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  Nov 2017 lmnsinner
onlylovepoetry
The Physics of Love: The Equivalency Fallacy


the poet places his Sunday porcelain coffee mug  
upon his bare chest, purposed to heat the heart to a
higher degree, equal to hers, next door, three feet away,
in their communal bed

two identical alarm clocks, one on each nightstand,
confirms the degree differential, for far beyond time-telling,
it informs on me, providing the room temperature,
and her side of the bed, 5 degrees warmer

the collegial scientists posit theoretical excuses,
the rooms wind currents, proximity to the A/C, body mass,
all refuted after visual and mechanical inspection,
all indelible proofs of the Equivalency Fallacy

despite the visual evidence abounding all around,
despite the surrounding starlike quantity of busted,
love songs, poems and the other artistic churn,
depicting the principle, one requires love physics to validate the
living principle for the living, that love is rarely identical
in quantitative quality, typology, representation and
manifestations measurable

each greets the other with morning declarations of
mutuality, trying to find those hundred different ways
to love her/him today, employing imaginative artifice to proof
the impossibility, that in every aspect your living love ability
is precious capital precision equal
and ha! each love is the greater...

you knew this?
then you knew, his coffee spills (intentionally?) and the
Fighting Fallacy rules,
every thing is fair in love and war, for they too, are
identical and equal, in so many ways,
but never quantifiable exactly

8:33am, 73 degrees, on my side
11/12/17
https://www.azlyrics.com/lyrics/jamesingram/onehundredways.html
  Oct 2017 lmnsinner
harlon rivers
when you start
feeling as if
just being you
    is not enough ,..

when you see
the sunlight slipping away
sliding into the ocean
and the outbound tide
    is pulling strong ,..

   gravity throbs downward ―
you see it's weight groan
pacing in lonely eyes,

you feel it's burden
bear down on
a wayfaring stranger
   wandering away alone ,..
wondering what went wrong

stalled by a riverside
frozen in time ;
walking on slippery rocks
and fallen stars,
searching for peace
along the meandering shoreline

the waterfall surrenders
a river's silent lament ;
the storm gales' surge stirs
the urge for moving on

a heart broken knows
how fickle tides change
which way the wind blows ,..

which way the rain
     comes falling down ―

watershed moments
undulating
serpentine rivers,

unbridled terrain waters
veritably cascading  beyond
blurred latitudes,
uninhibitedly drifting
     in shapeless symmetry ―

a deep ocean rises
with the calling tide's
murmur,

  the shorebirds linger ;
hole up with the peace
of the unsullied sands
at the sea stained
      tide-mark ―

barnacles cling
to the pulse
of the tidal sway
where starfish hold on to
   slippery rocks ,..

being enough
to while away
just a little bit longer ―

to simply let it all be
and wholly wash out
in the water
waiting for the tide change,

to swallow whole
the rivers stagnant flow,
immersing
    the stars in swirling silence ―

in the unrestrained
    rhythm and the sea ...
mazy rivers ...October 25, 2017
thank you for reading

just be you
no matter wherever you feel
the earth move under your feet;
no matter which way
the wind blows ―

"Slip Slidin' Away": song title by Writer(s): Paul Simon 1977
https://youtu.be/U7PBjKzaQEw
  Oct 2017 lmnsinner
Nat Lipstadt
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


This is not a poem.  This is about a poem.

Poems require words.  This poem does not require words.

This poem requires memories' muscles.
This poem requires what is called colloquially love.

Learn that what we share here is not poetry.

Your poetic senses that produce the words that mark you present
are but surgical tools to extract, release the whole and the parts of you that help shape that single sense borning in your chest that defines you at any particular moment.

Quæ est mater Laureat.

She is the Mother Laureate.

She is the boundary you must learn to cross to be more than a re-arranger of letters and alphabets, but a translator of the human essence and fill our veins with the a sense of awe and wonder felt when we read each other and think aloud,
"yes, exactly, that was and is precisely what I was feeling."

She is the glue that keeps us sticking here, sticking together, each of us sticking to it.  

