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Evergreen and ivory
Turquoise tears bleed ebony
Fuchsia trees bear violet cherries
Blood oranges,
Mushroom clouds and ashberries.
These are the thoughts that grace my mind
As I turn to leave
Garden gnomes and rose scraped knees
Faster now
Faster than before
Kiss me golden,
Less, then more
And tell me who I am.
Coteries and clandestine deals
Soft-sweet midnight chamomile
And indigo aspirations
Somber February celebrations
Anniversaries white and red
Blue and green and white and red
And can you keep a secret?
Black-tea memories always slap me sleepless
And I have never known quite exactly how I feel.
Clementines suspended in yellow lamplight
Cross it out to scarlet rewrite.
Beige mountains and Alaskan hills
Crescent moon and sawdust mills
Silver smiles on a benign boat
Blessed if I'm an allusion to a footnote.
Museums as art
Art as museums
Sail the trail to my mausoleum
Psychopaths and physicists
Psychiatrists and philosophers
Philanthropists and pilots and painters


Declare now, that these are our days –
Our hours, and our days
These are our city, our hours
Our time, our days.


This is our world –
At 14:92 I landed here and claimed it
And searched it and found it wanting
Of civilization that I could so easily supply
By means of wounds and iron
And brawn and truth
(and just a tiny touch of influenza darling)
By means of our Lord,
Who grants us all that we desire
If only we **** enough of those he did not choose.
This is our world –
And we shall make it what we will
Make it in our own image
Teach it that innocence is not knowing the difference between right and wrong
Raise it to hate no one
But to love itself so deeply
That all other love seems hateful in comparison.
This is our child, love
Yours and mine.


Here the first shall be last
And the last shall be first
But once the first are last they shall be
Last
Last
      Last
And once the last are first
They shall make it so they can never be last again
This is our primitive accumulation
Of necessary materialism
Let’s cultivate matter
To make objects that we can place on shelves
And in cases –
These are our cases
And we love them as we love ourselves


Museums as mass graves
Mass graves as museums
Kiss me in my mausoleum
Priests and prisoners
Prostitutes and prophets
Pioneers and pilgrims and pagans


This is our time –
And we are dispensing it in spendthrift increments
Buying threadbare bandages for our cavernous canyons
Buying ample earplugs
To seal in the silence
So we can somewhat say
“look there is peace –
Look we have done it
In our time it is accomplished” – 


This is our peace –
And we know it by the signs
The lions and lambs lay quietly together
In our brass-barred zoos
For as long as shelves and cases
Are intact and the first are first
And the last are last
And the civilized are organized and holy
There is peace –
Oh, look
We made peace!

And as for Solomon and Socrates –
We take their words to weave through our new wisdom
And when we re-chart the constellations
We shall give them each a star
And salute them once a year
When they come around the universe
Oh, look
How wise we are!

Mass graves as art
Art as mass graves
There have been no better days
There has been no greater time
Politicians and pornographers
Professors and pirates
Psychologists and pastors and pianists


This is our time –
And we are doing with it the very best we know how
The last are toiling and trying
And the first are trying to think to try –
But there is a shortness in our hours
And a violence in our peace
There is inherent foolishness in our wisdom
And disease in our cities
And there is death upon our shelves and in our cases.

This is our world –
We crafted it and declared our truth to be true
We sculpted this, our colosseum
Please inscribe my mausoleum
With “we know not what we do”
Hair burned into beautiful submission
Face acrylically defined and chemically composed
Adornments meticulously chosen
Scent tested and approved
Smile practiced and performed
I am a porcelain doll
Sipping tea, at 6 am in the quiet of a sleepy-city apartment
Porcelain doll dainty wrists
Washing dishes, feeding cats
Folding linens, singing hymnals
Praying for peace and safety
Porcelain doll knitting sweaters
And folding paper cranes
Reading poems, setting tables
Wearing cardigans and pearls
Porcelain doll decorating cupcakes
Lighting scented candles
Watering potted plants and humming childhood lullabies
With my porcelain painted lipstick mouth


But lipstick can be dark
Eyes lined black as city alley ways
There is anger at injustice
The world outside the confines of a pastel doll house
It’s messy
It’s hard
It’s iron and concrete and coal
And I am too
Biking through the brick metropolis
Sunglasses and headphones
And anarchist literature
Evenings spent sprinting through the smog
Heartbeats synchronized to the crude drumming of the city
So hard to impress
I’m on the metro
Eyebrows structured and defined
And adorned with a calculated air of apathy
See me social justice march
Down highways with fervently entitled youths
See me armed against misogyny
Until my peers learn to better conceal it
See me smoking cigarillos
Drinking black coffee
Breathing the tainted air of the city that birthed me
And chanting manifestoes.

