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 Mar 2017 Jamie Richardson
Sydney
I drank the sea
No one was watching but me
The salt crystallised my bones
But the water made me free
Shells covered my lips and eyes
Seaweed lay as hair
And slid down throat
Sand layered like skin
Pages of a diary
Formed by waves on waves
I smelt of fish
And open air
I raged all over
Threw my spitting hands to the sun
Let it evaporate away my sins
I tossed my hair to the wind
And danced pebbles as my feet
I rolled with the tide
Tossed here and there
Fishermen tried to ****** parts of me
But I eluded them
Flowed ever faster to the shores
Picked men from rocks and threw them back
Sank deep and long
swam out again, to the deep
I rolled with whales
sifted krill through my teeth
tumbling currents rinsed my skin
Quick-silver flashing in my belly
coast to coast I roamed and rushed
and as the darkened tide turned,
I slipped out again to the deep
not content to walk when I could *swim
Junction

I shelved you one morning
when the racketeers came for me
for the tangerine aubergine sky
for the olive garden
and toying with his dying myth he rose-
roses became thorns-  
he arrived at his junction of terror
with nothing left inside
and no sky left to hold.
Lonesomeness hits after the midnight hour; as the more
Lonesome it gets sitting still
As a flower, wanting mine
Petals to be felt.

Wanting mine spirit uplifted,
Aye, mine smile to return.

Still a boy I am inside this man,
A creature who hast seen
Prison cells, where devils
Cringe and yearn.

An afterhour bard,
With a cloudy wind
Creeping betwixt his
Window pane.

me synchoreíte,
The child inside me
Is peeking once
Again.

©Brandon nagley
©lonesome poet's poetry
Word meanings:
Mine: means (my) in old archaic form.
Aye: yes.
Hast: has.
Bard: poet.
Betwixt: between.
me synchoreíte: greek dialect meaning ( excuse me) its pronounced like (may-seen-choreetay)
Quiet gambler
-catch me roaming
in the streetlights
with your headlights
full bloom
Sweet hydrangea falls
and with kisses of March rain
Iulled me into sleep
yeah. my haiku attempt
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