You do not know her?  
No worries, she will find you when you least expect it, perhaps
when you need it.

This is not a poem.  This is a human who's a poem.

Understand the difference and then you may begin a journey
that has no destination other than weaving the connective tissue that makes us anticipating excited when we log on.

Happy Birthday Mother Poet Laureate!

I do not think I can write a better not poem for you.  
Forgive me then, if going toward, I repost this every
October 24th as long as the chemical composition of
blood, God, spirit, logos or reason runs free within,  
exiting as words encased in tears that formulate into
human poetry.

nattyman

P.S.There are 800 poems here with Sally in the title, and least 700  are about Sally B.   If you like, please  feel to free to add yours, old or new.
  Oct 2017 lmnsinner
harlon rivers
Penned on watermarked cotton paper
Cursive letters script the words
of a surrendering rhythmic rhyme.
The ardent sonata was written
by the light of a Blue Moon’s shine.

The blood red ink bled through
the white wrinkled cotton pages;
musical notes dried by the warmth
of glowing Moon Beams radiance
in the subtle pollination breeze...

The maestro Coyote’s howl cried out!

Instinctively rousing the stillness of the night;
       a feral essence echoed
       through the eerie silence
       of the distant horizon,
bringing helpless lovers to their knees.

The words to the Cabernet Sauvignon
       stained midnight  lullaby,
       were emotions quilled,
       blending an aura accenting
       organic warmth of tones...

       The native maple trees'
flowering canopies of Spring
released a dusty yellow pollen
onto the watermarked cotton sheets.

In a moment of rapturous intimacy,
       an elixir of intoxicating bliss
illumined the achingly euphoric moments.
A natural untamed wildness was exhaled;
       savored ecstasy released
       into a passionate song of love …

That poignant melody forever lingers,
       like hieroglyphics on the walls
of some long lost abandoned cave.

Engraved, etched, brushed and stroked
       onto the brattice canvas
       of a musical Minstrel’s
            melodic montage ...

       Watch the artiste’s fingers
       prancing graceful ballet
       Worn down catgut strings

                                *
moan
          
     ­                  weep

              purr
**

       crying out lustfully.
     as if it were
    enraptured lovers'
  breathless sighs

  the rhythm’s cadence
whispers a masterpiece
       in an infinite
       harmonious time...

       The tempo’s lines
                Phrasing…

                 ...hush...!

             ♪♫♪ ~ ♫  ♪♪

        Listen to the pictures flow...
Listen to the weeping guitar strings
      of the passionate troubadour
stroking the metaphorical canvas scene.

       The ebb and flow
       of the musical rhythm's throb
arouse the Blue Moon’s hypnotic  allure,
    throwing incandescent shadows
    that dance around Moonbeams.

Joyfully twirling, blissfully embracing
in the blossoming Forget-me-not fields;
            Bluebonnet Lupine
               swirl and tango
       with the moonlit breeze.

       Lilacs fragrant aroma drifts
with spring’s churning romantic haze;
rekindling this fleeting memories recital.
The Minstrel and the Minstrel’s song
         now yearn to be set free ~

      Timbre without reverberation …
The twilight serenade was never penned
  to be hidden from the Nightingale

A romantic moment’s sorrowful lament
to be abandoned like a broken dream;
   fading unnoticed into forevermore ―
      Unsung,  unsaid, unreleased,
                     unrequited
                through eternity…

              The maestro Coyote
       is a wilderness troubadour
       illumined under the gloaming
               full moon’s spell.

                Howling soulfully...
               wailing impulsively ~
              ... crying hopefully
             pleading mournfully
                     lamenting
the Minstrel’s breathless cadenza ...

A bitter sweet musical embryo of love
                 found and lost
                       below
           the full Blue Moon’s
               glistening light…



©  H.  Rivers ... 2012, 2013
           all rights reserved
Notes (optional)

"It's a marvelous night for a moon dance"
from the written pages of a hopeless romantic

Post Script:

An attempt to blow the dust off  the hidden archives and the aging tomes to bring my unpublished writing portfolio back into the light.

