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 Apr 2017 Aeerdna
brandon nagley
You walk into the room with your pencil in your hand
You see somebody naked and you say, "Who is that man?"
You try so hard but you don't understand
Just what you will say when you get home
Because something is happening here but you don't know what it is
Do you, Mr. Jones?
You raise up your head and you ask, "Is this where it is?"
And somebody points to you and says, "It's his"
And you say, "What's mine?" and somebody else says, "Well, what is?"
And you say, "Oh my God, am I here all alone?"
But something is happening and you don't know what it is
Do you, Mr. Jones?
You hand in your ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
And says, "How does it feel to be such a freak?"
And you say, "Impossible!" as he hands you a bone
And something is happening here but you don't know what it is
Do you, Mr. Jones?
You have many contacts among the lumberjacks
To get you facts when someone attacks your imagination
But nobody has any respect, anyway they already expect you to all give a check
To tax-deductible charity organizations
Ah, you've been with the professors and they've all liked your looks
With great lawyers you have discussed lepers and crooks
You've been through all of F. Scott Fitzgerald's books
You're very well-read, it's well-known
But something is happening here and you don't know what it is
Do you, Mr. Jones?
Well, the sword swallower, he comes up to you and then he kneels
He crosses himself and then he clicks his high heels
And without further notice, he asks you how it feels
And he says, "Here is your throat back, thanks for the loan"
And you know something is happening but you don't know what it is
Do you, Mr. Jones?
Now, you see this one-eyed ****** shouting the word "Now"
And you say, "For what reason?" and he says, "How"
And you say, "What does this mean?" and he screams back, "You're a cow!
Give me some milk or else go home"
And you know something's happening but you don't know what it is
Do you, Mr. Jones?
Well, you walk into the room like a camel, and then you frown
You put your eyes in your pocket and your nose on the ground
There ought to be a law against you comin' around
You should be made to wear earphones
'Cause something is happening and you don't know what it is
Do you, Mr. Jones?
Ballad of a Thin Man" is a dirge song written and recorded by Bob Dylan, and released as the final track on Side One of his sixth album, Highway 61 Revisited, in 1965.
Dylan's song revolves around the mishaps of a Mr. Jones, who keeps blundering into strange situations, and the more questions he asks, the less the world makes sense to him. Critic Andy Gill called the song "one of Dylan's most unrelenting inquisitions, a furious, sneering, dressing-down of a hapless bourgeois intruder into the hipster world of freaks and weirdoes which Dylan now inhabited."[6]

In August 1965, soon after recording the song, when questioned by Nora Ephron and Susan Edmiston about the identity of Mr. Jones, Dylan was deadpan: "He's a real person. You know him, but not by that name... I saw him come into the room one night and he looked like a camel. He proceeded to put his eyes in his pocket. I asked this guy who he was and he said, 'That's Mr. Jones.' Then I asked this cat, 'Doesn't he do anything but put his eyes in his pocket?' And he told me, 'He puts his nose on the ground.' It's all there, it's a true story."[7] At a press conference in San Francisco in December 1965, Dylan supplied more information about Mr. Jones: "He's a pinboy. He also wears suspenders."[8]

In March 1986, Dylan told his audience in Japan: "This is a song I wrote a while back in response to people who ask me questions all the time. You just get tired of that every once in a while. You just don't want to answer no more questions. I figure a person’s life speaks for itself, right? So, every once in a while you got to do this kind of thing, you got to put somebody in their place... So this is my response to something that happened over in England. I think it was about '63, '64. [sic] Anyway the song still holds up. Seems to be people around still like that. So I still sing it. It's called 'Ballad Of A Thin Man'."[9]

There has been speculation whether Mr. Jones was based on a specific journalist.[6] In 1975, reporter Jeffrey Jones "outed" himself in a Rolling Stone article, describing how he had attempted to interview Dylan at the 1965 Newport Folk Festival. When Dylan and his entourage later chanced on the hapless reporter in the hotel dining room, Dylan shouted mockingly, "Mr. Jones! Gettin' it all down, Mr. Jones?"[10] When Bill Flanagan asked Dylan, in 1990, whether one reporter could claim all the credit for Mr. Jones, Dylan replied: "There were a lot of Mister Joneses at that time. Obviously there must have been a tremendous amount of them for me to write that particular song. It was like, 'Oh man, here's the thousandth Mister Jones'."[11]

In the John Lennon-penned Beatles song "Yer Blues", Lennon describes the character as "suicidal", and that he feels "just like Dylan's Mr. Jones".
 Apr 2017 Aeerdna
phil roberts
Hello
It's me again
It's the early hours and I'm slightly drunk
And it's me again

He has the sins of his mind
Which keep him warm inside
Amidst the weary and the wasted
Such warmth keeps him alive

Restless
I've always been restless
I hate to move yet I can't sit still
Hours are endless

There is a thrush inside his head
An agony of wings
Panic beaten thrashing
A cage of singing things

Anxious
Still always anxious
Even though I've slowed right down
This edge is ageless

Laying low and watching
A million sub-plots hatching
Paranoid and paranormal
He scatters to survive

                                    By Phil Roberts
 Apr 2017 Aeerdna
Seán Mac Falls
.
Her languid voice
Drew me in, drooped,
And tentacle hair wrapping,
My feet fell before hers,
Sinking in the faraway lost pool,
The mortality in the sands,
And even the stars, snuffed
Out of darkness and fire
Became the light of the world,
The hushed day breaking
With welling waters and salt.
How can dream be lived,
Within dream?  Must I swear
As I fall into bliss?
i.

impressions
shapes
and sounds,
the shady-lane
trees,

the yellow
balloons
of the skies
icy arctics,
the pink
feathers of
the soil.

ii.

surreal as the
shifting day,
turquoise and
angular, bright
sky drowned
in the cold, brisk
air, language
of love and air,
base note of love.

iii.

love, impressions of
light and dark,
soft brush stroke
of sea-blue, air
the colour of
lips.

iv.

witching night,
darkling clouds
pressed to the sky,

love, settling like
a mist.

v.

sweet lips
sipped,
incredible
sky of our
dreams,
drawn close
like the
pillowy clouds.
 Apr 2017 Aeerdna
Gidgette
Remember
 Apr 2017 Aeerdna
Gidgette
I'd like an explanation please,
If you wouldn't care to take the time
Tell me why I drink so much
And feel life isn't worth a dime

Please, take just a few seconds
Realise I'm sending out a plea
I'll pay you for your time,
If you'll just listen to me

Understand my whispers
Are really hidden screams
Reality is so visceral
But nightmares replaced my dreams

Tears have turned to blood
In the ocean they drown
No matter the number of prayers
My soul remains hell bound

Please explain this darkness
Why the sun will never shine
And why it is that I give
But no heart will ever be mine

Can you sit with me a moment
And not see the ugly I hide
Just speak of smiles and truth
Could you kindly abide?

And when the sun passes
over this weeping tree
When the dark of night takes over
Could you just maybe remember me?
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