
“Sometimes Whrn We Touch” Dan Hill
“Total Eclipse of the Heart” Bonnie Tyler
“By the Rivers Dark” Leonard Cohen
  Oct 2024 Nat Lipstadt
Anais Vionet
I’m sleeping in
just call me out
it’s the simplest kind of comfort
I do it for me
there’s a softness and care
my, that got so wholesome

I know, I should embrace hardship
adversity builds resilience
it’s darkness that reveals the stars
that last one sounds too good to be original
but I’m not researching it
haven’t you been reading?

I’m sleeping in fugaciously
and metaphorically.
If you’re in the water
it’s good to swim
otherwise
you could be writing.
.
.
Songs for this:
Sleeping In by The Radio Dept.
Save the Phenomenon by Fievel Is Glauque
BLT Merriam Webster word of the day challenge: 10/17/24
Fugacious =;&that lasts only a short time.    
I know what you’re thinking
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