A friend from my musical past ask me to publish this once again and LEAVE IT published...how could I say no to one who uplifts the low (?)!
  Oct 2017 lmnsinner
onlylovepoetry
"Who writes poems like these?"

She, Miss Patty,
from Missouree? Missouruh?
asks me this question
round about a year ago,
after eavesdropping on an open poem line,
about a conversation,
a dialectic chat between me and the big guy in the sky^

(yeah, him, the magic marker Maker, who graffitis our lives only in
ink that just never goes away, cannot be erased,
talkin' bout this 'n that, ending, in a request from him for a
love poem personal (denied, fyi))

my answer:

come, sit for awhile, in poet's nook, upon soft pillows for our
tired sighs born in chests with a different kind
of breast cancer.
and upon these tough worn Adirondack chairs hard,
by the bay, we shall coverse in alternating verses

if too hot, the poetry's temperature.
we'll slow drift to the sun room of lace curtains and
heated suicide poems,
and after cool drinks
we'll observe the water, the rabbits, the cacophony low
of all the noisier creatures asking the trees and the
shuckling cappuccino frothy leaves
where did all those poets come from?
~
so to the question at hand and heart,

Who writes poems like these?

answers scarce, confessions plenty,
evasions conjured,
but tried, tired, and true, indeed
always ask myself, my sole troop,
that very same question every time,
the brain chimes poem time

'tis a truth, sort of, for the question is
asked by me, so oft,
should I, would I,
dare deflect the inflect of the eyes who cannot lie
and write a poem like this,
knowing it ends always only in tears,
or quit while ahead,
while my heart is slow beating,
and the pounding is temporarily,
halftime shelved

when
I ride the bus, open the kitbag,
find messages so privy
with and from the other poets,
(it is a privilege to be so councillor entrusted,)
picking up the gleaming gleanings of
fellow earth-extraordinaires,
reading the tales of the mad lunar lovers,
each of whom believe the moon has been following
only, each of them individually,
from childhood

when
exercising the muscle memories of love and ache
when watching the little gestures of my babies, my loved ones,
clues to who they are,
clues to who they will be.
after I am not

but let me be measured for measure by this:
Who writes poems like these?

well, after every writ complete,
weep and weep, if not laugh uproariously,
for though the question earnest, and I too,
never ever let adulthood interfere
with actions of my eyes, my mouth, my gut,
they all, masters now of me,
forcing me to write with abandon reckless and yet,
slicing off choicer cuts of me, carefully crafted, into
word etchings, painted water colors coming from the body's oils,
for my ration of rationality
has left town
for the summer, following the little drummer
boy,
perhaps, for the (double meaning) good

this each, a parcel of me, writing beguiling amuse bouches
of cache and cant, of poodles who speak human,
long legs in bed, high heels attached, conversations with moons,
crying to my lovers, I am a little boy, so needy,
and then the left foot turns to face
any and all gods who permit their names to be abused
for muddying murdering purposes,
as if we, all humans, all poets, were playthings,
bowling pins and not poets of some, any, the, way,
coming from the place
to where we all speak words, in our differing dialects,
accepting the blessings & curses thereof,
words but never fists

have I answered the question?

suspect not,
cause I am the suspect prime
in the crime
of low poetry
and high mis-demeanors,
and the authorities have been asking me the question for a lot longer than you, but no longer than one peculiar man,
Who writes poems like these?*
and they haven't caught me yet
and I haven't quite caught
the plain answer
  Oct 2017 lmnsinner
Nat Lipstadt
Those old comments from the disappeared with no names,
no faces, just a large gray dot and two -- anonymous*




<•>

Those old comments
live on, unremoved,
from the disappeared ones,
no faces, no names
a large gray dot and
two -- anonymous dashes

a most contemporary kind of disregarding,
disregard-me, frak you, cause I disregarded you first,
funeral pyre ******* gesture,
where only your face was consumed,
but your words live on forever. ...  
congrats, in this day and age,
you, managed to get in the last word

who were you?
why was it necessary to leave?
while your comments, pithy,  
cheddar sharp, meaningful,
of just a plain old prdinary
wow,
tender precious to me
drive me now to simple
madness gladness sadness
failing to yes, to be recalling
who you were/are

were you stalked, trolled, gored,
or just bored
with the word-gaming,
needy for some well constructed avatars
desirous for ****** machine gun killing?