But my manifesto can be love
And love can conquer anger and fear
And hatred
Love can reconcile, it can erase timidity
And it can abolish resentment
Let it wash my face and take the need for vengeance from my spirit
Let it replace the thirst for power with thirst for truth.
I burn incense
And wear long skirts
Naked face and braless lazy days
Reading pacifism in the park
I walk far to find pure air to breathe
I sit and deconstruct my dichotomy
Under a wise and ancient tree
I trace myself backwards and forwards
I meditate on the paths I have traveled
I cry for the things I have seen
And for the things I have done
I contemplate transcendence
I drink wine and listen to folk music
On the terrace of my home
I bike barefoot to buy Indian takeout
And eat it in silence on the floor of an empty room

I think only of death
And resurrection
Of betrayal and redemption
Of opposites and compliments
And how to progress in knowing how divergent pieces of myself can learn to harmonize
I think about minimalism and materialism
Sentimentalism
And swords and pens
And how this race I run was rigged from the start
I think about blackberries
And the complexity of their literary and symbolic significance
I think about the number seven as I see it reoccurring in every possible sequence and equation
I think about God,
And TS Eliot
And If I dare disturb the universe
I think about porcelain dolls and ****** activists and ***** hippies
I think about war and peace and politics
About corruption and poverty and imperialism
About western ideals and conspiracy theories
And communism
I think about being radical,
And how both sides of this ideological war are defined by fear
And I think about love, as radical but defined by the absence of fear
The absolution of fear
And how I am fairly certain it is the answer
I think about the inevitability of art and war
how they create each other
how they destroy each other
inspire each other and annihilate each other
and how there is nothing that is innocent.
I think about pain and privilege
And stacked decks of cards
I think about dreams and nightmares
And prophesy.
I think about the darkness within me
Tendencies to lie and manipulate and steal
The darkness that I know could make me very great
But alone in the ashes of the world
I think of the curse of wealth and power
And I try to evaluate my motives
And the driving force of my ambition
But I don’t know.
I think about grace and all the things I don’t understand
And toil and fate and destiny
The shape of these things, their origins and culminations
And what this black box of secrets contains.
I think about so many things,
Until everything I was on the outside is gone.
My body is gone
My painted face and sculpted hair
My varnished nails and pierced ears
All my clothes and appendages and freckles are gone
My blood evaporated
My brain an invisible energy in the wind.
My home and street
And city
Are gone.
And even in such complete concentration
When it is only my essence and nothing else
And I transcend throughout my past and future
When I am spread thin
And stretched into the corners
When I fill the cracks and crevices
And melt into the pores of everything
And my spirit is awaked to a dimensionless reality
Even then,
Scio Nihil

I know nothing. .
It's long but an accurate depiction of how my brain works. Written this summer back when I had to much time to think about everything.
We know what we want to pin up,
But not sure what to pin down.
After this November will be the most dreaded month
not because it was when I lost you
but when I knew it was coming,
looming, and this time lightening wasn’t dancing
in the distance it was creating it.

Collecting moments of you
like storing food in a bomb shelter
for when I’m at war with your new
hand watch for not letting us work.

Every time the hand ticks
it is moving me closer to a time without you
and everyday is watching the hourglass of us run out.

Despite this, if I could live with you
in a calendar filled with Novembers, I would.  

But I can’t so before you go,
will you watch 44 sunsets with me?
To the Williamson Brothers

High noon. White sun flashes on the Michigan Avenue
     asphalt. Drum of hoofs and whirr of motors.
     Women trapsing along in flimsy clothes catching
     play of sun-fire to their skin and eyes.

Inside the playhouse are movies from under the sea.
     From the heat of pavements and the dust of sidewalks,
     passers-by go in a breath to be witnesses of
     large cool sponges, large cool fishes, large cool valleys
     and ridges of coral spread silent in the soak of
     the ocean floor thousands of years.

A naked swimmer dives. A knife in his right hand
     shoots a streak at the throat of a shark. The tail
     of the shark lashes. One swing would **** the swimmer...
     Soon the knife goes into the soft under-
     neck of the veering fish... Its mouthful of teeth,
     each tooth a dagger itself, set row on row, glistens
     when the shuddering, yawning cadaver is hauled up
     by the brothers of the swimmer.

Outside in the street is the murmur and singing of life
     in the sun--horses, motors, women trapsing along
     in flimsy clothes, play of sun-fire in their blood.
 Nov 2015 E Townsend
Tupelo
You were an architect to my fears
Knew the walls that would cave in on me
the corners I sought shelter in
Built cathedrals out of my vices
Monuments for my shortcomings
Raised cities, lined the streets with my body
Named the neighborhoods after the parts of me
I wished to forget
All the good in me is timber inside a burning building
Making ashes of the man I once took pride in being,
You hold all the blueprints,
Know my alleyways and sewers,
The backstreets and corners that make my chest,
I have no more steel to make this foundation stable again.
So far away from here you've gone. Maryland was difficult.
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