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 May 2015 E
Jerusalem Cricket
***** girl. godly beast.

I couldn't be
one of those
beautifuls
if I pleased.

tribal bones stained
with European empirico
I am black death disease,
just human trash
that learned to read

& I believe bootleg genius
is being
massively reproduced
more cheaply & as we speak
is being weakened
so as to be spoon fed
to the cool kids.
yknow they
couldn't do it
by themselves.

never sweated.
laughed instead
yes
I seen em
inchin to the edge
but
I didn't
do anything about it.

I kinda feel guilty
cause I didn't
do anything about it.

It's just a ****** up
awful sound,
a whole generation
hitting the ground
at once.

Man. it really
puts things in perspective.
kinda makes you wonder
what's coming next.

medicine medley
ineffectual
malady infectious
witch hunt etiquette,
I think in pictures
disney depictions of
apocalyptic ****
yet to be decrypted

I rip myself to pieces
every day.
Part one.
 May 2015 E
Jerusalem Cricket
***** girl. god beast.

I think
Life's amazing &
I hate everything

at the same time.

I live in a state of mind.

this is
pure ******
self loathing.

cloven toed beast thing
clothed in the evening
jovially feasting
on the seedling souls &
the gold seeping thru
holes in the ceiling

cold concrete beings
with a billion eyes
that could **** em all
with the things they seen.

I can't 'just believe.'

There's way too much
wrong with me.


Just how I like it.
Part two.
 May 2015 E
Molly
methyl (1R,2R,3S,5S)-3- (benzoyloxy)-8-methyl-8-azabicyclo[3.2.1] octane-2-carboxylate

Cahn Ingold Prelog

Whose rules are these? Press
on my lips boy, fill my face
and my hands with love.
Fill it up with confetti
little pink hearts that flutter
like Eskimo kisses or snowflakes.

Chop it doll. Link my elbow.

I'm so in love with a boy
that doesn't even drink -
I wonder if he loves me too.
He doesn't.
I wonder if he knows
that without him I'll get in with the ******* crew.

I know the chemistry of it. I can read the IUPAC.
I can breathe the molecules
I can taste the bad decisions I'm making.

I eat junk food and drink too much
€3.99 Revero
so I can stomach bad things.
Your saliva swims in with the bile.

How many times have I puked
behind cars
or old convents? Too many.

How many boys have I loved? Too many.

Anyway,
uni is finished soon.
I'm going home. Home again.
 May 2015 E
Edward Coles
I’m trying my best now.
I am leaving the house on occasions
and letting the sun sink into my skin.
I’m told that it is good for me,
and for once I’m willing to listen.

I’m wiping flakes of pastry
and powdered sugar from my lips.
Almonds collect on the plate beside me,
as I stop and think of you over coffee;
assessing how far we’ve come.

The folks in here are old.
They move slower than the usual
rush that is found in the streets
below; never thinking, never stopping,
but always looking for more.

I wonder what they think of me.
I should be out having ***, trying on
loud shirts and sporting caps in the mirror,
whilst binge-drinking the fountain of youth,
and chasing it down with holy wine.

Instead I sit with them, frozen
in place with a notebook I don’t deserve,
sipping falsely on a macchiato,
whilst hoping I don’t get found out;
whilst hoping to become the furniture.

This death is approaching me.
I see it in the demise of poetry,
and in the grey hair of the book shop loyalists.
I see it in their ringed eyes,
as they look upon me like some species of bird

they’d long thought to have gone extinct.
c
 May 2015 E
Edward Coles
I am still trying my best.
Stretching my legs to the coastline,
lactic shackles of inertia
are cast off.

I remember the ease
of animating these young limbs-
concrete strut, woodland walk;

it is hard to think of you much these days,
even in the confines
of unread books and filter coffee.
I have forgotten you, your blue dress,
your punting on the Thames.

There are harder habits
than caffeine and rich women.
As Ol' Tom Waits says,
“you don't meet nice girls in coffee shops.”

The glass roof of the arcade
offers translucent sunlight,
a high-street retreat from the nature of the sea,
all mankind's institutionalisation,
all these walls and closing times,
bigger names over bigger signs.

I am still a rare sight of youth
amongst the patient, ringed eyes
of those book-shop loyalists;
a choir of silver on their heads,
acquired wisdom of faded routines,
old laughter etched like the Nazca Lines
in their faces, lips eroded and pale;
sexless in the fluorescent lighting.

Breathing spaces where life exists
are always held closest to the fear of death.
I am still finding a clean way of living,
a way to accept my place, my face
in the mirror of my self-hate, anxious words
and half-conscious recollections;
the remnants and scars from asphyxiation – old drownings:

the sorrow that separated myself from others,
the sorrow that separated you and I,
you and I.
Your pursuit of a well-ticked time-sheet,
my love for sentiments that rhyme.

I have learned the patterns of the waves,
the way money is exchanged.

Oh, my dearest depression,
my ache for acceptance.
My endless, endless ocean of blue
can be sad, so sad,
but it can be beautiful too.
This is a sequel to a poem I wrote two years ago.
The tone is similar, yet different. I don't like either one better.

Original: http://hellopoetry.com/poem/630028/coffee-at-waterstones/
 May 2015 E
Oaklee Ohmie
i.  
you see her for the first time & she will walk past you as if you are a crack in the wall & she is a skyscraper with her head so high in the air, & when you can't sleep you'll think about the way her eyes strayed into yours for a moment too long before breaking away & disappearing into the crowd of people.

ii.
she'll look both ways before telling you she loves you under her breath & when she hugs you, her eyes scan the empty room as if the walls had eyes & ears & a mouth that could give you away.

iii.
when she's curled up in your lap shaking with a mismatched heartbeat you'll wonder how someone who looked like she carried mountains on her shoulders could crumble so easily in your arms, like the tornado in her mind finally hit her & knocked her off her feet.

iv.
in half-light she'll run her fingers over your arms like she's reading words carved into your skin, binding them together into a perfect metaphor, & you'll hear them playback in your mind at 4am when your head runs wild with thoughts of her.


v.
you'll find a safe haven in rooftops & abandoned rooms where she'll set fire to your insides with hushed breathing between kisses planted perfectly on your lips & she'll make you wonder how dangerous it is to play with wild flames while your body is made of paper.

vi.
you'll stare her right in the eye & tell her that if loving her was a sin then you want no place in heaven because the way her lips fit perfectly on your neck is a paradise you'll never forget.

// the six stages of falling in love with her.
rewritten
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