did you heart break one last time
into one million parts too many
you did not believe, didn't trusted me enough,
to heal the cuts and paste
you together like I did previously,
no more one more time?

did you get
transmigrated,
move beyond and out of
London and Minneapolis, Katmandu?

win the lottery,
get parental sent away,
super jetting wealthy,
married, divorced, soul lost,
unhealthy in complete privacy,
up and left the poems of we
poor sods behind,
on your way to Monaco or Singapore?

did I offend beyond any mending?
gladly would have kissed you knees,
written a poem just to tickle you pink
or whatever color you so desired but that
gray grey cream dot not,
that makes your disappearing act,
twice as a pain-full, a banner unfurled of,
you pick the word

was I too sweet, too kind, cloyingly annoying
driving you crazy with my midnight clockwork
"jes' me checking in on you"
one liner messages,
go one message too far?

how we conversed, holy roman dialogues
till one day and hadn't heard and
chagrin uncovered no more souling
we two, ragging and consoling,
on each others nonsense,
cause
you cloaked a name in deliberate invisibility!

well ha on you I am lying,
I will know your name, your face,
your funny way of signing off
when fate sits us side by side
on some long plane ride

you will watch me tap on my tablet
in letters so big you won't struggle to read over my shoulder,
the poem I will write for you / just one more
for just you

and I'll see reflection of your turned away head
in the plexiglass window smiling and tearing,
while I hum some Carole King sad love songs

you will salty say
to wound and to love
cause ain't no difference:
now

you're still an idiot,
write way too long
and forget to put the title in, on -- whatever*

and I will nod also,
in that idiotic identical
tonality of whatever,
in holy poem agreement
not saying much, just
tapping grey --
the rest of the way till we land,
thinking mostly about all the gray grey shades and shadows
in that dashed word,
whatever--



9:27pm 10-5-no jive
"Now And Forever"
ny Carole King
Now and forever, you are a part of me
And the memory cuts like a knife
Didn't we find the ecstasy, didn't we share the daylight
When you walked into my life

Now and forever, I'll remember
All the promises still unbroken
And think about all the words between us
That never needed to be spoken

We had a moment, just one moment
That will last beyond a dream, beyond a lifetime
We are the lucky ones
Some people never get to do all we got to do
Now and forever, I will always think of you

Didn't we come together, didn't we live together
Didn't we cry together
Didn't we play together, didn't we love together
And together we lit up the world

I miss the tears, I miss the laughter
I miss the day we met and all that followed after
Sometimes I wish I could always be with you
The way we used to do
Now and forever, I will always think of you
Now and forever, I will always be with you
lmnsinner Oct 2017
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah*
a cry you hear at night (my nighttime vocabulary), the same repertoire as the daytime residents, yelps and screeches, groans and screams, bleating whelps and yelps, grunts and curdling silent  low moans and pierced wails, crues du cœur, (cries from the heart)  but at night when these orchestral sounds are released without modification, freed from the governor of self-consciousness, the embarrassment of waking mirrored witnesses, atonalities as raw as a violin string snapping, the terrible sounds, twice as harsh as the scrape roughened roaring sound of the  hoarse word, raw, when spoken out loud but I count them all as friends, these then my nighttime vocabulary companions.

each deed, each sin, committed, lifelong repetition, dances in a chorus line, across my eyelashes, each demanding my punishment with a different matching sound; the reciprocal noises of the lives I shed, the lives I've taken, the forsaken forsakings, the blatant ones done with no excuse, no pretend rationale, these are my very own
songs of the night, conductor, musician, audience, one for all,
all for me, my torment of endless and relentless unforgiving sonality
And it's not a cry that you hear at night
It's not somebody who's seen the light
It's a cold and it's a broken Hallelujah

Leonard Cohen
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