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 Apr 2014 Emily Williams
kgl
I'm sorry that
in the depths of your ever-changing tide
I got swept away by you.

I'm sorry that
your expectations were not satisfied
when I was in your arms.

I'm sorry that
I wasn't who you wanted
even when you wanted me.

I'm sorry that
I could never amount to anything
more than perfect.

but most of all
I'm sorry that
I'm not sorry
not even a little bit
not even at all.
 Apr 2014 Emily Williams
kgl
after the last time
I don't even want to admit
that I feel something akin to a connection
to a person with the potential
to so easily tear me apart

I am frightened
can't begin to think about
how I would ever be able to tell you
that I walk home every day
just to see your face
to watch the sunlight reflect
from your ocean eyes.
I rise impalpable
from poked and scattered ash.
Memories from the 20 years I lived
leave a crimson rash

on my skin once as white as snow.
the skin they began to scar
when I was 11, too young to know

that they were not just scars.
they were the marks on the bark
of a green, tender tree-

marks of men (or brutes?)- wild
and untamed.
there was nothing left of innocence,

nothing left of rainbows.
I did not have my days to play-
instead I was being played with.

I, a delicate *****, white,
stripped and whipped and sold.
a love-bit nape, blackened sight,
named the girl of gold.

but no more, no more.
I have risen from the depth
with my soft body rugged

and sour breath
and teeth marks on my collarbone-
like it was only yesterday.

men and their laughs-
tormenting and know-all,
conspiring my fall.

Now that I'm awake,
risen from my grave-
(they were kind to give me one)

I shall give them back the scars
they etched upon my heart,
I shall give them back the pain.

the little purple bruises.
I shall torture them quite insane
and they would die,

they would eventually die with regrets-
regrets not confessed.
I would return to my grave
and smile,

maybe laugh the manly laugh-
tormenting and know-all,
I would be their fall.
My first Plath-inspired.
Katie loved to dance
even as a small child
she loved rock music
boy even then she was wild

She would dance on tables
she would dance on all the chairs
and when her mother told her to get down
**** a whipping, as she did not care

As she past into her adolescent years
never would she be indoors
somehow she always would disappear
dancing down the mall, showing all her draws

Then as she entered her early twenties
she went a bit more *******
she danced in a *******
next to the liquor store

That's where she met Frank
a big shot hard man, a robber of banks
he asked her for a private dance
that was the beginning of their dark romance

By twenty nine she was feeling fine
Frank gave her everything that she was needing
but the cost and price for this luxurious life
was she had to dance till her feet were bleeding

She married him at thirty one
even though he was turning into a low life ***
still she danced with tears in her eyes
starting to loath him, starting to despise

He forced her onto to the stage
made sure he got most and she was poorly paid
that was when she came to the conclusion
she would have to be rid of him

So one night when they had one hell of a fight
she got a knife and stabbed him
she did not stop for she had taken a lot
Screaming " no more dancing" as he fell to the floor

Yet after the the court case
guilty she was found
and her last act on earth
was the sit down dance with fizzing sounds

By Chrisrtos Andreas Kourtis aka NeonSolaris
 Apr 2014 Emily Williams
Celeste
we wouldn't
feel the pressure
to say the right thing

the symphony of our breathing
intermingling, then synchronizing
becoming one
would speak every word our awkward tongues
are too inexperienced to say
silence can be golden
And sometimes I look down
At the floor while you talk.
They scare me sometimes
The words that come out of you
Slow and slick,
Filled with a generic substance,
They’re not even coherent.
Forming erratic sentences,
Like the paths that you follow.
Like the friendships you break.
The girls you meet, the family you love.
And the movies that you watch.
I worry about you. Honestly.
Like the words I type on this keyboard.
a cult novilist in Blackpool
watches Martina Navratilova
throw sugar lumps
at passers by
as captured teardrops
in a teaspoon
call, plead, for understanding
perhaps release
for they’re not the
obsessive prize
once hailed as trophy
but simply words in the air
that execute that which never comes
causing a retreat from an ordinance
of nothing
where time defiles itself
a red speckled jersey
whose arms, once occupied
are too small, limited
like abandoned prosthetics
leaving rotting flesh
to slowly scald the earth
with a vaporous experience
of emotional contrasts
like that of mesmerising serpents
whose visional embrace
stares deeply with such a charge
of ****** energy
that causes the air to weep
and poses the question
who shall give me leave
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